Yiska waits by the fence. The school's on the other side. Yiska waits for Benny; he is at lunch, she waits impatiently. The playing field is crowded with other kids; some girls sit in groups talking and laughing. Yiska sees boys coming out, Benny not amongst them. She waits arms folded,a face on her. Alma said she'd told her brother about her. Alma was her best friend. That's the boy, Yiska had told Alma. He's my brother, Alma said. Good, you can tell him, I fancy him, Yiska said. Alma had said she told him. Yiska waits; walks along the fence; sees other boys. No Benny. She has visions of things going places. Not that she'd tell Alma that. Some things are best not told. She looks towards the playing field; girls and boys in groups or couples or alone. She looks back towards school. He's there, Benny, walking by the fence, hands in pockets, school tie hanging loose, shirt unbuttoned at the neck. Alma said you wanted to see me, Benny says, looking at Yiska, his eyes hazel, his look, steady. Yes, I did, Yiska says, feeling her nerves beginning to unravel. Rick said you wanted to see me, too,  Benny says. My brother? Yiska says. Yes, the very one, Benny says. They stand by the fence, face to face. Only he said, you fancied the socks off me, Benny says, smiling. I never said. She looks past him. Yiska feels undone. Anyway I'm here, Benny says. Only said I liked you, she says, looking at him now, seeing his hair, the quiff, the smile. He looks her over quickly: eyes, hair, lips, hips, thighs shape of. Shall we go for a walk? Yiska asks. Sure, he says. Where? She asks. Benny shrugs. On the field? She nods. They walk off together, apart. His hands are still in his trouser pockets. She walks hands in front, fingers joined, prayer mode .Cat got your tongue? He says. No, no, just thinking, she says. Of what? Me? My socks? She smiles. She looks at him sideways on. What do you fancy? He asks. Who said I fancied anything? Yiska says, blushing slightly. Rick did, Alma hinted, Benny says, My socks, apparently, he adds. She looks at the playing field. Folds her arms. Stops and looks at him. I never said fancied. So what then? He says. She looks at her shoes: black, dull, unpolished. Maybe, a bit, I do, she says, looking at his shoes: black, scuffed. He takes his hands out of his pockets. Touches her arm, feels along until he reaches a hand. Nice hand, he says. She lets him hold it, feels his hand touching hers. Warm, soft. Taking her hand, they walk on. How much? Benny asks. How much what? Yiska says. Do you fancy me? He says, his thumb rubbing the back of her hand. Fancy's an odd word, she says, interested, more, she adds. O, I see, not fancy me at all, he says. She looks uncertain, the blush spreading. If I were in your bedroom would you fancy me there? He asks. What a question, she says, feeling her pulse increasing, imagining him there, in her room, her bed made-unusual for her- but made up tidy. I'd fancy you anywhere, Benny says, in a nice way of course, not necessarily in your bedroom. She looks at the high fence, the road beyond, traffic passing. He looks at her hair, the way her ears are just visible if she moves her head a small bit; lobes, suckable. Alma didn't say you fancied me, Benny says, but Rick did. *******, Yiska says, just like him. She looks at the wooded area to the left of the playing field. Went there once to fetch a rounders ball that got hit there in P.E, she muses. Could go in there, she says, pointing. Best not, he says, people may get wrong ideas. Think things. He sits on the grass, pulls her down, next to him. Safer here, he says, holding her hand, still. She sits next to him, crosses her legs, pulls her school skirt over her knees. She senses his hand there. Warm, wet, heated. How old are you? He asks. Same age as Alma. Thought so, he says. How old are you? She asks. Fourteen, he says, leave school at Christmas, be fifteen, then. She looks at his hand in hers. Wish I could leave school then, too, she says. I can't wait, he says. No more brain-washing. She looks at his eyes. Hazel, bright. I will dream of him tonight, she thinks, I'll dream of him next to me. His hand in mine. Mine hand in his. Will we kiss? She imagines so. Must not make too much noise though. Mother hears things too well, she thinks, looking at his chin, the jawline. What will you do? She says. When? He asks, looking at her school tie, tied in an untidy knot, her small ******* bulbs. When you leave school? She says. Don't know, want to be a mechanic, maybe car mechanic, he says, wondering what she would be like if she was beside him on her bed or his bed for that matter, but then she'd had have his younger brother there, too. Then you won't be here, she says. No, thank God, he says. I'll miss you being here, she says. Can always visit you weekends if I get a bus, he says, wondering if her bed wouldn't be better as she slept alone. She strokes his hand in her as if it were a cat. He looked past her at the other kids on the grass. Reynard was playing football as was Trevor. That'd be good, she says, I could meet you off the bus, if you came. If you like, he says, watching Trevor almost score a goal. She looks at his hazel eyes, the smile, Elvis like, the quiff of brown hair, his hands, she muses, stroking with her other hand. I don't want to appear forward, she says, but could we kiss? He looks back at her. Kiss? He says, looking at her lips and cheek and forehead. Where? He asks. Here, she says. Where, here? He says, homing in on her lips with his eyes. Not here on the field here, she says, blushing, looking around in case others are watching. Where, then? He asks, looking at her eyes, seeing himself there, small and untidy. Maybe, at school, in a corridor that's empty or in a doorway, she says. Why not here? He asks, no one will care a jot if we do. She bite her lip, releases his hand, looks past him, behind him. What will they say? She asks. Who? He says. Others around, she says, returning her gaze on him. Who gives a monkey, he says. I do, she replies, reddening in the face. He gets up to leave. Look, I am missing a game of football sat here, another time maybe, he says. No, no, don't go, she says, clutching at his hand, being pulled up as she does so. She stands beside him, still holding his hand. I can watch, too, she says. He looks at her, feels her hand in his. OK, he says, if you want. I do, she lies, walking with him towards the boys kicking a ball around. She senses the grass was  a bit wet because she is. She feels it. They stand and watch the boys in their game. She feels uncomfortable. Feels slightly undone, but they watch the game, she unkissed, but watching the boys having fun.

