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I.

Thou aged unreluctant earth who dost
with quivering continual thighs invite
the thrilling rain the slender paramour
to toy with thy extraordinary lust,
(the sinuous rain which rising from thy bed
steals to his wife the sky and hour by hour
wholly renews her pale flesh with delight)
—immortally whence are the high gods fled?

Speak elm eloquent pandar with thy nod
significant to the ecstatic earth
in token of his coming whom her soul
burns to embrace—and didst thou know the god
from but the imprint of whose cloven feet
the shrieking dryad sought her leafy goal,
at the mere echo of whose shining mirth
the furious hearts of mountains ceased to beat?

Wind beautifully who wanderest
over smooth pages of forgotten joy
proving the peaceful theorems of the flowers
—didst e’er depart upon more exquisite quest?
and did thy fortunate fingers sometime dwell
(within a greener shadow of secret bowers)
among the curves of that delicious boy
whose serious grace one goddess loved too well?

Chryselephantine Zeus Olympian
sceptred colossus of the Pheidian soul
whose eagle frights creation,in whose palm
Nike presents the crown sweetest to man,
whose lilied robe the sun’s white hands emboss,
betwixt whose absolute feet anoint with calm
of intent stars circling the acerb pole
poises,smiling,the diadumenos

in whose young chiseled eyes the people saw
their once again victorious Pantarkes
(whose grace the prince of artists made him bold
to imitate between the feet of awe),
thunderer whose omnipotent brow showers
its curls of unendured eternal gold
over the infinite breast in bright degrees,
whose pillow is the graces and the hours,

father of gods and men whose subtle throne
twain sphinxes bear each with a writhing youth
caught to her brazen *******,whose foot-stool tells
how fought the looser of the warlike zone
of her that brought forth tall Hippolytus,
lord on whose pedestal the deep expels
(over Selene’s car closing uncouth)
of Helios the sweet wheels tremulous—

are there no kings in Argos,that the song
is silent,of the steep unspeaking tower
within whose brightening strictness Danae
saw the night severed and the glowing throng
descend,felt on her flesh the amorous strain
of gradual hands and yielding to that fee
her eager body’s unimmortal flower
knew in the darkness a more burning rain?

                    2.

And still the mad magnificent herald Spring
assembles beauty from forgetfulness
with the wild trump of April:witchery
of sound and odour drives the wingless thing
man forth in the bright air,for now the red
leaps in the maple’s cheek,and suddenly
by shining hordes in sweet unserious dress
ascends the golden crocus from the dead.

On dappled dawn forth rides the pungent sun
with hooded day preening upon his hand
followed by gay untimid final flowers
(which dressed in various tremulous armor stun
the eyes of ragged earth who sees them pass)
while hunted from his kingdom winter cowers,
seeing green armies steadily expand
hearing the spear-song of the marching grass.

A silver sudden parody of snow
tickles the air to golden tears,and hark!
the flicker’s laughing yet,while on the hills
the pines deepen to whispers primeval and throw
backward their foreheads to the barbarous bright
sky,and suddenly from the valley thrills
the unimaginable upward lark
and drowns the earth and passes into light

(slowly in life’s serene perpetual round
a pale world gathers comfort to her soul,
hope richly scattered by the abundant sun
invades the new mosaic of the ground
—let but the incurious curtaining dusk be drawn
surpassing nets are sedulously spun
to snare the brutal dew,—the authentic scroll
of fairie hands and vanishing with the dawn).

Spring,that omits no mention of desire
in every curved and curling thing,yet holds
continuous *******—through skies and trees
the lilac’s smoke the poppy’s pompous fire
the *****’s purple patience and the grave
frailty of daises—by what rare unease
revealed of teasingly transparent folds—
with man’s poor soul superlatively brave.

Surely from robes of particoloured peace
with mouth flower-faint and undiscovered eyes
and dim slow perfect body amorous
(whiter than lilies which are born and cease
for being whiter than this world)exhales
the hovering high perfume curious
of that one month for whom the whole years dies,
risen at length from palpitating veils.

O still miraculous May!O shining girl
of time untarnished!O small intimate
gently primeval hands,frivolous feet
divine!O singular and breathless pearl!
O indefinable frail ultimate pose!
O visible beatitude sweet sweet
intolerable!silence immaculate
of god’s evasive audible great rose!

                    3.

Lover,lead forth thy love unto that bed
prepared by whitest hands of waiting years,
curtained with wordless worship absolute,
unto the certain altar at whose head
stands that clear candle whose expecting breath
exults upon the tongue of flame half-mute,
(haste ere some thrush with silver several tears
complete the perfumed paraphrase of death).

Now is the time when all occasional things
close into silence,only one tree,one
svelte translation of eternity
unto the pale meaning of heaven clings,
(whose million leaves in winsome indolence
simmer upon thinking twilight momently)
as down the oblivious west’s numerous dun
magnificence conquers magnificence.

In heaven’s intolerable athanor
inimitably tortured the base day
utters at length her soft intrinsic hour,
and from those tenuous fires which more and more
sink and are lost the divine alchemist,
the magus of creation,lifts a flower—
whence is the world’s insufferable clay
clothed with incognizable amethyst.

Lady at whose imperishable smile
the amazed doves flicker upon sunny wings
as if in terror of eternity,
(or seeming that they would mistrust a while
the moving of beauteous dead mouths throughout
that very proud transparent company
of quivering ghosts-of-love which scarcely sings
drifting in slow diaphanous faint rout),

queen in the inconceivable embrace
of whose tremendous hair that blossom stands
whereof is most desire,yet less than those
twain perfect roses whose ambrosial grace,
goddess,thy crippled thunder-forging groom
or the loud lord of skipping maenads knows,—
having Discordia’s apple in thy hands,
which the scared shepherd gave thee for his doom—

O thou within the chancel of whose charms
the tall boy god of everlasting war
received the shuddering sacrament of sleep,
betwixt whose cool incorrigible arms
impaled upon delicious mystery,
with gaunt limbs reeking of the whispered deep,
deliberate groping ocean fondled o’er
the warm long flower of unchastity,

imperial Cytherea,from frail foam
sprung with irrevocable nakedness
to strike the young world into smoking song—
as the first star perfects the sensual dome
of darkness,and the sweet strong final bird
transcends the sight,O thou to whom belong
th ehearts of lovers!—I beseech thee bless
thy suppliant singer and his wandering word.
Mateuš Conrad Aug 2018
.i'm not here for the people, i'm here for the language, having observed it degenerate into modern hieroglyphics of emoji, and the acronym standard of american English... i'm here... for the language... the people? well... they're the people, and will always remain, what they always were... collateral... i can't speak for the organic product of what i am an inorganic byproduct of... why would there ever be a Hegelian dialectic to begin with? rather than a dichotomy? wasn't Kant the one to come up with a priori (thesis) and the a posteriori (antithesis) dynamism? no? then i guess i'm illiterate! must be! otherwise, how so?  i can't exactly command my a priori, given, with some "wonderful" a posteriori substitute of the global individualist! this urban Frankenstein! maybe the English speaker can... but i can't... given they allowed themselves the travesty of grammatical profanity... it's almost a shame, that the asylums closed down... when is cushioned room when you need one? oh... right... denial for the cases equivalent to jimmy salive... you attack grammar?! you attack us all... there's not qualification standards required... not all of us are required to have status as English language teachers... some of us? are just generically frustrated!

would i extinguish
cigarettes into my knuckles?

well... i was trying to
spot bone,..

but the real reason?
ha ha!

i was attempting to
count the number of eyes
on a tarantula.

not a funny joke?
i get it...
   i wasn't aiming for funny...

ever watch the grooving
bopping along,
seduced by the rhythm
bass player in a band?

you'd thin it was the drummer...
turns out?!
the intermediating
   focus....
   bass is all rhythm...
there's no such thing
as a rhythm guitar section,...

hardly any drums in
a classical music composition...
bass...
the subversive underlying
principality
of the fiasco...
the...
                          Pandemonium!

set your eyes on the bassist's groove...
pursed lips...
mm hmm ya ha...
           the *******
blood suckling artery
with not need for metaphor
presence of a band...

bass... bass... bass...;
hence the missing E i guess;
was, and always will be:
the base and bait
for listening to 20th century music...

whiskey lime & pepsi?
***** lemon & pepsi?
can't tell the difference,
both sound equally promising...

it pains me, to agitate a drummer's heart,
imitating a beat
without any drumming equipment...
bopping along, sly, shy,
and sometimes awry, fired up...
        
there were a few things i'd love
to have become,
a prof. cyclist doing the tour de france....
a vet practitioner...
    among others...
   what did i become?
a mediocre poet...
       a spewer of words
rather than their instigator...

