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Nobody 16h
6
your sticks and stones
didn't break my bones
but god, did your words hurt me

let's have a court,
the type with guns and swords
and blood is the jury
god im so emo *****
benzyl 16h
Gently indifferent, resolved, hardened in stasis
As rain on unallowing concrete
In earthbound unflow downward:
Gravityโ€™s darkbow so torpid

Roaring past chronology:
the machinery of ten minutes later, blurring
echo and desire, calling
time bygone time.
Lying.
Murmuring and rustling, grasped in closure, the absence of leaves
Subtly and steadily
The absence of mother.

In obeisance I cede to these greater forces and stoically belt myself
Insufficient enough and ready in faith
That ever comforting rope

Yellow the visage glares oblique
A hazy, flat omen
Blinking, too, as it drives onward
Sentimentally no longer:
The sterile plane of a new day

Gentle, gentle waking world
Icarus me in sky not sea
Lizzie 16h
Prologue

The poets of oldโ€”those great men who
Told of love so great, and strung
Floating words in harmony
To paint the beloved of whom they sung,
Whose passion became their Faithful Museย 
(Did they pick Her, or did She choose?)
And so outpoured from that resource
The greatest stanzas that eโ€™er were heardโ€”

Those famous poetsโ€” how they knew
Like the back of their hand, the blue
Violet, the red rose, the โ€œsweet are youโ€!
Those clouds they carved with pen became
Their tribute to Loveโ€™s timeless fame.

But I cannot re-create like they
The object of my love. I only mangle
Words, destroying diction. Though I say
All that I can, the ensuing tangle
Meets the ear like salt on a slug!

Still, my love, I will try to make
A verse thatโ€™s fitting, for your sake.

I.

Quoth Burns,
โ€œMy love is red, red a rose
Sprung in the month of June.
My love is like the melody,
Thatโ€™s sweetly played in tune.โ€
And Iโ€”
Your smile is a melody,
Played out upon a handsome face.
Your touch speaks what lips cannot,
What lies beneath their gentle grace.
Wrote Frost,
โ€œShe was a window flower,
And he a whirling winter breeze.โ€
But Iโ€”
Your voice like is hot chocolate.
My heart and soul are warmed by these.
Mr. Whitman writes, โ€œI find
No imperfection in you,โ€
While I,
Present to your perfection, see
Your flaws, and more can I love thee.

Eliot penned, you are โ€œThe delight
That quickens my senses in waking.โ€
Your laugh, I add, is a warbling brook,
That comforts my heart when breaking.
Your arms are anchors in the storm
That keep me from the ragged shore.
Your eyes are but two dancing lights
That welcome home the weary soul.
Your tears are like the misted rain
Through which the sun shines bows above,
And โ€˜neath that rainbow I am blessed
To kiss away your tears, my love.

II.

โ€œWhen forty winters besiege thy browโ€โ€”
(I am quoting Shakespeare now)
And thy face, so handsome to my eye,
Is like the trees withered dry
Its โ€œsubstance still lives sweet.โ€
That is, although the accidents meet
The greatest standards of Substance Seenโ€”
A comely face and well-built limbs,
With strength that says, โ€œIโ€™m safe with him,โ€
A cheery laugh and sturdy chest,
A dark, trimmed beard, and all the restโ€”

Though dashing your appearance be,
There is much more than that to thee!

But how, my love, can I capture what
Underlies? For this
Is so much more than your looks,
And so much more than your kiss.
Your actions tell of your inner self,
And I could list (as I have before)
Those which Iโ€™m so thankful for.
Still,
What I loveโ€” is so much more.
How, my love, can I hope to ink
That fleeting thing? Though always there,
Itโ€™s the little things that speak of it.
I see itโ€” itโ€™s gone. Itโ€™s nighโ€”itโ€™s here!
I stretch my fingers and curl them
About it, quick as a pistol shrimp,
But when I open my mortal hand,
Your โ€œto beโ€ is pale and limp.

III.

Why did I hope to grasp it?
Poetryโ€”Philosophyโ€”
Aristotle, Socratesโ€”
Kipling, Sopho, Hopkins, Yeatsโ€”
Definitionsโ€”quiddityโ€”

โ€œMan is both soul and body.โ€
No man has caught โ€œesseโ€
Anywhere in history.

Says Hopkins:
โ€œSelvesโ€”goes itselfโ€”Myself it speaks and spells
Cryingโ€”what I do is me: for that I came.โ€

Jaimason, Jaimason!
I can only say your name.
Brooklyn 16h
My parents are mad.
I hardly speak.
I stay in my room.
I canโ€™t ever leak.
Iโ€™m sorry I donโ€™t love like you.
Love is earned for me,
and I donโ€™t like hugs like you.
Leave me alone.
I know itโ€™s just a touch for you,
but I really really just hate hugs.
In ๐‘ณ๐’๐’—๐’† ๐‘ฉ๐’–๐’”๐’Š๐’๐’†๐’”๐’”, Dorothy has some of the funniest lines in the entire series, delivered while Chubby is practicing his seductive patter on an oversized cut-out poster of Greta Garbo in front of a movie house:

Chubby: Darling, can you hear the pleas in my whispers?
Dorothy: Darling, can you hear the fleas in my whiskers?
Chubby: If love is like a rose, I will pick my rose in the bud.
Dorothy: If love is like a rose, I will stick my nose in the mud.
Chubby: My heart is filled with joy. I want to trip and dance.
Dorothy: My heart is filled with joy. I want to rip my pants.
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