I really wonder everytime
How they feel
When they crush every norm’s entities
Is this part of a ritual you religiously do?
Do you smirk or grin everytime you did?
Do you feel better perceiving lives too see them ache?
You do don’t you?

Why?
Because you've been there
You felt that pain, that agony that preludes
That melancholy past precedes you everytime
"Why always me?"
Why do you end up in bruises and blood-
Dripping from beginning to the end?
End?
No!
There’s no end to this
Unless you make it stop

But why relay the pain on others?
You created that villain in your head
You've become what you hate
Do you like that?
Making others suffer for what ‘they' did

You were once good
You still are
Well your pretense won an Oscar for the 'Ignorant'(s)
They know what you did
You broke their wings and the mettle they believed in
They don’t want to lose a 'Friend' like you
Their courage demised never to prevail again
You became this (****)tator
Which everyone obliged cowardly

But be reminded
Like every TV Show
The Hero always wins
Karma will be chasing you
Waiting for the right moment to expose you
You will get the retribution you deserved

You will cry
Remorse will elevate in your senses
And Every Name, Every Face, Every Sound
*Will be remembered to those you maimed.

I would've given birth
To you,
Endured whatever
Mothers do.
Instead, I did
What Dads do.

I rocked you
Til my future shook;
Watched you til
I couldn't look.
As you changed,
I changed too,
To do the things
That Dads do.

You were bathed,
Dressed and fed;
I loved you so much
I was saved.

If there's credit,
Well, I get it,
For teaching you to read.
I took the blame
When you got bored
With school's ABC's.

I followed you
In all your roles,
Your teams,
Your solos,
Your trips,
Your shows.
First to clap,
Last to sit;
I taped it all,
From start -
To finish.

I taught you
How to tie a lace,
Ride a bike,
Golf and skate.
When time arrived
For you to drive,
You learned
On standard,
Never stranded,
You came home alive.

Your highs
I took in stride,
By example taught
Humility's pride.
Your lows,
I couldn't internalize,
I dropped my guard
With my eyes.

When Dad's do well
It's a double edge,
The future wedge.
The world
Revealed
Desired you too.
I don't dismiss
What mothers do,
But when Dads do well,
Both lose you.

I saw the old man circling the tree trunk
Weather beaten skin, bent gnarled hands
and piercing blue eyes

He seemed to study every knot and crack
in that ancient timber

Then without a word turned and picked up hammer and chisel

The wood chips then began to fly and like confetti on the ground lie soon in heaps some ankle high

Occasionally he would stand back and look but never once a rest he took

Mallet strokes both hard and soft some from under some aloft fell there with unerring skill always busy never still

Long into the night he worked now by the light of an oil lamp and so the tree stump 'neath his hand then became a work of art

At long last he stood and turned to me and said three words " that'll do lad"

I approached to see just what he'd done and there I saw the perfect rose every petal and leaf in place the slender stems in the breeze did sway

With no plan or picture he had made the start
And created the perfect work of art.


So what is creativity? Well that's your next challenge.

No love poems because they've been done a million times. This time something unique

i still try to remember
to take my boots off
at the door

my feet are wet
from walking in the rain

i leave laetoli footprints
on the pine floor
-like the first man

trying to walk upright
but can't seem to
get it straight

There's a lot of empty space
in a house
so full of quiet

wishing for thunder.

r ~ 9/5/14

And then the day came,
when the risk
to remain tight
in a bud
was more painful
than the risk
it took
to Blossom.

"Why one writes is a question I can never answer easily, having so often asked it of myself. I believe one writes because one has to create a world in which one can live. I could not live in any of the worlds offered to me – the world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself when destroyed by living. That, I believe, is the reason for every work of art.
...
"We also write to heighten our own awareness of life. We write to lure and enchant and console others. We write to serenade our lovers. We write to taste life twice, in the moment and in retrospection. We write, like Proust, to render all of it eternal, and to persuade ourselves that it is eternal. We write to be able to transcend our life, to reach beyond it. We write to teach ourselves to speak with others, to record the journey into the labyrinth. We write to expand our world when we feel strangled, or constricted, or lonely … When I don’t write, feel my world shrinking. I feel I am in prison. I feel I lose my fire and my color. It should be a necessity, as the sea needs to heave, and I call it breathing."
('The New Woman', 1974)

Whose woods these are I think I know.
His house is in the village, though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there is some mistake.
The only other sound’s the sweep
Of easy wind and downy flake.

The woods are lovely, dark, and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.