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Jonathan Moya Sep 2020
The sand holds our faces.
Every thousand grains
forms a man, a woman, a child.

Every millionth there is your mother-
young, stunning, beauty mark
perfectly spotted on right cheek.

Every billionth adds a little weight,
gray, tears and beaches of separation.

Every trillionth might be the dirt
blown away at her funeral.  

It’s not hard to find a thousand
coffins nesting in the shoreline.
You just need to adjust your eyes
to focus on the tiny-ness below,
to see every relative particle.  

Sand is but the erosion
of the once impenetrable.

You may find your father
coasts away from your mother,
his bald-headed frown
etched into a tableaux
of a thousand grains.

The semblance of
your sister’s smile
and your brother’s jeer
not embracing each other
are also there,
shifting closer
or farther away,
based on the whims
of tide and wind.

Your history has been
etched into the grains
centuries before your birth,
yet your fate remains beyond
their sway and maybe even time.

No  one can explain
why vast deserts exist.
Why their very ash
is forever tendered
and remembered.

All we know is that
the shifting sands
will be there to always
greet and bury us.
Jonathan Moya Sep 2020
You worked hard for the plum,
to bite into the Mariposa
before the heat comes
and it rots.  

Its purple plumpness
pulsates with juice,
so dark and clear
through and through.

The comfort is not startling.
It’s the taste you know
from a thousand memories,

What takes you back
is the shock of seeing
your heart in your palm,
the taste of your blood rich
in this other thing.

Yes, it’s not what you hoped,
maybe more for such
a late summer surprise.

Yet, in the shrinking light you
don’t begrudge yourself
this small purple reward for
a lifetime of regrets and doubts,
unborn hopes and still-born pleasures.

This plum blossomed
despite you,
apart from you.

It reached you
skin sweating
ripe to be your miracle.

It’s not just sweet,
it’s sweetness,
full of the seasons
of its short life,
your everything- nothing joy.

Bite into it, and
you must bite into it,
taste its smallness
in your fullness.

Feel it run
down your cheek
overflowing your palm.

Feel it mesh with all
your runny happiness.
Jonathan Moya Sep 2020
I watched in the swirl, the blue fish paddle
steadily away from the boat,
knowing that it had been hooked before,
the wound protruding wormlike from his jaw.

Today would not be his last fight.
He would not be a photo prize.
He wanted not the weight of air,
just the restless, endless flow all around,
the homely tide.

Algae speckled his skin
refracting rainbow fingers
like prayers in the morning
and brown moldy spots on his lateral line
like vespers recited in a dark nave.

Swirls of lilies flowed beneath his belly
revealing his antiquity and mortality.

He danced defiantly along the reef,
shedding embedded sand,
corrupted water weighing him down
the worms wriggling on barbed Js above,
the anemones gesticulating alluringly beneath.

He once was suspended between ocean/heaven
everything green slipping off,
his blue mocked by the lighter sky,
his lungs rejecting its oxygen,
his blood rejecting its gravity
that cut his very being.

He was born with scales,
flexible bones Ill-suited for this rigid world,
born to glisten never knowing.  
more beautiful peony’s,
things more lovely than him
rooted in lands beyond his sight and ken.

His eyes seemed larger than mine
and in a certain graceful way
they had the heavy density of a stain glass panel
trying to contain all beauty in an icon.
They shifted only towards the light.

He stared mouth agape and every scar,
every hook wound fell off, revealed itself,
proof that he will never be any one’s prize.

Like everyone else, he had learned
the wisdom of the wound,
that life was not in victory,
but in surviving, the possibility,
the hope of catch and release.

I started my rusty boat
and in the dart of his rainbow
swimming away, swimming away,
I felt the thanks of his fin and tail,
as I moored in the direction home.c
Jonathan Moya Sep 2020
With the start of NFL football yesterday, I must salute those brave and patriotic players and teams who take a stand against police brutality of black people. I must share this poem and video that my Miami Dolphins shared.  I stand in complete solidarity with the Dolphins on this issue.  

https://twitter.com/i/status/1304186433054420992

It is authentic? That’s the mystery.

Or is it just another symbolic victory?

Now there’s two anthems. Do we kneel do we stand.

