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Sag  Jan 2021
kudzu
Sag Jan 2021
I have a habit of overthinking
hard as I try I cannot stop the growth of a thought
once the seed has been planted

(I remember driving to the city once
we wanted to take my niece and his nephew to the aquarium
the kids asked about the blanket of vines and leaves that formed wall-like structures on both sides of the interstate
we told them about how it was an invasive species from Asia, and that it spread all across the south and engulfed whatever plants and trees that originally stood there
the whole hour ride they sat in the backseat,
shouting "kudzu!" every time they spotted it out the window)

kudzu
kudzu
kudzu
kudzu
kudzu
kudzu
Alissa Rogers  Mar 2012
Kudzu
Alissa Rogers Mar 2012
A glance from you is a seed of kudzu.
The madness spreads,
wrapping around each tree,
gripping it in a panic.

This is not healthy.
I use you like I would pop pills
to forget about things
I don't like about my existence.

Can you lose yourself
within yourself?

Sometimes,
when I sit alone,
I wish the forest of my life would burn.
I would light the match,
and I could once again
see the sky.
Wade Redfearn Sep 2018
The first settlers to the area called the Lumber River Drowning Creek. The river got its name for its dark, swift-moving waters. In 1809, the North Carolina state legislature changed the name of Drowning Creek to the Lumber River. The headwaters are still referred to as Drowning Creek.

Three p.m. on a Sunday.
Anxiously hungry, I stay dry, out of the pool’s cold water,
taking the light, dripping into my pages.
A city with a white face blank as a bust
peers over my shoulder.
Wildflowers on the roads. Planes circle from west,
come down steeply and out of sight.
A pinkness rises in my breast and arms:
wet as the drowned, my eyes sting with sweat.
Over the useless chimneys a bank of cloud piles up.
There is something terrible in the sky, but it keeps breaking.
Another is dead. Fentanyl. Sister of a friend, rarely seen.
A hand reaches everywhere to pass over eyes and mouths.
A glowing wound opens in heaven.
A mirror out of doors draws a gyre of oak seeds no one watches,
in the clear pool now sunless and black.

Bitter water freezes the muscles and I am far from shore.
I paddle in the shallows, near the wooden jail.
The water reflects a taut rope,
feet hanging in the breeze singing mercy
at the site of the last public hanging in the state.
A part-white fugitive with an extorted confession,
loved by the poor, dumb enough to get himself captured,
lonely on this side of authority: a world he has never lived in
foisting itself on the world he has -
only now, to steal his drunken life, then gone again.

1871 - Henderson Oxendine, one of the notorious gang of outlaws who for some time have infested Robeson County, N. C., committing ****** and robbery, and otherwise setting defiance to the laws, was hung at Lumberton, on Friday last in the presence of a large assemblage. His execution took place a very few days after his conviction, and his death occurred almost without a struggle.

Today, the town square collapses as if scorched
by the whiskey he drank that morning to still himself,
folds itself up like Amazing Grace is finished.
A plinth is laid
in the shadow of his feet, sticky with pine,
here where the water sickens with roots.
Where the canoe overturned. Where the broken oar floated and fell.
Where the snake lives, and teethes on bark,
waiting for another uncle.

Where the tobacco waves near drying barns rusted like horseshoes
and cotton studs the ground like the cropped hair of the buried.
Where schoolchildren take the afternoon
to trim the kudzu growing between the bodies of slaves.
Where appetite is met with flood and fat
and a clinic for the heart.
Where barges took chips of tar to port,
for money that no one ever saw.

Tar sticks the heel but isn’t courage.
Tar seals the hulls -
binds the planks -
builds the road.
Tar, fiery on the tongue, heavy as bad blood in the family -
dead to glue the dead together to secure the living.
Tar on the roofs, pouring heat.
Tar is a dark brown or black viscous liquid of hydrocarbons and free carbon,
obtained from a wide variety of organic materials
through destructive distillation.
Tar in the lungs will one day go as hard as a five-cent candy.

