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Paris is so beautiful, that it’s emotional,
like the red tile roofs of Rome,
or the Kenroku-en gardens of Japan.

It’s a relatively large world.
Whenever you can fly over an ocean
you feel limitless, and godly,
like the world is there for you, on demand.

Speaking of God-like views, I’m headed
to Lisa’s (parents) Manhattan highrise again
this year for Thanksgiving—six, very-long days
from today—and I have to wait—but I can’t wait.

I’m starting to stuff things into my bag, like a turkey.
There are so many holiday things to do in Manhattan.
Things that invariably whip you up for a sparkly Christmas.
But these are only commercial attractions—planned distractions.

One frosty November-break morning, two years ago,
a tide of clouds had rolled in, like a trillion tons of cotton
candy had been dumped on New York city, overnight,
filling it up to the 42nd floor. It glistened there, below us,
in the klieg-bright sun, like Tiffany diamonds on cotton.

So, imagine that, then add a flock of geese, in military-like
v-formation flying just at the crest of the glitter, like dolphins
hopping in and out of the waves, as they passed above the
insignificant works of man. It took my breath away.

So, naturally I grabbed for my fancy phone with its super-duper,
high-res camera. The snaps did the glorious scene poor justice—
the majestic, wild geese came out as dots on glare.

I’m watching things carefully this year, not just the multicolor, cachet, window displays on Fifth Avenue and the decorations at the Chelsea Market (where Oreos were invented). I’m going to capture this year
—every intense, emotional second—with that most unreliable, 3D
gadget of all—Memory.
.
.
A song for this:
Holiday Road by Lindsey Buckingham
Merriam Webster word of the day challenge 11/15/24:
Cachet = a synonym of prestige
I woke up to my neighbors belting out an off-key tune. I tried to cover my aching ears with my pillow, but their discordant voices echoed in my head, so I finally got out of bed.

I stared at the unfinished painting I had worked on the night before. In just a few seconds, my stomach dropped. Even in its incomplete state, there was a sense of impending doom looming outside my door—hideous, and that was my first thought this morning.

Shadows ran through the waves of my curls—spiraling endlessly—as my fingers gently brushed away the exhaustion from last night. For the second time, I turned to look at the unfinished painting restlessly sitting at the end of my bed. If it had eyes, it would definitely not meet my somber, dark brown gaze. It would fear me, for I would cut it into pieces. I would let it bleed until it was no longer breathing.

It would forever be cherished as a beast—unfinished, freshly cut like a lemon. When poured into a deep wound, its acidity would seize the skin, leaving nothing but unfortunate agony.

I drank two liters of fresh lemonade, but nothing happened. It didn’t cut me into pieces. I was still unfinished.

And so I avoided its beastly eyes. Even an unfinished canvas resented my sorrowful presence. I sliced another lemon and added a teaspoon of sugar, hoping today would be different.
why is october always the heaviest month of the year? even if it’s already november, I can still taste the unfortunate bitterness of it.

song:
disenchanted - my chemical romance
J'ai presque peur, en vérité,
Tant je sens ma vie enlacée
À la radieuse pensée
Qui m'a pris l'âme l'autre été,

Tant votre image, à jamais chère,
Habite en ce coeur tout à vous,
Mon cœur uniquement jaloux
De vous aimer et de vous plaire ;

Et je tremble, pardonnez-moi
D'aussi franchement vous le dire,
À penser qu'un mot, un sourire
De vous est désormais ma loi,

Et qu'il vous suffirait d'un geste.
D'une parole ou d'un clin d'oeil,
Pour mettre tout mon être en deuil
De son illusion céleste.

Mais plutôt je ne veux vous voir,
L'avenir dût-il m'être sombre
Et fécond en peines sans nombre,
Qu'à travers un immense espoir,

Plongé dans ce bonheur suprême
De me dire encore et toujours,
En dépit des mornes retours,
Que je vous aime, que je t'aime !
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