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Nat Lipstadt Feb 2024
Upon appearance of an untitled poem with no body in my Drafts
<>
never have I ever
written an untitled poem,
nor painted a human sans
a head;  arms, legs, o.k., but,
but when the purging urging
enwraps me at 12:22 in the AM,
i cannot birth my babies
stillborn,
unnamed, forlorn,
it’s every breath would be
an accusation, of breach, malfeasance,
a child nameless, is the worst of all orphans,

the poem’s title is its inner essence, a preface,
a forward, and epilogue, just as your names is
both begin and end, a hint of who you are and from
whence you came, and where you are bound to be bound,
it is your birth name, and final resting place, a hint of who you
we’re, ared destined to become, to be, and to come,
an entitlement!

ah you curse or bless, thy given name, no longer do
you examine it, write it repeatedly, to despise or admire
the sounds of it exiting thy mouth, a roomful of teeth
and tongue in concert cooperating and conniving, silky
hissing your who-you-are-ness, you, who are poem, exist not,
cannot be, without your entitlement; ah you pause and say
to the sleeping woman who neither hears nor cares,
who am I, who I am, and the differences
entre deux
that are my
character

yes, a untitled poem is forever
unwished, unfinished
unwashed?
and to eternity, forever lost,
unsigned, unconsigned,
unfortunate
unconsummated
finis @2:52Am
2-5-2024
Nat Lipstadt Feb 2024
a quote from Samuel Johnson, or Dr. Johnson, the storied eighteenth-century poet and essayist who once said:

“The sole aim of writing is to enable readers a little better to enjoy life, or a little better to endure it.”

<>
our “sole aim,”

Oh what burden the doctor places on our shoveling pens,
to be earthmovers
that dig trenches, uproot earth,
that lies and hides our faces, entombing our hearts,
eliciting and erupting emotions that cannot be contained,  
nor controlled,
indeed, deserving of replanting in
our shared selves, transplanted into a communal flowerpot
of our multi bursting colored commonality

lift my composing tools,
peer into
winter blue skies guarding the towers of
Manhattan isle, longing for guidance.
lusting for specificity of direction,
how,
how, to easy our burdens
with carefully selected and
careless wonderful words,
words that deal out caring uncarefully,
with a graceful recklessness of abandon
that open thy tears,
lift up the edges of your lips,
so that my duality is your duality,
the burden shared.
the burden eased…

to cry and laugh simultaneous,
lift and lighten,
a momentary distraction,
a cut flower in our vase,
that lasts but brief,
yet with each gaze repeated and
repeatedly,
well stains us with
eyes uplifting
8:03am Feb 4th, 2024
how quickly the new year molts into a
normality, resolutions tarnishing but still intact,
and any blue shade of sky, even the least
baroque and most pale, hints that summer warmth
is nearly visible…
Nat Lipstadt Feb 2024
"I will create as I speak."

<>
these profound and most serious of words,
vibrate within my chest (really!) as I
tongue test them, having just awoken
and a Sabbath ~Saturday looms before me,
naked and full of
potential.

I am hopeful, and unafraid, by the clean sheet of twenty four hours that covers me nearly toes to head, a singular occurrence,
normative
would be dread of the shroud of lists of items of urgencies that demand outage justifyingly,
urgencies crying out,
attend to me now!

but this day different, a sleepy peacefulness
compromises my interstitial spaces, and an amber color of
calming quiet fills them, no raucous splashes,
no errant droplets hinting at the fullness-yet-to-come
when the tanks of
empty are quietly, with a silent sigh of finality, announce the profundity of sufficiency and satisfaction facing
undefined emptiness,
that these contradictory sensations are
harmonious extant
within me for the foreseeable momentary.

Dai!

this single syllable Hebrew word for “enough,” issued in one breath, like “the end!” hits me with a slap of sensibility as a closing lid on this just about to possibly boil *** of emotions and internal combustion.

two last thoughts burr me mind before signing off:

the contradictory nature of the blanket of
an unscripted openness of a day ahead, and the
totality of its fulsome satisfaction it offers,
do not confuse me.

no scholar I, it occurs that the word Dai,
unlike any other, has a root unknown to me,
but internet of godlike humans had anticipated my query and offers me irony and reassurance that I am so not the first to wonder and know this satisfying confliction of this two headed Hydra send-story, sensatory, balanced imbalance
for the root of this common word used daily to say:
“enough,” “stop,” or “that's sufficient.”

comes from the root is DaWaH דוה which literally means
“to flow or extend outward.”

and though
*
I created this poem as I spoke,**
I only reiterate what my ancestors already knew
thousands of years ago!

by the bye,
the Hebrew phrase "I will create as I speak,”
is well and better  known to you as:

Abracadabra.


