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Louise Jun 10
π‘­π’Šπ’“π’”π’• 𝒂𝒏𝒅 π’‡π’π’“π’†π’Žπ’π’”π’•, 𝒂 π‘­π’Šπ’π’Šπ’‘π’Šπ’π’ π’”π’˜π’π’“π’…
π’Šπ’”π’'𝒕 π’“π’†π’‚π’π’π’š 𝒐𝒏𝒆;
π’Šπ’• π’Šπ’” 𝒃𝒖𝒕 𝒂 𝒕𝒐𝒐𝒍.
𝑨 π’ˆπ’‚π’“π’…π’†π’π’Šπ’π’ˆ 𝒐𝒓 π’‡π’‚π’“π’Žπ’Šπ’π’ˆ 𝒕𝒐𝒐𝒍.
𝑨 π’Žπ’†π’“π’† π’Œπ’π’Šπ’‡π’† 𝒖𝒔𝒆𝒅 𝒕𝒐 𝒄𝒖𝒕 𝒄𝒓𝒐𝒑𝒔,
𝒉𝒂𝒓𝒗𝒆𝒔𝒕 π’ˆπ’“π’‚π’Šπ’π’” 𝒂𝒏𝒅 π’•π’‚π’Œπ’† 𝒐𝒖𝒕 π’˜π’†π’†π’…π’”.
π‘·π’“π’Šπ’Žπ’‚π’“π’Šπ’π’š, 𝒂 π‘­π’Šπ’π’Šπ’‘π’Šπ’π’ π’”π’˜π’π’“π’… π’Šπ’” 𝒏𝒐𝒕 𝒂 π’˜π’†π’‚π’‘π’π’;
π’Šπ’• π’Šπ’” 𝒂 𝒕𝒐𝒐𝒍 𝒖𝒔𝒆𝒅 𝒕𝒐 𝒉𝒆𝒍𝒑 π’ƒπ’“π’Šπ’π’ˆ 𝒇𝒐𝒐𝒅,
𝒕𝒐 𝒏𝒖𝒓𝒕𝒖𝒓𝒆 𝒂 π’‡π’‚π’Žπ’Šπ’π’š,
π’π’π’–π’“π’Šπ’”π’‰ 𝒂 π’•π’π’˜π’.

𝑨 π‘­π’Šπ’π’Šπ’‘π’Šπ’π’ π’”π’˜π’π’“π’… π’Šπ’”π’'𝒕 π’“π’†π’‚π’π’π’š 𝒐𝒏𝒆...
π‘Όπ’π’•π’Šπ’ π’Šπ’• π’“π’†π’‚π’π’π’š 𝒉𝒂𝒅 𝒕𝒐 π’ƒπ’†π’„π’π’Žπ’† 𝒐𝒏𝒆.
𝑰𝒕 π’˜π’‚π’” 𝒂 π’‡π’‚π’“π’Ž 𝒕𝒐𝒐𝒍 𝒂𝒏𝒅 π’Žπ’‚π’Šπ’π’”π’•π’‚π’š
𝒂𝒏𝒅 𝒕𝒉𝒆𝒏 π’Šπ’• π’Šπ’” 𝒂 π’„π’π’Žπ’ƒπ’‚π’• π’˜π’†π’‚π’‘π’π’.

