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 Nov 2017 Antino Art
nobyelse
and then I asked you,
"What's your biggest fear?"

you gave me a quivering sigh,
looked at me straight in the eyes
and said,

"It's that eventually, you will see me
the way I see myself."
for I work by day, but live by night*

not an axiom, a formula, for success and wealth,
not a suggestion, not seeking a reaction,
it is a plain as night
fact,
still don't recommend it as a way of life

but if the shoe/life fits
wear it,
even as no sleeps. speeds up your arrival
at the Grand Central Terminal

in black eyed circles, endless pointless future worrying,
in bad poems writ after midnight after midnight
when the quiet
keeps you company - a friend that asks for nothing

(but an occasional mention in one of the poems born
in the delivery room of the dark)

but through the nighttime writing escapades
I am more than renewed,
a born again human
with a covenant, armed to the teeth,
drinking his dis-owned fluids and juices,,
spilling out as staccato words,
ha!
splitting his infinitudes

if you had foreseen this as my future fate,
a lonely human up all night,
with the night and words making his
holy triumvirate, I may have thought
there are worse ways to prepare
for the silence that comes after
the no more arrives
and we depart
ensemble,
ensemble

8/31/17
2:28am
Mothers crawl home on all fours
and fathers crack their hammers
into the temples of the moon.

The dogs are long gone.

The children of catastrophe
flick their knives at the sun,

shuffling from ruin to ruin
in their parents’ heavy boots,

stepping over the skeletons
of buildings and hummingbirds.

The children of catastrophe whet
their blades on the skulls of childhood.

They shave their heads
and argue about the history
of chandeliers and ballrooms.

The frogs at the water’s edge
expand into dumb balloons.

Hunted by an army of hollow men,
we race toward the sound of a dog
barking at the edge of the world.

We sleep in shifts,
cursing moonlight.

In our dreams,
the horizon binds us
with a blinding flash—

your hand in mine,
our cells married
and incandescent:

each to each,
ash to ash.
 Aug 2017 Antino Art
Morgan Paige
Call yourself Morgan.
Do not hesitate.
You were born on summer solstice.
Like the sun, you’re distant from others.

Move to Seattle and leave no forwarding address.
Busker for a break and warm your bones with charity work.
Pretend poetry is the only thing you’re good at,
And be good at it.

You can’t just write ****** words into
An exhausted leather journal, no.
Incorporate stanza into every conversation.
Drip intensity and rapture like morphine
Into the veins of anyone who will actually love you.

Speak as if you were never human and you’re still learning to exist.
Metaphors and run-on’s are your best friends-
Run-on sentences.
Run-on arguments.
Run-on relationships.
Run-on recovery.

Develop a reliance on caffeine so potent that
you've become the 7:30am medium black coffee
at the cafe down the street.
Leave no traces.
This used to be a poem based off of a poet I looked up to; Buddy Wakefield. I was encouraged to rewrite it as if it were for me, so I did. Since then, I had the privilege to meet Buddy Wakefield. At a meet & greet after his show, he was so rude to me that I left crying my eyes out. This was so disappointing. I no longer associate the only poem I've ever been proud of, with his name.

— The End —