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Sarah Clark May 2019
why drinking? Always!
i should try that
i love old knowable things
everything! Bigger out West
generalization, but ok (I do the same)
Phaedrus
morning person for sure
practical vs. artsy
is romanticism irrational, or just differently rational?

put ice under your hat
this whole thing is so **** Hollywood.
i dislike hierarchies- they’re simplifications
but they should!
superficially he’s not really here
ha! (Me)    
he’s trying, rather poorly, to fill the spaces with something other than thought

i see a maze where you take every left
metaphor
whoa guys whoa
but he doesn’t
thought for the sake of thought is dangerous
but what?
never truth, only conjecture
hmm?
but is it a human invention?
ah the perfect example

i am so intrigued by this unusual phrasing
building a base
quite bitter, this one
i’m bringing the whole thing down
the knife!
meet an old friend for the first time
i can’t draw a straight line
as he tries so hard to be
sounds like me when I’m vague
too much trust in technology

this reminds me of Ishmael
*** *** ***!
it’s all making so much sense now
familiar but ever-changing is what I want
a disciple!
when the only possible solution is go nuts- go nuts.
he’s a driven man
let me think
you need to narrow the lens
semi-aggro
yes yes yes yes yes

no immediate penalty
he’s typesetting
why do people need so many rules, rubrics and objectivity?
what’s wrong with a little mystery?
trying to define quality
the problem with philosophy is incomplete definitions to important words
hmmm, I disagree
using a lot more ellipses
a noble ambition

awe
some
should just bend and snap from this wind already
so much of the world is already inferred
i hate Socrates for this
the problem with words
an example, but what does it prove?
eliminate the knife!
hurts my head with its obviousness

aah, I see
a little cloudy, but there’s some sun
he’s entering rarified air
story of my life
he’s losing me
me gusta
numbers are a human invention, after all
this is over my head

be in the open country with someone
a generalist, too
i am most productive on coffee
a philosopher could write a 1000 page novel on the question “Are we alive?” And I could just say “Yes” and be done with it
let’s explode them
so monotone
beautiful  
up the mountain, down to the ocean
he’s getting absolutist again

here- have your cake and eat it too
back on track
getting tired of the lack of transition
like the houses on the way to Atherton
you’ve said this 500 times, let’s see it already
it’s slackening for me
how to BE the motorcycle
i hate twilight depression
i want a motorcycle

the *****
loves dividing things
this is all preparation
completing the flow chart

this used to be me, but I’m getting better
fix yourself before the machine
degrees of specificity, scope
a sense of the inner pressure
time away from noise and people helps him peer into that contradiction, that void
so ready to give in
intense… full of something
i know the problem-

        it’s wild, but safe

too long this has built up
part three was terrible
he’s experiencing universal loneliness
no more dams!
so much between the lines
battle of wits, I’m having fun
stop, eat, drive, eat, sleep, drive, etc
mans burden
never surrender

it’s moving too fast for me to keep up
but this requires a restructuring of thought and

       even

   society.




1988/2019
* Note to the reader. The below poem was 100% taken in order of page from the scribbled notes in an old copy of Zen and the Art of Motorcycle Maintenance. The author of the erudite scribbles is unknown and I am indebted to their depth, humor and zest.
lorilynn Sep 2010
if only the characters
in the book could speak.
they have been morphed
into roles forced upon them.
attaching themselves to the reader
flipping through sheaves
of ivory paper and gold typesetting.
the characters waiting to open
the soft leather bound cover
giving them light and hope
they jump off the pages
with life breathed onto them
marching across the pages
giving a picture show
that which is expressed
as we cross through the lines.~~lorilynn

copyright*lorilynn 2010
Saint Audrey Apr 2018
Classic trepidation, stationary with the aura of
Coincidence, slit myself and call it skyward thinking
Sinking feelings that argue for a sudden resignation
Conscientiousness, leprous and typesetting

Intimate knowledge that I disclose verbatim cannot, and should not, ever be used against me.
Interest infected through wavelengths, non responsive partly cause of the rupturing that's been running through my dreams.
Scant as fixes to the problems, overblown and oft forgotten, lisping when I speak of this Epiphany.
Taxidermist furnish houses, howling wolves that get devoured, sounds like God and hell and them finally worked out peace.