π‘΅π’π’˜ 𝒕𝒉𝒆 π’‡π’Šπ’“π’”π’• 𝒂𝒕 𝒕𝒉𝒆 𝒇𝒐𝒓𝒆𝒇𝒓𝒐𝒏𝒕𝒔,
𝒔𝒐 π’‡π’π’“π’„π’†π’‡π’–π’π’π’š 𝒂𝒏𝒅 π’‡π’“π’Šπ’ˆπ’‰π’•π’†π’π’Šπ’π’ˆπ’π’š,
𝒂 π‘­π’Šπ’π’Šπ’‘π’Šπ’π’ π’”π’˜π’π’“π’… 𝒕𝒖𝒓𝒏𝒔 π’Šπ’π’•π’ 𝒐𝒏𝒆;
π’π’π’˜ π’Šπ’• π’Šπ’” 𝒂 π’˜π’†π’‚π’‘π’π’.
𝑨 𝒄𝒍𝒐𝒔𝒆 π’„π’π’Žπ’ƒπ’‚π’• 𝒐𝒏𝒆.
π‘΅π’π’˜ π’Šπ’• π’Šπ’” 𝒂 π’Œπ’π’Šπ’‡π’† π’˜π’‚π’Šπ’•π’Šπ’π’ˆ 𝒕𝒐 π’˜π’Šπ’†π’π’… 𝒂𝒏𝒅 π’Œπ’Šπ’π’,
𝒕𝒐 π’…π’“π’‚π’˜ 𝒃𝒍𝒐𝒐𝒅 𝒂𝒏𝒅 π’…π’“π’‚π’˜ 𝒐𝒖𝒕 π’†π’π’†π’Žπ’Šπ’†π’”.
π‘Όπ’π’•π’Šπ’Žπ’‚π’•π’†π’π’š, 𝒂 π‘­π’Šπ’π’Šπ’‘π’Šπ’π’ π’”π’˜π’π’“π’… π’Šπ’” π’π’π’˜ 𝒂 π’˜π’†π’‚π’‘π’π’;
𝑰𝒕 π’Šπ’” 𝒂 𝒕𝒐𝒐𝒍 𝒖𝒔𝒆𝒅 𝒕𝒐 π’ƒπ’“π’Šπ’π’ˆ π’ƒπ’‚π’„π’Œ 𝒕𝒉𝒆 π’ˆπ’π’π’…,
𝒕𝒐 𝒑𝒓𝒐𝒕𝒆𝒄𝒕 𝒕𝒉𝒆 π’‡π’‚π’Žπ’Šπ’π’š,
𝒔𝒂𝒗𝒆 𝒕𝒉𝒆 π’π’‚π’•π’Šπ’π’.

𝑨𝒏𝒅 𝒂 𝒑𝒆𝒏 π’Šπ’”π’'𝒕 𝒂 π’”π’˜π’π’“π’…...
π‘Όπ’π’•π’Šπ’ π’Šπ’• π’ƒπ’†π’„π’‚π’Žπ’† 𝒐𝒏𝒆 𝒂𝒔 π’˜π’†π’π’.
π‘΅π’π’˜ 𝒂 π’Žπ’‚π’ 𝒄𝒐𝒖𝒍𝒅 𝒃𝒆 π’Œπ’Šπ’π’π’†π’… π’˜π’Šπ’•π’‰ π’˜π’π’“π’…π’”,
π’π’π’˜ π’Šπ’• 𝒄𝒐𝒖𝒍𝒅 𝒔𝒆𝒕 𝒂 π’π’‚π’•π’Šπ’π’ 𝒂𝒃𝒍𝒂𝒛𝒆 π’…π’π’˜π’ 𝒕𝒐 𝒉𝒆𝒍𝒍.
"La Filibustera" series, parte seis
53 · May 31
The True Cross
Louise May 31
I have crossed seas,
treaded rocks and island.
To find the truth I seek,
and that in your eyes I found.
The truth they so speak,
is it the effect or the cause?
The truth they so praise,
all in faith and love and your loss.
The truth you deny to preach,
are you afraid I will be lost?
The truth you refuse to grace,
turned to hate and war and my triumph.
I have stepped on all of sands,
tripped on all kinds of rocks.
As petrified as wood are my hands,
you'll never touch nor wrap on your ****.
As fortified as the cold mountain is my heart,
you never broke it, not even set it ablaze.
While you trip on your bed like it's hard,
you'll never find me there because it's late.
"Santa Cruz de Siquijor" trilogy, 2 of 3
47 · May 27
Merienda Cena
Louise May 27
Kumain ka na ba?
Anong oras na.
Oras na para kumain.
Umupo ka na, 'wag mahiya.
Para sa'yo lahat itong nakahain.
Isang oras lang.
Pero busog ka na ba?
Isang oras pa.
Merienda lang, mahal.
Kahit pa hanggang almusal.
Pasensya ka na, ito lang ang hiling.
Hindi na nanaisin pa na ito'y patagalin.
Pwede na ba akong umalis?
Hindi na aasamin na lalong magkamali.
Boses mo ang siyang multo at baon ko.
Ang mga mata ko'y suki ng alaala mo.
Mali ang ito'y piliting maging tama.
Tama na siguro ang muntik na.
Plato at kubyertos ay iligpit na.
At ang basura ay aking susunugin na.
Kutsara at baso ay itago na.
At ang alaala natin ay kalimutan na.
Merienda cena, hindi na sana.
36 · May 19
Codeswitch (Part II)
Louise May 19
What of languages, if you only need a few words to tell me the truth?

