He continues  
She does not breathe
He pretends to be something
She is empty, covered in bright pink
He is weak but has fake sewn in between
Her emotions sit on her sleeve
She is vulnerable to everything
He pretends not to see
Both lying inside
Isn't this the way life is suppose to be

Fast more fast and a faster drive
Speed not kills but saves his life
Reach quicker and deliver more
Matters only numbers of door.

Someone's son someone's heartthrob
Forgets all when ******* job
Quick quicker on quickest mode
Bike wheels burn on asphalt road.

In lanes bylanes must find address
Can't afford one small recess
A brief meeting and end of deals
Pocket bunched with paid bills.

Around moon is a haloed mist
But night is one cruel beast
Won't let him look above
Think of a poem sweet in love.

This is my favorite dress.
I bought it from a store I managed on Haight Street in San Francisco when I was 24.
It was a sample, one of a kind and I felt like a fairy in it.
It required no bra and I required no restrictions. We were a good match for each other.
Some might say it looks delicate as the lace flutters around my thighs, but, I know. This dress sat on sidewalks chain smoking cigarettes in the Castro. It danced in drug induced trances with new and old friends where we lived like sardines.
This dress moved to NEw York City with me and we endured cat-calls and harsh words. A casting director called me plain in this dress. He explained, to a room full of people, wasn’t it amazing how my talent shown so bright while I was so very plain. And as I walked along side Madison Square Park I saw myself shining in car reflections and my dress told me I was beautiful, and I knew it was right, and that man was insane.
In New Orleans I was invited to a party and I went because I didn’t know anyone. I was New. I wore my favorite dress and as I put it on I thought of the cold California beach breeze grazing my underwear throwing up my skirt, I thought of that mad man calling me plain, and I thought how scary it is to go to this party alone. I rode my bike in the humid air and I felt my pink slip clutch my waist. I felt safe. I sang a song out load. I felt like me. And when I got there you were there. You looked at me like I wasn’t just my dress or what was under it. You told me one truth and one lie and it made me smile. And now when I turn to my favorite dress like an old friend, for comfort or confidence, you are in its history too.

She may walk through crowds
unseen
An advantage of her age
poking through products  
at her own distracted speed
Feeling fruit or sniffing soap
Reading labels
fine print through two pair of glasses
turning slightly
hoping no one sees...
how gone it's getting....

She may lean on cart at check-out
just shy of your usual...
Old
who ask for double bags
Nope, she will not slow the line that way
Remembering work
assesses pain
shifting weight to other leg
to spare an aching knee

Not one for counting desperate change
Not arguing every item on receipt
Not fumbling coupons
nor writing checks

...will not slow the line...

reluctant to let go of youth
Remembering exhaustion's day
she will not slow the line that way--
Fiddles with smart phone
(Yes, she knows how!)
to pass the time
She fumbles through her purse--
God only knows
what “old folks” look for
Probably glasses, tissues, gum,
or
"Where the hell's my keys!"

Stopping by a news rack
on the way out
Is she waiting for a cab?
Who cares!
Outta way, she stops to read
The New York Times, WaPo, Journal
Thee chapters of a novel
Outside their pay-walls
The mind beneath the woolen cap
is at it
grazing once again, for free
Where she often likes to feed--
her curiosity
No one sees her watching
from the inside out
and the corner of her eye

But what to do about that cat litter?
or ½ and ½
on highest shelves?
she simply cannot reach....

Always some tall good-lookin' guy around
to flatter
his size
looking for dog kibble, “big game snacks” or beer

She plays
the old lady card so well
...and somehow
gets what she needs

Burnt toast and
a spot of blood.

Father dresses for work
and leaves with a wave,
his gabardine suit
the exact same shade
as the storm cloud blooming
on the back of his left hand.

After breakfast, mother pins
his undershirts to the wash line,
clothespins clenched
between broken teeth.

From my upstairs window,
I watch his shirts stiffening
in the flinty December air,
a chorus of white flags,
obsequious and clean.

Mother recovers in the laundry room,
where the floor is dusted with feeble
grains of spilled detergent.

I spend the afternoon
preparing for the sound
of tires crunching on gravel,
for the sweep of headlights
across the lawn.

There are plans
and maneuvers
to arrange.

Counterattacks.

Even now, the snow
on the side of the road

has turned to the color
of my childhood.

Our souls met three years ago and united as one
I never thought you could loose a soulmate
It's been two years since you left and I still love you
I know that if I saw you I would cry
Is it crazy how I still love you?
Is it crazy to say that you're my missing piece
Since you left, I've felt empty on the inside
There no cure, my remedy is you
I'm sorry I cursed at you and say all those horrible things
If I could take it back I would
I used to believe the things I said, but they were never meant to be said
As I write in the verge of tears, I just want to say "I love you"

Last night, I couldn’t sleep because
the dark and the blankets felt like guilt
and I couldn’t live as myself anymore.
I woke up in the morning anyway
and took a boat into the fog and found myself
on the island, walking across a cliff top into cloud -
walking into the unseeable, feeling alive.