had i ever the ability to write
pop **** jargon of
lost and wishing for awaiting loves...
i'd **** one of those
housewife harlequin novels!

alas... not to be, not to be...
     guess i tapped into Russian funk...
that Russian ex-girlfriend?
apparently she likes my writing,
she said: you should get published...
i did... little as **** did that do to
me in securing a stature of possible
fatherhood and a Tolstoy town-house
in the middle of St. Petersburg...

    i wasn't a priori to fiddle that
******* out into a castrated bull
******* an ****** with no *****
but pure muscle tension
of the phallus...

   wait... you never ****** off
as a man, prior to producing *****?
feel sorry for you...
guess the whole abortion debate
is killing you...
          you know...
  that's almost equivalent to theft...
what happens on the throne of thrones
and is dumped into a tissue?
ditto, i.e. remains there...

       thieving *****...
                  huh?!
                    **** it... do the Islamic take
on thieves...
ensure all the western men have
their ******* arms cut off...
to stop the thieving with
western culture jurisprudence
in-acting transgression
of transcending the allowance of
abortion, and...
enforcing...
                whatever the ****
fatherhood means...
when?
     a women proposes to you...
and then decides to throw away her
engagement ring, she, herself, chose...

as if... she never had the notion
of being young and being poor...
**** me! she forgot the beautiful part
of the equation!
  i liked her doughnut over-sized nose...
i loved to teasingly bite it
during *******!

      **** me... that contorted
face, Francis Bacon-esque
in the mirror doing *******?

      mmmmmmmmmmmmmmmm...

look here: FULL MOON ALL OVER
MY FACE...

         there's no revenge ****
in this scenario...
                
  hey! resurrect the Bastille!
and i'll be the second Marquis de Sade
screaming the revolutionaries!
YOU FORGOT THE JUICE!
the juice?!
YEAH! THE MOLOTOV COCKTAILS!

                anarchy...

       what order is there to speak of?
when grammar is secondarily dictated,
outside of the teaching profession?
     these people are teaching me language,
or secondarily indoctrinating
me into the abuse of language -
with political bull's diarrhea?

   can't have one and the other...
   you attack grammar?
        everyone restricted to a grammatical
conventionality, will...
spank you with a naked russian saber...
   i'm not here for playing
unorthodox language games
outside of crossword puzzles
i don't entertain having the capacity
to solve...

               you play your game...
i'll play mine...
i have the integrity of the English
language at stake...
   not this post-colonialist quasi-English
*******!
Nat Lipstadt Aug 2013
The Seven - The Mashup


In memory of my mother who passed away recently, I wrote, or intended to write seven (only six were actually done) new poems themed about her, her passing and some perspective on life and death.  All were read and I am deeply appreciative.  I have consolidated them all here, in order, though not necessarily the order in which they were written. But the order does matter, as it reflects the change in my mood with each passing day.   Perhaps I will write the seventh someday, but not now, not soon.

Thank you all so much for incredibly kind words of sympathy. I am not a dweller, so I set myself a goal to complete this vow, this task, in a week to correspond to the seven days of mourning the immediate family observes after the burial (the shiva, shiva meaning 7).  For seven days, the bereaved family "sits shiva," sitting on low, uncomfortable stools and the comforters come to share their grief, praise the deceased, from mourning till late at night


#1 Shiva

I am confused - what day is it?
Windows tell day or night, a necessary but a condition insufficient.
The days have no distinguishing marks, a video stuck on
Repeat - a single track of recollected tales, prayers add a mild seasoning.

Though brief is this week of pre-sentencing hearings,
If one cannot dice the time into portions,
Then, there can be no pardon,
No early release date, from Phase One.

Rinse grief. Repeat. Seven cycles.
Apply stain-stick at the intersection of
Bloodied hurts and dimming memories,
Strangers secreting, spilling on you secrets unwanted.

This play, saw it many decades ago,
Before there was poetry, children.
A young man of twenty one,
Very afraid, silently, of the newest unknown,
His father, cancer won.

I hated it then. Now experienced, I hate it more.
This semi-catharsis, a tapestry tale wove of faded pasts
Twisting an heirloom blade into an old wound,
the original cast, a new revival, playwright, regrettably, deceased...

First time at bat, hid in a small room, away from this tradition.
Beating my head against a wall privately,
That being my preferred manner of mourning,
Not this Broadway show, twice a day, seven days.

Rituals well intentioned, a time tested method,
nonetheless, jail time for me, a/k/a, the boy, the brother.
Familiarity comforts some. Me? A prison uniform.
I write my own poems, I am not a Borg collective.

Cast as Son, my obligations specific, aged.
My Hamlet doublet, cut/torn, messaging my somber status,
The cuts deepest, invisible, but all see this child
Drowning in eye pools that continuously self-replenish.

I'll do the time, this show the longest running ever,
Did forty years as son-shadow of a father-man,
Tacked another concurrent sentence for his woman,
End Date: Indeterminate...

The low stools will reappear, seven days for me,
Yet my job as poet not fully done, until this be read!
Leave 'em laughing o'er this Official Release from the obligatory,
Read, sit but once, read this poem, this script, this story, and be freed.

#2 Hover^

My Children:

Ancestral homes oft possess,
a unique scent, product of an atomizer, a memorizer

Musty time, the odor of
faded and shadow,
hollow, yet hallowed.

Somewhere along the road,
a residence transforms from home to
shrine-storage unit-hospital room-tomb-records depository.

Dust, expired perfumes,
the sweet odor of crumbling, yellowing books, disinfectant,
stale medicine chests, years of furniture polish, sabbath candles.

It is my smell -
the parfumerie of my history, a customized blend,
a commissioned work in 1964, entitled, more accurately, emitted,
"Her-Story."

Photographs, memories, and paper scraps
my very own Preservation Hall Jazz Band.
Yet the most potent firing pin for historical retrieval,
the molecules of scent.

Soon all will be dismantled, discarded,
just plain dis'ed.

Confused and disenchanted,
my departure orderly but, in a disordered fashion.
unable to seed one last kiss upon your forehead,
nonetheless, surreptitiously enter your neurons
though my entity, away, across the miles-wide Hudson River.

For three days, I will hover invisible,
implanting myself once more,
slapping your mucous membranes,
transversing this pathway, an additive to your cells, nuclei,
where my markers always reside.

Adding one more ingredient to your inner vision,
strengthening the formless structure, my altered state.
This odor, keep close, fresh, no becoming musty too, my scent,
the last of your senses knowing me, a true keepsake.

Hold me close and hold me fast.
This one last magic spell I cast.
This one last magic smell I set fast.
You cannot hold it, but it will cradle you.
You cannot see or touch it, but when contact comes,
You will see me, hold me, as in the days of your youth,
When you loved me best,
And I, you.

^According to the Talmud, the soul hovers over the body for three days after death.  The human soul is somewhat lost and confused between death and before burial, and it stays in the general vicinity of the body, until the body is interred.


#3 Orphan

The funeral will commence at 11:30 am.
Gives me one last review time before the
Final Exam.

Panicked, I discover a whole new chapter
for which I am wholly unprepared,
though its inevitable presence was
assuredly knowable long in advance.

Orphan

It doesn't fit, occur, imagery is of a young child to
soon abandoned, not a late-in-life curmudgeonly poet-boy,
who has been multi-times reincarnated.

I add this title to my list
of proper ways to address me,
titles earned by dint of hard work,
or just unlucky luck.

This new status, orphanhood,
bequeaths no special privileges,
other than, a semi-official
societal permission slip
to feel bereft, lost, and compose poetry.

Know a real orphan, from early, early on,
has never recovered and
never will for it is just impossible.
Just impossible.

So whom am I to make light of
my undesired, unrequested new degree?

I accept it and to my surprise,
It hurts.

# 4 Judgement Day

After you put in some time on this planet,
You kinda know what the world thinks
About you, your rep, what they don't say to your face,

Sure, thingies, time and incidence and circumstance
Can sometimes cause makeovers external,
But each of us know the quality of ourselves,
Self-certification, you can out your internal self,
Better than anybody else.

So I inquire of myself, about myself,
what will you be remembered for, if at all?

Why do I ask, today, now?
Do we not ask ourselves this
On the low down, subconsciously everyday?

Is this a poem?
Most assuredly...
And a trial.
You, the judge the jury and the prosecutor,
The defender, if u can, if u will.

For seven days my mother was adjudged,
Family, friends, hers, her children's,
Almost an 80 years of live, in color, HD, looking back video,
Tales told, memories dug up, old photos explicated,
Who what when where of the details of one women's voyages,
Creations.

