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  Mar 2018 Nat Lipstadt
L B
Drinking wine by candle light
Small flame that might've
toasted music
Holding off instead
a flood of grief
Some wall I must retain
Some hope I still maintain
called life
...or was it love or...

one of those foolish things....

It's not important now
I am not known for caving-in
complaining
Not one for asking
nor for needing much
to hold my own...

I just need everything--

Boundless days of youth
forever slipping  
Only one dream yet remains

Wash over  
tender tide
The sea has found the breast
Seals it with its mouth
a hunger
lunging toward its home
of earth-warm woman
a deep surround

Longing there to cry
to take her back
to take it out on all
the taking

hurt of it
the bitter
and the knowing
loss of song

I can't recall

...The music that I cannot make
for lack of everything
  Mar 2018 Nat Lipstadt
Poetoftheway
reaching the back of you

not sure I could.      not sure i would.
       scent of the crime uncommitted uncovered

the meandering is the man demigod demagogue taking
time
         pleasured mercy
                                         the remaindered searchingly
                                                                ­                                 suffices

you don’t speak plain english the only tongue i got
insert the coin in your slot commencing researching the
way in and
don’t think i want to find the way out to the
back of you hiding in the inside learning the way you visualize


playing amy winehouse as an overlaying graph to the autoroute
to the south of france, sur-la-mer, why ever leave and you come
in my mouth poems new each time

no exit. no back of you.  stuck in a longingly heaven

this house is my home and I know the sun brightest
when i put my coin in the slot of play and press the
new tune button at 4:10AM
thanks for the quirky comments for this quirky poem.  Not my normal style. Inspired by a poet here who writes quirky poems, many of which, I fail too, to fully comprehend. The only way I could hope to understand them was to  "insert the coin in your slot commencing researching the way in and  don’t think i want to find the way out to the back of you, hiding in the inside learning the way you visualize...no exit. no back of you.  stuck in a longingly heaven" and getting stuck, unsure if I want to reach...
  Mar 2018 Nat Lipstadt
Dead Rose One
nobody gets the cancer twice.  
(a blues guitar riff)

blood in the stool
ain’t nobody’s fool,
whent to high school
did not graduate,
but know it wasn’t no thing I ate

scale greets me friendly like,
long lost buddy from yesterday morn,
‘let get right down to it,
let’s see how much less of you borne
leftover alive from the prior day’

spirit spit blood from my gums,
got me a woman, she’s way over town,
woman said I’m brushing with
too hard a brush, alright, alright,
make no fuss, she’s good to me

nobody’s fool whent to school,
though I did not graduate,
a mean riff is better than a
slow moving woman blues cry,
got the strings to do my screaming

doctor is a fan, name is Jimmy,
played music like last time round,
Jimmy-jamming, dancing in the waiting room,
“that cancer got kick, it’s gonna get ya,
think I told ya that about hunner times before”

‘nobody gets the cancer twice,’
an old wives tale for unlucky po’ somofabitches,
do you some tests, tell ya the specifics,
right now, lay, lay down them new tracks,
no quitting time less the good lord comes a-calling’

blues guitar makes a man
cry shiver scream and shake,
progressions licks and tricks,
so you can’t tell what’s making
a grownup man cry and laugh louder

bring me my medicine
bring me my guitar
all I know is how it makes me feel,
oh baby once a night it’s true,
nobody gets the cancer twice
Nat Lipstadt Mar 2018
texas blondes shotgun size

hurricanes can’t survive where northern boys rule,
it is just a national geographic magazine truth,
everybody knows the slow frenetic taking is a compromise,
my tongue parachutes inside the dome and the soft down
comforter is on the floor in the hotel room with a view of
fifth avenue and central park and the occasional glance outside,
a landing zone for the  V-day parapoets

room service delivers in god’s love we trust.
i teach you my mastery and you laugh
texas blonde shotgun size

is that the best you got
and I laugh
cause we don’t got hurricanes in manhattan
unless they are man made
and the shower handle won’t turn us off

in what time zone is it am4:29
and you feed me verses like long legged spaghetti lines,
and i say too fast too fast and you say too bad too bad
northern boy
that how texas blondes shotgun size write poems

