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 Apr 2014 Margaryta
Oscar Wilde
It is full summer now, the heart of June;
Not yet the sunburnt reapers are astir
Upon the upland meadow where too soon
Rich autumn time, the season’s usurer,
Will lend his hoarded gold to all the trees,
And see his treasure scattered by the wild and spendthrift breeze.

Too soon indeed! yet here the daffodil,
That love-child of the Spring, has lingered on
To vex the rose with jealousy, and still
The harebell spreads her azure pavilion,
And like a strayed and wandering reveller
Abandoned of its brothers, whom long since June’s messenger

The missel-thrush has frighted from the glade,
One pale narcissus loiters fearfully
Close to a shadowy nook, where half afraid
Of their own loveliness some violets lie
That will not look the gold sun in the face
For fear of too much splendour,—ah! methinks it is a place

Which should be trodden by Persephone
When wearied of the flowerless fields of Dis!
Or danced on by the lads of Arcady!
The hidden secret of eternal bliss
Known to the Grecian here a man might find,
Ah! you and I may find it now if Love and Sleep be kind.

There are the flowers which mourning Herakles
Strewed on the tomb of Hylas, columbine,
Its white doves all a-flutter where the breeze
Kissed them too harshly, the small celandine,
That yellow-kirtled chorister of eve,
And lilac lady’s-smock,—but let them bloom alone, and leave

Yon spired hollyhock red-crocketed
To sway its silent chimes, else must the bee,
Its little bellringer, go seek instead
Some other pleasaunce; the anemone
That weeps at daybreak, like a silly girl
Before her love, and hardly lets the butterflies unfurl

Their painted wings beside it,—bid it pine
In pale virginity; the winter snow
Will suit it better than those lips of thine
Whose fires would but scorch it, rather go
And pluck that amorous flower which blooms alone,
Fed by the pander wind with dust of kisses not its own.

The trumpet-mouths of red convolvulus
So dear to maidens, creamy meadow-sweet
Whiter than Juno’s throat and odorous
As all Arabia, hyacinths the feet
Of Huntress Dian would be loth to mar
For any dappled fawn,—pluck these, and those fond flowers which
are

Fairer than what Queen Venus trod upon
Beneath the pines of Ida, eucharis,
That morning star which does not dread the sun,
And budding marjoram which but to kiss
Would sweeten Cytheraea’s lips and make
Adonis jealous,—these for thy head,—and for thy girdle take

Yon curving spray of purple clematis
Whose gorgeous dye outflames the Tyrian King,
And foxgloves with their nodding chalices,
But that one narciss which the startled Spring
Let from her kirtle fall when first she heard
In her own woods the wild tempestuous song of summer’s bird,

Ah! leave it for a subtle memory
Of those sweet tremulous days of rain and sun,
When April laughed between her tears to see
The early primrose with shy footsteps run
From the gnarled oak-tree roots till all the wold,
Spite of its brown and trampled leaves, grew bright with shimmering
gold.

Nay, pluck it too, it is not half so sweet
As thou thyself, my soul’s idolatry!
And when thou art a-wearied at thy feet
Shall oxlips weave their brightest tapestry,
For thee the woodbine shall forget its pride
And veil its tangled whorls, and thou shalt walk on daisies pied.

And I will cut a reed by yonder spring
And make the wood-gods jealous, and old Pan
Wonder what young intruder dares to sing
In these still haunts, where never foot of man
Should tread at evening, lest he chance to spy
The marble limbs of Artemis and all her company.

And I will tell thee why the jacinth wears
Such dread embroidery of dolorous moan,
And why the hapless nightingale forbears
To sing her song at noon, but weeps alone
When the fleet swallow sleeps, and rich men feast,
And why the laurel trembles when she sees the lightening east.

And I will sing how sad Proserpina
Unto a grave and gloomy Lord was wed,
And lure the silver-breasted Helena
Back from the lotus meadows of the dead,
So shalt thou see that awful loveliness
For which two mighty Hosts met fearfully in war’s abyss!

And then I’ll pipe to thee that Grecian tale
How Cynthia loves the lad Endymion,
And hidden in a grey and misty veil
Hies to the cliffs of Latmos once the Sun
Leaps from his ocean bed in fruitless chase
Of those pale flying feet which fade away in his embrace.