I cannot, I will not, do the details here.
Suffice, acts of kindness, faith in people,
Feminist in a strange land, a chance taker,
Gifts of memories, streaming of adoration,
Many strangers are witnesses to me,
This trial a runaway train.

I am outed.  There will be no such verdict for me.
I am outed.  There will be no trial needed, just a
Summary judgement delivered.

Out yourself.
What will you be remembered for, if at all?


#5 Summer Girls In Their Summer Clothes

Oh yes!

The streets of Manhattan, jewel dusted,
Summer girls in their  summer clothes,
Bedeck the streets and make men say, Thank You!
To their creator.

Little black dresses, previously immortalized^,
Seasoning and sauces, halter tops and jeans cutoff,
Give thanks for the tanks, revel in the revelations,
For God created man and women in his/her teasingly bare image.

Yo! Dude!  This is number 5 in the series,
Of sad and somber, re dad and mother, ***?
Have you lost perspective, not read the directive,
You're in mourning, time to be introspective,
Not dis-respective!

My mother was a beautiful women.
Till the day she died.
Yes, physically beautiful at 98.

She, was a poem.
For her exterior was suffused, burnished,
By the spirit residing within her body

I ask myself, why not judge a book by its cover?
Her cover was exquisite, but what gave her a glow,
A radiance, was her modesty, her love of humanity.

What's under our cover?

^ Nat Lipstadt · May 30
The Little Black Dress (and its magic prowess!)

*#6 & 7 Live like you're dying

Perhaps you know the lyric, the song?

Live like your dying.
Dying caught my ear, my eye, can't imagine why.
Con-Textual emendation, Natalino style.

Live like your writing.

Yes, that makes sense...
Embrace with passion each new session
Charge every second stanza with ruminating rhythms,
Cut the wires to the air traffic control sensory tower, go solo,
Pulse each word, beat all into a plowshare, even the anger,
Even the hate, dressed to ****, in words, forgivable...

Grant the mundane, the insane, even the pain of tragedy,
You refuse so hardily to glorify, grant it and
Record it all - a moment,
A royal audience with all
Your writing parts.

No fancy footing, keep it simple.
No jesters in rain puddles,
Let images of clouds of sand
Born and perish  in other's eyes and sighs, let verbal games bedevil other
Wooden puppet princes drinking fairy ales.

Huh?

Write clean and clear,
Let the sheerest wonderment of a new combination,
Be the titillation of the tongue's alliteration,
No head scratching at oblique verbal gestation,
Let words clear speak, each letter a speck,
That gives and grants clarification, sensational.

You, afternoon quenching Coronas, white T shirts,
Sun glazes and later, a summer eve's Sancerre,
Wave gazing on the reality of rusted beach chairs,
Babies sandy naked, washed in waves of Chardonnay,
The traffic-filled word-way highways and bay ways,
Exiting at the Poet's Nook, for exegesis & retrieval.

Write of:
Body shakes and juices, skin-staining tongues,
Taking her, afternoon, unexpectedly, her noises your derring-do!
Broken tear ducts, the Off switch, so busted, write about
Real stuff.

Write not in fear of dying
Angels delivering bad news in vacuum tubes,
Write joyous, psalms of loving life,
Live like your writing,
Write like your living,
So you may die well.
ryn Feb 2015
His bicycle let out a little yelp as he slowed to a stop,
The lady was dressed the same as the night before.
He could have cycled on but he had intentions he would not drop,
For he had heard stories of such beings from old wives' lore.

It was important for him to address this spectre.
Motivated by the advice he had received from his dad.
To never succumb to fear if a spirit he should ever encounter,
For the fear would consume and eventually drive him mad.

He was brimming with confidence as he spoke,
"Hello there again, I see that you are still in a fix".
He was determined not to be made again the joke
He had sworn to not be taken in by the imp's mischief and tricks.

A sweet fragrance lingered in the air,
Teasingly inviting him to greedily inhale it all in.
A gentle gust blew, caught and played with the strands of her hair...
Enamoured by her visage, he secretly gasped as if the air grew thin.

Her face was still partially obscured by her black flowing hair.
She turned to him before she gave her reply,
"Would you please give me a lift, dear sir...kind and rare...
I do not wish to be stranded alone, unsheltered under the moonlit sky"
.
To be continued...

Based on a story I heard.
Soft pads glide over silky pale flesh
Deep pools of ocean green become darker with passion
Every touch brings the storm closer to the  couple
The raven haired God like man looks over every millimeter
Her face flushes at the feelings building inside

Her black waist corsette pushes her ivory globes teasingly near
the point of spilling forth
Dark red tendrils lift off delicate cheek bones tickling her face
Her belly flutters as tiny goose bumps rise upon her arms

The soft padded fingers begin to explore this creature who has walked
right into his trap.
Long lashes lift revealing startling violet eyes
His breath catches harshly
He does not seem to realize he is under her spell as she remains in his trap

Julia's body is burning as Allen's fingers and hands weave an inferno built only by his touch
Her body responds as she feels the moisture begin to gather between her sweet petals
Trying not to move lest she give away the affect he has upon her

Allen watches her eyes noting how they seem to change to grey
His thumb slides across the bud covered by material yet
It cannot hide the obvious desire as the tender flesh hardens and a soft mewl escapes pouty lips

Julia begins to blush as her body betrays her mind
Allen chuckles at her discomfort
His hands and fingers seem to set her on fire every place they touch
She feels his knee **** gently at the apex of her thighs.
Moving slightly his knee grinds against the promise land

Flames fall back as her head follows suit
Sweet moans reach his ears inciting his passion more
Her hips move against his thigh trying to increase the friction
Allen rips the cumbersome corsette and shirt free allowing cool air
to kiss her flesh where his tongue wishes to follow

Pressure builds within the lust filled redhead, she digs nails into his shirt
pulling him closer.  
Allen's tongue swirls around first one then the other swollen bud
Dragging his teeth hard over the delicate flesh
Julia cries out as desire spins out of control.

Allen begins pulling the ****** into his feverish mouth suckling
Then biting as fingers pinch and pull the other
Julia grinds down ******* His thigh not paying attention to the moisture that stains his pants

She stiffens when she feels his hand pull her dress up allowing his fingers
to slide through her dew laden petals
The smell of need permeates the air
As his mouth continues to suckle then bite his fingers slam deep inside her
silky soaked lips

Julia's legs quiver when his fingers fill her well it is almost her undoing her screams of pleasure fill the air
Allen brings her to the edge filling her deep with long thick. fingers
Releasing her ****** he begins to kiss and nip her neck, fingers coated in honey slow down

Julia growls in frustration and he bites her neck hard just as fingers pinch her *******
She holds her breath panting as the inferno increases hotter
Both are sweating now as she begs him to allow her to fly
Allen chuckles whispering "not yet Lil *****"

She grinds down on his fingers trying to take what she wants
He is wise to her movements stopping abruptly until she realizes he
won't continue unless she stops

Suddenly out of nowhere she is turned over his lap where he brings his hand down ten times fast and hard cross her ***
His  knee lined up so each swat digs into her wetness
Crying out she bites her lip willing herself to not release

He pushes her to the ground and starts biting the tender buds while pulling and twisting that hardened flesh that has swelled past it's hood
Pace becomes faster as he growls in her ear to **** his fingers
She does so with wild abandon

His teeth bite down ******* her neck licking the area he bites
His fingers curve up as she grinds
Allen growls out NOW as his mouth finds her lips
Crushing them to his, catching her screams of pleasure
Her well explodes in spasms gripping his fingers hard enough to break

Julia quivers all over from the massive release, blushing as she remembers
her response to all he did
Allen drags His well manicured nails across her blistered half moons
Hearing her moan loudly, knowing he could send her spiraling just by spanking her once more.

