It’s on everyone's eyeline the flying clouds spill the treasure sea raining down on this perfectly placed mural.
The Queen of Sheba tiptoes on this way King Solomon keeps an ear on the ground only to find seas of silent blooms already musing dipping in the sun kissed dews on gently tilted roses that won’t drop down not from this picture perfect navel-high!
Velvety rose up from the ground forever green earth is hanging low in the dew on the rose that won’t fall. Blossoming, eying on a acute high evermore hopeful to scale high aspiring to the faraway awaiting heaven’s pool. There the spotlight won’t move to the north or south nor up or down until Queen Fathima the Queen of Heaven steps on spot on on the ‘as above so below’ *****.
There the newly resurrected earth will be primed its minted atom’s vibration will hit out of the park for the first time rising atop the navel high. Perfectly wrap atom’s circle finally turns on, the stepping stone one that has no pi decimal hole. Pure scientia on the door of paradise shall hang on lo the numerically perfect Queen Fathima to step on!
God willing she will work in beauty the most sought after perfect works of art, the lost masterpiece not in translation but in the pi decimal hole in earthly deep lo the gleaning sleeping beauty peeps trailing the role model Queen.
Fathima the first woman entering paradise walks the walk perfect straight numerically precise. Like she knew back from the earth the murals ahead hanging on the paradise wall mathematically exact! Mirrors of imaginations anew wonders on heaven’s way in the murals at the golden section on the navel high.
She zoom passes the ever spinning atom's perfect span cemented tangent at the entrance of paradise. Yet leaves no foot print like she never did on sublunary earth, new ponder in the old classic eyes, oh pi still irrational, wonder in measured navel high!
While writing this poem I had a feeling that the navel stands in the golden ratio section. Then after penning the poem when I checked I found this thesis: The Math Behind the Beauty argues that "Leonardo da Vinci's drawings of the human body emphasised its proportion. The ratio of the following distances is the Golden Ratio: (foot to navel) : (navel to head)".