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Press your palms against mine,
do you feel that?
That's you
warming me up
and me cooling
you down.

That's the keys of
your fingerprints
unlocking the chest
of my ribcage.

That's me leaving my coat
at the door,
and you
wrapping your arms around me,
because you are
the most comfortable thing
I have ever worn.

That's the crescent C of my body
nestling into the cat's cradle
of yours,
my claws grazing
your two-day-old whiskers.

That's the flecks
of your freckle-covered shoulders
jumping ship
to make me captain
of the vast oceans
that roar and toss within you.

You are a lion,
beautiful and proud,
fierce with your tongue,
and strong in your gait.
King of the jungle
that lies within this dark heart,
and my stubborn head

Which constantly buts against yours,
but only so that my eyelashes
can kiss the apples of your cheeks,
because I can never
get enough of your sweetness,
no matter how hard I try.
Poetry with simple rhyme scheme
isn't really poetry at all.
It takes all the artistry of language,
and crushes their greatness
into something rather small.

It belittles the sharp peaks of your smile,
that peek through porcelain veils.
It takes the beauty of your eyes,
and brings them down to scale.

The rhyming ruins all seriousness,
true poets take in pride,
it leaves their work in ridicule,
though their emotions are implied.

It vastly understates
the warmth in your cheeks,
and incredibly discounts
the lions of your dreams,
making them seem weak.

That is why I will never write a poem
describing the perfection of you
in a silly little rhyme scheme;
that is what I shall not do.

I will, however, jest
at what rhyming cannot describe,
although it tries to do its best,
it falls by the wayside,

For limericks cannot contain
my pretentious heart and soul,
and cannot compare
to the magnificence you hold.

Because if I could contain your spirit,
in matters of stanzas and rhyme
my talents would be wasted,
this atrocity a crime,

But you make my writing worthwhile,
and give me ideas to muse,
instead of the dull and dread,
the pretender's butter and bread,
with none of my talents to use.
The light in your eyes
reflects the laughter
that bursts forth from your soul,
and echoes
through muggy night air.

It traverses
across the room,
bouncing off the glints
of teeth
from constant conversations
of strangers.

As their smiles turn to
smirks,
and bright eyes
grow heavy
with slumber and drink,
your laughter still reverberates

Off the curves of their
hips,
and the tips
of their tongues,
as your lips touch
to meet someone else’s.
Writing is about class.
Class is about sitting in plastic,
in the chill of morning
and having to write down notes notes notes.

Notes are about pens kissing paper,
and peppering the page
with inklings of half-baked thoughts
and thought out truths
on the stark white below.

Thoughts and truths are about consciousness.
Consciousness is about writing down
notes notes notes
on people who’s intricate names escape you,
as the ink scratches dark caverns and rivers
on the stark white below,
so professors and professionals
know we are consciously writing their
thoughts, truths, and words

Words are about tongue and confusion.
Love, ***, hate, love, meaning, working, feeling,
biting, tearing, kicking, screaming, breathing, writing.
Writing it all down, writing more.
More tongue-in-cheek, more cheeks brushing, fingertips touching,
and scribbling notes notes notes
on the back of your hand in lust
so you’ll never forget.
Stream of consciousness poem written for my poetry class. I was given five minutes to just write, and this was the result.
i take the fisher boat
pushed up by white-glowing waves
to the other part of the island
and i will take you with me
and we will build a house; only made out of wood; wood gathered by me: like a man should
live beneath trees; and look up
every morning
at the strange, never-seen birds
singing their tropical symphonies;
before we learn them Beethoven and Tchaichovsky
run through sand with bare feet;
even in winter
eat ***** fruit
drink strange water
But we don't care;
'cause
we are living
and we are life
Please don't go to bed yet
I don't know what to do
I'm rolled up in these blankets
wishing that I could talk to you
because no one makes me feel better,
no one except for you
I'm just trying to find my feelings
and make my wish come true
but in order for that to happen
I'd have to admit I love you
We stared at the ceiling as it blackened from the lights turning off,
and the air chilling with every breath from the A.C.
Inch by inch we moved closer to each other
because we thought it was what we were supposed to do,
but little did we know that with each nudge
our electrons were sending spark signals
way before our bodies even thought about touching.

Like iron and sulfur, we synthesized
moving into each other's lives,
and leaving our pieces behind us,
swapping stories and secrets
in the cover of nightfall
with roaring laughter,
while our heads made permanent impressions
on their downy and memory foam petals
in the garden of wishes
we created.

Constantly I was with you,
just as the shore is never without the sea.
I became your shadow,
and followed you to your room,
and back again,
through the drug cartels of Mexico,
to the blizzards that lie beyond The Wall.
You became my greatest adventure
and showed me what lay beyond the door
I was always too frightened to open.

You earned a doctorate in my mannerisms,
becoming an expert on each temper tantrum,
and each shining grin that you always brought about
on the gloomiest of Wednesdays
when I ran out of milk for my cereal
and overcooked your mac and cheese.

You embraced every flaw I had,
like the father welcoming home the prodigal son,
and came to love every scar I accumulated,
thirty-eight in total,
from the hordes of others,
almost too numerous to count on ten fingers,
that constantly left me with a sewing needle,
and a bottle of Elmer's glue
to mend from each tumble
of their careless hands.


Every jagged edge of mine that cut your palms,
and left nicks on your fingertips
was smoothed by the rough edges of your beard,
and through scratchy kisses
from chapped lips.
You became my greatest blessing,
as well as my greatest weakness,
so now I constantly crave your pale face
spattered with freckles
and beautiful laugh lines
that congregate around
the warmest brown eyes
I have ever seen.

And I thought I loved you then, but
it definitely was nothing like I love you now, because
now I wake up next to you,
I make both of us coffee, and
push open the curtains to let in sunlight.
And when I wake up next to you,
I don't hate Mondays as much anymore,
And when I wake up next to you,
I feel safe,
because through the valleys of your sleeping lungs
I found where I belong.
I found my home.
Have you ever had the urge to
**** someone. Perhaps that awkward ex-wife or the bullying supervisor
or maybe you just want to speed up a long awaited inheritance. If you
have any of the before mentioned reasons or one of many more, then this
book is for you. Some of the things you will read may sound a bit on the
obvious side but this publication is designed at the total beginner so
please work with us on this.

Chapter one.... Who to **** and how to Prepare.

Chapter two.... Choosing a method that is right for you.

Chapter three... Tools needed for the job and how to acquire them.

Chapter four.... How to build a great and believable aliby.

Chapter five.... Building a portfolio: for those who would like to make the step up to mass ******.

Through
these and many other brilliantly described chapters you will get in
depth and easy to understand instructions. All from a varied range of
killers from all over the globe. Here is a little taster as to what you
can expect.

After you have chosen your first victim the first
thing you will need to do is develop a pattern. You will need to watch
them for this but please do note that you will need to consider some
things.

1. You do not want to advertise the fact that you
are stalking your potential candidate, so keeping at a safe distance is
to be advised. Do not be obvious in your choice of dress and always mark
any area with CCTV, not forgetting that a lot of stores these days have
these.

2. The location is important, you need to be somewhere
where you will not be interrupted, you don't want Joe public stepping in
and ruining your first project.

3. When you have completed
your first ****** these tips will instruct you on the practical side of:
Dismemberring, Disposal and Concealing the body.

4. Making the perfect escape from the scene.

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