What of learning dialects, if you only need a single sentence to ask the ocean to stay still for a moment?

What use are the multiple languages you speak, when you can't use a single one of them to say what you feel?

What about the new language you taught me, do I forget it and throw it to the sea? What good is it, if I'm slowly becoming mute?

So what of languages, if you only have to answer yes or no?

So what of dialects, if I couldn't even ask you to drown me in your ocean of lies, let your waves sink me, eat me alive?

So what use are the multiple languages we speak, if we can't use a single word, a sentence, not a single language to say
the multitudes of feelings we feel?

What about the new language you taught me?
Do I write about it, let it hurt and ****?
How bad will it be, if I were to die on this hill?
Pakiusap. Por favor. Palihug. Si us plau.
Louise Jun 29
And you can't drown a woman who was raised by the ocean
and nourished by the islands.
You can't sink a ship and bring it to its knees.
But you can't soak a girl who grew up in floods of garbage
and emerge in farms.
You can't splash the rain and wet the storms.
You can't bring down a woman from mud,
with hands smeared by dirt from her dad.
You can't bury an angel you tried to give hell,
with a body from heaven sent as your help.
You can't freeze a ***** whose heart is ice,
you should be ashamed of your foolish lies.
You can't burn a queen that's made of fire,
but you'll regret trying for the rest of your life.
Eres mi esclavo ahora.
hasta que escribo
Mi peor y ΓΊltimo poema.

"Reyna" trilogy, 3 of 3
Louise Jun 26
I'm never one to feel the right things,
to feel what I should be feeling
or what they say I should feel.
I'm never one to say the proper words,
to say what I should to cut the cords
or what they say I should pray to the Lord.
But why do I feel like I'm not welcome here?
Why do I feel like a stranger since I'm near?
I'm not one to do what a lady should do,
to do things for what and act to please who
or go wherever they want her to go to.
I'm never one to mindlessly nod and obey,
to follow the mild current and go against bay
or have a routine like I do from night to day.
But why do I feel like doing what they say?
Why do I feel like I need to go anyway?
EstΓ‘s a mi merced.
Hasta que yo lo diga,
nunca serΓ‘s libre.

"Reyna" trilogy, 1 of 3
31 · 5d
Ang Letrang "L"
Louise 5d
Ang letrang matapang.
Ang unang letra ng mga tao
na pinakamatatapang daw.
Ang unang letra ng salitang "laban",
ng "laot"
ng "lami"
ng "laya",
libro.
libertad.
lagrima.
Otra vez, libertad.
La palabra, "La"
La Union.
La Reina.
LA MANILEΓ‘A.
La poeta.
La escritora maxima.
Lakambini.
Learning.
Laughing.
Loving.
Living.
Life.
Live­. Laugh. Love.
I got inspired to write this after my surf instructor in La Union, kuya Larry, told me that I shouldn't be afraid of anything, because people whose name starts with the letter "L" are brave people. I can't argue with that. πŸ„πŸ»β€β™€οΈ

— The End —