Just cosmetic, slightly pathetic the ease at which the mind elapses
Classics retconned till nothing's left except the years of influence
Invested in the melancholy, snobs lobbyist and in distant memories
Sarah Clark May 2019
i see a maze where you take every left

typesetting-

                   thought for the
                   sake of thought

(dangerous)

this used to be me, but I’m getting better
fix yourself before the machine!
narrow the lens-

                        up the
                      mountain
                         down
                   to the ocean

completing
the flow
         chart
Just before logging off for the day,
and ready to boogie out of the joint
an email landed squarely in my inbox
cordially inviting me
into the management office
accompanied by the buzz of my cell phone:
(cue the sound of ominous music):
I unexpectedly got called
expecting to be handed a pink slip
(if you catch me drift)
suddenly my heart beat a mile a minute
and palms of hands
perspired like a wet dish rag
expecting to experienced a chop job
expecting to be chewed out by a hack
after rapping lightly on the door
before heading into the office by my namesake.

Even before taking a seat
an onslaught of rapid fire babbling besieged me
as way of introduction,
when receiving most recent assignment
for Matthew Scott Harris (me),
communicated by amiable chap
who interestingly enough
shared being christened
with exact same birth name as mine.

Rather than attempt to scribble
fast speaking mile a minute
brilliantly frenzied novel theme
prior experience taught being prepared
to stow digital dictation devices.

Upon readying recording device
to playback at my leisure,
I dramatically signaled to him
to repeat speaking, albeit ideally
at 78 rotations per minute (RPM)
while fingers of mine
lightly, yet impatiently
drummed upon the table
awaiting significantly more succinct delivery,
(yet bracing to be saddled
with what I expected
to be impossible mission
even for the stalwart
Peter Graves body double)
renown for his fast talking verbal outcome
concerning next poetic endeavor,
yet to borrow a football analogy
the writer of these word needed
self restraint less primed and prone
to block and tackle from him.

The moment he started speaking,
I then immediately ceased tapping sound
anticipating far out and groovy
prompting me to hang loose
able, eager, ready, and willing
to synthesize his incomprehensible jibber jabber,
which hopped out outburst
spurred me to ask him to talk slower
finding myself issuing imprecations
as he blithely ignored minor plea of mine
and quickly resumed chattering away
with animation, excitation, and irritation
bypassing feeble attempts of mine
mindlessly buzzfeeding and brainstorming,
an experienced "aha moment,"
thence he immediately explained
to yours truly (me) the idea,
which will hopefully be clearly expressed
courtesy the following poem.

Though instinctively writing
countless bureaucratic reports
(but more particularly typing),
never did especial attention
get paid to the particular nuances
(never mind the terms)
of kerning and tracking
that got brought to my attention
after being informed courtesy
(as iterated above) my namesake.

Kerning developed
during the era of metal typesetting,
where the term "kern" referred
to the part of a metal letter
that extended beyond its body,
allowing for closer spacing
between certain letter combinations,
making it a manual process
where typographers would physically adjust
the spacing between individual characters
by hand to achieve a visually pleasing result;
essentially, kerning has been around
since the early days of printing with metal type.

The French term originated
from the Latin cardo, cardinis, meaning "hinge."

In the days when all type was cast metal,
the parts of a typecasting sort
that needed to overlap adjacent letters
simply hung off the sort slug's edge.

Those overhanging metal pieces were called kerns.

Tracking is a similar process
to kerning that focuses
on the spacing between all letters in a word,
rather than just a few letters in a word.

Tracking is usually uniform,
meaning you apply an equal amount of space
between each letter
so that it doesn't look
too spaced out (how one feels
after getting loaded up) or too tight.

Tracking is the process of loosening
or tightening a block of text to make it look hip.

For most general writing purposes,
the "best" lead type considered to be HB
(medium hardness), as it offers a good balance
between heart of darkness and smoothness
while minimizing smudging,
making it suitable for everyday use
across different writing surfaces.

— The End —