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Nat Lipstadt Nov 2019
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“rootless in shallows of momentary mayhem
and no matter the change in horizon,
there is always some thing to be found
that could remind me
of the worst ways I have ever been.”


from “Harlequin Days of Fecund Fervor” by Victoria

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rereading these your words, upset forces me to break a recent vow,
my own writing banished, now faceless in the ranks
of just another poet, busted in rank, chose my own
decommissioning but then your momentary mayhem
plea, fecund you, your third harlequin, states construct!

stay the constriction, the recalling of our worst worsts,
for there is always something to be found, recalled,
that the horizon’s only constant is constant change,
especially the worst worsts

I am colored by your treats, your word plums ripe even
out of season, and the mayhem is mine only mine,
robbed you for it is I, rootless, given up my planting, then
the cobblestones of old new york, trip me up, saying
even old things such as you, have a prime yet to come,
stones fecund seeding, predicting I am not done, just undone,
and fetuses within this dying body, may yet be carried to term,
may yet, maybe, may be, but may be caesarean stillborn

rambling this, mostly musty unclear, so summarizations a
sensible thing, a pardon requested for clarity is a sometime thing.

rare are the days that the terracotta colored soil
darkens my fingernails,
it is dried blood from my scratching deep beneath the skin’s topsoil,
but nothing grows that’s whole, warped are the word fruits.
my soup is hot water with salt, a tasty dish apropos for one
whose growths are rootless in the shallow, infertile dirt of stones
that reside in the shallows of a garden of mine own
fecund may-hem of the grey fall sky autopsy turvy
Nat Lipstadt Oct 2019
an au revoir here penned,
man on a cliff doing a spring, fall over cleaning

a few rusty drafts still needy for completely
but you know times up when tide rushing out
and on your leg is a big red rash that wasn’t there
when you waded in a few minutes earlier

tastes changes, like seasonal entrees on a restaurant menu,
seasons come and go, reappearing, but last years dish,
out of style, except for the occasional recalling

the body and the work must together concert,
poetry like a lifetime of lovers, you leave them behind
for loving them too well, using up the verses left inside,
then comes the time when love dries up and the words concomitant

the nighttime scraps will still be kept in that sewing box,
that storage space rented on a 99 year lease
but now for my eyes lonely only, this nub is stubbed,
this last one, at last, succinct

au revoir mes amis
Nat Lipstadt Oct 2019
weak    rise    scars    spent    breeze    lungs    spirit    eat    teeth    car    shine    nature    died    veins    neck    top    moving    sat   loves    dry

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the spent breeze rises up, moving,

****** into, ******* up air in our lungs
but yet still! the spirit weak,
the teeth useless chewing,
dry words mashing,
no eat, just pasty

the scars shine
like veins protruding from the top of a man’s neck,
looking like holes in a  rusted car that can’t never
shine no more,
once the breeze stops moving

he sat there while he slow died,
not moving,
nature and his loves
and his
skin slow dry texturized,
desiccating

done.

the spent breeze rises up, moving on...
Nat Lipstadt Oct 2019
fresh coffee
bagel with shmear to go,
don’t forget the napkins,
oh, I’ll take a dozen lovers also....

mixed please
3 happy
3 ****
3 faithful and true
1 dark
1 light and
1 plain

a bakers dozen^ you say!
an extra lover?
ok!
if you will,
just another plain, if you please,
cause a plain lover is all
I’ll truly need
oy, was I writing awful stuff
^ a bakers dozen is 13
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