Yiska pares her nails,
files away
along the top
in a focused motion.

Her fingers grip
the nail file,
her eyes are looking
at the Indian woman
sitting cross legged
on the sofa,
mumbling to herself.

Naaman watches
them both, standing
by the door
of the ward
his dressing gown open,
the cloth belt confiscated.

The morning sun shows
smears on the windowpane,
the kid who comes each day
in care, stands there
licking like some cat.

A book of philosophy
is wedged in Naaman's
dressing gown pocket,
a torn off cardboard lid
of a Smarties pack
is the marker,
he's on the Spinoza page.

Yiska puts the file
in the pocket
of her nightgown
and stares at her nails,
bringing her fingers up
for close inspection.

A nurse passes by
and holds out her hand
towards Yiska.

You ought not have
that file,
she says.

Why not?
Yiska says.

Some might use it
to cut open their wrists,
the nurse says.

Yiska gives up
the nail file reluctantly,
staring at the nurse,
who walks off
towards the ward office
to lock away the file.

The Indian woman
puts her hands on her knees,
closes her eyes.

Naaman sits next
to Yiska and says,
Nothing's sacred here.

She's right though,
Yiska says,
someone may
have used it
to dig open their wrists.

I would have done,
after he left me
at the altar
on our wedding day.

I'd have slit my wrists
or neck or any place,
if it had got me
out of this hell hole
of a world.

I'd not have left you
at the altar,
Naaman says.

But he did,
she says,
laying her head
on his shoulder,
wiping her nose
on the back
of her hand.

Naaman studies her feet
which are bare,
no slippers or socks.

She has folded her legs
beneath her
so that her feet
stick out at the end,
her knees showing
where the nightgown ends.
After the last ECT,
Naaman woke in
the same side room,
she after him,
on another bed.

He had seen her there,
spread out
in her white nightgown
as in a shroud,
eyes shut,
mouth open,
teeth showing.

When she woke,
she said,
I hate that treatment,
gives me a fecking headache.
Me, too,
he said.

She stared at him,
her eyes opening wide.
Sit me up,
she said,
or I'll puke.

He got off the bed
and helped sit her up.

She sat on the edge
of the bed and said,
Thanks, you're a life saver.
She kissed his forehead.