4:29am
fictitious delicious
  Mar 2018 Nat Lipstadt
Smoke Scribe
all poems write themselves, following plans that are drawn only
as the poem goes along, neither leading or following, but
carrying the writer along as first violin, a VIP passenger,
the first viewer, a consultant but not a conductor

a poem is written based on what has happened
a poem is written based on what was hoped to happen
a poem was written based on what could never happen
but is so well imagined that it is more real than if it happened


I willingly tell you I will not tell you which is what, for there is no difference between them for the writer, the first passenger,
though undeniably fully aware of the quality of the ware
that is proffered, plottered or just perchanced

perhaps you are thinking, but of course,
this is the way,
the way of all of us,
the way it has and will be and no
disclaimer needed for no believable claims are made

perhaps
for the weave is oft tight, tight as near-truth, and so well imagined, it wraps the first passenger in a cloak of skin
that actually feels, though cloaks cannot feel,
but belief is easily eased

there are no lines or lies in my writings
there are no definitions and
perception is only your truth


Therefore,
my poems are splats and drips.
you make them into paintings that hang
in your own private museum
but authenticated by me as
first viewer,

3/13/18
1:09am
  Mar 2018 Nat Lipstadt
Left Foot Poet
cellphone to heart, mobile to immobile, electric dead to living

you know that sleep and I are but passing acquaintances,
when it drops in, to heavy my lids, it is through a cracked window slivered, just enough for a Pan boy to grab me and away me to Almost Neverland

when the alarms sound that it’s sleepy time,
(quite like that quiet verse)
no time to delist the “those pre-shluffy to do things,”
cell drop upon my chest, like an open mic,
then the raging observatory tapestry begins!

the cell lies directly above my ventricular chamber,
and communication is live, the brain cutoff switch, well, cutoff

all manner of imps, devils, rejected poems, angels and
Greek gods and some Indian as well, stand in line for to make
free calls via a beating human message call center, utilizing my friends and family verizon plan to register complaints,
close out unfinished biz, or just contact, friends, family or other
mischievous imps or even you, in other time zone worlds

though my brain may not interfere, like the CIA, it records all
conversations and give me a list of new poem titles, notions, stories glories and wrenching heartbreaking heartbreak,
requiring “fleshing out” when I awake from my three fingers
of scotch, glass eye tears drops made me drunk,

damning this transmigration chorus of voices that offer up a treasure of divine humankind’s hopes and travails,
and the occasional call on the divine’s 1-800 confession line,
hear it all, my chewing out by one particular god of mine who does not suffer my criticisms well of his ungodly actions, nope not sweetly and

when else would he dare contact me, except when no edgewise
words of mine can appear to contradict his mealy mouth excuses

did you musty misty mistake  my poems  as the product of
the miracle water wages of my imaginary inspiration,
no, not, from the replaying of your desperate exclamations,
the cancerous shrieks of loss and prickly investiture of the aesthetics of soft whispers and solitary foot treads,
that is where my insanity is bred, and tumbling s-words, sworn

don’t consider it eavesdropping as there is no signed rental agreement, consider this unfair warning, if you should secret use my cellular line, your everything is now ******,
your genetic material is materialistic mine and my poems yours,
this bittersweet sentiment is a measure of our bloods commingling,
your tears and impish silliness, are shiny hidden within mine

somehow I feel compelled to state this unique statistic:

I love you

4:47pm on 3/11

who writes poems like this?
silly old boys with gray hair, standing on one left leg.  but you knew that, right?
  Mar 2018 Nat Lipstadt
Dara Brown
Every Sunday
we watch football together
& while we yell at the plays
I wonder,
when are you gonna let me
gain some yardage on you?

Every Sunday
You yell,
That fool could have scored!
& while I look at you
I say to myself
Yes, you sure could have by now,
but like that quarterback
you move too slow
I wonder,
why are we still playing
on separate teams
when we like the same game?

You’re such a fool

If only you knew
how badly
I'd like to tackle you
& convert these last 2 points
by letting you hang
Between my goal posts
rush my endzone
and make the best
touchdown of your life

Tell me,
Can we huddle?
Can we discuss
this repetitive play
we keep pretending
we aren't playing?

Meet me at the
50 yard line
Of your bed

Let's scrimmage
man
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