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CR Jan 2014
Growing up in Poughkeepsie, the
barbells of unfaith always shook her
wrists when she lifted "I
will be gone from here soon enough"
over her shoulders. "I will love
like crazy."

Grown-up in the city, she
swallows hard in the marble mirror
and thinks "Maybe today
will be the day," but
it never is, and she ignores
the petulant inside voice saying
"Unfaith is unfaith but
so is dead-eyed
companionship, so unclench
your fists"--she hasn't yet.
freya Feb 2015
I cried too much lately
And I still cry now
My heart breaks into so many pieces
But you seem so **** heartless

What would happened if we still be together?
Would you ever treat me as your perfect lover?
You haunted me in my dream every night
Have you ever think of it tonight?

I regrets everyday about my hard complicated life
Why you confessed to me in the wrong time?
I been waiting the words from you in so many ways
Is it not enough love you prefered from me when we are away?

Everything I spoken seem so useless
Now you gone like, today and forever.
heartbreak
Felix Char Jul 2014
For years,
God was as reasonable
As any other immaterial thing.
He was in the mornings and evenings.
He was in the washing and in the sleeping.
He was in the walls and the dirt;
He was in the blood.
But as with all things perfect, infallible,
Symmetrical,
Time will only wear
Away your sureness of them.

This unfaith creeps on us
As a dream does.
We are assured against illusion
if we will not investigate.
(You could run through it
For years, not letting it end.)
But when we see the trees' reflection
Glinting off the frozen lakes in winter,
Or else read the words of a Frost
or a Keats,
We find, He is no longer in any of these things.
Whether we are then numb or stricken,
His absence will be hollow, unavailing:
"In the depths all becomes law."

If it is possible,
We should not be terrified;
Though we are always terrified,
And if not,
Then blissfully mistaken.
We must slake our lust,
At least first,
In the physical and close at hand.
We must burn with the mornings and evenings.
And be borne in the unravelling of
Washing and sleeping.
These dutiful rituals,
ephemeral and eternal,
Are in each who've walked before us,
Who've learned and hurt,
Who've breathed our air.
It is here we find
The solace of our ancestry.

And when these, too, become tiresome,
And we are stretched thin
By the weight of the metaphor of all things,
Wholly in those most simple,
Be sure that even this
Deepest gravity
Invents itself from within us.
So trusting are we that
The breaking of our chest
Is reasoned through;
That we are meant for this pain
Or that joy.
Is the parting of the grass made; is it designed?
Even from the tides,
We demand divinity!
We must strive to divorce
From these assumed perceptions:
Become the science, sterility.
Be as simplest machines,
dividing cells:
No use of colours,
No shades,
No God.

Then,
When we are yearning from
The meanest seed,
Quickening and suffering,
For now we can not be reduced
But unto death,
The greatest truths lie herein.
Now, we can suppose longing
Onto handshakes,
And let each small weight upon us be Sisyphean.
We may let, too, jubilation be in
The sun's rising, and in all
Things of measured confidence.
In each fleeting moment,
We can appreciate that we will live
For an infinity of moments,
And also not even one.

Suddenly,
He is in these things.

We can be sure He is no corporeal being,
Willingly given up by our tabula rasa.
And we will know that His visage is made of our fathers
And we are in Him: nowhere.
But He is in our questing
And too, in our need for Him.
And He bends backward,
Head over heels,
twisting like our own anatomy,
To meet us, to free us.
We have felt Him each second we have yearned,
And each second we are bloodied by this yearning,
By these moments.
He is in our most procellous highs,
and in the damp wake of loneliness.
When we hurt most,
We know, with instinct, to let pain in,
To lay bare and be torn,
And torn again.
Why should this be?
Because He is there, too!
He is in tears but
So is he in love!
And love is in the ***,
Love is in the burdens.
Love is in our greatest triumph
And hiding still in our writhing panic.
In our joys and fears,
Our surrenders and our suffering.

