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"vanitatum" poems
All the flowers of the spring Meet to perfume our burying; These have but their growing prime, And man does flourish but his time: Survey our progress from our birth— We are set, we grow, we turn to earth. Courts adieu, and all delights, All bewitching appetites! Sweetest breath and clearest eye Like perfumes go out and die; And consequently this is done As shadows wait upon the sun. Vain the ambition of kings Who seek by trophies and dead things To leave a living name behind, And weave but nets to catch the wind.
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Vanitas Vanitatum
What is so powerful As to chain man’s heart to earth Chasing after fleeting things Yet as man chases His hearts desires Trying To break the mesh Stubbornly holding on To that which forms his life All he suceeds in doing Is destroying his flesh ‘Vanitus vanitatum et omnia vanitas’
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Jan 13, 2014
Jan 13, 2014 at 11:41 PM UTC
Vanity of vanities
it is so easy to **** me unknown brother carved Samaritan image do yourself a favor I’m an undecided blotch of color indigo reaching for purple shut at once the book you read from and I’ll become a butterfly with my wings crucified on two pages ~~~ maybe because of the need to forget I see death as a hindrance on the wheel of torture a camphorated ointment for nervous fibers ends I’m closer today to the tree for hanging the noose from which God forbid you to taste look vanitas vanitatum Yorick’s head lies on your plate when you receive your alms the candle the baked apple and the wheat porridge helping ~~~ I stand up facing the wall my voice isn’t yet untied I wonder what is stronger and if the heart tips the scales my achy breaky heart on the balance between life and death there are a few extra grams of soul we will need very tiny jewellery weights psalm 103 Fibonacci’s series the golden ratio ~~~ look my child the soft carpet my warm body upon which you step this sacred day my soles are thin they stick to the red clay I turn upon the potter’s wheel my everlasting mentioning like I was that’s how I’ll stay a crumb of Eucharist bread on the lips the first and the last
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Aug 17, 2014
Aug 17, 2014 at 12:34 PM UTC
elegy 011
"THE BREAKDOWN COMES WHEN YOU STOP CONTROLLING YOURSELF / AND WANT THE RELEASE OF A BLOODBATH" - JENNY HOLZER I. Vanitas Vanitatum [The stage is set: a paper moon against a starless, greyscale sky. GINSBERG howls. He's nostalgic for all he'd assumed was forgotten; desperate to never recall it again. His numbered days are manufactured: ELIOT reclines, watching the world end.] CHORUS OF PROPHETS: In our own sins we trusted, both in essence and in nature. Hell was never an inferno: it is an echo chamber. We have nothing (-- we have nothing --) but maxims and jumbled alphabets and lightly-sparkling bitterness when the cork pops feebly from the bottle; (-- nothing! --) dripping saltine hate. We've lived large and small, been tiny and tall; always filling too much space in a too-big room where our presence is ironically scarce. There is nothing for you here, bar vacant lungs and river water -- take a breath and join us                                in sinking to                                             (sinking!) the                                                (sinking!) bottom                                                   (sinking,) of                                                         (sinking...) the                                                                            Styx. II. Et Omnia Vanitas [Enter PLATH, SEXTON, WOOLF, BYRON, DICKINSON and VARIOUS PHARMACEUTICAL BRAND REPRESENTATIVES.] You know not what you could be but merely what you are and that alone is traumatic enough. Taste it, a slice at a time: the disillusionment from having raised your hopes beyond rotting in the soil, the anger upon realising this was your own fault and all you want to do is scream, the bargaining, the denial, the scream (you were not born to live). The gradual processing. The scream! Scream at the moon and scream at the walls and scream into pillows and howl and wail and hack away at the flesh and screech until plastic surroundings melt and it is only you and the void you willed upon yourself. III. Epitaph (What Now?) [A white-fur baby seal is camouflaged upon the ice and, eyes closed, fools itself into thinking it survived.] What happens next is no act of evil: this is survival of the fittest. We are bottom-rung of the food chain and starving predators need to eat. [We lick the ground and taste defeat.] Ruby poppies reach heavenward -- small birds take their maiden flights. I shrivel, putrid in the soil, in the winter of my life.
