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god's been
looking for
me, he once
claimed me
in severity
out of my
illegitimacy
but w h a t
does that
even mean
when i am
still so
a n g r y
I once woke up from a dream.



haven't written in in a while.
I can feel the balloon inside of me deflating deliberately
     as if there is a minuscule puncture in its underbelly that no one can regard.
I feel like I am the growing void
     and also that the void is growing within me.

Your silent delusion lurks in the corners of my brain and I am so ashamed.
You abide in the underbelly of my eyelids
     that are leaking deliberately as if there's a minuscule puncture where no             one can regard it.

I'm that speck of ******* that gets left behind on a dollar bill
     and spent on a pack of gum.

Thanks for the game.
as
i always fall for boys with broken trucks


who track sod into the living room
and smell like cattle and cologne
with knotches in their hips from
tying dollars 'round their waists
strung from welding rigs and pipelines
bad backs, torn hands and ripped
ligaments scarred over and healed
with whiskey--

those men that cause a raucous
but attend the song of every whippoorwill
who take peace with them down in the
holler and carry sunlight on their backs
they've got bones so cold you'd think they'd
crack but they've been bucked by bulls and
motorcycle seats, and are quieted by the sounds
of a woman breathing--

softly, slowly, in and out
softly, slowly, in and out.


how do you not fall for the broken?


softly, slowly, in and out.
(c) Brooke Otto 2016


I have writer's block.
I say something like
I want to know everything about you
and that's not me lying, just my genuine
curiosity out there in the open so when
people ask about you, your favorite
flavor of ice cream will fall right off
my tongue, a thousand little facts
about your truck or your garage
or things I picked up just listening to
the sound of your voice

I like to know people the way I know myself
but maybe i've been careless, maybe i've taken
hearts and made them cranes, taken their soft
rippled surfaces and flattened the corners,
maybe i've been too negligent in the art
of loving, in making sure i've not made
a home where there ought not to be
because i'm good at finding a place
to nest, in the rafters of their chests
and most don't mind birds but


girls aren't birds
girl's aren't birds
and don't have the right
to come in and say they have
all the answers

so i'm out on a county road and I'm saying something like
i'm sorry, please don't leave


I'm sorry, please don't leave.
(c) Brooke Otto 2016

cowboys and mostly indians
Frivolously toss a grain of sand into my heart
and watch it tear me through the pavement.
Little ember you were a love so bright
But I didn't tend to you
And you dimmed your light
I don't ask much but I plead with all my might
Be my warm, be mine tonight
I'd forgotten about the last frost
the tv casting a flickering glow on
the opposite wall, I'd been counting
the number of times you'd said ****    (six)
still expecting (hoping) you to take my
hands and blow warm air through
my thumbs--

we left the cows (which had dwindled since I'd last been)
and climbed the rails near the house to get to the roof
it's so dark that it's light out here, I've got some song
by the Randy Rogers Band coming up through my
hair and buzzing on my lips

curse the photographic memory, I see you wobbling on the icy ridges
putting your faith in bolt heads to hold you upright--this stretch of
stars linin' up with your shoulders, your heart is crooked but beats
pretty straight--sometimes the air glistens around you like you're
still cookin' in the sun or maybe you've got some of that anger
still left over from Ashley, (who knows) I don't say a thing.

People say the night is black, but the night is blue. The night is the color of the year, purple quartz, johnny cash's long drawl, the night is your shadow, your laugh, a wily hand briefly tucked in the seam of my thigh where it all runs together, where all the water meets on Coleman land--disenchanted by our differences, scouring skin like shrikes waiting
for an opening, going in for the dive and finding that I am all melted
wax and whimpers--
lying shoulder to shoulder like we first
did up on Skyline,
boy, did I.
Boy, did I?
(c) Brooke Otto 2017

I didn't know how to end this.
to the man who loves me next and last

at some point i'll have to tell you that I've
been waiting for you for years, and that in
the hearts of every passer-by I saw bits and
pieces of who i thought you'd be, half-truths
and mostly lies, fantasies and countless scenarios
buried in an inch of sand at the bottom of a flower
vase

that at one point you were a Chris or a Chaz and several
other men who never even made it past the door, sometimes
tall and usually short and even missing half of your pinky
in 2013--

but as it turns out, I always kept walking, and sometimes the
ground shifted forward and carried me away-- there were a
few detours and places where I'd be standing beneath a swinging
stoplight for an indeterminate amount of time, where I sent a hundred
postcards to friends and family in riddles and broken
seashells, roots still damp and undeveloped strips of film

And there were many days where I sat staring out the window
at the storm clouds rolling over the arkansas river, carving another
man's name into a birch tree dug into the shore, nestled into a hundred
other initials-- wondering if his hands were yours or yours his and if he'd be you or you'd be him--quit smiling like that, i mean it.

But if you count the number of days I work throughout the year and
realize that for all of those I twisted an apple stem and always came up
on a different letter, you might think I was a little bit obsessive about
my dreams which is probably why you never showed up--
when I was deep in between the mountains, trekking in the tall grass where the cicadas vibrated the muggy august air--

I'll have to admit these things to you, divulge the secrets to my fridge
and buy new perfume to christen you with the seasons, share the passwords for my wifi and clear playlists filled with memories of other people, but if you can believe it--I think we're a little bit closer.

things are moving pretty fast and I'm being shoved along as if by wind or flood or corn plow, scooped up and cultivated, i've been having dreams of multitudes, of wading out into the ocean to scoop up fish
and sea glass with silver flecks, old flattened coins with thick films of
verdigris--

I'll be sitting at work completely disgusted by myself--and that's how I'm sure. That I am becoming less of who I was and more of who you'll know, less of a thought and more of a concrete idea, a person, someone
worthy. Everything used to be discussed based on how worthy it was of me, but maybe I need to be
worthy of
you.


I'll have to tell you these things.
What a mess of a poem.

(c) Brooke Otto 2016
She knew in her heart where she belonged
And it wasn't with a wolf,
or a ghost from her past
She belonged to the one who would never do her harm.
The wolf may be enticing and warm and inspiring
And the ghost may be exciting, unruly and inviting
But her heart beats softer to the hum of his love
Than for anyone else,
in hell or above.
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