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Our father, who art in heaven,
hallowed be thy name,
hollow be thy promises
and shallow be thy shame.
Thy kingdom come.
Thy will be done
on earth as it is in heaven.
On a scale of one to ten,
our Lord is totally eleven.
Give us this day our daily bread,
toasted close to dawn,
and forgive us our trespasses
as we shoot those who trespass on our lawn,
and lead us not into temptation,
such as *** or *****,
but deliver us from evil
(if not delivery, then DiGiorno).
Why do poets always talk about the ocean's waves,
about their single file march to shore,
and yet never talk about my grandmother's farts,
which arrive in time, one after the other, with equal
     regularity?

Are these poets too holy to comment on anything
less than nature's flashiest gestures?
Are we going to spend another millenia searching
for meaning in sunsets and waterfalls?

Or will we finally turn our ear to Grammy's ****
and away from all that pretty stuff,
and hear that foul, muted trumpet sing,
marking the end of an era?
Life is an open book.
           Time is an oscillating fan.

I've had to learn to skim-read because
           before I can read more than a few paragraphs,
that ******* airhead comes circling back,
           blowing pages like a medieval *******.

The cool air feels nice, though.
      Sometimes, when my head aches,
I let my eyes relax
       and I enjoy the breeze as the words blur.
Sully suffers from a stutter,
simple syllables will clutter,
stalling speeches up on beaches,
like a sunken sailboat rudder.

Sully strains to say his phrases,
sickened by the sounds he raises,
strings of thoughts come out in knots,
he solves his sentences like mazes.

At night, he writes his thoughts instead
and sighs as they steadily rush from his head.
I wear a scarf
                  to keep my words warm.
So you will smile when
                     they smack you in the face.
On the third of June, at a minute past two,
where once was a person, a flower now grew.

Five daisies arranged on a large outdoor stage
in front of a ten-acre pasture of sage.

In a changing room, a lily poses.
At the DMV, rows of roses.

The world was much crueler an hour ago.
I'm glad someone decided to give flowers a go.
I hung myself today. Hanged? Whatever, point is I hanged myself today and I'm still hanging.

I feel fine. Just bored. I keep hoping that someone will come home and cut me down but then I keep remembering that if i knew someone like that I wouldn't be up here. Bit ironic, right? Or is that not ironic? I read somewhere that, like, anything funny is, in some way, ironic. But I don't know if it's funny or not. I don't think my brain owns "funny," you know?

I feel taller. I like that.

I've never been away from my shadow for this long. It had always clung to my feet, parting momentarily for a quick dive into the swimming pool. But never for five hours. I like it. There's three feet of space between my two and the floor.

I wanted something this morning. I may be stuck. But at least I'm three feet closer to it.
I wanted the book to engage a wide variety of tones and feelings – from seriousness to silliness and from elation to melancholy. This particular poem is from the perspective of a man who has just hanged himself. I thought it was interesting to write a poem from the perspective of someone who has just hanged himself and is pretty nonchalant about it. That someone is /not me/, and that’s half the fun of writing – being able to put yourself in foreign situations and see things from others’ perspectives (and to empathize with them). The poem is definitely dark and a little unsettling but the page before this was a poem about flies buzzing around dog poo. The world is full of dark and light and I just wanted the book to reflect that :)
On a Wednesday morning, clear and calm,
                     I went to Astor Place
and had a gypsy read my palm
                     or maybe just my face.

She said my heart was heavy
                     and my head was stuffed with lies.
But things like that weren't on my hand,
                     they hid behind my eyes.

The room is dull and dank and cold but at
least I have a hand to hold.
*****! *****! I **** *****!
***** get ****** when I **** *****!
No ifs, ands, and/or buts!
I **** *****! I **** *****!

Nice girls are nice, but no good for nut-*******.
They'll need a serene night to green-light a ****-*******,
but that'll be easy with ****** ol' ****-*******!
Boo to the nice girls! Praise be to ****-*******!

I have a list. A list? Yes, a list of all the ***** I've missed.
I've never ****** or ****** these ***** and thus my nuts are ******* ******.
So when I **** the lucky ****, my nut removes her from the list---
another dumb cumbucket struck from my nut-*******,
"**** it, ****!" ****-******* bucket list.

***** can be white, brown, pink, or almond.
They can be skinny with ******* or skinny with small ones.
***** can be perky, preppy, or posh,
with their brains and their clothes all shrunk from the wash.

But other ***** are pretty and funny and smart.
They can lift your thoughts from your **** to your heart.
They can talk about science, music, or art.
They can put you together or pull you apart.

But don't trust these *****! Don't! Don't you dare!
They'll force you to trust them and love them and care.
And then they'll be gone and then you'll be aware
of that hole in your heart that that dumb **** left there.
poem reading here--> www.youtube.com/watch?v=UGZ2VqcmZlI
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