Thelonious Tree had so long been in slumber
that no one alive could remember the number
of years he'd been snoozing, and it became understood
that Thelonious Tree was asleep now for good.

On the first day of spring dawned a day calm and fair
when a horrible noise pierced the still morning air.
It rattled his roots, yes it shuddered his trunk
and dimly Thelonious heard the cathunk
that rustled his leaves where birds were at nest
till grim and confused, he was roused from his rest.

Ancient Thelonious opened one bleary eye
saw the soil caked with concrete, saw how smog choked the sky,
and worse still he saw that clamorous sound
belonged to a man far below on the ground
with an axe in his hand and the axe went cathunk
each time it was buried in the side of his trunk.
From a slumber so deep it had lasted an age,
Thelonious now woke to a terrible rage.

He shook of the very last traces of sleep
as he pulled out his roots from their place in the deep;
he reached down and with a sickening smack
threw that axeman so far he would never come back.
The man landed far off in the limbs of some trees
where he threw down his axe and he yelped out a "please!
that the trees were alive, why I never did know,
I'm done with my axe now; I'll just help things grow!"

Meanwhile Thelonious found that nothing was green,
there were but stumps in the earth where his friends once had been.
They were now houses and fences and tables and chairs
they were burning in chimneys and polluting the air.
Heavy with grief, he at last understood
that the humans cared nothing for trees; only wood.

someone once said: only the natives can be designated
free speech...
the immigrants can have their dog
and let it bark, along with whatever thinking comes
their way...

exploring the last remains of thought -
well then... suit and boot me up for some "thinking"
as i extend it into writing...

if i were of the native stock... "elsewhere":
most probably h'america or australia... even in italy
having tea with mussolini i'd be:
an expat... as an outsider among outsiders
but among my sameness-namesakes of surnames
akin to jones and smith:

i will never be an "immigrant" among...
it's not even a voice of cocern, this little voice of
mine...
an englishman who decides to move
to h'america is an expatriate for the native
englishman who stayed behind...
he's never an immigrant...

perhaps other nations view the people that left
them in such a positive light?
where else to emigrate to that doesn't
speak basic english with a tinge of
a "welcoming" plethora of accents?

proudly having expatriated...
or having to have had to humbly emigrated...
bark bite and tail in tow...
my the luck of being an expatriate...
readily prepared with a francophile basis...
e.g., or some other: less frost-bitten
idealism as the work ethic of:
work work work...

we know the english immigrants
as expatriates... but i doubt that people
from where i from would call me...
an expatriate... they'd call me...
eh... hangman noose... a deserter...
god forbid the fact that i somehow managed
to integrate... but then found myself wondering...

have, have integrated into... "what"?!
today i was truly astounded...
after all... Romford, Essex... England...
can boast about a few things...
notably? it's the past place you can buy vinyl
without amazon.co.uk...
you can actually play the buyer and the person
that loiters with his shadow...
flicking through a dictionary of sorts...
finding a record...

i actually left the house for ulterior motives...
but i succumbed to the allure...
and as i walked the January 2nd 2020 highstreet
in Romford...
i heard english... as a spoken language...
twice in the pedestrian commute...
and of course when it came to a lingua franca
scenario of buying or selling something...
otherwise:

perhaps i retained my primitive instincts
and the tongue and should have left it with a ghost
of me back in the clarifying vicinity of
an airport 50 miles from Warsaw...
i have bigger things to worry about though:
how i should start learning Romanian...
even though: i thought bilingualism was a good
idea?
it's not?

not among the natives could i ever be
an expatriate...
an ever: never... like any more thesaurus
sharpening would do the trick to balance
the optics of "perspective"...

if it wasn't a mistake...
it has still been a purchase:
freddie hubbard on the trumpet,
jackie mclean on the alto sax,
kenny drew on piano,
doug watkins on bass
and pete la roca on drums...