We are made of the stuff.

And if one of us should fall in His name,
They will then be immortal.
Not in the sky, nor beneath the Earth,
But in the hearts of humans;
In the mortal, frail, beating hearts
Of those who still bleed for them,
Still ache for them,
Every morning,
Every evening.

He is love.

And, as ever,
So are we.
September Apr 2018
God's firmament: only
a child's planetarium projector—
If only I could project my
vows in a sphere of light
with even a handful of batteries, all the
eyes in the world
could see how ******* thin
my gossamer guilt is.

My conscience is silky smooth
like Venus-razored legs.
brooke Oct 2012
Get to know me
i'm good I swear
sometimes I even shine
sometimes I even do pretty things
sometimes I make funny faces
you could record them with a shaky camera
where my voice is awfully fuzzy
get to know me
i swear my hair isn't that bad
sometimes my room is clean
sometimes I will make you food
sometimes I do cute things
I swear i don't rust,
I don't unfaith
unhope
untrust
well
the
trust
maybe.
but i swear i'm good
i can even
say things
sometimes.
(c) Brooke Otto
Peyton Scott Feb 2014
“I trust you on this,” he says
but he doesn’t know that I’m haunted
by the idea
of stepping into another mans arms.

I watched my father leave a trail of love letters
throughout our two story house addressed to a secret lover.
I read them word for word
and admired his love
but hated that it was for another woman.
They say infidelity runs in the family,
like a deep rooted disease
and I’m afraid I am next.

I was the accomplice to the boy I loved
while he fooled another.
He stole midnight kisses from me
but returned every morning for her.
He stole innocence from me,
and happiness from her.
I was a chess piece to a boy
who was playing a very good game.

I am not my father’s daughter
I am not his past mistakes,
but I hold my own wrong doings
and they lead me to unfaith.

I would slit my throat
and hang myself to dry
before I followed my father’s footsteps,
but before you say you trust me
just know what lies in my veins.
Or ever the knightly years were gone
With the old world to the grave,
I was a King in Babylon
And you were a Christian Slave.

I saw, I took, I cast you by,
I bent and broke your pride.
You loved me well, or I heard them lie,
But your longing was denied.
Surely I knew that by and by
You cursed your gods and died.

And a myriad suns have set and shone
Since then upon the grave
Decreed by the King in Babylon
To her that had been his Slave.

The pride I trampled is now my scathe,
For it tramples me again.
The old resentment lasts like death,
For you love, yet you refrain.
I break my heart on your hard unfaith,
And I break my heart in vain.

Yet not for an hour do I wish undone
The deed beyond the grave,
When I was a King in Babylon
And you were a ****** Slave.
Twirl May 2017
You say you can't believe in god.
I trust in god, like I trust in physics.

Your world has been shattered.
Mine is safe and sound.

You went through despair and death.
I've seen not more than flowers wither.

Your unfaith is made by experience.
My faith is made by the words of others.

You're confident of your philosophy.
I just trust in faith.

A tunnel separates us.
You went through it and lost god.

I wonder whether I'll lose him too.
Tyler May 2022
a poet's words twisted
by readers of unfaith,
it's almost honorable.
Niel Dec 2020
Apathy in form
  Gaze at the sleek, predatorial
             physique, splendid in a sense
    forward gliding on
the currents laboring to
          provide an example of excellence
  in the embodiment of antithesis
to the goal of.. sentiments in a sense,
     or perhaps passions mapped out?

I’m not in doubt, more that in plural demeanor
   so any seeded proposal is
any other unfaith-ed exhibition
        suppose it could all end a little bit better
    if we didn’t resume our idolization of
          particulars, like all the functionel
that produces synchronic intricacies
  lathering in messy pictures full
of every meaning to all and ever could
         depict, in that glancing, know talk
  that abrupticates the framework
        of the ‘how ya doin’?’ formalities we
  ever so often sell as the scripture to
the boredism we addict ourselves

— The End —