Julia ducks under fiery curls trying to escape his scrutiny
Allen knows what she is up to and pulls the silky curls away
Lifting his soaked hand from between gorgeous thighs
Placing fingers between their lips kissing sand licking her juices off
The taste on his lips brings a feeling of decadence through Julia

They will meet again Allen said
Julia watched as he left her there hearing a car start
Now nothing but silence and the smell from her traitorous body

Whispering to the darkness
"Please return to me soon"


Written by:  Jennifer Humphrey
May 23, 2013
Nat Lipstadt Apr 2014
Prosecco cocktails, être pour la danse,
cassis pour moi avec limoncello,
madame, passion fruit, and blood oranges

très grownup, breakfast at Tiffany's,
she is all sunglasses and Audreyfied,
me and George P., struggling writers,
checking if i got enough cash
or have to exit smooth, just in case,
maybe we leave our
coats behind, as ransom?

lincoln center plaza cross-dressers,
past the opera,
the sun, a balmy thirty five degrees,
laughing at us teasingly,
cause tonight and tomorrow,
******* all the day,
winter kisses
in case we forgot,
early March
first belongs to the Ides of Winter

Afternoon of a Faun,
another ballet, origin,
a Mallarmé poem.
(you begin to comprehend)
yes quite so,
a perfect synopsis of the day,
Acheron imported from Scarlett Liam
who lives in the U.K.,
but comes to choreograph here,
for gloria Americana

sundown, soul cold back,
"lest we forget,"
but the dancers bid us adieu
with a rousing waltz, frenchified,
La Valse, une poème chorégraphique,
by Ravel, bien sûr!
aroused and heart gladdened,
return home for

for veal chop love

two hours of *** banging,
kitchen banishment, (Yay!)
chanterelles steeped in red wine,
coverlet for a non-vegan tasting,
English peas, red and purple potatoes,
and for desert,
a diet dream of verbal exchanged of detailed
I love you's

He: I love you,
She (happy), replies: I love you more.
(this repartee ballet, has been rehearsal danced before)
He: Why?
She: Because you are kind and generous, to street beggars, my single friends, good and smart, love art,
and never let me down, and love my cooking, leave space for others when you park, go thru life making waiters and ticket takers smile and laugh, sleep for hours your head on my hip, write me crazy love poems about veal chops
He: What's for desert tonight?
She: A ****
Just an afternoon in the city...whatever
Peach Jan 2014
Would you
Allow me
To sip
From your succulent lips
As night
Seductively slides
Against a crimson stained sky?

Would you
Allow me
To trace
The contours of your aching body
As moonlight
Tempting highlights
Your passion filled form?

Would you
Allow me
To teasingly
******
You
Until...
We're both exhausted?

© 2013-2014 Peach
Anais Vionet Dec 2021
I envy the stylish model
her styrofoam perfect *******
those legs that never need shaving
the sweet smile that needs no rest
the hair that’s always behaving
the pose that teasingly arrests
she’s a icon of current fashion
a flower neatly pressed
but no love will ever find her
no one cares if she’s undressed
she’ll never accomplish anything
never mind - I’m not impressed
the look and nothing else
RA May 2014
Your glances in my direction
are ants under my shell-
they tingle and make me more aware
of every inch of my skin
and just when I think they are teasingly flirty
they bite.
Trying something new.
April 7, 2014
1:43 PM
edited May 1, 2014
I

Winter is long in this climate
and spring—a matter of a few days
only,—a flower or two picked
from mud or from among wet leaves
or at best against treacherous
bitterness of wind, and sky shining
teasingly, then closing in black
and sudden, with fierce jaws.

     II

March,
           you reminded me of
the pyramids, our pyramids—
stript of the polished stone
that used to guard them!
                                    March,
you are like Fra Angelico
at Fiesole, painting on plaster!

March,
             you are like a band of
young poets that have not learned
the blessedness of warmth
(or have forgotten it).
At any rate—
I am moved to write poetry
for the warmth there is in it
and for the loneliness—
a poem that shall have you
    in it March.

     III

See!
         Ashur-ban-i-pal,
the archer king, on horse-back,
in blue and yellow enamel!
with drawn bow—facing lions
standing on their hind legs,
fangs bared!  his shafts
bristling in their necks!

Sacred bulls—dragons
in embossed brickwork
marching—in four tiers—
along the sacred way to
Nebuchadnezzar’s throne hall!
They shine in the sun,
they that have been marching—
marching under the dust of
ten thousand dirt years.

Now—
they are coming into bloom again!
See them!
marching still, bared by
the storms from my calender
—winds that blow back the sand!
winds that enfilade dirt!
winds that by strange craft
have whipt up a black army
that by pick and shovel
bare a procession to
                               the god, Marduk!

Natives cursing and digging
for pay unearth dragons with
upright tails and sacred bulls
alternately—
                      in four tiers—
lining the way to an old altar!
Natives digging at old walls—
digging me warmth—digging me sweet loneliness
high enamelled walls.

     IV

My second spring—
passed in a monastery
with plaster walls—in Fiesole
on the hill above ‘Florence.
My second spring—painted
a ******—in a blue aureole
sitting on a three-legged stool,
arms crossed—
she is intently serious,
                                  and still
watching an angel
with colored wings
half kneeling before her—
and smiling—the angel’s eyes
holding the eyes of Mary
as a snake’s hold a bird’s.
On the ground there are flowers,
trees are in leaf.

     V

But! now for the battle!
Now for ******—now for the real thing!
My third springtime is approaching!
Winds!
lean, serious as a ******,
seeking, seeking the flowers of March.

Seeking
flowers nowhere to be found,
they twine among the bare branches
in insatiable eagerness—
they whirl up the snow
seeking under it—
they—the winds—snakelike
roar among yellow reeds
seeking flowers—flowers.

I spring among them
seeking one flower
in which to warm myself!

I deride with all the ridicule
of misery—
my own starved misery.

Counter-cutting winds
    strike against me
refreshing their fury!

Come, good, cold fellows!
    Have we no flowers?
Defy then with even more
desperation than ever—being
    lean and frozen!

But though you are lean and frozen—
think of the blue bulls of Babylon.

Fling yourselves upon
    their empty roses—
              cut savagely!

But—
think of the painted monastery
  at Fiesole.
Valsa George Aug 2016
Tomorrow I shall see the birth of the awaited dawn
Today it seems I am locked in a midnight zone
Tomorrow I will not walk into the dread of the night
But shall be led by the blazing light

Tomorrow I will carry my yoke manfully
And never recite the litany of my woes mournfully
Tomorrow I shall slow down and stop by the mountain side
And watch the silvery stream joyfully down way glide

Tomorrow I shall seize every chance that comes my way
And never wait for them to fall on another day
Tomorrow I shall be out of my prison cell with discord round
And shall enter a palace with joys abound

Tomorrow I shall willingly partake of another’s grief
And never seek solely my own relief
Tomorrow I shall wait for the calm that follows the storm
And not grumble in haste that life is a withering dream

Tomorrow I shall look beyond the clouds of gathered gloom
And see for myself the beauty of stars that in hundreds bloom
Tomorrow amid hostilities I shall keep alive the sparks of friendship
And never mourn the absence of anyone for companionship

Did I hear someone teasingly say to my utter surprise
“Your resolutions sound so good! But what if tomorrow doesn’t arise?”
Erin Suurkoivu Oct 2016
comely, maybe
but not beautiful
my features are as round as vowels
and I carry the moon in my hips
I am an unpolished beauty
smooth pebbles resting at the bottom
of a cold clear stream
with an empty purse
imagination
my only currency

in this world
I am a shrinking violet
occasionally a rose
february-white
caught in your button-loop
long-stemmed red roses
stalk runways
hollywood bombshells
are bubbly as champagne
and full of flesh and light

but *** sans love
is still an empty bathtub
whatever happened to pin-up girls
long cigarette holders
and muted photographs?
I am distorted
in the fish-eye view
of the modern lens

in my fantasies
I am no longer sand and loam
I glow like a tall slim candle
though I am often numb and dumb
and my girls are as absent
as long lost unicorns
I am the bohemian princess

I travel through foreign lands
clothed in exotic costume
a jewelled headdress, and
indian pyjamas coloured sapphire,
turquoise and cayenne-red
my feet are near bare
and my hippie hair
is a mass of blonde curls

I take a sojourn in
southern california
warm desert air
soft against my skin
I surf in the salty sea
held buoyant by the waves
a sunset stains the sky tangerine
the palm trees
black against the orange light
click teasingly in the breeze
"In My Fantasies" can be found in my book "Blood for Honey", available at Lulu.com and Amazon.
Kathy Z Jun 2013
Perfection,
is an illusion, created by the mocking
sanity of the people
in this newspaper world.

Fairytales were something made up as well-
for the entertainment of children,
to enjoy their life,
their innocence
before reality took it all away from them.

No matter how far I chased the rabbit,
I was not Alice in Wonderland.
And even though the glass slipper fit,
I was not Cinderella.

My Hogwarts letter didn't arrive either;
when I was eleven.

And foolishly, at that time,
I cried.
I cried because my dreams were not real,
and that something this good could not exist in this world.

But-
I do not regret crying.
I cried for everything little in the world-
For my broken pipe that would never shoot water out in a straight line-
For my microwave that would always keep the food cold,
and the refrigerator that would always keep the food warm,
and for the 'tap tap' of the lady's heels
from the apartment above mine.

People say that heaven is a beautiful place
full of anything you could ever imagine.
Would it have all my dreams there, then?
In a plastic goody-bag, prehaps.
A certain one dished out to every person-
Angels looking left and right without a care for identity.

