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 Nov 2015 Joe Bradley
Anne Sexton
The end of the affair is always death.
She's my workshop. Slippery eye,
out of the tribe of myself my breath
finds you gone. I horrify
those who stand by. I am fed.
At night, alone, I marry the bed.

Finger to finger, now she's mine.
She's not too far. She's my encounter.
I beat her like a bell. I recline
in the bower where you used to mount her.
You borrowed me on the flowered spread.
At night, alone, I marry the bed.

Take for instance this night, my love,
that every single couple puts together
with a joint overturning, beneath, above,
the abundant two on sponge and feather,
kneeling and pushing, head to head.
At night, alone, I marry the bed.

I break out of my body this way,
an annoying miracle. Could I
put the dream market on display?
I am spread out. I crucify.
My little plum is what you said.
At night, alone, I marry the bed.

Then my black-eyed rival came.
The lady of water, rising on the beach,
a piano at her fingertips, shame
on her lips and a flute's speech.
And I was the knock-kneed broom instead.
At night, alone, I marry the bed.

She took you the way a women takes
a bargain dress off the rack
and I broke the way a stone breaks.
I give back your books and fishing tack.
Today's paper says that you are wed.
At night, alone, I marry the bed.

The boys and girls are one tonight.
They unbutton blouses. They unzip flies.
They take off shoes. They turn off the light.
The glimmering creatures are full of lies.
They are eating each other. They are overfed.
At night, alone, I marry the bed.
I know that I shall meet my fate
Somewhere among the clouds above;
Those that I fight I do not hate,
Those that I guard I do not love;
My county is Kiltartan Cross,
My countrymen Kiltartan's poor,
No likely end could bring them loss
Or leave them happier than before.
Nor law, nor duty bade me fight,
Nor public men, nor cheering crowds,
A lonely impulse of delight
Drove to this tumult in the clouds;
I balanced all, brought all to mind,
The years to come seemed waste of breath,
A waste of breath the years behind
In balance with this life, this death.
 Nov 2015 Joe Bradley
Tom McCone
the closed span of this month
spent furrowing through sleepless,
shuffling pages form walls, cycles of
break n' fix. waste of words. all
chance, all change. spent out.

there is, again, grand weight,
and, yeah, i've felt heavier. no
amount of lifting changes this,
though. drowning conversation.
leaving qualm. endowing closure,
coarsening topologies, maximal
saturation. finally, my rusted
thought process found ideal space.
or the delusion, at least.

meanwhile, the rain falls on, and
serves as reminder that this world is
built to dissolve & reassemble,
always permuting componency. &
all i want
is to be a reason
or some warmth, at least.
done
That night we
decided that our streets led nowhere,
so we followed them any place.
Apartments
to grass outside the Molly Brown,
cracking faces, sidewalks, traced our way...

               North on 7th,
             getting warmer.
             Inverted frowns
            are getting larger
                                          Now

I'm wondering if these

               half-formed
               flimsy, brittle life-plans
and
               half-drained,
               dented, warming pint cans
of Schlitz
               clutched inside our fists
               suggest that it's worth it

To pin our hopes on approaching
                                        footsteps of Summer?
Or just halt our frozen
                   progress through the Wintertime
when we reach your front door.

We just kept
decoding all our scrambled rambling
'til we'd set the world on its head.
Keep walking,
keep laughing at our young mistakes,
sober night backdrop to beer soaked breaths.

               X'd out eyes
       and gravel sidewalks.
          Bozeman Autumn.
       Watch out, mailboxes
                                           'cuz

We're wondering if these

               half-formed
               flimsy, crack-filled answers
and
               empty,
               drained, five dollar pitchers
of Pabst
               humming 'neath our caps
               will help us draw our maps

and stick a pin in the Summer,
                                          page turned on Winter,
or just melt our thawing
                                          progress to another time
when later days trickle down.
it was all oh so very sad,
a guy has a brain haemorrhage
gets diagnosed as a schizophrenic
starts saying things like:
i’m charles the third, i’m charles the third!
you know: ***** cut me through
ended up being a hyena on my mother’s
payroll of the united front of housewives...
and... as all tragedies assert... one whiskey later
i was dry on the wordplay, and to the tune of ‘ta da!’ wrote this.
now monkey get peanut and elephant get banana...
no for either? oh... eddy lizard then... keep ‘em
rattling phrased i: i’m a comedian funniest telling jokes
when telling them pretending to be an act’ ‘tore
slicing through canterbury with weak knees - but stiff lips mind you -
although i was wearing the iron curtain for a corset
and buzz wording a spider to an amalgam with
web and fly and juicy to then go further and
word it to an anagram with the otherwise aimed
for hope of storming in and saying... vietnam!
.