Liberty Food Mart
Cheapest Prices on Cigarettes
Parliament $22.50/carton
Marlboro $27.50/carton

The white-bibbed slaughterhouse Hmong hunch down the steps
of an old school bus with no air conditioner,
rush into the cool of the supermarket.
They pick clean the vegetables, flee with woven bags bulging.
What were they promised?
Air conditioning.
And what did they receive?
Chickenshit on the wind; a dead river they can't understand
with a name it gained from killing.

Truth:
A man was flung onto a fencepost and died in a front yard down the street.
A girl with a grudge in her eyes slipped a razorblade from her teeth and ended recess.
I once saw an Indian murdered for stealing a twelve-foot ladder.
The red line indicating heart disease grows higher and higher.
The red line indicating cardiovascular mortality grows higher and higher.
The red line indicating motor vehicle deaths grows higher and higher.
I burn with the desire to leave.

The stories make us full baskets of dark. No death troubles me.
Not the girl's blood, inert, tickled by opiates,
not the masked arson of the law;
not the smell of drywall as it rots,
or the door of the safe falling from its hinges,
or the chassis of cars, airborne over the rise by the planetarium,
three classmates plunging wide-eyed in the river’s icy arc –
absent from prom, still struggling to free themselves from their seatbelts -
the gunsmoke at the home invasion,
the tenement bisected by flood,
the cattle lowing, gelded
by agriculture students on a field trip.

The air contains skin and mud.
The galvanized barns, long empty, cough up
their dust of rotten feed, dry tobacco.
Men kneel in the tilled rows,
to pick up nails off the ground
still splashed with the blood of their makers.

You Never Sausage a Place
(You’re Always a ****** at Pedro’s!)
South of the Border – Fireworks, Motel & Rides
Exit 9: 10mi.

Drunkards in Dickies will tell you the roads are straight enough
that the drive home will not bend away from them.
Look in the woods to see by lamplight
two girls filling each other's mouths with smoke.
Hear a friendly command:
boys loosening a tire, stuck in the gut of a dog.
Turn on the radio between towns of two thousand
and hear the tiny voice of an AM preacher,
sharing the airwaves of country dark
with some chords plucked from a guitar.
Taste this water thick with tannin
and tell me that trees do not feel pain.
I would be a mausoleum for these thousands
if I only had the room.

I sealed myself against the flood.
Bodies knock against my eaves:
a clutch of cats drowned in a crawlspace,
an old woman bereft with a vase of pennies,
her dead son in her living room costumed as the black Jesus,
the ***** oil of a Chinese restaurant
dancing on top of black water.
A flow gauge spins its tin wheel
endlessly above the bloated dead,
and I will pretend not to be sick at dinner.

Misery now, a struggle ahead for Robeson County after flooding from Hurricane Matthew
LUMBERTON
After years of things leaving Robeson County – manufacturing plants, jobs, payrolls, people – something finally came in, and what was it but more misery?

I said a prayer to the city:
make me a figure in a figure,
solvent, owed and owing.
Take my jute sacks of wristbones,
my sheaves and sheaves of fealty,
the smell of the forest from my feet.
Weigh me only by my purse.
A slim woman with a college degree,
a rented room without the black wings
of palmetto roaches fleeing the damp:
I saw the calm white towers and subscribed.
No ingrate, I saved a space for the lost.
They filled it once, twice, and kept on,
eating greasy flesh straight from the bone,
craning their heads to ask a prayer for them instead.

Downtown later in the easy dark,
three college boys in foam cowboy hats shout in poor Spanish.
They press into the night and the night presses into them.
They will go home when they have to.
Under the bridge lit in violet,
a folding chair is draped in a ***** blanket.
A grubby pair of tennis shoes lay beneath, no feet inside.
Iced tea seeps from a chewed cup.
I pass a bar lit like Christmas.
A mute and pretty face full of indoor light
makes a promise I see through a window.
I pay obscene rents to find out if it is true,
in this nation tied together with gallows-rope,
thumbing its codex of virtues.
Considering this just recently got rejected and I'm free to publish it, and also considering that the town this poem describes is subject once again to a deluge whose damage promises to be worse than before, it seemed like a suitable time to post it. If you've enjoyed it, please think about making a small donation to the North Carolina Disaster Relief Fund at the URL below:
https://governor.nc.gov/donate-florence-recovery
Cyril Blythe Aug 2012
Hot off the press as in I finished this piece about thirty minutes ago, any advice? I love and appreciate all of you beautiful people. -Cyril*

