Took to poetry when I learned
only pain gives perspective.
Happiness an impossible horizon,
fake as a headline,
a mirage, a migraine;
an ever-setting sun.

Mistakes are off-set paths
neither trod nor spoken of before.

Ghosts of old wounds and insults
slew the grain of progression,
each forecast of the future
births one thousand skeletons;
one thousand potential lovers.

An overdose in Dublin,
French lips; a slanted bow.
Blue feathers at the festival;
a taken woman who changes
the colour of her hair
when everything else stays the same.

Took to poetry when I realised
The Moment does not lie
on the tip of the tongue,
nor the beat of the drum,

that sense only comes
long after The Moment has gone.

Your family home
has been sold
to the cultured,
the old vultures
feeding on the garden
thick with rabbits
and your father's dead
daughters, you sleep
in a pickup, tired
of work near the water,
fond of the instant,
you travel through
the country you know,
farm long forgotten,
the word free written
in red ******* your arm.

It's when we're all apart
That I begin to lose control of my body
Swallowing lemon juice by the jersey shore -
Things have been worse

Mostly, I long for that physical closeness
To hold a jaw in my hands, careful not to shatter it

And don't get me wrong -
I've seen photographs of myself
The way I live with my shoulders pinned to my ears
As to block out the irreparable chatter of finites and hydrangeas
Like the world has never seen your hair peak through closet dirt

lost ash blurred skin lips emptiness there was something before but it has fled departed in out something important meaningful run into the ground through streams of bitter ache i was a memory caught in its own remembrance straining to be heard now i am nothing returned to the vessel womb death it is six and the heater does nothing air like frost father telling me that the future is positivism there was a staircase surreal void morrow the edge of the world lost between something i could not perceive trapped in the moment flashing with red tumbling seeking losing words sinking through my own flesh to the earth dirt too far from my head to tell grains apart split like atomic what did i want to remember i have spent days losing too much on purpose bed soaked a matted waste of sweat and the hours **** splitting futures like a prism where i find myself a stranger i cannot stand she us a wretched heart on a couch sitting all sudden a boring cliche lips running along salt severed skin fingers head the bone breaks the back arcs itself in an unending whimper a voice escapes and i’m left trying to catch it in the morning teeth the sliver of a smile haunting the air like a phantom fingers trace smoke sunbeams and feel nothing i fell into her like ash the breaking end of a cigarette all cold and irreversible a collapsed worthless wake and now i am alone

Rachel bleached her hair to
Mark the end of something silver -

To counteract the epitaph

An eternal "I was here, and I didn't want to leave"

It all washed up on shore, dead
The same summer most of us
Gave up on God and gave into one another
Or those saints found below the belt

Death is not the color black
It's water growing gradually stagnant, yellow
A slow crawl on all fours to the finish line or a sunset swallow
The faded leather found sourrounding your veracious belt loop

And then there's Elizabeth
Storming down the church aisle to call the whole order off
She'd return to the dive bars in red lipstick
And break hearts through notes written in checkbooks

Cosmic chaos comforts
The living in regard to the dead
We have faith in stardust and song lyrics
A road map, phone number sent through the telescope at a camp sight

But caskets close and
Bodies burn
They scatter on hilltops and
Scream out in stereo

Sleepless slumbers remain
For Rachel and this is her
Peroxide obituary
For a mother gone too soon