The Indian woman picks
at her toes with her fingers,
her forehead is lined,
her black greying hair
is tied behind her head
in a knot of cloth.

Yiska laughs.
You certainly gave
the nurses a joint heart attack
last week
with your hanging attempt
in the boghouse.

Dark place at the time,
Naaman says.

She nods.
Like headless chicken
they were, she says.
I tried to OD,
but I was found too soon,
she adds.

The kid at the window
turns round.
He pokes his tongue out
at them both.
Naaman had bopped him
the other day
when he pinched
Yiska's arm.
Short memory, I guess,
Naaman thinks.

The big day nurse
comes in with morning
teas and coffees,
his broad smile
and jovial voice
brighten the day.

Yiska's hand lies
on Naaman's thigh,
he hopes
it will never leave,
but always stay.

Yiska slides
a knife blade
across her

soft pink palm
a thin line
of blood comes

seeping out
she watches
the blood seeps

down her arm
I watch her
and the knife

but am too
drugged up to
be alarmed

whose's the knife?
I ask her
thin red lines

move downward
I stole it
from the tray

supper time
while the nurse
was busy

with the pills
she tells me
want the knife?

not just now
too drugged up
I tell her

blood drips down
to the floor
pitter pat

Yiska no
a nurse calls
from the door

of the room
put it down
Yiska stares

at the nurse
then at me
up to you

I mutter
the nurse stares
anxiously

another nurse
comes along
don't Yiska

the nurse says
place down please
Yiska sighs

long and deep
then hands me
the handle

of the knife
I give it
to the nurse

the fat nurse
takes Yiska
by the arm

to a room
at the side
marked in red

MEDICAL
they go in
the door shuts

I stand there
while the nurse
the thin one

cleans the floor
of the blood
I study

the knife blade
Yiska's blood
settled there

best be off
the nurse says
how'd she get

the **** knife?
I am dumb
with the words

pack them off
in my head
as I walk

to gaze out
the window
at the fields

and tall trees
white with snow.

Yiska wants to take Benny home with her after school and whisk him past her mother and up to her room but she knows her mother would watch her like a hawk especially if she had Benny in tow and would ask her all sorts of questions and where do you think you are going with him? but she can dream about it dream she has brought him home and as she passes her mother in the kitchen her mother in one of her dark moods preparing dinner she climbs the stairs slowly imagining Benny is behind her walking up the stairs probably watching her legs or her *** his eyes glued but she doesn't know so she imagines he is and when she gets to the top of the stairs she pauses on the landing and looks down the stairs and waits listening to the radio her mother has just turned on some classical stuff she pauses there pretending Benny has stopped her and has put his arms around her waist and has laid his hands on her *** and she believes she can feel it his hands his fingers moving but it's in the head in her imagination but no harm in pretending so she lingers there for a short duration looking along the landing wrapping her own arms about herself kissing her shoulder don't forget to change out of your school uniform her mother calls out from below stairs I won't she calls back hugging herself extra tight patting her own *** with a hand as she hoped he would do if he were there and they were standing where she is now and put your ***** blouse in the linen basket her mother calls up ok she calls back unhugging herself walking along the landing walking past her parent's room tempted to peek in wondering if she should just a quick glimpse she stops outside her parent's room and opens the door quietly and peers inside imagining she has Benny beside her and she's showing him inside at the big double bed the tallboy the dressing table where her mother has all her make up and perfumes and drugs for her depression and hairbrushes and the mirror facing her and she says to herself-and the imagined Benny- nice bed what you reckon? make a good bed to do it in? the room smells of perfume of all kinds and a scent of bodies and staleness she is tempted to go lay on the bed and feel it beneath her and makes out they are doing things him beside her touching her and she kisses him and he putting his hand along her thigh and make sure you fold up your school skirt and jumper I don't want it just thrown anywhere her mother calls up to her from downstairs she closes the door to her parent's room and says loudly down the stairs I will fold them up and walks to her own room taking Benny’s imagined hand in hers and enters her own room and closes the door behind her and looks around the room as if through his eyes her mother has been in here and tidied up put things away picked up stuff from the floor taken away the tea plate she'd left there the night before and the soiled linen she'd let drop by the bed she stands there and sighs a window is open to let in air-breath of fresh air her mother calls it-the curtains flap in the breeze sounds from neighbours in their gardens kids from down the street she goes to the window and closes it and looks out at the surrounding area making out Benny’s still behind her his arms around her waist his lips kissing her neck she closes the curtains and stares around the room focusing on her single bed with its pink flowery cover her mother bought her Teddy Bear  now ageing by her pillow not that big she says over her shoulder to the pretend Benny but we could still do it if we're careful she whispers to herself she sits on the bed and stares at her Teddy some nights he is Benny and she hugs him and kisses him and has him next to her as she settles down but Teddy's a lousy lover he does nothing and says nothing she sits the make believe Benny next to her on the bed imagines his hand is tapping the bed be ok Benny says using her voice she stands up and begins to take off her school jumper unbuttoning the green buttons and pulling off and dropping it on the bed then unties the green patterned tie and takes it off and tosses it over her shoulder she sighs closes her eyes you unbutton the blouse she tells the make believe Benny and her fingers unbutton the blouse one by one slowly and once it is unbuttoned she lets his fingers-hers really- take it off of her body and drop it onto the floor what do you think? she asks him shall l take off the skirt or you? her fingers unzip the zip and pulls it down and once loose the skirt falls to the floor and she kicks it across the room and stands there eyes closed pretending he is studying her in her small bra and ******* she waits for his words his comments what are you doing there? and why are the clothes scattered all over the place her mother says from the open door Yiska opens her eyes and stares at her mother standing sullen faced by her bedroom door day dreaming Yiska says about what? her mother asks picking up the school skirt from the floor and folding it neatly and gazing at her daughter stern eyed just day dreaming Yiska says watching her mother putting the clothes in a pile and picking the ***** blouse from the floor and holding the soiled linen in her hands this room was tidy why untidy it? her mother says sorry wasn't thinking Yiska says glad her mother couldn't read her thoughts or see the imagined Benny kissing her neck and whose right hand was fondling her right *** because if she could she'd have a fit.

