They're screaming,
They're calling your name.
They're coming,
Hide from your shame.
They're closer now,
Run while you still can.
Hide from the sounds,
They see you from where you stand.
It's too late,
There is no escape.

My glass shall not persuade me I am old
So long as youth and thou are of one date;
But when in thee Time’s furrows I behold,
Then look I death my days should expiate.
For all that beauty that doth cover thee
Is but the seemly raiment of my heart,
Which in thy breast doth live, as thine in me.
How can I then be elder than thou art?
O, therefore, love, be of thyself so wary
As I not for myself, but for thee will,
Bearing thy heart, which I will keep so chary
As tender nurse her babe from faring ill.
    Presume not on thy heart when mine is slain;
    Thou gav’st me thine, not to give back again.

Reap a reaper,
riddle a riddler,
Out-think a thinker
while watching a man who
still steals steel
find peace in a
pierced piece,
as he see seas
that are ceasable.
laughing at laughter because it's laughable.

Risk seeking
to seek risking
so you can feel feelings
of love for a lover
because they're lovable
while realising that in reality they are not reliable
They get sensitive
about sensitivity
is that sensible?
Questioning questions
that are not questionable.

End at the beginning
or begin at the end
to rest restfully as you
dream dreamfully about
articulating art artfully.

I used to believe that humans
were beautiful creatures,
meant to be admired.
There was a wall
between them and I
I loved them so,
But could never be like them.
Until the day I realized,
That I was the one in the cage,
Kept to be gawked at.
I was the one who
could never be free.

It's february,
The month of love
Where cupid hits couples
With his heartly arrow.

Couples everywhere,
Dating anywhere,
Having fun here and there,
I wish I had one like theirs.

It's Valentines day,
It's February,
It's the couples month!

Sadly, I got no one.

'Perspective betrays with its dichotomy:
train tracks always meet, not here, but only
    in the impossible mind's eye;
horizons beat a retreat as we embark
on sophist seas to overtake that mark
    where wave pretends to drench real sky.'

'Well then, if we agree, it is not odd
that one man's devil is another's god
    or that the solar spectrum is
a multitude of shaded grays; suspense
on the quicksands of ambivalence
    is our life's whole nemesis.

So we could rave on, darling, you and I,
until the stars tick out a lullaby
    about each cosmic pro and con;
nothing changes, for all the blazing of
our drastic jargon, but clock hands that move
    implacably from twelve to one.

We raise our arguments like sitting ducks
to knock them down with logic or with luck
    and contradict ourselves for fun;
the waitress holds our coats and we put on
the raw wind like a scarf; love is a faun
    who insists his playmates run.

Now you, my intellectual leprechaun,
would have me swallow the entire sun
    like an enormous oyster, down
the ocean in one gulp: you say a mark
of comet hara-kiri through the dark
    should inflame the sleeping town.

So kiss: the drunks upon the curb and dames
in dubious doorways forget their monday names,
    caper with candles in their heads;
the leaves applaud, and santa claus flies in
scattering candy from a zeppelin,
    playing his prodigal charades.

The moon leans down to took; the tilting fish
in the rare river wink and laugh; we lavish
    blessings right and left and cry
hello, and then hello again in deaf
churchyard ears until the starlit stiff
    graves all carol in reply.

Now kiss again: till our strict father leans
to call for curtain on our thousand scenes;
    brazen actors mock at him,
multiply pink harlequins and sing
in gay ventriloquy from wing to wing
    while footlights flare and houselights dim.

Tell now, we taunq where black or white begins
and separate the flutes from violins:
    the algebra of absolutes
explodes in a kaleidoscope of shapes
that jar, while each polemic jackanapes
    joins his enemies' recruits.

The paradox is that 'the play's the thing':
though prima donna pouts and critic stings,
    there burns throughout the line of words,
the cultivated act, a fierce brief fusion
which dreamers call real, and realists, illusion:
    an insight like the flight of birds:

Arrows that lacerate the sky, while knowing
the secret of their ecstasy's in going;
    some day, moving, one will drop,
and, dropping, die, to trace a wound that heals
only to reopen as flesh congeals:
    cycling phoenix never stops.

So we shall walk barefoot on walnut shells
of withered worlds, and stamp out puny hells
    and heavens till the spirits squeak
surrender: to build our bed as high as jack's
bold beanstalk; lie and love till sharp scythe hacks
    away our rationed days and weeks.

Then jet the blue tent topple, stars rain down,
and god or void appall us till we drown
    in our own tears: today we start
to pay the piper with each breath, yet love
knows not of death nor calculus above
    the simple sum of heart plus heart.