I hate it when my phone gets too warm.
I hate it when my favorite books get wrinkled.
I hate it when I lose my wireless mouse.
I hate it when the internet takes too long to load.
I hate it when the tempature of the room is either too cold, or too hot for my liking.
But I love all those hatreds.
I love how my phone gets too warm, warming my hands up in winter.
I love how my favorite books get wrinkled, so I can lovingly patch them up again.
I love how my wireless mouse always gets lost, because then I have an exuse to buy a corded one.
I love how the internet takes too long to load, because then I can go eat while I'm waiting.
I love how the tempature gets too cold or too hot, because then I can stick an ice cube on my forehead, or bundle up with my favorite scarf in winter.

My mother always told me to be mysef, that I was perfect just the way I was-
I tried,
but all my sentences from that point on would come with a stutter.
"D-Did you hear?"

The voice of the piano that strums so gently beneath my fingers,
I love that sound.  
It was the first time I could be sure-
if music had a face
it would smile,
teasingly,
desparingly,
at me.

And now I'm listening to "Light up the Sky" by YellowCard,
lying on my bed and thinking how much the lead singer
looks like Draco Malfoy.

I love the way poetry sometimes has a shape,
either a diamond,
or a heart.
And I am stunned, when I see those-
In fact, I saw one yesterday,
it was a tiger,
coliling around spairled trendles of
black and white
words.

I wonder how words move people to tears.
they're just words, anyway.
Nothing that would exist if humans weren't here.
but I love the way that I can actually cry
when I hear a beautiful piece of poetry.
I would say 'thank you thank you'
over and over again,
but I couldn't speak for the sound in my head.

And the stereotypical, rentless movies,
on sale-
half price!
at BlockBuster,
I bought them all,
just for the sake of spending some money,
I think.

And I watched them all, alone in the night with nothing but a bowl of popcorn by my side.
They were colorful, crazy, wild
And I drank in that feeling, throwing up my arms
with a freedom that I have never felt before.

I love writing poetry,
because words are truly beautiful.
And I love reading over my old poems, and scoffing at what I thought was eloquent before.
Because that means,
I have grown.
Something Infallible, Like Eternity,
That's a good title.
I love the clicking of keyboard keys, feeling the notch of F and J under my fingers.

And I love this world,
for all its imperfections and mistakes,
becuase then there can always be something better after it.
After all, if you're at the top, all you can do is fall.
Nigel Obiya Jul 2010
A walk through thirsty land
Breathe... step... breathe... step
Dunes of towerring, rusty sand
With each step, breathe... step
No rules, no lanes... no need to 'keep left'
Or walk in any particular direction... but that which you choose
Too hot by day to play, by night... too cold to snooze
It is beautiful, in an evil way
Impressive, but can ****
It giveth less than it taketh away
That bone piercing, nightly chill
It's getting closer, time grinds teasingly on
The dunes seem to get taller, teasing the sun
Whose heat, direct from sky to forehead
Squeezes my pores...
Breathe... step... breathe... breathe... step
And robs my body of its last bead of sweat
Breathe... breathe... breathe... step
Attempt to swallow saliva... feel like I'm gurgling on glass
Breathe... stop
No tree... open land... sea of sand... parched
Breathe
Try to reassure myself, in a raspy monotone
Wish for one thing right now, not water... chlorofoam
So I can pass on, and not feel it
The desert's friends are up and about in the dark, cheering "**** it! **** it!"
I try to ill will it... try to hold on
But this warrior of nature's choke hold, grip... proves too strong
To fight
So... tonight
I decide "It's over, I'm gone"
I can hear the afterlife call
Out to me
Pick myself up... Breathe... step... stumble... fall.
BiZZiLL da' WORDSMITH.
I

Winter is long in this climate
and spring—a matter of a few days
only,—a flower or two picked
from mud or from among wet leaves
or at best against treacherous
bitterness of wind, and sky shining
teasingly, then closing in black
and sudden, with fierce jaws.

     II

March,
           you reminded me of
the pyramids, our pyramids—
stript of the polished stone
that used to guard them!
                                    March,
you are like Fra Angelico
at Fiesole, painting on plaster!

March,
             you are like a band of
young poets that have not learned
the blessedness of warmth
(or have forgotten it).
At any rate—
I am moved to write poetry
for the warmth there is in it
and for the loneliness—
a poem that shall have you
    in it March.

     III

See!
         Ashur-ban-i-pal,
the archer king, on horse-back,
in blue and yellow enamel!
with drawn bow—facing lions
standing on their hind legs,
fangs bared!  his shafts
bristling in their necks!

Sacred bulls—dragons
in embossed brickwork
marching—in four tiers—
along the sacred way to
Nebuchadnezzar’s throne hall!
They shine in the sun,
they that have been marching—
marching under the dust of
ten thousand dirt years.

Now—
they are coming into bloom again!
See them!
marching still, bared by
the storms from my calender
—winds that blow back the sand!
winds that enfilade dirt!
winds that by strange craft
have whipt up a black army
that by pick and shovel
bare a procession to
                               the god, Marduk!

Natives cursing and digging
for pay unearth dragons with
upright tails and sacred bulls
alternately—
                      in four tiers—
lining the way to an old altar!
Natives digging at old walls—
digging me warmth—digging me sweet loneliness
high enamelled walls.

     IV

My second spring—
passed in a monastery
with plaster walls—in Fiesole
on the hill above ‘Florence.
My second spring—painted
a ******—in a blue aureole
sitting on a three-legged stool,
arms crossed—
she is intently serious,
                                  and still
watching an angel
with colored wings
half kneeling before her—
and smiling—the angel’s eyes
holding the eyes of Mary
as a snake’s hold a bird’s.
On the ground there are flowers,
trees are in leaf.

     V

But! now for the battle!
Now for ******—now for the real thing!
My third springtime is approaching!
Winds!
lean, serious as a ******,
seeking, seeking the flowers of March.

Seeking
flowers nowhere to be found,
they twine among the bare branches
in insatiable eagerness—
they whirl up the snow
seeking under it—
they—the winds—snakelike
roar among yellow reeds
seeking flowers—flowers.

I spring among them
seeking one flower
in which to warm myself!

I deride with all the ridicule
of misery—
my own starved misery.

Counter-cutting winds
    strike against me
refreshing their fury!

Come, good, cold fellows!
    Have we no flowers?
Defy then with even more
desperation than ever—being
    lean and frozen!

But though you are lean and frozen—
think of the blue bulls of Babylon.

Fling yourselves upon
    their empty roses—
              cut savagely!

But—
think of the painted monastery
  at Fiesole.
DieingEmbers Feb 2013
I love the way you lick your lips so teasingly

prompting me to teasingly follow suit
and lick
your

lips.
Brianne Rose Nov 2015
"Hey Arya, want to go see that new movie that JUST came out? Ya know the one about the *******?"
"Maybe tomorrow Melodric. I'm kinda tired right now, kay?", Arya replies
"oh...okay, Tomorrow then, i'll hold you to that you know!", Melodric replies teasingly
Arya laughs, "Yeah, Yeah, anyway, I'm headed home, night Mel"
"Night Arya, uh, hey, want me to walk you home? i heard that the crime rate has gone up in town recently, Ya never know their next target."
"I'll be fine Mel, go home dufus!"
"ok,ok...See ya Tomorrow"
"yeah, tomorrow"
*
"That the girl we after?"
"Sure is"
"like the rest?"
"yup."
"hehehehe...Lets get'r"

"Rain, Rain, go away, plaese don't come back another day!", Arya giggles then freezes as a black van suddnely pulls up beside her and she watches two men quickly hop out and start towards her.
Arya ran
She didn't get far...
The two men grab her as she tries to scream, but one places their hand over her mouth.
She feels the ***** of a needle in her neck.
Her last thought was, 'Mel..Help...Me.'

Melodric checked his watch, "it's 7:00, where is she?"
He had been waiting at the school courtyard for half an hour now for her.
"It's not like her to be late...maybe her alarm never went off?"
A fellow student noticed him sitting on the school steps and says, "Hey Melodric, class is about to start, why aren't you heading in?"
Melodric replies, " I'm waiting for Arya, she hasn't showed up yet...though that's the odd thing, she's never late, ya know anything about that?"
"you mean no one has told you yet?"
"told me what?"
"Arya was found dead laying in a pool of her own blood at 1:00 this morning."
"A...Arya's dead?"
"yeah...you never knew?"
"n-no...i...we where supposed to watch a movie today. The Newest release. he told me yesterday that Tomorrow was when she'd go with me...and i said...i said that i'd hold her to that."
"Melodric-"
"She always used to say, 'There's always Tomorrow'...but now...there wont BE a tomorrow..not for her...not anymore..."
"Melodric, hey...i'm...I'm sorry man. Sorry you found out like this, and about Arya, i knew you where close with her."
" 'There's always Tomorrow' I can go mourn tomorrow..right?"
"yeah, tomorrow."