Yiska sits on the sofa staring.
Music on the radio, background
noise. Naaman walks the length
of the locked ward, right hand
in his dressing gown pocket.

White bandage, blood stained,
wrapped around his left wrist.  
Avshalom’s razor did the job
unsatisfactorily, he muses,
feeling the soreness where

the wound’s wrapped. Yiska
taps the sofa seat and beckons
for Naaman to sit beside her.
He sits down, hands on knees.
She’d found him in the locked

ward washroom wrist slit,
blood drenched. She talks to
him, low voice, muttering words.
The nurse at the desk eyes them.
Slit wrong way, Yiska says, the

Romans had it down to a fine art.
Naaman senses the wrist throb.
He smells her soapiness, wants
to wrap himself into her. Some
deem it a sin to take your life,

she says. Doesn’t matter a ****
once you’ve gone, she adds, tracing
a finger along his artery. More
ways than one to go, Yiska says,
reaching the bandaged wound.

Naaman says, I know, I tried each
in turn, failed me each. She smiles.
That hanging **** was a no no, she
says. Need to go beautifully, not
boggled eyed with protruding tongue

like some rabbit hung. The nurse
takes his hand and feels the bandage
hold. She unsmiling looks at both,
their conversation dumbed. Naaman
senses the nurse’s hands trace a

line around the wound. Unimpressed,
she moves away, eyed by Yiska’s dark
stare, watches the nurse talking to
another standing there. Makes work
for them, Yiska says, no feathers in

their caps if you break through to the
other side. Naaman sniffs her soapiness,
warms to her nearness, seeks to dissolve
into her otherness. Sylvia had it off to
pat, Yiska says, head in the oven dozed

to a death. Sylvia? Naaman asks, his eyes
skimming along her thigh where night
gown showed. Plath, she says, the poet,
back in 63. Naaman drinks in her dark
valley where her night gown gapes, his

black dog mood barks in his brain. Look,
Yiska says, pointing her finger window
wards, after the freezing snow, comes rain.