the only reason as to why i bought
a gramaphone was to buy the only cheap vinyl
there is... jazz...
to escape the earphones...
to find the complete volume of space
that would later be deemed:
confined to a room... cell... or some alternative
variation: but... oh jeez...
how wrong it was of me...

make a note: alto sax jazz is not for you...
remember: alto sax jazz is not for you...

a sensation of being a foreigner in
an already double-dutch foreign sense of land...
anything that drops from clinching
to the London transport system
with the trains and the tubes and buses
is: england...
the england of my youth where i remained
like that... dunce in the ****** tunes cartoons
interlude...

and what of my citizenship on paper?
wave a passport around
like a benchmark or an otherwise easy
accent-identifier?
perhaps i don't even know:
Bristolian - my best guess with this acquired
tongue...

but at least buying jazz is getting easier...
freddie hubbard a known name...
but... no... alto sax jazz is not for me...
now it figures...
i can get away on a whim when
a trumpet solos... but not when an alto sax
solos... i really can't stomach it...
will i give this Bluesnik record back?
no, i need a testament -
i have bought something
but the self-reflection is free...

there's only so much classical music escapism
you can try -
before long you realise that the people
listening to classical music...
mostly... when they make requests...
want "something soothing"...
want "something jovial"...
or usually it's a piece of music that has
been attached to a movie...
classical music - apparently doesn't feed
people a subtle stream of images...
and it's obvious: those requests are not phoned
in on by blind people...

imagine... the ****** of F... when you have ⠋
to work with...
what is an sunrise... a sunset but a dash
of colour... a spring of the heavens
an autumn of the heavens...
but my my... in this inverted listening of jazz...
⠙⠑⠑⠏
⠃⠇⠥ ⠑    DEEP BLUE...

if i were blind: and came to the pearly gates...
i'd ask for letters: primo pronto!
later i'd worry about colours and shapes...
as i'd probably stick to my first passion
and hearing this fathomless shapeless
sounds that... abide to no lineage with a recant
of a triangle's use of 90°...

otherwise... what if you've been fed
the: classical music when listened to when a child
will increase your i.q. -
but what are the chances that you will:
"regress" from listening to classical
music and take to jazz?
perhaps because jazz has to be felt,
it has to be heard, first,
rather than... the silence and scribbles
of a composer at his desk -
where a classical music composition
is very much like writing:
that whole a prior shabang!
none of the a posteriori zigzagging
of impromptu and jazz?

one thing is certain... i'm not going to
be a fan of alto sax jazz...
sonny clark on piano - yes...
art blakey on drums - yes...
kenny burrell on guitar - yes...
alto sax no... ah... but give me tenor sax
and... no please no big bang jazz
equivalent to thelonious monk...
at least jazz gives you pedestrian tastes
and whims...
nothing akin to bowing at the altar
of a Beethoven: or talking lightly of
the man - "the man"...

and who the hell said that being
objectivity "works all the time"
that objectivity "runs the marathon"...
alto sax jazz is pedestrian music...
don't get me wrong...
you want to walk down a busy street
and you want to drown the sounds
of progress: no horses sneezing,
no horses' hooves playing tic-tac-toe
chess on cobweb stones...
alto sax jazz is your take-out
walk-through...
but when you're hunched in a chair
and pecking at a keyboard with
ten good beaks of the tips of your fingers...

again: how do the hands rest before
the keyboard?
the right hand:
index middle, pinky and thumb...
the ring finger is used for the: delete button...
a revision - the pinky does the enter -
and the cascade follows...
the left hand?

primarily the index and *******...
the thumb is always attached to space...
shared with the right hand's *******
to space,
i can't remember if i ever used my ring
or pinky finger of my left arm...

so much for inverted chiromancy...
the polacks will never give me the wings
to be an expatriate...
i will be forever: he who abandoned
that land running with milk and honey...
but... look at how they stand behind those
from england that decided to go "elsewhere"...
they are not immigrants...
they are... expatriates...
have nothing filthy them it comes to
the connotation...
it's not sad it's not funny it's: somewhere
"in between"...