What is literature to a convict?
with his name erased from his shirt, his memory
sitting in a warm chair
his only poetry is the girls he sees from across the glass
with jargon hanging from their sweaters
hem untied, tongue tied
“I want to live in a hotel” he tells his social worker
“all the way on the last floor at the very end of the hallway
I want the privacy in every suburban bedroom to be a joke
and I’ll laugh so ******* loud”
this prisoner has never killed a man
but his gums always bleed, like boiled beets
what is lost to a convict?
nothing, if you’ve searched long enough for it
“I don’t read, I have the best works inside my head
not memorized by pleasure, but by force
like a bullet to my knee, like a birthmark
not small enough to hide.”
“baby, I used to be a free man sometime”
and he was. He was free but he was also alone
a felon in his own right, grew a mustache
when he was only 15 and lonely
Walking alone one night he stumbled upon neon signs
upon god’s fruit, not everything is dressed in flowers
but a woman with caramel legs doesn’t need such luxuries
under dim lights, under smooth songs
this man found heaven to be boring
but the malaise in the gates of paradise
made candy melt down tight skin
“so this is fair. to be accompanied by hell
I could almost buy you a drink” he tells her
he tells her
he tells her
he tells her again
she smiles
this is not indulging
this is business
she used to write those words
on cigarette wrappers
until she could say it in her sleep
no love for poor men
and why does he wear a suit with a stain on it?
What a fool, she thinks
but this suit
this calamity of an accessory
was worn by that man’s
best friend
before, before the world turned cruel
before he knew what the difference
was between justice and closure
“sit down, tell me your bravery
spill it as easy as your skirt,
***** it as quick as the
dirt that’s been thrown on your face
you’re more than just
lemonade on a summer night”
but she swings her hair
and she asks for more
than a mortal man can offer
she wants the world
she wants the money he doesn’t have
and she calls him a thief
and she calls him a liar
and he’s left in a room
some bodies are nothing more than consolations
“I wanted more than a taste of life”
so he searches for her
but he gets lost in yellow taxi cabs
can’t decide whether he
should be in a hospital
or a cemetery
but he goes to a cathedral and
speaks with a priest
he beckons, he screams
he rips his hair off his head
in clumps they fall into his faded jeans
he clamors about the ****** he’s never committed
about how he just wants to be a famous writer
or a composer everyone cries to
he wants god to give him a bruise
he grabs the priests’ collar and kisses him violently
as the priest gasps for air, clutching nothing
all he wanted was a little peace, a little passion
why can’t you understand? None of this is carnal
none of this was made for the intention to be ****
he was sick of feeling ***** without ever being unclean in
the first place
and as he sat on the curb of that church, that solitary step
after being hurled by meaty altar boys
he wanders once more  
his crooked feet knocking posters and people
with closed eyes
until he reads the paper, until the obituary has her name
but it’s not her name he recognized
But her picture, the brutality of the night being exposed in daylight
he sees it everywhere, in the subway’s screens,
in the dry mouths of old men
there’s his ******, the one he’d been looking for all along
not committed by him
but a ****** nonetheless
set a flame for unforgiving service, for
inexplicable excess of satisfaction
set on fire like Salem witches
he wants to hold her hand one more time
it’s not the absence, but the obsolete
revenge, a platter served medium rare
what is vengeance to a convict?
an eye for an eye, a soul for a soul
he can smell the **** in everyone he crosses
he taps his foot in the downstairs
of the neon signs where he smells
nothing but sugar
and as they whisper in the dark
of the man responsible,
of the sentenced ready for his execution
he can almost taste him, running in shadows
and riding in comfort
Until he finds him at the bottom of a hotel
with his tie sloppily tied around his neck
and his eyes bearing the wicked semblance of a vulture
he goes upstairs
all the way to the top floor at the end of the corridor
and as he walks he can feel his steps amounting to something
this is what he was born to do, since birth these
were the footsteps he was told to follow
the death he was meant to document
savagely prepared for him to feast
he taps his shoulder after this ******, this sadist
has opened the door, ajar
clean and astute, clean cut
our inmate throws him into the
blow of hardwood floors, lamps flying
make his eyes go wild
his spit falling into the carnivore’s mouth,
he asks what is solitude to a slaughter
he trembles, he’s alive in this moment
wiping his mouth with the sleeve of his suit
digs his fingernails into the whites of
this ****** body and he cackles,
he’s a raven, ravenous
he’s a ghost ******* nothing but hot metal
grinding his teeth, blood flows out of sockets
the shrieking echoes, pain splinters the walls
but nothing is heard because no one is there
this is love, this is the romance he
always wanted
gouging the egg yolk out of another man’s eyes
our hero cries a primal cry
and repeats her name over and over again
like a prayer told too late at a sermon
and as he drown this poor man, who is
no vulture anymore, but a wet parakeet
he recites the words he had written into a paper napkin as a child
and if the first apocalypse ends the world in flames
the last Armageddon will end in a deluge
he watches the criminal’s head swells
drunken with happy fervor, he celebrates
by resisting arrest
what is literature to a convict?
his life told in verse
the catharsis this sad existence could never offer him
until it did
and he smiles
a scam to end all scams