And if my flute can breathe sweet melody,
We may behold Her face who long ago
Dwelt among men by the AEgean sea,
And whose sad house with pillaged portico
And friezeless wall and columns toppled down
Looms o’er the ruins of that fair and violet cinctured town.

Spirit of Beauty! tarry still awhile,
They are not dead, thine ancient votaries;
Some few there are to whom thy radiant smile
Is better than a thousand victories,
Though all the nobly slain of Waterloo
Rise up in wrath against them! tarry still, there are a few

Who for thy sake would give their manlihood
And consecrate their being; I at least
Have done so, made thy lips my daily food,
And in thy temples found a goodlier feast
Than this starved age can give me, spite of all
Its new-found creeds so sceptical and so dogmatical.

Here not Cephissos, not Ilissos flows,
The woods of white Colonos are not here,
On our bleak hills the olive never blows,
No simple priest conducts his lowing steer
Up the steep marble way, nor through the town
Do laughing maidens bear to thee the crocus-flowered gown.

Yet tarry! for the boy who loved thee best,
Whose very name should be a memory
To make thee linger, sleeps in silent rest
Beneath the Roman walls, and melody
Still mourns her sweetest lyre; none can play
The lute of Adonais:  with his lips Song passed away.

Nay, when Keats died the Muses still had left
One silver voice to sing his threnody,
But ah! too soon of it we were bereft
When on that riven night and stormy sea
Panthea claimed her singer as her own,
And slew the mouth that praised her; since which time we walk
alone,

Save for that fiery heart, that morning star
Of re-arisen England, whose clear eye
Saw from our tottering throne and waste of war
The grand Greek limbs of young Democracy
Rise mightily like Hesperus and bring
The great Republic! him at least thy love hath taught to sing,

And he hath been with thee at Thessaly,
And seen white Atalanta fleet of foot
In passionless and fierce virginity
Hunting the tusked boar, his honied lute
Hath pierced the cavern of the hollow hill,
And Venus laughs to know one knee will bow before her still.

And he hath kissed the lips of Proserpine,
And sung the Galilaean’s requiem,
That wounded forehead dashed with blood and wine
He hath discrowned, the Ancient Gods in him
Have found their last, most ardent worshipper,
And the new Sign grows grey and dim before its conqueror.

Spirit of Beauty! tarry with us still,
It is not quenched the torch of poesy,
The star that shook above the Eastern hill
Holds unassailed its argent armoury
From all the gathering gloom and fretful fight—
O tarry with us still! for through the long and common night,

Morris, our sweet and simple Chaucer’s child,
Dear heritor of Spenser’s tuneful reed,
With soft and sylvan pipe has oft beguiled
The weary soul of man in troublous need,
And from the far and flowerless fields of ice
Has brought fair flowers to make an earthly paradise.

We know them all, Gudrun the strong men’s bride,
Aslaug and Olafson we know them all,
How giant Grettir fought and Sigurd died,
And what enchantment held the king in thrall
When lonely Brynhild wrestled with the powers
That war against all passion, ah! how oft through summer hours,

Long listless summer hours when the noon
Being enamoured of a damask rose
Forgets to journey westward, till the moon
The pale usurper of its tribute grows
From a thin sickle to a silver shield
And chides its loitering car—how oft, in some cool grassy field

Far from the cricket-ground and noisy eight,
At Bagley, where the rustling bluebells come
Almost before the blackbird finds a mate
And overstay the swallow, and the hum
Of many murmuring bees flits through the leaves,
Have I lain poring on the dreamy tales his fancy weaves,

And through their unreal woes and mimic pain
Wept for myself, and so was purified,
And in their simple mirth grew glad again;
For as I sailed upon that pictured tide
The strength and splendour of the storm was mine
Without the storm’s red ruin, for the singer is divine;

The little laugh of water falling down
Is not so musical, the clammy gold
Close hoarded in the tiny waxen town
Has less of sweetness in it, and the old
Half-withered reeds that waved in Arcady
Touched by his lips break forth again to fresher harmony.

Spirit of Beauty, tarry yet awhile!
Although the cheating merchants of the mart
With iron roads profane our lovely isle,
And break on whirling wheels the limbs of Art,
Ay! though the crowded factories beget
The blindworm Ignorance that slays the soul, O tarry yet!