"There's always Tomorrow Melodric!", Arya laughingly said in Melodrics mind
'But sometimes...There's not always a Tomorrow', Melodric replied, 'There'll never be a Tomorrow...Not anymore'
*
"Dude did you hear the news last night? that kid, uh, melo...dic? no Melodric! He apparently shot himself after leaving a note saying, 'I don't want to spend another Tomorrow without Arya.' how Pathetic is that?"
"C'mon man, chill out. Those two where always hanging around one another, doesn't surprise me he wanted ta be with her. who wouldn't?"
"ya, you're right, hey wanna go see that new movie that came out?"
"Maybe Tomorrow. I'm kinda tired."
"Ok, Tomorrow then. Don't forget!"
Comments are Appreciated
Wallamo Feb 2013
Three-day long relationships are frequent with us. We thrive on them and they are magnificent.

All of my emotions surfaced before we spoke, I couldn't help myself. I'm sorry for catching you off guard. I didn't mean to. But I suppose I knew what I was doing. You were so nervous, and for a moment I thought the tables had turned. But they never really do.

When I met you at the jazz bar downtown (I was late because I, of course, took the wrong subway) I stayed calm. I wasn't nervous. I was so excited to see you again, to look into your eyes, to share an evening together. I saw you between two people sitting, looking at me. I couldn't wipe the smile off my face, and neither could you. You had your usual - the nicest beer you can get at the bar. You shook with excitement. I love when you do that. It makes you so real.

You wore your sharpest outfit, and so did I. I went for "business-casual" with a lacy shirt and red lipstick (for *** appeal). We both succeeded in impressing one another. Nothing had changed. We sat close and I thought our smiles would be on our faces for the rest of eternity.

It was clear that we would spend the night together when you reached across the table and pushed my hair out of my face. I blushed and giggled. The jazz music filled the bar, but we paid no attention. We were so captivated by one another. The mere existence of you was overwhelming to me.

When small-talk presented itself it was clear that there was no interest. Words would come out of our mouths slowly, not meaning anything, as we looked at each other, and telepathy kicked in. We would stop mid sentence just to look at each other.

You ate all of the chicken wings. I hate three. They were gross. You felt sick, but you still smiled. When you tried to kiss me in the bar I felt powerful by teasingly pulling away. And as soon as we got to your car our lips were locked in the most passionate kiss of the century. The touch of your lips on mine could cure world hunger. The thought of that can simultaneously bring tears to my eyes and and put a smile on my face.

At your incredibly low-ceilinged basement apartment we began to talk about snare drum. We didn't want to. "Let's not talk about snare drum right now." "I hate snare drum." After that we took our time to make love. In your bed of a hundred small blankets instead of one big one, with you laying on top of me, our bodies so close and so warm, smiling from ear to ear, my eyes filled with tears and I couldn't help from telling you that I love you. So much. And you responded with the same. I didn't want to cry because I didn't want you to think that I was sad. I wasn't sad. I was so amazed by the overwhelming happiness that was sweeping me off my feet.

The following days were amazing. But reality had kicked in. This is so real, but it's fleeting. As it is. That didn't stop me from loving every second that I spent with you. There were so many moments that have been carved into my mind. Your face in the bar. When you put your arm around me in front of our friends. When you kissed me at the cafe. When I told you about the other guy - you were so jealous, though you would never admit it.

When we were playing board games at the bar/cafe (the barfe) and you talked to me about god - not bible, jesus, catholic god, but god as an inexplicable power - as something to believe in to have hope. A "greater power". I was so amazed by your explanation and the wisdom with which you spoke. I could have sworn I had never loved you more. But I can say that about so many moments. I'm glad you bought that book I told you to get.

I'm not as hurt as I had been before this weekend. I am amazed that you are able to see this relationship for what it is - incredibly real and true and unbelievably beautiful, but dysfunctional at this point in our lives. I wish I wasn't waiting for you, but I always will be. I'm yours, my love.
Path Humble Jun 2014
Introduction
_____

some words
chase you around
infiltrating and winking,
in emails and poems to
your attention dispatched
undeniably messaging
a wanting to be
realized, completed,
teasingly speaking

you know
a poem newly birthing
in your left brain,
tender pleading,
love me already,
just write me
like you would
make love to a woman!"

messages from others employ
the self-same word r e p e a t e d l y,
you start to get the hint
very very v i g o r o u s l y

the rumbling,
the back-seat tumbling,
you're driving
bipedal composing,
guitar and piano
gas and brake
pedals to the mettle,
and the speed limit
was 15 mph under
where your brain is fermenting

all tuning you up to
meet the guild's
product quality standards,
yet unlike an automobile,
a poem, like a life,
has a unique DNA,
cannot just be
recalled,
for repair
and additional tinkering,
jes' because
once it is out there,
it has been outed

sure enough in my
my "started but ***" file,
a lazy layabout,
overlooked and undercooked,
the poem below,
a dabble and a muddle,
so ignored, so berefted
for so long
it got this
special introduction
by way of an apology....

Incarnate**

She is my poem incarnate
She is the carne of my body
She is the innate of my soul
She is my woman incarnate

she is all I need
in form realized and invisible imagined,
angel and thank god,
devil as well...
For p.c.
Nat Lipstadt Aug 2013
Seven New Poems For Seven Days # 5: Summer Girls In Their Summer Clothes



Oh yes!

The streets of Manhattan, jewel dusted,
Summer girls in their  summer clothes,
Bedeck the streets and make men say, Thank You!
To their creator.

Little black dresses, previously immortalized^,
Seasoning and sauces, halter tops and jeans cutoff,
Give thanks for the tanks, revel in the revelations,
For God created man and women in his/her teasingly bare image.

*Yo! Dude!  This is number 5 in the series,
Of sad and somber, re dad and mother, ***?
Have you lost perspective, not read the directive,
You're in mourning, time to be introspective,
Not dis-respective!

My mother was a beautiful women.
Till the day she died.
Yes, physically beautiful at 98.

She, was a poem.
For her exterior was suffused, burnished,
By the spirit residing within her body

I ask myself, why not judge a book by its cover?
Her cover was exquisite, but what gave her a glow,
A radiance, was her modesty, her love of humanity.

What's under our cover?
^ Nat Lipstadt · May 30
The Little Black Dress (and its magic prowess!)
Kathleen Dec 2010
She looks at you,
feathers still protruding from her mouth.

She's handing you a ticket to her way of thinking.
If you take it, you're in.
You have access to her mind;
unadulterated access.

Just renounce your humanity.

She's looking for a partner,
another wolf to connect with.

Be it for her.

She looks at you teasingly.

Take it.

Be one of her,
and she will give you everything.
She wants to dine with you on the flesh of the living.
She wants you to play with her.

Take it.

She looks at you,
feathers still protruding from her mouth.
creative commons
Ghazal May 2012
Light me up, baby.
Spread your sunshine over my dark sky.
Ward these sinister  clouds away, please!
I need you, my rainbow, glimmering before my eyes.  

It’s a white, plain piece of paper,
This dull life of mine,
It needs the ink of your passion to write over it,
The colorful story of our union, sublime.

So mix into my insipid existence,
Some of your sugar; it needs your flavor.
Sweeten it with a smile, and the twinkle of your eyes,
Wouldn’t you do me this little favor?

I wander, like the solitary stream of water
In the mountains, searching frantically for the river.
Like the tide trying each night, to reach for the moon,
My soul too restlessly thrashes hither and thither.

Like the still boat floating in the silent, dark waters,
In solitude and quiet, I want to lie with you.
Like the green grasses awaken, glittering in the morning,
I want to wake up with the glow of being enamored by you.

Embrace me, like the orange-hued sky
Caresses, at the horizon,  the lonely sea.
Like the rustling leaves that whisper to each other in the  breeze,
Lean in and speak softly, sweet-nothings to me.

Come to me now, let all of time converge into that one moment,
When your lips will, for a second or two, over mine, teasingly hover,
Then kiss me for an infinity, and let me melt into the arms,
Of you- my hero, my paramour, my eternal lover.
Nat Lipstadt Jun 2013
Ditty This, Little Boy: Venerable Auntie

My Gf's nephew came for a visit,
Teased her that night,
Bowing ceremoniously,
In the Chinese manner,
Addressing her slyly, impishly,
Oh hell, teasingly, as,
Venerable Auntie

She smiled, but said little,
The next night,
When to Argentine Tango dance she must,
In the Chinese manner,
Wore a dress tight fitting,
Her poem, she called it,
With slits up the sides,
To facilitate her swoons and slides,
Leaving the imagination to take care of the rest

As she left, o'er shoulder she called out,
(To me)
Good night little boy,
Don't wait up for my return,
Auntie has gone to play
she won't be back till
Her bad boys have venerated her,
Sufficiently...