Benedict
saw Yiska
by the trees

on the school
playing field
at the top

in the shade
from the sun
some boys were

kicking ball
in a game
girls sat in

groups talking
or laughing
Benedict

walked the field
where Yiska
was standing

by the trees
all alone?
he asked her

she nodded
glad you came
wasn't sure

if you'd come
she told him
your brother said

you'd be here
Benedict
informed her

it's quiet
by the trees
and maybe

we can go
in the wood
if no one

is looking
Yiska said
Benedict

looked behind
where she stood

at the small
area
called the wood

must look out
for prefects
who come here

looking out
for couples
we'll look out

she replied
they looked back
at the school

playing field
all was clear
no one looked

so they went
in the wood
at least here

we can kiss
without eyes
seeing us

Yiska said
so they kissed
she with arms

round his neck
and his arms
round her waist

lips to lips
her fingers
soft stroking

his right ear
his fingers
soft touching

her behind
then her thigh
it was their

longest kiss
on the lips
neither breathed

(or so seemed)
then parted
and stood back

and studied
each other
she took in

hazel eyes
quiff of hair
Elvis smile

he took in
her small *******
her fine curves

of body
the longest
that we've kissed

Yiska said
two prefects
he whispered

and they hid
in bushes
in the wood

silently
as two male
prefects walked

past them both
hiding there
once they'd gone

they crept out
of the wood
by the top

near the fence
that was close
Yiska said

Benedict
smiled and said
yes it was

lips to lips
recalling
his fingers

soft touching
her behind
and her thigh

releasing
a warming
and deep sigh.

Yiska smells
unwashed skin
the old girl

nearby her
foreigner
in long robes

browned fingers
cigarette
between them

smoke rising
I watch her
leathery

old lined skin
deep brown eyes
inhaling

the self rolled
cigarette
stinks in here

Yiska says
need some air
so we go

from the lounge
of the ward
to the large

dining room
where we stand
looking out

of the large
French windows
she never

washes or
cleans herself
Yiska says

just sits there
smoking that
cigarette

muttering
in her own
foreign tongue

eating meals
with her thin
brown fingers

what's really
bugging you?
I ask her

the old dame's
been here weeks
I can't sleep

Yiska says
all the time
thinking of

my wedding
which wasn't
just jilted

standing there
being watched
the white dress

and white shoes
and the prat
doesn't show

the cruel clown
jilting me
giving me

a breakdown
I touch her
thin white hand

by her side
sensing her
life pulsing

through her veins
her thumb rubs
my last scar

on my wrist
a rook caws
in high trees

above us
my scar damp
where she kissed.

You, Yiska, you-
eyes,
plums,

settled in cream,
soft,
gazed there,

new worlds,
and lips,
barely touching,

edge of Paradise,
skin on skin,
warm, wet,

pressed.
Yiska, you-
hands,

******* fingers,
you there,
your thighs,

dress raised,
summery,
birds searching

out the sky,
I,
seeking bird-like,

to fly high.
You, Yiska, you-
I dreamed of you,

night searching,
sky darkening,
moon's oil,

stars exploding
in eyes
from window's view,
you,
Yiska,
you.

Yiska's brother
said she wanted to see me
and so I met her
by the science lab

after midday recess
along by the side
of the playing field
she stood there

arms folded
uneasy
looking down
at the grass

your brother said
you wanted to see me
what's the problem?
one of the girls in class

said that you can get pregnant
if you kiss some one
too passionately
and we did

the other day
and now I’m scared
in case I’m pregnant
she said

in a rush of words
I looked back
at the playing field
Rolland was starting

the ball game
with other boys
some girls
were playing tag in the field

why did the girl say that?
I said
she saw us kissing
the other day

and said
I’d get pregnant
expert is she?
I said

Yiska looked at me deeply
I don't know
I didn't ask
she said

how far have you got
in biology?
I said
what do you mean?

how far have you gone
in human reproduction?
I said
haven't got that far

still doing about frogs
and tadpoles
she said
I sighed

and took her hand  
and we walked
behind the science lab
out of sight of eyes

you have to do more
than kiss to get pregnant
I said
she looked at me unsure

what do you have to do?
she said
nothing we've done
I said

I took in
her bright eyes
her lips just parted
showing her white teeth

the tip of tongue
but what then?
she said
ask your parents

I said
O sure
Yiska said
Mum

how does a girl
get herself pregnant?
is it kissing
or is there something else?