-

So here I am on the island,
the fog – the symbol for that murky future –
is rolling in across the hills, across the cliff top
in one straight barrier.

I feel alive as I face the fog
and I stomp right through it.
One day, I tell myself,
I’m going to make it.
One day, things will be
different.
I just can’t see it yet.

I smile in the fog. I love the fog.

It clears and there’s the monument
that I’ve seen so many times before.

There’s the familiar at the end of the tunnel
it would seem
and I'm going to make it.

-

Let’s not get ahead of ourselves here though.
It’s always going to be easier to face the symbol
as the I in the poem than as the I in the real,
facing the actual.

-

Back in the now, the fog has gone
and everything is blue and green.
I’m sitting on a bench below the monument,
remembering how a poet once walked here
and I really do feel alive today.

I stay on the bench in the blue and green,
quoting other people’s poetry to myself:

See, I’m sad because I’m sad. It’s psychic, it’s chemical.
I should hug my sadness like an eyeless doll
or just go back to sleep.
And I know there are promises I really ought to keep,
and miles to go before I get that sleep,
but aren’t the woods so lovely dark and deep?
And they are, but when it comes right down to it,
and the fog fails and the light rolls in
and I’m trapped in my overturned body
with fears that I may cease to be,
before I’ve had chance to write or love,
I must go to the shore of the wide world and stand alone and think –
and let there be no moaning there, when I look out to sea.
Let it just be sunset and evening star and one clear call for me.

-

I’m still sat on the bench, enjoying the sun
and suddenly I think

one day i’ll bring my girlfriend here
she’ll probably know of more exciting places
but i’ll bring her to the island
and we’ll sit by the monument
looking at this very same view

I find myself thinking in the future tense and it’s strange because
I don’t have any hope for beyond the now.
I’m still thinking I’ll probably be dead
and yet out of nowhere,
here’s the shift into a different tense
and the view of the end of the island
where it looks like it should plummet straight down
into the sea, but it doesn’t.

There’s more island beyond the end.

I sit on the bench, shocked at myself,
but I keep trying to believe that one day it will be different
and one day I will come here again,
with my girlfriend, whoever she maybe,
if she may be, maybe, please?

-

I come down from the cliffs and go to the shore,
to walk alone and think.

The sea casts gold and silver on the sand,
the sunlight gives puddles lilac halos
and I think maybe, just maybe.
Maybe, just maybe,
because today I feel alive.

-

The beach is a beautiful blue winter.
Winter, being the time of death,
blue being the colour of the endless sky and sea,
the colour of sadness and the colour of calm.
Beautiful, there because it is beautiful
and to nuance it further

The sea has left traces of itself
on the beach and I concentrate on those.
I look at the smaller elements
and try to forget the wide ocean.

The cliffs are crumbling and eroding.
The beach is rocky and ragged.
They are symbols for my own erosion
and my own weakness against the sea.

-

The beach is also real
and I walk on the sand,
feeling separate from everything,
feeling the possibility of everything,
feeling that maybe, just maybe.

I feel like something could go right
in this beautiful blue winter.

-

But this is also a liminal moment and while
I feel at home in the liminal      in the space inbetween,
you cannot build your home there.
The future needs a more solid base
and the liminal will eventually rip you apart.

-

I feel like a child here, but not quite.
I feel like an overgrown child
or a child in a too big body
or a child who knows too much about this world,
or an adult, who still feels inadequate.

I balance across stones, I jump puddles.
I don’t care anymore.
I’ll be the child or the adult.
I’ll be the I.

-

There is hope here, hope in feeling alive,
in curling my hand and imagining someone
will one day hold it.

For now, I walk across the sand and
look at the cliffs, the gold,
the lilac, the blue, the shipwreck,
the deposits of the ocean
and I write them down
into the notes on my phone
so I can turn them into poetry later.

I want to capture these precise scenes,
these precise feelings of being so alive
for the first time in forever,
of seeing the end of the beach and thinking,
maybe, maybe, some part of this will turn out okay.

-

The problem is,
I want it, this future, this something else,
and I think maybe it’s possible,
but I’m not sure I can get back on the boat
and carry this belief home safely.

Here on the island,
sipping at the brimming nostalgia,
breathing the blue winter,
living on the shore,
camping in the liminal,
it is all maybe, just maybe,
but maybe is a fragile word
and could easily get lost in the ocean.

-

I’m so caught between
wanting to end it all and wanting to survive it
and maybe it’s just the liminal moments
that make me want to live.

I pick maybe up off the shore
and tuck it into the pocket.

I have no idea if it will survive the journey back
but maybe, just maybe, it will.

You were my poison and I was your cure
You were rotten and I was pure
It was my flower
I didn't know I was the girl of the hour
How could you do this?
It all started with a kiss
The kiss of sweet unholy death
I was pure, until you took my breath
It was like being caught in a downward spiral
My feelings were never vital
I didn't know that either
He said "me neither"