(A follow-up to "Whimper", which was written in response to "Howl" by Allen Ginsberg)

I have seen the best insanity of my generation destroyed by the worst minds.
I have seen humans turn into robots and the robots turn to fascism
because of What The Internet Told Them.
I have seen the weaponisation of our most rancid fears and watched
in horrified fascination as our inner demons got their own agents.
I have seen and felt the horizon constrict so tight, it’s getting
hard to swallow.

You have to understand, this isn’t what I wanted.
You have to realise, this isn’t what I meant.

This isn’t crazy.
This isn’t pure, natural, spontaneous crazy.
This is synthetic madness, manufactured madness,
genetically modified, mass-produced, mass-marketed madness:
As Seen On Television; approved by test audiences;
none of the calories, all of the carcinogens.
This goes beyond the deplorable allure of a free red hat.
This goes beyond dinosaur-dodo-dumb nostalgia for a blue passport
and a golden age that never was.
This is why you hire Cambridge Analytica.
This is the Project For The New American Sentence:
The message is, “It’s chaos out there, people; do what the hell you want.”
And the echo chamber,
and the echo chamber,
and the echo chamber,
and even the rage…
even the rage isn’t real.

Mercenaries, not maniacs.
No more lunatic songs.
That howling you hear is only feedback:
an endlessly shrieking loop of absolutely nothing, broadcast on
every channel, into every dream, until the fillings in our teeth buzz
and our institutions tear themselves apart, as
component materials hit resonant frequency.

This is how the world ends: Not with a whimper, but with
static.

We got the message wrong, giving credence to people
whose hatred is their only art.  They taught us
to avoid such human folly as Ruinous Empathy, to
distrust painful, decaying love, when these were the
things that might have saved us.
There’s a poet I know, who served in ‘Nam, who thinks
he might have even forgiven Nixon.  
Field Commander Cohen has checked out of the Chelsea Hotel,
deciding we wanted it too dark for him.
Too many of our heroes have turned out to be monsters.  We're haunted by
historic *** crimes, Cold War ghosts and the knowledge that we
could have done things differently.

The message was supposed to be, “It’s chaos, be kind.”

There's no such thing as a stable genius, but we've got
fake news and alternative facts; we're discovering the side-effects
of living post-consequence.  We're hypernormalised.  We're
past shock; our incredulity stretched beyond its
elastic limit; we've broken satire and nothing is really funny any more.

Welcome to the Disinformation Age.  These are our Interesting Times:
Glee Club and Gun Rehearsal; bloodied blue uniforms;
tears for the victims of the Bowling Green Massacre;
an early by-election for Batley and Spen;
very fine people on both sides; Thoughts & Prayers, our
only surplus, the ultimate fiat currency;
poverty **** and the return of social ****** (71 dead at Grenfell, NHS black alerts, rickets making a comeback, lead in the water); Drink the Kool-aid; humans like Kool-aid - **** stars on polygraphs; Netflix and Kompromat; the portrait
in Kissinger’s attic; Ayn Rand for Beginners; Corporate cosmology
and casino capitalism; government by gaslight; constructive ambiguity
to preserve a kakistocracy; bring me
the head of Roger Stone!  #EndOfEmpire;
Windrush and Stupid Watergate…

I said we needed our madmen back, but not like
this.  Not
these posers, these gangsters, these Quislings…  
These are merely bad actors, playing to the crazy dollar,
but do not doubt their sanity,
which is icy and cynical and monstrous.  But,
in the cold fusion reactor of that sanity, they are unknowingly
forging a new generation of madmen, whose madness
will be righteous and real and burn with
a pure, perfect heat that cleanses and cauterises.  They
will know the difference between human
and humanoid.  They will be less afraid than us, less quick to
hate strangeness. They will use their craziness to
create, not destroy.  They have
already begun.

I know this because
I have witnessed six minutes and twenty seconds of silence that blazed hotter, howled louder than all your Fire and Fury.  I have seen
riot cops in Baton Rouge turn whiter and recoil in fear from serene, dignified, unarmed surrender. I
have heard the young sweetly whisper to the old,
‘Fine, but you’re wrong, and we’re right, and we will outlive you.’
You can’t hide that behind a wall.
You can’t say that life doesn’t matter.
You can’t filibuster the future.
Everything was forever, until it was no more.

Our madmen are gone, and they’re not coming back.  
But there will be others.
The best minds of their generation will not be destroyed by your sanity.

The Stars at night are camouflage,
to hide the fact we're in a garage,
trapped in a tote that's plastic clear,
stored safely away, have no fear.

An experiment started and left to run,
checked now and then to see if done,
no known hypothesis or a theory,
may not be a true science query.

Just a bit of ooze left to grow,
and evolve into what, we do not know,
stressors added and sometimes food,
a good shake given to change the mood.

Just upright mice trapped in a cage,
viewed on a microscope stage,
self-deluded that we're the best,
but we've never even seen the rest.

Perhaps one day we'll know the truth,
but will we recognize the proof,
that we are but an accident,
not even a grand experiment.

intruding feline, placed too close makes that
nidified fall
too close
to tears.

a covey small tan and brown feathered avian sprites
in brittle grass on desiccated hills hidden in plain sight
perching still as death will my close presence them excite
do they sense the ending that will mark their panicked fright?
I'll move they'll billow forth in the vagaries of flight
fluttering trajectory will intersect my sights
wild beauty convoluted billowing feathers ignite
ending in a tumbling stumbling failure of their flight
their camouflage plumage flecked with stains of crimson light
do they regret never seeing their progeny's delight?
do they feel a longing for more than is their right?
they will provide a meal for my family tonight

there was no power

from my Mumbai hotel I
could see the stream of people
in the narrow street below

a cart carrying the dead listed
and nearly toppled over

the ox pulling it did not stop
dragging the askew carriage along

passersby steered clear of the primitive hearse
knowing it carried the curse, the fever felling the denizens
of this muggy megapolis

a plague harvesting souls
quicker than they could be burned

the Mithi was thick with their ashes,
diluted only by tears of the mourners
who harbored fears they would be next

I was there, a helpless healer;
a doctor turned detective, running
a race to find a cause, a miracle cure

all my potions impotent,
all my staring at slides a lesson
in limitations, ignorance--a discovery
of crawling creatures too miniscule
to be dissected, too beguiling to be
understood

my eyes were tired of looking
at the tiny death moguls and their victims
my ears weary of the entreaties for relief
from suffering

yet I stood and watched, one wagon
after another, carrying carrion for the pyres

I prayed the power would stay off,
for light would have shone on me:
a curious survivor, unworthy of whatever
grace kept me from the heaps of lifeless
limbs bound for the fires of the night

endless toil, on angered guard
mindless energy, take it out on another
internal struggle, hard to share
destructive, will this ever stop.....

when i was ordained a journalist,
a halfwit wisdom-speller with i's too often after e's,
they mounted a valediction for me:

"goodbye, you crucible of culture and the end," they pomped.
"we wish you joy on your carpetbagging beats,
the inciting sins you write your things about—

"the ways in which we fall.
and glory to you, the one who settles truth
by shivering quotes in darkness

and flickering candles in caves.
for what would be the world without you?"

a better place, I'm told; a feast of fiends without wits.
and likely more bourbon
to go around.