I'm sure she’ll tell me
if she doesn't whack me
in one of her dark moods
Yiska had her hair brushed

just so
neat
and her hand was warm
in mine

you tell me
if you know
she said
I walked her along more

by the science lab
bushes were up
on the bank
behind us

birds sang
I whispered to her
what I knew
she stood back

and gazed at me
are you sure
that's right?
she said

sure it is
I read about it
in this book
she blushed

and took
my hand again
and kissed me
can I read that book?

she said
sure I’ll bring it in
I said
she looked at me

her features bright
and becoming red.

See Yiska
the snow
is falling

a tractor
pushes its way
through the snow
on the field

gulls and rooks
follow in its wake

the sky a dull grey
the sun wiped out
or nearly so

hear Yiska
the wind
through the trees
the birds calling

hear the snowflakes
silently falling
hear our breath
expressing
as we speak
or remain silent

feel Yiska
the snowflakes
on our faces
on our noses

hold out
your slim hand
let the palms
hold the snow

feel my closeness
sense me
drawing near

the nurses are talking
they talk
of their love lives
of the ***
they've had

hear their words
how they tease us
their words
of *******
and freedom
and normality

feel the emptiness
bite us

our nerves taut
as wire
as we walk

see Yiska
how they walk
the nurses behind us
and before us

see how
their heavy coats
hold them
their black boots
marching like troopers

hear the nattering
of their lips
and tongues

sense my mental fatigue
and yours and ours

wait Yiska
they will take us
back to the hospital soon
and lock us up
once more
in the white ward
with the dull
water coloured prints
and photographs
of yesteryears

be near Yiska
let our fingers touch
let us feel
too little
or sense too much.

Evenings were sandwich time
brought in by big Ted
sandwiches cut in triangles
in white and brown

and he laid the plates down
on the center table
and the patients
bored out

of their fragile brains
pounced upon them
and ate ravishingly
as if time

was running out
to eat
but  
Yiska nibbled hers

took small bites
her finger tips
holding the brown bread
her white teeth

nibbling gently
Naaman watched her
his sandwich held
but uneaten

smelt
viewed
but held away
from lips

he took in
Yiska's nibbling
the way her fingers
held as if a holy host

not fish paste
and her lips
parted just so
her tongue seen

the white teeth
and her eyes
unfocused
her nightgown

buttoned at the breast
with a missing button
and he wanted
to be that sandwich

in her fingers
wanted her lips
to feel him
her teeth to nibble him

but then
the foreign woman
distracted him
by taking

her sandwich apart
opening it
between fingers
sniffing the contents

******* up her nose
muttering something
in her foreign tongue
throwing it on the plate

and picking up another
don't waste them
a nurse said
ask if you don't see

what you want
the foreign woman
chewed on the sandwich
she'd picked

the nurse removed
the torn open sandwich
Naaman ate
a small portion

viewing Yiska meanwhile
licking her fingers
******* the ends
in and out

and he wished
it he she was doing thus
he looked away
the evening sky

was darkening
through the locked
ward windows
the bright electric lights

above their heads
made mirrors
of the windows
and Naaman saw himself

in his blue dressing gown
sans belt in case
he tried to string
himself again

and he gazed at Yiska
once more nibbling
another sandwich
the same *******

technique
the similar lipping
routine
and the missing button

on her nightgown
revealed a small portion
of flesh viewed
her small *******

pressing the cotton cloth
of the nightgown
and he ate unceremoniously
the last of his bread

watching her fingers
licked again
while outside the window
the sound of fresh rain.

The charge nurse closes
the door behind Yiska.
Can I go home? Not yet.
When? When you are

well enough. I am well
enough. We think not.
Who are we? The nurses
and the doctors and I,

think you are not well
enough. But I feel well
enough. You are on the
inside looking out, we

are on the outside of
you looking in. So? We
see things from a much
different angle. But I feel

well. Feelings can betray.
But I feel well. You think
you are well. I am. We think
not. But what do you know?