For One at least there is,—He bears his name
From Dante and the seraph Gabriel,—
Whose double laurels burn with deathless flame
To light thine altar; He too loves thee well,
Who saw old Merlin lured in Vivien’s snare,
And the white feet of angels coming down the golden stair,

Loves thee so well, that all the World for him
A gorgeous-coloured vestiture must wear,
And Sorrow take a purple diadem,
Or else be no more Sorrow, and Despair
Gild its own thorns, and Pain, like Adon, be
Even in anguish beautiful;—such is the empery

Which Painters hold, and such the heritage
This gentle solemn Spirit doth possess,
Being a better mirror of his age
In all his pity, love, and weariness,
Than those who can but copy common things,
And leave the Soul unpainted with its mighty questionings.

But they are few, and all romance has flown,
And men can prophesy about the sun,
And lecture on his arrows—how, alone,
Through a waste void the soulless atoms run,
How from each tree its weeping nymph has fled,
And that no more ’mid English reeds a Naiad shows her head.

Methinks these new Actaeons boast too soon
That they have spied on beauty; what if we
Have analysed the rainbow, robbed the moon
Of her most ancient, chastest mystery,
Shall I, the last Endymion, lose all hope
Because rude eyes peer at my mistress through a telescope!

What profit if this scientific age
Burst through our gates with all its retinue
Of modern miracles!  Can it assuage
One lover’s breaking heart? what can it do
To make one life more beautiful, one day
More godlike in its period? but now the Age of Clay

Returns in horrid cycle, and the earth
Hath borne again a noisy progeny
Of ignorant Titans, whose ungodly birth
Hurls them against the august hierarchy
Which sat upon Olympus; to the Dust
They have appealed, and to that barren arbiter they must

Repair for judgment; let them, if they can,
From Natural Warfare and insensate Chance,
Create the new Ideal rule for man!
Methinks that was not my inheritance;
For I was nurtured otherwise, my soul
Passes from higher heights of life to a more supreme goal.

Lo! while we spake the earth did turn away
Her visage from the God, and Hecate’s boat
Rose silver-laden, till the jealous day
Blew all its torches out:  I did not note
The waning hours, to young Endymions
Time’s palsied fingers count in vain his rosary of suns!

Mark how the yellow iris wearily
Leans back its throat, as though it would be kissed
By its false chamberer, the dragon-fly,
Who, like a blue vein on a girl’s white wrist,
Sleeps on that snowy primrose of the night,
Which ‘gins to flush with crimson shame, and die beneath the light.

Come let us go, against the pallid shield
Of the wan sky the almond blossoms gleam,
The corncrake nested in the unmown field
Answers its mate, across the misty stream
On fitful wing the startled curlews fly,
And in his sedgy bed the lark, for joy that Day is nigh,

Scatters the pearled dew from off the grass,
In tremulous ecstasy to greet the sun,
Who soon in gilded panoply will pass
Forth from yon orange-curtained pavilion
Hung in the burning east:  see, the red rim
O’ertops the expectant hills! it is the God! for love of him

Already the shrill lark is out of sight,
Flooding with waves of song this silent dell,—
Ah! there is something more in that bird’s flight
Than could be tested in a crucible!—
But the air freshens, let us go, why soon
The woodmen will be here; how we have lived this night of June!
These days,

streets are slippery ­­– ­sleet pushes people into shanties

always after midnight; the alarm

sets itself,

conditioned to the sound of the door

closing, while ticking off the leaves

on the doorstep.

(Seems like autumn begged their boots to stay.)