I yelped when the third blister popped and David shouted to me from a few branches above, “if the blood flows you have to make your mark here, Jacob.” Frustrated, I pull out my dulled Wal-Mart knife and notch Old Pine where my blood broke this time. I look around for my notch from last week and spy it a few feet below my right foot.
“You’re getting higher each week! I know you’ll make it to the top next time. I can just feel it, man,” David said. The hope in his voice always kills me.
I’m higher than before but still not high enough. I look up Old Pine and see the circle of deep notches where David stands, dyed red with generations of my family’s blood. I wrap my left arm around the base of Old Pine, skinnier at this height, and I close my eyes. The taste of iron and winter fills my mouth as I gingerly take the corner of the torn callus between my two front teeth and rip the rest of the dead skin clean off. I let the blood pool up until my palm is full and I smear the puddle into my moist notch in the tree. My ***** red blood mixes with the pine’s regal, green blood. I pull my hand away and see the two bloods combine. The smell of blood always makes me dizzy up this high, but I can’t show weakness in front of David. Not at Old Pine.
“I’ll see you at the bottom. I’m done for the day.” I say and before he can reply I leave. I begin the climb back to the ground, dodging empty crow nests and old scared over gashes in Old Pine’s skin, pushed along by cold fists of wind. The blood sneaks through the hole in my palm each time I push it into the spiteful bark along my descent and I try to ignore it.
I dangle from my one good hand on the bottom branch and fall to the dying grass below. My hungry toes feed on solid ground again. I sigh, grabbing a handful of the kudzu that grows on Old Pine’s base to put in my mouth, and I plop to the ground. The breeze here licks my sweaty neck in an apology for its merciless stepbrother who, sixty feet above, whipped and spit across my face. I hear a light thump and feel a breeze behind me and as I turn I see David gracefully landing on two feet.
“You were almost there this time. Just a few more climbs and I’m sure you’ll breech the top.” David’s determination is the only reason I come back with him to this god-forsaken tree. I do it for him, not myself.
I spit the chewed up Kudzu into my palm and mash it into the red holes to help them clot faster. Father taught me about Kudzu’s medicinal uses when we used to hunt together before the fall.
I look up into Old Pine’s green canopy above my head and feel the silence between the three of us. Old Pine is our father now and David thinks it’s his fault. Old Pine is the tallest tree on our farm and the only one infused with generations of our family’s blood. From the very top you can see all of our family land. It’s a view every man in the family has to see when he comes of age. Dad took David up when he was only fourteen. It was on their climb down that he fell. I was nine.
“It’s the view, Jacob. The view is like nothing else you’ll ever experience. Holding onto the rusty-red notch circle and looking out on our land, it’s almost spiritual, man.” I don’t look at him, but I know David is crying.
We looked up to the canvas of green and brown and David asks if I can hear Dad’s whispers, but I all I hear is the creak of old branches.
Emily Jones Jun 2015
A simple peace exists
In all the lines between
And balanced upon the throne
You are, precariously strung up
Let go of the crumbling precipice
Breathe in the lucid flame
Strip the grey of your soul
Proceed to devour the filth
Enjoy the stonehenge of your years
Make another mark in the Earth
And bind the roots of life
To the dreary mists of days long past

