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 Dec 2015 Johnnie Rae
hkr
it's strange to write about myself as an entity
i have always thought of myself in terms of other people
the gap between them
a body of negative space.
...
the positives, the negatives, the everything at once
I seek you in my solitude and all of what there was
I cannot even see you like the other people do
And there is room for clarity when no one else is you
The highs, the lows, the in-betweens - they wreck, undo, restore
And recognize, without a doubt, the claims we made before
I knew I'd come to find it, this devotion I'd misplaced
And here it is in front of me on someone else's face
we are somebody else's
 Dec 2015 Johnnie Rae
brooke
conversations with paul are a one
way street, an play in a single act
between himself and a shadow (me):


in which Actor tells Actress he loves
her and then watches as her feet burn
holes into the stage and sink beneath
the floorboards, while he dons purple
prose and begins to blame your fire
for the forests he's burned with
his hot breaths and angry manuscripts

and the guilt he peddles is contagious
it wets through your layers to dillute
your kindness, your sorries, your innate
empathy for people in pain and when
he's not here, he's whetting his words
and staking them in your soft soil
in the middle of the night while
you lay unaware but dream
that a thief sweeps through
your garden and uproots
the best and most purposeful
foilage, unguarded even by
the moonlight because
such a thing could not
disguise a lack of a
a person.
(c) Brooke Otto 2015

I'm not sure if this is complete.
 Dec 2015 Johnnie Rae
brooke
ode to the flower next to belladonna
the trees on south-facing mountain slopes
silently musing into the nights and not
the avalanche's daughter whom the hills
sing praises and woes

her soul's a quiet unison, meno mosso
a choir and composer spun through
***** pipes, doors cracked and never
fully closed, (there's light beneath the
lids...) she'd like to think of herself as
the wind but she's content as still air
between prayer beads--

and if not the star dust--then who? why else
do we call pauses rests? Why then is there
beauty in fermattas? In crescendos that vibrate
the material of the immaterial--if such things
happened to be true for the unwild and untangled
the perpetually pianissimo, the leading and kerning--
because she would much rather be an empty vessel
or a plate without food, a seed or a grape on a vine
because neither go without lords or masters and

she is not her own.
it's been a while.

(c) Brooke Otto 2015
 Dec 2015 Johnnie Rae
FiesaLy
from black to rainbow
these shoes keep walking around
this feeling that i've raised by my own
now you are on top of my line
leaving the clue
got taken once
i wish it were you

from rainbow to blue
is it so hard to recognise it?
question mark evertime i see you
the coldness of me
why don't you get it?

from blue to black
i surrender
My peach yogurt tastes like your skin
in the morning when you used to stay
at my apartment, the leftover sweat
of a night spent loving each other,
and the sun slipping through my *****
blinds, while I'm eating my breakfast
at my desk checking emails, always peeking
over at you, bare-chested, snoring
through the sound of my fan and my music
turned down extra low.

It's five months later and my peach yogurt
tastes strangely like that iced tea
I had instead of liquor on the night my friends
threw a party in my living room, us
sneaking off to my bedroom just to kiss
ourselves through another evening
we'd rather spend in our underwear watching
a movie over smiling in group pictures
or dancing to cheap country music.

It's so much later and my yogurt
still tastes a little bitter, a little sour
on my tongue as I try to swallow
a breakup that's bigger than a jawbreaker.
It still kind of tastes like the bottom
of my sink as I put my dishes in it
just to wake you up, watch you
get dressed in a pair grey sweatpants,
sticky hair that I'd comb through.

It's far too late for me to think about
your hand in mine as we'd walk
as far as we could before we'd have to separate.
It's far too late and far too many people
have intercepted your memories and turned
them into something new to smile about,
but today I pulled the lid off the container
and licked the silver side clean
just to be reminded of how sweet
things like you used to taste.
We killed the lights and found
the way to each other’s lips like magnets
who had been denied their center of gravity
for awhile. You stripped me down,
measured my sweet spots out in sugar spoons,
and savored me like a treat you hadn’t had
since you were a kid, all the nostalgia
landing on your tongue as you molded me
with your hands. My ribs pushed back then pulled
again, like bread, underneath the covers.
You whispered my name like a song
you can’t let yourself forget the words to.
I followed the map of your neck with my kisses,
retracing my steps as we danced in my bed
to the familiar sound of a tiny fan
and the TV turned down low, the light
making shadows on your cheeks as the screen
changed, my eyes dodging them just to capture
a clearer image of the face I dreamed
and dreamed of again. You know my body

like a monologue, writing me all the way through,
smiling at your favorite parts, and every time
I fall into this routine I hope that maybe
this ending is different, maybe you’ve decided
to rewrite the last page. Maybe I won’t have to look back
at our sour memories, maybe this time
we will leave the bookmark in the same spot
and kiss each other through all those times we said
it had been too long.
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