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 Jul 2015
Ignatius Hosiana
Hey the one for me, if you're out there
Just wanted to say I'm tired of waiting
You might not realize how much I care
And soon droping levels to despairing

If you are on foot somewhere walking
Please I think It's time to run or drive
Yeah, I'm tired of hearing others talking
That surely someday soon you'll arrive

My heart is too busy fighting to find peace
And my poor Soul's caught in the cross fire
My cracked lips long for a drop of a kiss
They're dried by the sun of hopeless desire

So if you're driving to reach here someday
Grow wings and fly to make today the day
 Jul 2015
Louis Brown
[I understand Shakespeare played every role around his theatre such as managing the theater, acting, directing, playright, etc, etc.  Too many responsibilities for one man.  He was treasurer and everything else.  What did he didn't do?  Was that true about him I ask in all humility]

William Shakespeare, wordsmith king…
Some people doubt he did all things.
Such teeming thoughts for just one man…
Perhaps Chris Marlowe had a hand
Among some others underfed
Who sold their work to buy some bread.
And Will for one bought many plays
Then claimed the work through present days.
No sweat upon his brow rolled down…
For those he claimed for shills and pounds.
That system shorted men with skill
And all those credits went to Will
And though the man was very great
He kept the profit on his plate
Copyright Louis Brown
 Jul 2015
Thomas Gray
“Ruin seize thee, ruthless King!
Confusion on thy banners wait!
Tho’ fanned by Conquest’s crimson wing,
They mock the air with idle state.
Helm, nor hauberk’s twisted mail,
Nor e’en thy virtues, Tyrant, shall avail
To save thy secret soul from nightly fears,
From Cambria’s curse, from Cambria’s tears!”
Such were the sounds that o’er the crested pride
Of the first Edward scattered wild dismay,
As down the steep of Snowdon’s shaggy side
He wound with toilsome march his long array.
Stout Glo’ster stood aghast in speechless trance:
“To arms!” cried Mortimer, and couched his quiv’ring lance.

On a rock, whose haughty brow
Frowns o’er cold Conway’s foaming flood,
Robed in the sable garb of woe
With haggard eyes the Poet stood;
(Loose his beard and hoary hair
Streamed like a meteor to the troubled air)
And with a master’s hand, and prophet’s fire,
Struck the deep sorrows of his lyre.
“Hark, how each giant-oak and desert-cave
Sighs to the torrent’s awful voice beneath!
O’er thee, O King! their hundred arms they wave,
Revenge on thee in hoarser murmurs breathe;
Vocal no more, since Cambria’s fatal day,
To high-born Hoel’s harp, or soft Llewellyn’s lay.

“Cold is Cadwallo’s tongue,
That hushed the stormy main;
Brave Urien sleeps upon his craggy bed:
Mountains, ye mourn in vain
Modred, whose magic song
Made huge Plinlimmon bow his cloud-topt head.
On dreary Arvon’s shore they lie,
Smeared with gore, and ghastly pale:
Far, far aloof th’ affrighted ravens sail;
The famished eagle screams, and passes by.
Dear lost companions of my tuneful art,
Dear as the light that visits these sad eyes,
Dear as the ruddy drops that warm my heart,
Ye died amidst your dying country’s cries—
No more I weep. They do not sleep.
On yonder cliffs, a grisly band,
I see them sit; they linger yet,
Avengers of their native land:
With me in dreadful harmony they join,
And weave with ****** hands the tissue of thy line.

“Weave, the warp! and weave, the woof!
The winding sheet of Edward’s race:
Give ample room and verge enough
The characters of hell to trace.
Mark the year and mark the night
When Severn shall re-echo with affright
The shrieks of death, thro’ Berkley’s roof that ring,
Shrieks of an agonizing king!
She-wolf of France, with unrelenting fangs,
That tear’st the bowels of thy mangled mate,
From thee be born, who o’er thy country hangs
The scourge of Heaven! What terrors round him wait!
Amazement in his van, with Flight combined,
And Sorrow’s faded form, and Solitude behind.

“Mighty victor, mighty lord!
Low on his funeral couch he lies!
No pitying heart, no eye, afford
A tear to grace his obsequies.
Is the sable warrior fled?
Thy son is gone. He rests among the dead.
The swarm that in thy noon-tide beam were born?
Gone to salute the rising morn.
Fair laughs the morn, and soft the zephyr blows,
While proudly riding o’er the azure realm
In gallant trim the gilded vessel goes:
Youth on the prow, and Pleasure at the helm:
Regardless of the sweeping whirlwind’s sway,
That, hushed in grim repose, expects his ev’ning prey.

