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As an ape,
if given the opportunity
to penetrate the banana plantation,
I would trigger significant losses.
And over the specks of dust and rose-colored evenings,
in the melancholic fate of soliloquy;
yet as wretched as her soul be, her very first breath was, “Have mercy.”
 
The pale, starry-eyed of April’s sky ends, and it’s pouring; the trees are swaying in their places; the sun is impressed by the rising of the lilies.
Daunted by the ray of light, quietly caressing its innocence.
 
She looked over the moon, as if it were painted by someone she knew.
In hope, she clenched her fist and whispered again and again and again.
Like the petals of dried daisies fallen from the moon.
 
She knew it’s written on the stars; someone knows her name.
 
The airy summer between spring and March’s language, an imprecise grief of longing,
a desert of bones starved on
an ethereal ghost of past summers and the sickening void of the night sky,
she needed to endure
something in her holler with violence—some rage kept on the other side of her old pillow.
 
And yet it’s still written on the stars—someone knows her name.
 
Where the river flows, she follows.
In hopes she’d be directed to the one who wrote her;
achingly believing she’s the muse this time
Who else could have written her the way she is?
 
With her eyes the same as the earthly sand,
her lips alive in light gray, with the way she lit up when the moon reveals himself to her,
the sea pushes upon the land as if it were longing to kiss her weary feet.
 
With the way her hips dance when she walks, when she closes her eyes, only she can hear her author’s note at the back of her heart. Slowly yet surely whispering, “It’s written on the stars. I wrote your name, my love.”
 
And so she follows the flow of the river, faithfully locking her eyes in the waters' steepness. She gently brushes the cold river, and so it quietly blushes at the thought of her.

That someone like her was cared for enough by her own artist.
april, you were legendary and momentary. good days are coming.
Somethings a hatching

                     The dog's a scratching

What is that I see?

                                        A crazy flea!

I try to incarcerate
                            But the jam jar is too late

            Next time I'll be quick

                  You
                        Luna tick
who am I?
I am a person
who am I?
I am alive

who am I?
an animal
afraid
with questions in my eyes

who am I
without the answers?
who am I
without my fear?

who am I
to ask these questions?
who am I
if no one hears?

who am I?
it all depends
how much of me
it's safe to show

who am I
when we're together?
who am I
when I'm alone?

who am I
to even think
to even dream
that I could know?

am I
the dream or the dreamer?

who am I?

who wants to know?
do i love London
so much due to
nobody knowing
what has happened
to me here

where i can
act like i had
the perfect upbringing
where i can
pretend to not
know pain and suffering

or maybe

i love London
so much
because you have
shown me a new
way to look
at life and our trajedies

to not be ashamed
of them
to feel everything
as it comes

to relinquish control
I understand the history of the past.
And I can see today's story.
Yesterday's imaginary fairytale
is now a present moon-tale.
Just a little while...
You can see more repellent.
Sins, bites on your conscience
          never to your convenience.
       No salvation, No revelations.
               Unblessed the lucky
       bottomless becomes your destiny
and darkness laments, it’s quite cloudy
     wavy timelines, weary crimes
                   Brooking our doom
                  creating thy tomb
                   as deaths looms.
this was me playing with words. Yet as always there is hidden truth and meaning behind my play. I guess this is me cursing to those who are lucky enough to have sinned and get away with it. As in every truth, sins is also subjective to survival, so we should be careful who to blame.
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