Dai!
Saturday
Feb. 4 2024
6:39am
Nat Lipstadt Jan 2024
“a decade old is forever new, for
truth is never old.”
Pradip Chattopadhyay 


this man, ten years of inspiration, ten years of friendship, here,
on HP,
provides nourishment to my lagging body as it nears eight decades
of Earthly occupation, for
his eyes and heart and his mastery
of the songs of the tongue,
have wrenched me straight,
we, attentive to the tears
he makes me weep, for his insights penetrate my insides,

even now as one, unexpectedly, reflects midst
yet another first poem of the day, my eyelids blink away
the wet,
my brain revels at his pithy, how he corrals,
encapsulates the daily smoke and fire of life,
it truest value,
in words that make one wonder,

what admixture of mineral, chemical, history,
adventures, atmosphere, parentage, spices,
love gives him these super powers to gentle
seize the moment, size our souls, causing my
cheeks to wide smile, while mine eyes sheds
monsoon droplets of feelings so deep, that
my repaired heart oxygenates my very soul,
making me high, my mind reels that a day will
come inevitable
that one of us will be unable to sit by side,
swapping tales of granddaughters, and
other earth meaningful events, to walk his
streets or he, mine, finishing each other’s
couplets.

to think that I awoke with no intention of
composing this paean, but his brief pearl
knocks my head side to side,
and with the
tears, come words,
that age, or an entire
decade,
cannot restrain,
retrained to modesty,
for regarding my friend
Pradip,

my boundaries expand and cannot be
contained, even by my delimited vocabulary,
the paucity of my skill, the insufficiency of
the adjectives acquired over a lifetime, but
do my unequal-to-the-task best efforts,
but without choice, but compulsed, compelled,
one more time, to say,
to my new day,
perhaps my last,
I love this poet~man.
this is one of my truths.
<>
Wed Jan 17 8:31am
City of New York

<>

read the poetry of
https://hellopoetry.com/pradip-chattopadhyay/
<>
truth is never old.” Pradip Chattopadhyay  lipstadt
Nat Lipstadt Jan 2024
easily,
with an optimism misguided,
that both volume and quality
of what lay within was
infinite,

a beaker that could never
be drained, nor overflow,
brimming and believed,
in the always
of a
next poem!

know better,
known worse,
and the only poems that are birthed,
all flawed, lesser,
the curse of worse,
time wrenching
the best words away,
alas!
spend, spent, sent…
it was writ as a hope,
now, a  false prophecy
and woe
misbegotten


<>>

Jan. 13, 2014

a  flawless poem

if such there were,
will always be,
the next one

my poor soul,
my rag tag heart
has no censor,
so careless, reckless,
as if words were but
frivolous treasures,
easy spent, easy get


if only, how I wish I
could harvest my best,
with golden cutlery excise
the single flawless poem,
that I know in my possess


lay down this hand so weary
from cupping tears,
be satisfied at long last,
so much so,
that my casket lowered,
hands in repose companioned,
clutching his best, easing his rest,
a paper record to join his ash,

his flawless poem,
at long last
flawless anniversary
Nat Lipstadt Jan 2024
^words of Wislawa Szymborska
(a phrase from her poem  “Some Like Poetry”

———————————

gorge on poetry,
thereby!
imbibe your raison d’etre,
if well examined,
one will be exclaiming:

Exactly!

we on trial from birth,
for having been born sin~innocent,
yet guilty for having allowed
in nighttime light pollution,

one searches for places in
life’s momentary memorabilia,
band~aids, orange lifesavers,
a phrase, photograph, pale bulb light…

these “things,” are our
hitching posts, lean~to,
grasped hungrily for
support whence
negotiating the
steep Spanish Steps
of the staircases of
monumental outrageous misfortune

this poetry,
this poem,
this railing,

sustaining from Day One to
Day T+1 and beyond,
a protuberance of strength
to grab onto before the
shaming of old fails falling,
a head banging despair of barely
hanging on,

unbeknownst to you passerby,
we, who live a life of bare bones,
only mimicking existence, while
questioning Death’s delayed arrival,
and only by,

this poetry,
this poem,
this railing,

sustaining our edge two forward, one back,
cognizant of our awesome missteps,
begging permission, to-liv-liven, a moment more,
offering upon-this altar, a sacrificial lamb,

this poetry,
this poem,
this railing,

sustained in the writing thereof,
expelling the fumes of the

nearly, the never, the hapless hoping

Thu Oct 26 2023
8:15am
x^words of Wislawa Szymborska
(an excerpt from her poem  “Some Like Poetry”

p.m. when the poems grasps me,
my nostrils filled with single breath
good for one more day
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