“Fill high the sparkling bowl,
The rich repast prepare;
Reft of a crown, he yet may share the feast:
Close by the regal chair
Fell Thirst and Famine scowl
A baleful smile upon their baffled guest.
Heard ye the din of battle bray,
Lance to lance, and horse to horse?
Long years of havoc urge their destined course,
And thro’ the kindred squadrons mow their way.
Ye towers of Julius, London’s lasting shame,
With many a foul and midnight ****** fed,
Revere his consort’s faith, his father’s fame,
And spare the meek usurper’s holy head.
Above, below, the rose of snow,
Twined with her blushing foe, we spread:
The bristled Boar in infant-gore
Wallows beneath the thorny shade.
Now, brothers, bending o’er the accursed loom,
Stamp we our vengeance deep, and ratify his doom.

“Edward, lo! to sudden fate
(Weave we the woof. The thread is spun.)
Half of thy heart we consecrate.
(The web is wove. The work is done.)
Stay, oh stay! nor thus forlorn
Leave me unblessed, unpitied, here to mourn:
In yon bright track that fires the western skies
They melt, they vanish from my eyes.
But oh! what solemn scenes on Snowdon’s height
Descending slow their glittering skirts unroll?
Visions of glory, spare my aching sight,
Ye unborn ages, crowd not on my soul!
No more our long-lost Arthur we bewail.
All hail, ye genuine kings! Britannia’s issue, hail!

“Girt with many a baron bold
Sublime their starry fronts they rear;
And gorgeous dames, and statesmen old
In bearded majesty, appear.
In the midst a form divine!
Her eye proclaims her of the Briton-line:
Her lion-port, her awe-commanding face,
Attempered sweet to ****** grace.
What strings symphonious tremble in the air,
What strains of vocal transport round her play!
Hear from the grave, great Taliessin, hear;
They breathe a soul to animate thy clay.
Bright Rapture calls, and soaring as she sings,
Waves in the eye of heav’n her many-coloured wings.

“The verse adorn again
Fierce War, and faithful Love,
And Truth severe, by fairy Fiction drest.
In buskined measures move
Pale Grief, and pleasing Pain,
With Horror, tyrant of the throbbing breast.
A voice, as of the cherub-choir,
Gales from blooming Eden bear;
And distant warblings lessen on my ear,
That lost in long futurity expire.
Fond impious man, think’st thou yon sanguine cloud,
Raised by thy breath, has quenched the orb of day?
Tomorrow he repairs the golden flood,
And warms the nations with redoubled ray.
Enough for me: with joy I see
The diff’rent doom our fates assign.
Be thine Despair and sceptred Care;
To triumph and to die are mine.”
He spoke, and headlong from the mountain’s height
Deep in the roaring tide he plunged to endless night.
 Jul 2015
jmc
To be or not to be
**** the man who stole the throne from me
A father murdered by a brother's hand
Fooled my mother with a wedding band

Sitting meek with no one to trust
Fell in love with a maiden's lust
Cut my throat and hope to die
Instead of living in a house of lies

Passions flare as emotions rage
They tie me up and throw me in a cage
Off to England I'd hate to go
For here in Denmark we await a show.

Be bold and ****** my actions sing
To avenge my father, defiance I'll bring
Perhaps a play will be the thing
To catch the conscience of the king

To hold my mother in my arms
Her heart I wish to always keep warm
But wretched vile serpent you slay
And sneak into the bed, with white venom you lay

Crazy does my mind still climb
Upon ladders which intertwine
For an answer my soul to seek
This utter madness makes my body weak.

But at least my death be not in vain
When mine uncle sit with sword, blood slain
Poison me at my throne I'll lay dead
Hamlet, The Prince of Denmark, King once again.
Joel Chico, 2009.
 Jul 2015
Nat Lipstadt
hearing Shakespeare,
my-own-voice
crack'd, stilted,
stuttered-shut by the
mocking silence of still
waters on the brain

poverty exposed,
raggedy verbiage for a
raggedy man's
frayed fringed garments

ashamed of
every word I ever wrote,
not even ten survivors,
not enough to pray collectively
for muse~forgivement