6:10 AM
June 11, 2013
O yeah, forgot the last thing she said,
Turn that it into a poem, smart ***!
Paraphrased as
Ditty that, little boy!
-----------------------------

"Let's state the facts:
She gorgeous, she's hot,
She goes tango dancing after 10 PM
With bad boys from Argentina and the Ukraine"
First Poem of the Day: Yes Ma'am!
Kuzhur Wilson Mar 2014
En route from Dharmapuri
To Krishnagiri
Amid the tamarind trees
There goes a flock of sheep

Shaking heads
Jumping merrily
Hither and thither

Behold!  there, one man becomes
A flock of sheep

Evolving in to
A black little lamb,
A mother sheep munching on paper
And a goat kicking another one
Among the group

There! a flock of sheep
That has turned in to a man!

Where on earth
Are you?
Wails the flock of sheep
Bleating be..........be......teasingly
Tongue brushing  ear lobes
with ruminating saliva

Beside that flock of sheep,
Dragging along a wounded right leg,
Staring at the sky
Standing transfixed,
The shepherd was the other person

He was a memory
Of having been a flock of sheep once...
On each path he treads
A thousand flocks of sheep passes
In joy and mirth

Despite being poor at herding
The one who happened to stop by
Bumping on a lamb that fell down

The photostat of a goat
With burned legs

Lying in the womb of a pregnant sheep
He is sleeping...

Looking at each bird
That flew across the sky
He laments
That they are his lost sheep
Beckoning the crows, sparrows and parrots

The birds in turn fly away
Frightened
As though seeing a hunter

The stick he held
Was mistaken for an arrow
Piercing the ground

His prayers,
Not to let them fall
In to the lakes of the sky
Was blocked by the clouds...

En route from Dharmapuri
To Krishnagiri
Amid the tamarind trees
There, goes a flock of sheep
There, a shepherd  !
translation- Vijayalakshmi Murthy
ali Nov 2013
i remember the first time bryn brought a boy for christmas
his name was chris
and we had to distinguish between him and my cousin chris
so we called him gay chris
because he had lots of pockets
and he always looked better than my cousins
who hardly ever tried to look presentable.
i remember last christmas
how damon gave elise
sweaters from a thrift shop and fleetwood mac records
and how happy she was.
i never wanted to be allie from the notebook,
and i never wanted you to be noah.
in the 8th grade,
hidden between shelves of a torn-down library where i'd sit for hours,
was a short, thick book with pages of romanticized post-it notes
and the smell of sawdust.
dash and lily's book of dares
was all the things i'd been dreaming about.
the first-glance feelings in the middle of new york,
the warm feeling melting through your bones with an even warmer drink.
i've always wanted a chris
or a shaina
or a natasha.
i've always imagined thanksgiving day going differently for once in my life.
when my uncle asks me if i'm texting my boyfriend,
i want to say "yes, actually" and i wanted to find a boy
to take to my grandmother's house.
i wanted to show him
how tristan would pay me to go sneak him cookies,
and the way we fought over couches.
but now we took all the couches out of the basement,
and i think someone else is living in that house.
but there's still thanksgiving,
there's still an extra seat at the table,
and i'm not sure but i think justin is bringing maya this year.
so when it is my turn to go around the house and say hello to everyone,
and my uncle asks, "how many boyfriends do you have?" teasingly,
i can smile and say "just one"
and it can be you.
In the end
we ended up in the pub -
now there’s a surprise.

Fifteen nights out of thirty,
at least. Cheap grub
and we knew the owners,

mates of my folks.
‘All right pal?’, he said.
‘Not bad’, I said back.

Our feet ached,
my arms cracking like conkers
as I stretched,

got comfortable.
And then you mentioned
the C-word again.

‘But in a few years.’
A nod. A sip. The cool slither
of lager down my throat.

We’d talked, of course,
about it before. People
expected, assumed

a kid was the next step.
You didn’t like
my quietness on the matter -

you’d kick my leg, teasingly,
as if kicking the answer
into my body, my mouth.

Honestly? I hadn’t given it
much thought. A sure thing
was my regular line of choice.

'You know, I fancy you
so much right now.'

OK, so I don’t know

what made me say that,
but it had already zipped
across the table,

buried in her ears
before I clocked on.
I really meant it though.

I think your cheeks
went cherry red -
there was a kiss, I remember.

I’d answer properly
later on, the pub
a foggy memory

and that night, I slept
knowing I’d fancied you
from the first second we met,

and that the C-word
wasn’t as horrid
as I always used to believe.
Written: August 2018.
Explanation: A simple poem written in my own time. Not based on real events. Feedback welcome as always. A link to my Facebook writing page can be found on my HP home page.
A L Davies Oct 2011
nightsong/fallsong
nippy nightfog, dark drive (solo)
breathy windshield, elmvale driveway defog,
a naked girl/thru the house panes
whose bareness
is shown teasingly. (full aware)

homestead.
lamplight, "goodnight!", golden readlight.
bowl of noodles -- broccoli,
darkly pacing silent upstairs/eight-track recorder loudsound (genesis/trick of the tail)
weedpipe outside cold fresh nighttime.
outdoor *******/rockwall/hosetap,
posters/scotchtape/pins
(troilus & cressida pages taped to th'wall)
alone with thinkcap, lady dreamin'
(that ***!---ahh!) (sighs)
ragged joint thru windowscreen . . . baked-up mouth pasted---ice tea sippin' (glorious)
warm blankets & an empty bed;
need to get out of this ****** old town
empty; lonesome songs.
---but, think better . . .
this pre-spain hometown transatlantic waitin' sadness won't last
forever.
& tripping gets you nowhere. (snoop dogg)
smoke again and maybe put on
more genesis.
. . .
*(tho it is fleetwood mac instead
that i slap on/toss myself into bed.)
really high.
Radj Jan 2014
Your sweet-smelling hair
Satin-smooth and rain-damp
It's the tall, cold, moist wine glass
Cradling the repressed cocktail made up of
Hush-soft lips that melt in my mouth

The fluid tenderness of your tongue
Pillow-cheeks, gentle to clash against
When I'm teasingly nibbling on the cherry garnish
That is your ear, every curve, every dimple

Finished off with a neck
Like a tall tower of Irish cream
Buttery, rich, velvety and extremely intoxicating

Firewater, with a striking & a bitter kind of hangover:
A knowing smile for a secret shared,
And the throbbing pain of reality
When the fantasy finally fades away
Nat Lipstadt Sep 2019
the woven intercept

the crescendo soft ascending,
commandeers our riveting,
we do not surrender, taken, nonetheless,
our deference to an elegant wand wave,
combo hopeful and all encompassing, the helplessness

both well understood

the progression higher, steady on,
a rapture going to a defined ending,
concluding voyage occluded, for now,
but the setting sun rays us a plan, a path,
teasingly, soto voce lips moving, “this way”

follow on the unsteady water

restraining resistance failing, flailing weakly,
it is both early morning and late afternoon,
the light warms, but each, a timbre different,
the pitch and intensity tho one and the same,
yet, order confused, still, we are given-in

giving in unwillingly

absolution unrequested, but awarded anyway,
shelter from the storm of safe and warm,
children begin first school day, but adults
know better, beginnings full of risks unforeseen,
the season changes, normalized, but would be refused

if we could

the waiver offered, the woven intercept read,
emotional intelligence so fragile, on and on,
sidekicks, lovers, connected by a dotted line highway,
the space between permitting anything we want,
but contradictories say, wanting everything, impossible

but the viable solution singular

how do we leave it then? we leave it thus, clarified,
separation is a kind of attachment, voidable, when,
kissing comes calling, from all around the world,
the crescendo ends, we each have read the intercept,
it concusses, interpretations differing, yet we don’t care

lying through embracing lips


our tune is a mismatched matching,
a vision ending and yet anew hatching,
this is love, understanding, undefinable, undefeated,
a changeling definition, paths possessing multi-endings,
loving is the unceasingly, desirable imperfect struggling

unique, singular just like everyone else’s

9/4/19 9:07am

nml
(she'll know)
Valsa George Mar 2017
Realizing a fresh life growing inside,
What thoughts coursed through my mother’s mind?
Did she gleefully welcome the news?
Or respond to it with a violent shock?

So sure, right away after her fourth baby
With four little kids still needing care
Like chicks in a coop, carrying once again
Might not have been in her scheme of things

Thus at a time when she expected it the least,
Could she beckon the new life growing inside,
With a pleasant nod of head in assent
Or with a suppressed moan of fright, I wonder!