The floor groans

under the weight of winter

in their breath

As if caterpillars in lands without spring

came in, hoping

to be pinned to the walls
 Apr 2014 Margaryta
Abby Lynn
Blue
 Apr 2014 Margaryta
Abby Lynn
Berries and
Sky and
Faded jeans and
Oceans and
China teacups and
Forget-me-nots.
Morpho butterflies in the pit of my
Stomach and
His eyes and
My
Heart.
If this poem had a life before I wrote it,
this poem was a penguin.
This poem waddled,
not just because it was a penguin,
also because this poem was fat.
This poem was a fat penguin.
And not just the black and white kind;
this poem was an electric blue fat penguin
who never really understood it was different
until its parents let it out to play with the other little penguins
and they started teasing it and calling it blue bird.
Until that moment,
this poem had no idea that it was a bird.
All this poem knew was that its heartbeat was like a simile
and it had metaphors for feet
and they did not dance.
This poem embraced its electric blue nature
and never saw itself as the underdog
because it was a penguin who lived in Antarctica
and it had no concept of what a dog was
or what it might be under.
Penguins just don’t think like that.
This poem smacked a seal with a couplet underwater.
None of the other penguins believed it,
but it did.
This poem waddled with a lazy swag
and leaned a little to the right
so sometimes it walked in circles.
This poem had 360 degrees of perspective
and -50 degree wind chills.
This poem had more than 50 words for snow
and no words for poetry.
It just lived
and didn't even listen to what other people wrote about it
because it's windy in Antarctica
and you can't really hear much.
 Apr 2014 Margaryta
Luna Wilde
Champagne tears
Ruined my dress
Dressed to ****
With a smile
To match
Deadly forces
Are within me
The devil speaks
Like he's beside me
I always tremble
Tried not to stumble
Upon the hands
Of trouble

Drank from a poisoned cup
Which had no effect
Thinking I was saved
By my own God

But my sinning
Wasn't too holy
And my sins
Ultimately
Killed me

Slowly and surely
My addictions
Set me free
Writers block is gone...finally!!
 Apr 2014 Margaryta
b for short
They say we need things
like calcium and sunshine;
I think I'd survive

without all that stuff.
Though I may wither away
without pretty words.
© Bitsy Sanders, April 2014
A girl named Karma met me on the road
She said, open your eyes when you’re through

Now burnt sage may erase a lover’s rage
And a pretty girl's face may seal your fate
One way or maybe two

We plucked flowers from her life like memories laid upon an open casket
Lowering ourselves into the ground, deep,
like a purple hue hanging on a spring time skyline
Now, I’m not sure why life lives on the edge of death
nor the reason why young people die
I suppose it’s just the way of things,
and that can only ever be the logical explanation for anything occurring here or anywhere,
physical beauty fades just as a sunset, and even if you capture a picture, nothing can replace that feeling of being there, standing,
baring witness to the all encompassing fruit of the immaculate conception permeating all existence,
like a deaf child struck dumb hearing his first sound
or feeling the wetness of rain
and smelling the earth after its fall,  
I am

Now Karma, she said something so interesting to me
She said, you may not be here tomorrow
That’s the way it goes I suppose
One moment you’re here, and then you’re gone
Its all a surprise, even to the dying, but of course we’re all dying,
just some of us live along the way,
young death be a thief of sorts,
stealing into your home in the dead of night,
taking you abruptly like a dark epiphany,
robbing vitality, corrupting the seasons,
injecting nonsense into the blood stream of our way of things,
yet nothing he takes he wouldn’t get
So I ask you
How many nights will you sit beside a fire
feeling a part of the realness surrounding you?
When that crooked deal passes your way, and its time to count the chips, cashing in, will you be able to smile at the dealer and say thanks,
your tires swerving into a dusty stop like a heaven bound jalopy
come crushing through the gates,
leaping four steps at a time

Now people talk about what isn’t fair, but there is no such thing as fair
Just like some days it rains and some days it snows
Some days it’s cold and some days you can lay in the sun,
we learn to live in the weather
And some of us talk about it
and most of us drink water
These seem to be the way of things.
The paradoxical nature of the observer unable to comprehend infinite scale, yet still experiencing it.  
We are names made of stars existing on a grain of sand,
our universe a droplet of rain in a spring storm,
yet boundless as an archer firing an arrow that never lands,
everything a larger version of something small,
everything a smaller version of something large

Within this paradox exists a search for meaning,
we all long to do things that speak for themselves,
the value being intrinsic,
like deeds of gold,
but after the funeral we realize the power of the word.
We promise every year to have a living funeral,
and be speakers for the dead,
detailing the reasons why we had love.

Now, I'm not sure what I like more
the taste of candy sweet or the view
but from her mouth I heard the sound
Don't do to me as I have done to you
So from this place I took a page
from the sinners oath of truth
kneeling down before barbed crown
feeling the subtle point slice through
Knowing what is said and done
will certainly cycle back to you
WIP, dedicated to Courtney Short's memory
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