****,
hush me not,
no chairs turned,
the public has not texted,
new tattoo:
write on for audience of one

a necessity, a life sentence

a single topic, a subject,
a life, mine,
still unmastered,
decades of trying

poverty exposed, unmasked
for what it is worth,
or what it is not
A vision as of crowded city streets,
    With human life in endless overflow;
    Thunder of thoroughfares; trumpets that blow
    To battle; clamor, in obscure retreats,
Of sailors landed from their anchored fleets;
    Tolling of bells in turrets, and below
    Voices of children, and bright flowers that throw
    O’er garden-walls their intermingled sweets!
This vision comes to me when I unfold
    The volume of the Poet paramount,
    Whom all the Muses loved, not one alone;—
Into his hands they put the lyre of gold,
    And, crowned with sacred laurel at their fount,
    Placed him as Musagetes on their throne.
 Jul 2015
Mike Essig
SONNET 138**

When my love swears that she is made of truth
I do believe her, though I know she lies,
That she might think me some untutor'd youth,
Unlearned in the world's false subtleties.
Thus vainly thinking that she thinks me young,
Although she knows my days are past the best,
Simply I credit her false speaking tongue:
On both sides thus is simple truth suppress'd.
But wherefore says she not she is unjust?
And wherefore say not I that I am old?
O, love's best habit is in seeming trust,
And age in love loves not to have years told:
   Therefore I lie with her and she with me,
   And in our faults by lies we flatter'd be.
What a sense of humor.
 Jul 2015
Tryst
Whence comes thy ill? Thy brooding bitter pill
Ploughed deep in fertile soil, sprouting to seed
Snake-like tendrils crawling to sprawl and spill,
Choking lush verdant fields with poisoned ****;
Wilted young peaches, withered pears dying,
Irises blinded, red chrysanthemums
Faded to white, strewn petals borne on sighing
Dark fitful clouds rend'ring the landscape numb;
Oh bitter pill, thy loathsome poisoned thrill
Afflicts one tainted by unsated need
To wilt and wither, blinded, faded, ill
Craving for thee with hollowed hateful greed;
    Sweet bitter pill, thou will be coveted
    Till once ripe lush and verdant fields lay dead.
 Jul 2015
martin
Tonight good Duncan, friend and guest
This dagger shall pass through thy breast
I shall be king as was the prophecy and belief
Told by the hags upon the heath

Unsexed like them, my Lady chides me still
For my kindness and uncertain will
Even as my dagger drips once more
And blood from noble Banquo stains the floor

Now in blood so far I'm steeped
Only can I wade more deep

But this horizon leads no longer to infinity
Steadily it closes in on me
Slow but marching all the same
Toward the hill at Dunsinane

And though those warning words I scorned
Not all men are of woman born
Thus proves the prophesy no lie
Live by the sword and therefore by it die
In theatrical circles the superstition persists that it is very bad luck to mention the title of  "the Scottish play".  Such is the power of Shakespeare's  Macbeth.

References:
Act I  Scene V  (Lady Macbeth to Macbeth)
  yet do I fear thy nature;
It is too full o' the milk of human kindness
To catch the nearest way

Act I  Scene VI  (Lady Macbeth)  
Come you spirits
That tend on mortal thoughts, unsex me here,
And fill me from the crown to toe-top full
Of direst cruelty!

Act III  Scene IV  (Macbeth)
I am in blood,
Stepped so far that should I wade no more,
Returning were as tedious as go o'er.

Act IV  Scene I  (Second Apparition)
Be ******, bold, and resolute; laugh to scorn
The power of man, for none of woman born
Shall harm Macbeth

Act IV  Scene I (Third Apparition)
Be lion-mettled, proud; and take no care
Who chafes, who frets, or where conspirers are:
Macbeth shall never vanquish'd be until
Great Birnam wood to high Dunsinane hill
Shall come against him
 Jul 2015
John Milton
What needs my Shakespear for his honour’d Bones,
The labour of an age in piled Stones,
Or that his hallow’d reliques should be hid
Under a Star-ypointing Pyramid?
Dear son of memory, great heir of Fame,
What need’st thou such weak witnes of thy name?
Thou in our wonder and astonishment
Hast built thy self a live-long Monument.
For whilst to th’sharne of slow-endeavouring art,
Thy easie numbers flow, and that each heart
Hath from the Leaves of thy unvalu’d Book,
Those Delphick lines with deep impression took,
Then thou our fancy of it self bereaving,
Dost make us Marble with too much conceaving;
And so Sepulcher’d in such pomp dost lie,
That Kings for such a Tomb would wish to die.

— The End —