                                    & the True Idea

                    It contains

//

Oh


Oh


Oh

////  • ||
<>

/   (    (    \

/   \

####

she walks with me

Thru endlessly streets open upon

Naked raw places

Of naked raw feelings

And police men in rags of rage

••

***** blood

Everywhere !

••

( where exactly are we (?) )



Dawn with no

Power of change

//

******* of the maidens

Hard and world weary



No tenderness around here

//// • ||
<>

||



The sore bitter basic pattern

Of our morbidity

Our undesire

For Unloveliness

And our fear of authority

These mingle

And become

The unimage of our dying days

••

••
••

Look of the Eye

The light

Oh yes !


We live !
 Oct 2015 Joe Bradley
Joe Bradley
Turn on

I
This is the BBC news at 1 o'clock.
A rambling diatribe,
lost boys, a lost war.
The falling cost of stamps.
'What do you think of the deficit,
Graham from Newquay?'


II
Some bald man
holds a cadaverous gaze.
'She don't want me no more Pauline.'
The ware and tear
of Albert Square
immortalised
in one ***** stare.

III
Ella looked into the eyes of
the African children with bloated
stomachs, scooping up brown water
she wouldn't even dip her toe in.
For a moment, they were face to face.

VI
Margret! Margret!

Look what they're...

Check the cupboard,
have we still got...

uh...

tinned peaches and caster sugar.


V
Our hands, in every listless waft,
wander through an electric soup,
thick as frog-spawn.
Spermatozoa of information.
A gentle fuzz of creation,
our atmosphere is
pregnant with
separate universes that
embed themselves
inside our own.
We broadcast
our noisy planet
to the skies.

VI
'I've seen what's going on,
you don't have to tell me!
I know what they're doing.'

The walls are closing in,
as each breath from her
dusting lungs is getting tighter.
'Besides, my eyes won't let me, or
my knees these days, It's all i'm
good for'
  
She wheezes.
'I can see all I need from here.'

VII
Click
I swear 400
*******
channels
And there's nothing on

VIII
As I approach the blue glare
of the living room, I know
she's in there. Not even
watching,
she's on her
iPad. We don't talk.
We went to the
Maldives
once,
after the wedding.
she couldn't keep her eyes off me.

IX
Dead square.
Silent pixels.
Nothings watching.

X
We crept down in the morning - my sister
and me, before anyone else was up and squabbled
what loud cartoon violence would take our attention.
Nightie, pyjama cotton siblings, sewn in to the 7 to 9 o'clock schedule,
we were as vital to each other as sleeping bags and cereal.
Our building blocks stood in a castle,
we were unaware that one day,
they would be strewn across the floor
as we grew up.

XI
We're not going out tonight.
I just want to slip my hands down your
pants and touch you while
we watch game of thrones...
Deal?

XII
Smoke rises behind the mosque
in an arabesque twirl.
The blinding sunlight behind the minaret
crashes on the lens, like a flash bang.

The call to prayer is empty bodies, iconographic art,
cars hollowed, alien tongues, history, a melting *** culture,
cockroach romances, squalid graves, body hewn tunnels, little cuts on
trigger fingers, trained monkeys, orphans, marble carvings,
the stench of petrol, jobless drug habits, brickwork, wiring,
forbidden love, lust, teenagers, plastic explosive, god, work,
prayer, tears, life and death
    

and briefly the box is the world in our homes.
We must see who's behind it.
She's in the kitchen
(close the door)
just mixin' up some metaphor;
a true conundrum
through and through
and through to me and thus to you.

Her humble hunger
(forest's slumber)
thunders 'neath a wilting tune;
tuned to too many
to count without
a thought within.

She must profess
(but shall confess)
to any who will listen;
closely she holds
a tragic history
mostly mystery to most.

She solves my soul
(I deny that hole)
which she still fills;
overflowing always
with such unrelenting joy
that is My Love.
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