We are professionals. But
I know what I feel inside.
The charge nurse taps his
pen on the desk, Yiska coldly

stares at him. You tried to
cut your wrists. Tried yes,
but I stopped. Not soon
enough. I am here aren’t I?

The fact you decided to
cut your wrists says you
are unwell. It was how I
felt then. Feelings again.

It was a dark time. Wait
until you are better when
the dark days have gone.
You mean ECT? It helps.

Not me. Some it does.
Not me though. We saw
Improvement, we think.
You think? We professionals.

I get headaches. Side effect.
I feel sick afterwards. More
side effect. Yiska screws
her hands in her lap. The

charge nurse stares at her.
You mix well with Baruch.
He’s kind. He’s a patient.
He is unwell like you. I like

him. He has his problems.
Don’t we all? He will not
help you. You don’t help
me. He will not. I like him.

So we are informed. You
spy? We watch. Spy. We
need to watch all of our
patients. I want to go.

When you are well. Now
I want to leave here.
The hospital? Yes. No.
The room then. Here.

Yes. Ok. Yiska gets up
from the chair. The
charge nurse sits there
watching her. She draws

her nightgown tightly
about her as she leaves
the room. We are still
watching you and Baruch.

Yiska says nothing. The
door closes. She sighs.
The charge nurse folds
his fingers over his large

paunch and stares at the
door and folds away his
captured image of her
naked as he has before.

Yiska slits
her thin wrist
-broken glass

in a bin
in the ward
what a find-

the blood comes
plentiful
beautiful

she reckons
sitting back
in the bath

of water
motherly
and warming

reddening
but a nurse
on duty

looking to
tell Yiska
the doctor

wanted her
finds her there
in the bath

drifting off
and blood soaked
EMERGECY

SUICIDE
the nurse yells
up the ward

-locked up ward
those who are
mentally

unstable
are caged here-
I am in

the main lounge
looking out
the window

snows falling
some robin
perches there

on a branch
Yiska said
earlier

she'd make it
out of here
one way or

the other
there's a rush
of nurses

and a quack
follows up
half way through

-I'm guessing-
his breakfast
there's egg yoke

at the side
of his mouth
poor Yiska

so depressed
no way out
she told me

but I guess
watching the
brave robin

sitting there
that there is
if you look

really hard
to get out
out somewhere.

Yiska rests on her bed,
smoking a cigarette.

The sky is dull,
the room darkened.

She inhales,
watches the smoke,
she's just exhaled,
rise ceiling wards.

Her husband is out,
fishing, *******,
who knows, or cares.

She exhales again,
at times like this
she reflects
on her young days,
her schoolgirl years.

Naaman was a love
back then.

School crush thing
some thought.

But no,
more than that.

She inhales so deeply
that it seems
her whole body
is filled
with nicotine and smoke.

Naaman kissed good.

That time on the field.
Lips and tongue.

She exhales and smiles.

He'd be in his 30s now,
a year older than she.

She can still,
if she shuts her eyes at night,
see him as he was.

Even when her husband
is giving her a quickie,
she thinks on Naaman,
imagines it's him on top,
not her husband's sad efforts.

She inhales
and closes her eyes.

He is there
in her mind still.

Even on the day
she married,
she hoped Naaman
would show
and whisk her away
on the back
of a motorcycle,
her white dress
flapping in the wind,
she giving her groom
to be, an up you sign
of *******.

But he didn't show.

She knew he wouldn't;
she'd not seen
since he left school,
the year before she.

Moved away some place.

She exhales
and smiles out smoke.

When she goes shopping
in other towns,
she wonders
if she'll meet Naaman there,
bump into him
on an aisle,
next to cereals or cheeses.

She recalls that time
in the school between lessons,
seeing him,
and wanting him
to drag her into some room
and kiss her
and do things.

But he just smiled
and walked on
and into a classroom,
leaving her hot
and gagging for it
(a term some girls
used back then).

What if he had?
Some empty room
in the school?
That day would have been
burned into her memory
if he had.

As it was,
she walked on,
to her boring art class,
bubbling
with upset hormones.

She sighs,
opens her eyes,
and moans.