If we could just right our wrongs we wouldn’t need two songs.

We don’t need another publicity parade.

So we’ll just stay inside until it’s time to play the game.

Whatever happened to the funds that were promised. All of a sudden we got a collapsed pocket?

The bottom line should not be the net profit. You can’t open your heart when it’s controlled by your wallet.

Decals and patches. Fireworks and trumpets. We’re not puppets. Don’t publicize false budgets.

Ask the pundits and we shouldn’t have a say. If you speak up for change, then I’ll shut up and play.

If we remain silent, that would just be selfish. Since they don’t have a voice, we’re speaking up for the helpless.

It’s not enough to act like you care for the troops. Millions for pregame patriotism. You get paid to salute.

Lift every voice and sing? It’s just a way to save face. Lose the mask and stop hiding the real game face.

So if my dad was a soldier, but the cops killed my brother, do I stand for one anthem, and then kneel for the other?

This attempt to unify only creates more divide. So we’ll skip the song and dance. And as a team we’ll stay inside.

We need changed hearts. Not just a response to pressure. Enough. No more fluff and empty gestures.

We need owners with influence and pockets bigger than ours. To call up officials and flex political power.

When education is not determined by where we reside. And we have the means to purchase what the doctor prescribed.

And you fight for prison reform and innocent lives.

And you repair the communities that were tossed to the side.

And you admit you gain from it, and swallow your pride. And when greed is not the compass, but love is the guide.

And when the courts don’t punish skin color, but punish the crime.

Until then, we’ll just skip the long production and stay inside.

For centuries, we’ve been trying to make you aware.

Either you’re in denial, or just simply don’t really care.

It’s not a black/white thing. Or a left/right thing. Let’s clean the whole bird, and stop arguing about which wing.

Then, Flores faced the camera, and concluded:

Before the media starts wondering and guessing, they just answered all your questions. We’ll just stay inside.
Jonathan Moya Sep 2020
Smash the glass if you must, yet
do it gently using soft hammers.
Catch the fury in your breath and
release its image on the pane.

The goal is not destruction but creation,
to leave behind something cracked
yet still whole, hanging precariously together,
a reminder that we are all shards about to fall.

Tap and if it forms a line tap again,
until a lip forms a mouth, maybe yours,
a tear- an eye like your mother’s,
again, your father’s shattered brow.

Leave enough of you behind
for them to complete.
Gentrify the other glasses with
the genealogy of all your pain.

Make everything a museum of
all the world’s shattered glass
that none dare destroy  lest
even they fall apart
Jonathan Moya Sep 2020
The Little Bessy  molts its white chipped,
dull letters out to waves it cannot use.

Capsized on the rocky Maine beach, where  
it once fished for lobster in richer anchors,
the peapod displays its tattered nets on its hull
while the Man O War, filled with a haul of tourists,
bruises the gentle waves of Penobscot Bay.

Its oars are mounted on the lobster shack wall,
its sails framed in the nautical museum.
Abandoned are the days it was pulled
from its moorings on the wharf and sailed
through Penobscot air or spilled weighted circles,

days that were longer than any of its old parts,
times when old hands  hoped for better ways
never knowing they’ve come and gone.

Its broken, rusty anchor once met the spent waves,
the hands holding and releasing it down
to mate firmly with the mount, the moment
when the old lobsterer father firmly grounds
The Little Bessy’s wanton desire to push out to sea.  

Betrayed and exposed every day, run by no one,
Bessy drifts into beauty she never desired:
the pretty postcard in the wharf gift shop,
photos  taken by others rushing by in other boats.
when she was always meant to be the secret  
memory of the lobsterer hauling up his lonely pots.
Jonathan Moya Sep 2020
Abandoned in the middle of the blasted field,
its arms shredded, legs battered,
the chair exists in broken splendor
catching the best of the speckled light
dancing in the quivering shadows.
Lines of the seated father stain the backrest,
motherly molds are left behind in the seat foam,
the relentless kicks, tattoos of children’s feet
bruise the red velvet of the front rail.

At dawn, pulses of light run along its rails
dispersing all shadows to the wet ground.
At the speed of forgetfulness
two robins alight on this storm orphan,
widow, widower, this sole survivor,
with twigs to build a new stick home.
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