When from nausea she started to suffer
And threw up each time when she ate
Did she curse her man in silence?
Or grow mad with her children and her fate?

Slogging through those weary days
With no respite from her routine chores
Did she get enough rest or care?
Or did she languish without a hand to assist?

Seeing her with an extended waist line
Did some nosy neighbors behind her back
Teasingly utter in hushed whispers
‘Oh, she has done it again!’

Once when I started kicking inside
Was she tickled or greatly annoyed?
When she heard the first ‘lub- dub’ of my heart
Did she feel as two hearts singing in harmony?

As her tummy grew bigger everyday
And sleepless in bed as she tossed
Was she haunted by nightmares bleak?
Or was she visited by dreams of delight?

Travelling closer and closer to those final days
Did she curse herself seeing her in the mirror
Woefully bloated and ripened into a bulge
Or did she wait my arrival in blissful expectation?

Then suddenly one day when the earthquake began
In mild tremors first, then gaining in force
Did she scream mad or cry aloud?
Or did she endure the pain in austere silence?

Then abruptly when I showed myself up
Did she feel any remorse over my ***?
And see me as another liability
Added up to the girls already in line

No, I am sure she must have cuddled me close
And locked me in the warmth of her *****
For she was such a rare gift sent from heaven
A mother nonpareil in self effacing love
This poem, I thought would be interesting to many of you to have an idea of the cultural difference from country to country and to show how life was in the fifties and sixties for an average woman living in an Indian village

Being wife and mother, life was hardly easy for any woman in a patriarchal set up during those days. Child bearing was a routine affair and taking care of the children with none to help was her lot. Men who were the sole bread winners would be away at their place of work…! Even if at home, they hardly lend a helping hand. Girls were always marginalized and looked upon as a liability as they could be sent away in marriage only by giving huge amounts as dowry! Now things have changed and most of the women are employed and earning members!

  March 8th- when we celebrate the International Woman’s Day, I dedicate this poem to my dear mother whom I regard as a great woman and a paragon of love and care.
Erika N-M Jul 2012
#6
the fat boy with the ruddy red cheeks
waddled to the front of the counter
eyes shining with the reflection of the
brightly lit menu board above him,
he handed the cashier his crumpled dollar bills
and ***** pennies and eagerly awaited
the arrival of his beloved

it came on a tray, wrapped in thin yellow paper
breathing in the saucy aroma
he felt the corners of his mouth
begin to water with lust

seating himself at a hard plastic booth
he began delicately ******* his greasy lover
slight wisps of steam danced before him
as he surveyed the beauty that lay
seductively on the tray

in between those light tan buns
was charbroiled meaty delight
blanketed by melted yellow cheese
with ketchup and mayo dribbling down the sides
tangy onions and pickles shyly hid themselves
teasingly peaking out here and there

his thick fingers wrapped themselves
around the warm soft buns
bringing that juicy creation to
his wide open mouth

with a grunt and two large bites it was gone
his square teeth tore it apart
the chomping and chewing an opera
he breathed loudly
his eyes were slits of pleasure
as juices escaped and stained his pants

licking his fingers and sighing with satisfaction
the fat boy crumpled up the yellow wrapper
and tossed it in the trash
exiting the scene of his fast love.
Jack Apr 2014
~

Deep within the ecstasy of love


I breathe this night of ecstasy on satin sheets we shine
The comfort of your silken skin my dream
Lips so soft and tenderly do bring themselves to mine
Pleasure lives inside this shadowed scene

Wrapped around each other, searing passion fires flame
Tongues now dance in rhythm of this kiss
Drinking of your flavor drives this humble man insane
Falling ever deeper the abyss

Beauty blooms aside me as our eyes meet in the night
My gaze now finds your stare of tempting flow
Perfect is the joy we feel when we are oh so tight
Sensuous of moonbeam light a’ glow

Fingers probe of pleasure as your sighs now brush the sky
Slowly deep within rose petal folds
Glistening of moisture resting smooth of silken thighs
Fantasies of long ago foretold

Intoxicating fragrance as your neck my mouth does swim
Curves to fit these hands of wondered feel
Firm, ***** the blossoms fill my palms of every whim
Pleading moans so hard now to conceal

Lower still my heated tongue paints satin skin so smooth
Trails across your body’s shimmered lines
Your hands, my hair, now clenched to guide, this apple blossom bloom
Allowing me your sweet September wine

Slowly first, then teasingly, I find that wondrous spot
Tighter still my face pressed to your soul
Steady, but a quickened pace, this room, this bed, so hot
Calling out my name you lose control

Tethered breath, an arching back as nectar fills the void
Flavoring our love with sugared cream
Still my movements don’t subside, as once more is enjoyed
Filling of my heart your every scream

Once again our faces meet, as dripping lips now touch
Eye so wide, melodious the glare
Fingers smooth direct me to the place I love so much
Showing me the pathway winding there

Heated is the moment that my love does find your space
Harmonizing movements make their play
Perspiration mingles on our bodies, shadows trace
Soothing as a perfect summer’s day

Deep inside the waterfall does rage against the stream
Tropical sensations do abound
Breathless as I hold you close, so very close to me
Passion is the music of our sound

Fingers clenched, our legs entwined oh never to abate
Lost between a fantasy and truth
Slowly this is just the time the night is getting late
Here its comes the moment of our proof

We’re so close, our bodies locked in majesty of bliss
Before my eyes a most refreshing view
Just to drink your smile with my own upon our kiss
As my every fantasy is you

Rhythmic flashes light our minds as fireworks we see
Not unlike the shooting stars above
Nothing could be finer than to have you here with me
Deep within the ecstasy of love
Fritzi Melendez Jul 2018
i stole a cigarette.
no, this isn't a metaphor.

there's just times where I feel
like I deserve to be what falls in the ash tray.

I don't know why I keep trying to harm myself,
If things are going okay...

It's like, I'm so used to the torture and pain,
I don't ever want it to go away.

No wonder I had clung to my razor blades
No wonder I had clung to the trauma
No wonder I developed depression
and look at me now, stealing cigarettes.

Desperately trying to find a way to destroy myself
Fill my lungs with smoke
A stench that is more than just stuck on clothes.

It's the past, coming back to life
inhale
inhale
inhale more
cough

You want to smother these thoughts
Lose them in this smoke and fog

But no, there's no escape
Not even when the cigarette is done

The scars still string your skin
The pain woven deep into your veins
The ****** scabs you keep picking at

It's a coping mechanism
Or a way to slowly die

Is it that... I need to feel something, always?
Is it that... I have fallen in love with Death?

The couple of times, where he teasingly came
close to...
give me a fatal kiss.

Is this what I lust over?
Is this... what I want to feel?
...

In any case... this cigarette is still lit up.
Drifting me more out of myself.

And I disappear like the smoke in the wind.
I stole a cigarette.
Kuzhur Wilson Nov 2013
From Chundanthuruth to Madrid
I was driving
On an errand
That was not really urgent

In the car, a song
Not actually sweet
Not even beautiful
Was playing in a hum..

Whenever I got bored
Looked at the sky
The sky too looked back
Once I winked at it
Teasingly..
Since the sky could not wink
Closing one eye
It shot a frightening glance
At me; said
" get lost, mind your business! "

I kept driving..
Beyond Kalamasseri
At the container road signal
Stood a man
Signalled to stop

No sooner did I stop
Than he got inside
And sits authoritatively
On the seat to my left
Regarding my song
Neither too sweet
Nor that beautiful
With contempt..

(In looks, a gentle man, infact a rogue
I said in brackets )

Though Idid not like much
I asked him his name
' Life ' he said
Ah! 
Since it was my first
Encounter with "Life"
Asked his initials too

Without paying heed
Life played a song
I did not like
Life played another song
I did not like at all
Life played a different song
I did not, did not like
Life played different different songs
I did not like

Life played song
I did not like
Life played song
I did not like
Life played song 
I did not like
------------
Malaamparamp, moolampilly
High court junction
Marine drive
On the way to Madrid
Life kept on playing
Different different songs

My "I dont like, I dont like"
Continued 

Life again played a song
I did not like it
Again I did not like
Again and again 
I did not like

Life 
Then
Played a song
I liked it a bit
I liked it a bit more
Bit by bit
I liked that song
Liked the song
Liked the song very much
Liked only that song

That song became mine
That song became me
What to say;
I even danced
To that song

Just then
Just then
Once again
I asked Life
His initials
Laughingly it said
" Life.PK"

(Translated by Vijayalakshmi Murthy)
Translated by Vijayalakshmi Murthy

— The End —