Take first the heart of jaded lies
Then shatter the cracked backbone
Let loose the tides of weary men
And bring forth the unspoken champion
Refuse the offer of eternity
Trust the deception in reflection
For who am I when I am with you
And who am I when solitary
You wish to journey in fluorescent tunnels
To find many paths left untrimmed
Brush past the weeds and kudzu
That degrade the refusal of submission
z  Jan 2015
kudzu
z Jan 2015
there was an interesting
night to roam; to be indoors, and
she knows she'll never be upright,
a nuisance;
i am actually a big difference
between what i have been
a great deal with.
so don't try to get me.
we're just imperfect
and you, a crippled horse.
and if i had the time to get a free
chance
it would not be worthit.
hogwash, like the vista cruiser
forgotten in the kudzu.
and in the brambles do you question?
what does it mean to matter?
if you're no better than what you envision?
cxbra  Sep 2017
Kudzu
cxbra Sep 2017
I still can't put into words how I feel about you
so I'm going to close my eyes and say the first five things that come to mind
One
Every single time I look at you I can feel the butterflies knocking at the door, dressed up as a pizza delivery guy, only to deliver more butterflies, such a shame that I am still unable to fly
Two
When you told me that I may never see you again my hands froze and it became harder and harder to continue my drive home
You probably thought nothing of it
We both live in the moment but I wanted this one to last forever
I just hope you don't forget me
Three
I told you that it feels like I fell from heaven and landed in your arms yet it all seems to feel the same
Maybe I wasn't meant to fly
Maybe, maybe I was meant to lose my wings
falling right into the place that I was so afraid to be
see, the last time i was here, love had made a fool of me and I haven't been myself since
but love, when I'm with you I'm more of myself than I've ever been
Four
It's been a long time since self confidence was in my vocabulary
I look into the mirror now and I see myself and smile
Knowing that I'm looking at the face that brings you just as much happiness and you bring me
Please believe me when I say I don't need love nor do I rely on someone else to make me happy
It's been a long time since self confidence was in my vocabulary
I look into the mirror now and see myself smile
Knowing that I'm looking at the face of the man who takes all of your stress away just as you do to me
maybe we were made for each other
Five
I wake up thinking about your voice and how it gives me chills even in the hottest of weather conditions
Five
I haven't had a bad dream since the day I met you
Five
Sometimes I think I like you more than you like me and that scares me because my love is like kudzu and I just don't want you to suffocate
Five
you make me feel like I can fly
Brandon Conway Sep 2018
Behind these eyes, insanity
a slow permeation of a voice
screaming truths and half truths

I just don’t want to listen
so I flood the head
just to drown the haunting

but it is ******* immortal
every night I send an eagle
to gnaw on the larynx

every morning it’s there to greet
disguised as a fictional friend
                  fiend. I meant fiend.

it’s kudzu it’s ******* kudzu
every day is a mid spring day
even in winters delicate palms

I spend the nights soaking in a bath
last night I let the water ******* tongue
soon it will feast on my lungs

I can go out like Plath
except my poems are bad
and my novel is only a paragraph

I will not
     let the inner
          demons win.
Auntie Hosebag Nov 2010
Stage Design/American Drama


Down front on America’s stage—
awash in a universe
of light arranged by
the ultimate technician.
Come closer.  Anticipate
spectacle.

First sun-splash
on these shores fashions
fool’s gold of surf that heaves against
foam-smoothed, lobster black,
slick rock beaches of northern Maine/
bubbles about black rubber boots of men in boats—
another day, another dime,
shivered away in ancient rime—
adrift in fog on the black
                                          glass
                                                   harbor
                                                               surface.

Grand Canyon sunrise
          EXPLODES
               copper and white/
                    orange and green/
                          blood red/
over many thousand pounds
of brash brown
        dirt—
in every direction/especially down.
       Soldierly shadows armed with swords
       of slivered sunlight hack through scrub
       like so much meat, to each day’s final
       battle at the canyon’s rim/
while a mile below the torment
called the Colorado
turns silver and gold,
black, blue, and
thundering
mud.

Louisiana bayous trickle chlorophyll caramel over twisted hickory sentinels, monumental elms and sycamores—even the alligators.  More mystery here than far-flung nebulae—and everything fighting back ***** green kudzu.

The Badlands of South Dakota, striped like the surface of a ***** peppermint planet—sizzling in the sun, bone cold in the shade—knobby tan canyons wrapped in ribbons of rust that dribble sounds one can neither recall nor reproduce.

Same phenomenon frames dawn over spongy folds of tall green cilia ocean called simply The Plains.
Kansas, Nebraska, horizons so far away thunderstorms creep along like dark, threatening slugs.
Distant night fireworks laden with punishing hail hide tornadoes and winged farmhouses in the horizontal gloom.  In the morning—those sounds again.  Critters?  Wind.  Ghosts, maybe.