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Aug 29, 2019
Aug 29, 2019 at 7:44 PM UTC
The Poet's Despair Is Not A Work Of Art
"THE BREAKDOWN COMES WHEN YOU STOP CONTROLLING YOURSELF / AND WANT THE RELEASE OF A BLOODBATH" - JENNY HOLZER I. Vanitas Vanitatum [The stage is set: a paper moon against a starless, greyscale sky. GINSBERG howls. He's nostalgic for all he'd assumed was forgotten; desperate to never recall it again. His numbered days are manufactured: ELIOT reclines, watching the world end.] CHORUS OF PROPHETS: In our own sins we trusted, both in essence and in nature. Hell was never an inferno: it is an echo chamber. We have nothing (-- we have nothing --) but maxims and jumbled alphabets and lightly-sparkling bitterness when the cork pops feebly from the bottle; (-- nothing! --) dripping saltine hate. We've lived large and small, been tiny and tall; always filling too much space in a too-big room where our presence is ironically scarce. There is nothing for you here, bar vacant lungs and river water -- take a breath and join us                                in sinking to                                             (sinking!) the                                                (sinking!) bottom                                                   (sinking,) of                                                         (sinking...) the                                                                            Styx. II. Et Omnia Vanitas [Enter PLATH, SEXTON, WOOLF, BYRON, DICKINSON and VARIOUS PHARMACEUTICAL BRAND REPRESENTATIVES.] You know not what you could be but merely what you are and that alone is traumatic enough. Taste it, a slice at a time: the disillusionment from having raised your hopes beyond rotting in the soil, the anger upon realising this was your own fault and all you want to do is scream, the bargaining, the denial, the scream (you were not born to live). The gradual processing. The scream! Scream at the moon and scream at the walls and scream into pillows and howl and wail and hack away at the flesh and screech until plastic surroundings melt and it is only you and the void you willed upon yourself. III. Epitaph (What Now?) [A white-fur baby seal is camouflaged upon the ice and, eyes closed, fools itself into thinking it survived.] What happens next is no act of evil: this is survival of the fittest. We are bottom-rung of the food chain and starving predators need to eat. [We lick the ground and taste defeat.] Ruby poppies reach heavenward -- small birds take their maiden flights. I shrivel, putrid in the soil, in the winter of my life.
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Antonio Machado, Fernando Pessoa, Juan Gelman crearon de un plumazo sus heterónimos, unos señores que tuvieron la virtud de complementarlos, ampliarlos, hacer que de algún modo fueran más ellos mismos. También yo (vanitas vanitatum) quise tener el mío, pero la única vez que lo intenté resultó que mi joven heterónimo empezó a escribir desembozadamente sobre mis cataratas, mis espasmos asmáticos, mi ****** zoster, mi lumbago, mi hernia diafragmática y otras fallas de fábrica. Por si todo eso fuera poco se metía en mis insomnios para mortificar a mi pobre, valetudinaria conciencia. Fue precisamente ésta la que me pidió: por favor, colega, quítame de encima a este estorbo, ya bastante tenemos con la crítica. Sin embargo, como los trámites para librarse de un heterónimo son más bien engorrosos, opté por una solución intermedia, que fue nombrarlo mi representante plenipotenciario en la isla de Pascua. Por cierto que desde allí acaba de enviarme un largo poema sobre la hipotética vida ****** de los moairs. Reconozco que no está nada mal. Se nota mi influencia.
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Heterónimos
Truth told be : Afraid am I It all a rather bizarre Thing, rather strange Why worry - Why torture oneself So So full of worry What is the Mind doing How has it come to (This) Why has it come to (This) Why What How The Eternal questions of the Mind Why this How that From what ..., so useless this enforced Form Rather empty; attempting to define the Fluid Give Edges to a Ball Give Edges to the Earth Idealize the Real Why not Realize the Ideal I torture turn and churn Squaring and managing No Soul to be found by that Only Breath Breath and Hot air Why so inauthentic Why not be a Poet not a poet Why quality what quality How quality Is it Ideal or Real nor any? Vanitas vanitatum et omnia vanitas - Thou(gh) Art?
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Sep 16, 2024
Sep 16, 2024 at 4:58 PM UTC
Pangs of Cubism