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 Jul 2015 AJ Mayfield
Maya Grela
But can you love me in the deep? In the dark? In the thick of it?
Can you love me when I drink from the wrong bottle and slip through the crack in the floorboard?
Can you love me when I’m bigger than you, when my presence blazes like the sun does, when it hurts to look directly at me?
Can you love me then too?
Can you love me under the starry sky, shaved and smooth, my skin like liquid moonlight?
Can you love me when I am howling and furry, standing on my haunches, my lower lip stained with the blood of my last ****?
When I call down the lightning, when the sidewalks are singed by the soles of my feet, can you still love me then?
What happens when I freeze the land, and cause the dirt to harden over all the pomegranate seeds we’ve planted?
Will you trust that Spring will return?
Will you still believe me when I tell you I will become a raging river, and spill myself upon your dreams and call them to the surface of your life?
Can you trust me, even though you cannot tame me?
Can you love me, even though I am all that you fear and admire?
Will you fear my shifting shape?
Does it frighten you, when my eyes flash like your camera does?
Do you fear they will capture your soul?
Are you afraid to step into me?
The meat-eating plants and flowers armed with poisonous darts are not in my jungle to stop you from coming. Not you.
So do not worry. They belong to me, and I have invited you here.
Stay to the path revealed in the moonlight and arrive safely to the hut of Baba Yaga: the wild old wise one… she will not lead you astray if you are pure of heart.
You cannot be with the wild one if you fear the rumbling of the ground, the roar of a cascading river, the startling clap of thunder in the sky.
If you want to be safe, go back to your tiny room — the night sky is not for you.
If you want to be torn apart, come in. Be broken open and devoured. Be set ablaze in my fire.
I will not leave you as you have come: well dressed, in finely-threaded sweaters that keep out the cold.
I will leave you naked and biting. Leave you clawing at the sheets. Leave you surrounded by owls and hawks and flowers that only bloom when no one is watching.
So, come to me, and be healed in the unbearable lightness and darkness of all that you are.
There is nothing in you that can scare me. Nothing in you I will not use to make you great.
A wild woman is not a girlfriend. She is a relationship with nature. She is the source of all your primal desires, and she is the wild whipping wind that uproots the poisonous corn stalks on your neatly tilled farm.
She will plant pear trees in the wake of your disaster.
She will see to it that you shall rise again.
She is the lover who restores you to your own wild nature.
https://aubreymarcus.com/written-musings/poetry/
 Jul 2015 AJ Mayfield
katie
When I was small
I walked on fairy dust and
my dreams were as tall
as skyscrapers towering
above the universe
inside of me, was the galaxy.
I was born of the cosmos,
full of light and love
passionate in my quest to
give this to others.
But as I grew my star began to fade,
stars need love and light to survive
and deprived of both my blazing fire
transformed into weak candlelight.
At school I had learnt it was easier
to hide your light
than to stand out as different
and be extinguished in an instant.
So I kept myself to myself
at the back of the class,
knowing the answers but not
shouting them out.
I daydreamed, and doodled
stars on the corners
of my books, all the while
I could hear the universe
calling out to me to trust,
that we are all born of this
cosmic stardust.
The trees will eventually
turn into cracking spines;
let me show you
power
and the strength
of his backbone.
This shows the similarity of the writer and the character. Either we escape to someone else without reality in our mind, or we write simply of what we know.
the butterflies in my stomach
still haven’t died as the seasons changed
from the first time I realized
we were home
until now.
I can still feel
the fluttering below my ribcage;
I can see the frost on
my tongue.
I never meant to ****
the nature in you by
filling your veins with
what I breathe out,
I never meant to personify
the coldness of winter
like this
I’ve tattooed a line across
the veins of my wrist
and marked a down stroke
for every time
“you can’t wear red lipstick”
made me believe
I never wanted to in the first place.

for every time instead
I’ve stained my lips with cherries
learning how to tie the stems
so I can slip forget-me-knots
to the back of your throat—
do you feel my restriction now?

the razors that fly off my tongue
perk thorns on my skin,
another down stroke on my wrist
will teach me that
you were right,
shyness is a virtue.

no need to speak,
go spend one hundred dollars
and some percent for tax
to cover up,
even though I’m sure your mother told you
that cotton stains.

so make it black.
get your hair stuck
in the zipper of that sundress
and pray as you pull it out
that it will lose its pigmentation
in the process
mark a down stroke
for killing two flowers
for one bouquet.

hold it
close your eyes and throw it back,
I know we shouldn’t be wearing white anyway
but tradition can take a lot out of you
like what you really think—
don’t say **** in public.

instead drag your first impressions
all the way to the altar
and dress in your Sunday best
a flower on your lapel
clear on your lips
a stroke for the neat decline
of the son

I tattooed a line across
the veins of my wrist
and marked a down stroke
for every time
my image
was my fault.
 Mar 2015 AJ Mayfield
martin
Don't approach a dog unknown to you
Holding out your hand, making eye contact
You may frighten him
Let him come to you

Don't write a poem uninspired
It won't work out
In good time
Let it come to you

Don't go out there seeking love
Like a child with a butterfly net
Live your life
Let it come to you
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