Spectral mists of the Great Northwest cloak clear-cut sores on Nature’s sacred,
fragrant, deep green shores, falling steep to the creamy Pacific.
Light's a plaything here.  Big Sur
renders color to gem, sparkles
down the coast
to rusty Golden Gate and grimy LA,
where the sun goes down brown
and the rain shines
like gun metal.

Georgia soil—
homicidal redheaded cousin running loose, looking for trouble—
grows swampy hardwood groves/
leaves hung limp from humidity/
masking antebellum secrets/
offering sanctuary to voodoo practitioners and moonshiners alike.
Magic, danger, ******, and ghosts
of slaughtered slaves wander tight-packed old-growth forests.
Some say the soil is red from ancient conflict,
unanswered pleas for mercy drowned
in the drenching rains
of hurricanes
strayed north from the Gulf of Mexico.
Others claim tears of countless mothers will never leave
Civil War blood completely dry.

Northern New England foliage--
master maples drunk on fresh cider/
psychedelic finger-paint exhibitionists high on
the year’s last harvest,
intoxicated by Nature’s largess/
symphonies of scarlet, tangerine, lemon, even purple--
regal birds migrate over lakes so blue
you could chip your teeth on them,
and a diehard hemlock conducts its final green opus to a sea of primary colors.

Iowa is quiet and corn, obscuring whole towns and the lives held captive therein.  All the green on Earth is planted here; all the sun, all the sapphire sky feeding knee-high-by-July crops, bleaching spare white churches, white picket fences, white-on-white generations and all their vanilla dreams.

Linger beneath Montana’s cobalt crystal canopy to know why it’s called Big Sky.
Stark, Crazy Mountains chase stuttering clouds above treeless, tumbleweed towns,
bathed in the same blues as Wyoming, blown through a wild man’s horn.

A wink of sunlight
mirrored in unseen peaks
perhaps hundreds of miles away—
snow so white/Rocky Mountains so hard and gray—
behind a universe of wheat flatness beckoning the eye to infinity, slowly,
slowly, the Continental Divide rises
from the horizon like a monster parade balloon filling with gas on another continent.
The Flat Irons--majestic stone slabs lounging against Boulder's nearby foothills--
were cursed by ancient observers.
One peek at their precarious slopes compels you to return.
Been back three times and I’m still not sure I believe it.

Southwestern deserts’ blaze,
haze, and halo—spotlights hot,
focused on towering sandstone totems.
Deep gashes of flowering canyon, adrift in the flat and barren,
rage water, mud, and death during summer storms.
Scrub and sand, dust and desolation, land unfit for demons.
Get thee behind me, Arizona.

Endless, straight, lonely two-lanes
carve the lunar landscape of west Texas
into parcels of wasteland, miles marked by
bleached carcasses of ranch animals
and their predators, some hung
on fences as a warning
that people really do
live there.

Cities have their place,
                    their places,
                    their placement--
but my heart can’t pound to the beat of traffic
like it does to waterfall spray.

Turn your back to the fire in sufficient twilight and a mountain range sharpens into a line—
coyotes prowling, howling on the perimeter.
To spy on a wild animal lost in thought.
The sight--and sound--as swans alight or leave a hidden pond.
Northern lights and swamp gas,
everywhere the stench
of Earth.

This
is what matters—
all around us—
this alone.

Not politics,
not religion,
not countries.

Just this—
stage.
This is about the fifteenth iteration of this piece.  It keeps shifting from prose to poem and back again--or worse.  I lost control of it long ago.  Please help me rein this ***** in.  Workshop?
Brandon Conway  Jun 2018
Kudzu
Brandon Conway Jun 2018
The garden would not take root
Hardly a **** could flourish
No matter how much water absorbed
This muddy field left malnourished

Something was amiss in this mucky space
Ennui entwined climbing up the spine
Hippocampus left asphyxiated
The kudzu of the mind

Nothing but an entanglement of
Thought and emotion
Strangling the heart
In this confusing ocean

— The End —