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Hannah Christina May 2020
Superheroes hiding their tortured inner lives behind primary colored-masks and hilarious one-liner comebacks.
Normal girls who were actually princesses, but didn’t act like other girls (or other princesses). Space wizards with stupid haircuts.

No one understood them, but I did.

I knew all their tragic backstories,
their hearts’ deepest desires,
the ways that they were, like, rejected by society and stuff.  
I gushed over their bonds of friendship that could never be broken, not by intergalactic politics, ancient feuds between magical species, or the infinite varieties of mind control.
I totally supported them when no one else could.

I reread the most heart-wrenching pages over and over again,
my fingers bubbling the plastic dust jackets and my toes clenching in my mismatched socks.
I couldn’t just wade in these worlds—I baptized myself into them, staying under the shallow water for hours without taking a breath.
I could never quite feel enough.  I squished my eyelids shut, trying to conjure up the tears that my heroes deserved.

Behind my wrinkled brow, they lived.
Danced.
Morphed themselves together into an ever-present consciousness, answering the questions I asked to no one.
I talked to it out loud some days, when I was especially alone.

Sometimes, I would see these friends out in public,
on a graphic tee in the hallway,
or a backpack in the classroom.
I would always greet them enthusiastically.
“I love your t-shirt!  Book four is the best!”
(With a warm, sweaty face way too much nervous laughter)
“That’s such a cool water bottle!  Which Avenger is your favorite?”
(Hands clutching hair, leg bouncing)
“I… like your sketchbook!”
(Hopeful smile, averted eyes)

And we would talk to each other (!)
About our shared interest and have a fun conversation (!)
For a few minutes.
I’d talk to them  the next time I saw them, too.
And every time we were in class together.
Then I hatched a daring plan.

My mom offered permission and a date,
my dad offered pizzas and the basement TV,
and I extended to my friends
an invitation.

No one came.
The assignment that sparked this one was "Poetry of Witness," which usually refers to reporting the lives of tortured political prisoners, victims of famine, refuges... things like that.  I've never lived through anything like that, but I've lived through middle school, which is pretty similar.

Joking aside, I'm glad that I wrote these experiences to share this reality, and to speak for all the kids who are still living the way I grew up.  Loneliness is an epidemic in this country (if not most of the developed world) and I really wanted to make the connection between obsessing over fiction and loneliness. Fiction can definitely help distract from the pain, and at best it can bring people together, but it's very easy for fictional narratives to take up such an important place in someone's heart that they stop trying to build their own life and develop relationships.

This is part of the story of me growing up, but it isn't the whole story.  I don't like dwelling on just the worse things in life (part of me LOVES this, but we're trying not to), but I ended the way I did because I wanted this to be a powerful cry of a hurting person.  The whole truth is much more complex.

There were plenty of people who (intentionally or unintentionally) rejected me as I was growing up, and that really effects my worldview to this day.  However, there were also people who accepted and encouraged me.  There were parties I planned where people did show up, just not the "popular" people who I thought were most important to please.  In fact, at times I was blind to those around me who felt more rejected than I was.  If I was less self-focused, I probably could have had better friendships.

But what can I say?  I was 13.
Hannah Christina May 2020
“Will you barter for your garden?”
the familiar stranger taunted.

His haunting talk caught on a loose thread in my heart,
recalling time and battles fought.

Make no mistake about the fae.
I must admit I was afraid, for I have seen my adversary

tear out the grass’s screaming hair,
poison the soil with atmosphere arid,
strip the baby branches baren,
shave the landscape clear.

I need not obey him.  
I have in my hands a *****
and around this place an angry hedge.
He can not prevail unless I show him the way.

“No,” say I,
“No bartering in my garden today.”
An old one from the beginning of the semester that I've neglected to post here.
Hannah Christina Apr 2020
When it flashes, I can't speak, except
   in      fra c tu
r   ed  gas p in
       g
(I should be able to withstand the shocks much better than I do)

The vibrations, the detachment lasts for several minute after
the power has been discharged and
I can't think.

Emergency situations call for
level-headed judgement,
but the jolting of the volts is difficult to disregard.

My heat resets itself somehow each time
even though the rhythm is interrupted
time and over again with every blast my power creates.

I want to pull within myself every time I use it,
embrace the sense of power, the sensation,
without reaching out.

Brain activity,
heart activity, muscle spasmatic ripples,
and I can't see past sporadic sparking up my face.

Victims, villains, friends of mine
and all your detailed instructions,
please survive in spite of me.

They say I'm strongest on the team
in strength, and that is hard to say.
I'll stay with you and fight but my mind
can't live on another day.
Poem-a-day Prompt 1: Your Superpower
I already missed the first day of National Poetry Month (whoops)
In light of the event, I'll write a daily poem with minimal editing and post them.  Expectations for quality are low.  Expectations for ideas and creativity are high.  Maybe after this month I'll return to a few of my favorites and develop them into more polished, "real" poems.
Hannah Christina Feb 2020
The blue squares were safe.
The white squares were lava.
The cool kids huddled in their corners were irrelevant.

It didn't matter where I was going
or what I was exploring.
Maybe ancient pyramids,
perhaps a dinosaur dig.
Probably "the jungle," wherever that was.
I always changed my mind half-a-dozen times.
It didn't matter where I went
because I could handle every adventure
all by myself.

The benches were safe.
The wood chips were lava.
The crawl space under the rock wall was my escape pod.

My crew both was and wasn't imaginary.
If they had names, they had the names of real people.
Just versions of those people who were
around a little more often.

The loud days were safe.
The quiet was lava.
Then the quiet was safe,
and loudness was lava,
and then I never could tell what was safe anymore,
really.

But, oh, I'm so glad I found You again.

Your embrace is safe.
Your heart is lava,
and every day is a quiet adventure.
This is one of my favorite recent writings.  I would like it to be longer, but I couldn't think of any more stanzas that added anything, and I didn't want to drag it out for the sake of dragging it out.  Also, a longer poem calls for a really strong conclusion to keep from feeling anticlimactic.

In my first draft, the final few stanzas were pretty rushed and disconnected and overall not great.  I think they're better now but still don't feel quite confident with them.
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