because we know that the only russians
that ever make it out of russia
are the oligarchs... and by that standard
of "sentiment": they're always welcome...
who wouldn't welcome the pharaohs without
giza pyramid ambitions of construction?!
passing chalk as cheese -
and passing... ink for blood...
perhaps i haven't sweated enough to be allowed
to write but as little as this...

there's always this sense of alienation
among the germanic tribes of "israel":
europe... even if they are the scots or the welsh
suckling at the teats of romulus & remus' lupa...
as the old saying goes among the slavic people
when "integrating" into a germanic-esque society -
by the time you have integrated...
there's this dog-**** pile of Babylon left...
and the germans are: "nowhere"!

the saying goes via:
if you go among the crows...
you must croak their croak...

here's to flying high as an imitation seagull!
brazen: into this arable land...
that's being teased by the Thames estuary...

passing through a Warsaw train station
i noticed the immigrants / the expatriates
on the eastern front...
mostly mongols...
notably the ukrainians...
but now in england i'm starting to think
in concrete terms... better start learning
Romanians...
and on the street: you can't see a focus of
who's here and who isn't here...
back east the Roma people stood out
like a sore thumb or a voodoo plum and...
that didn't bother the locals since they were
meshed like glue...
but, here, in england?
everyone's a sore thumb a voodoo plum...
because the natives,
the blessed idiosyncratic professional
eccentrics have left and...
i'm not going to be the first chasing them down...

London the only and last bastion is
overrun with the whole lot of us...
well: the "us" vs. "them" mentality...
don't get me wrong... i'll still listen to the concerns
of the peripheries... in this cest pool
of immigrants, degenerates...
old people who "forgot" to move...
the lunatics the in-betweeners and the old guard
clinging on...
perhaps, after all... english was a very
accomodating language...
it wouldn't take a genius to learn it from scratch
being thrown into the deep end of the pool
aged 8...
who was mute aged 8 going to school
being moved from "east" europe to this island
with... no prior to linguistic connection?
moi...

and now look at me... i'm teasing myself
with... sordid welsh as if i were ever the posterboy
for welsh nationalism...
scottish nationalism? eh... if they were to retain
their gaellic roots...

expansion:
the longing for those who have left:
in the anglo-sphere - expatriate...
the abhoring sense of those who arrive -
immigrant...
otherwise... the english are always
and everywhere: welcome...
hence the expatriate status of those
who have left their native land...
even in h'america: a shared language:
to be an immigrant... while speaking
the same language?! how preposterous!

the difference between eastern style
comedy presentation and western style
comedy presentation: on stage...

the eastern folk prefer cabaret: theatre dialogue
montages...
the western folk prefer stand-up:
monologue samuel beckett esque
performances...
'woe i... stand alone in this infinite
space and... find others to laugh with...'

- perhaps we're not being less funny because
we're lowering our "i.q.": yes, the we are...
we are... lowering...
i find lee evans to be funny...
a laurel and hardy weren't exactly funny
by modern comedy standards that:
it's only funny if it's intelligent...
if there's a crossword puzzle at the end of "it"...

perhaps pride is the shackle...
and ham... what ever happened to self-depreciating
humor that managed to somehow
elevate you as also having a sense
of humor:
do intelligent men even laugh
at something that isn't a word-play or
a corset of wit?
perhaps we're experiencing a drying of wip...
perhaps the jokes are only supposed
to come: days after as a form of
reflection on the sigma canvas:
the joke has to exist outside the performer
and the stage... it needs to be: a live-experience...
it has to take on DASEIN qualities?
it has to be internalised?

that: oh yeah... that's funny...
perhaps the same thing has to be observed
and it can't be retold in an impromptu
fashion shackled to a stage?
the stage is the new camp-fire?
i thought so too... about the television...

as: here's to slagging off everything that's
being published online bypassing
the editorial process of selection...
well... if it weren't for all the seriousness
surrounding internet banking...
and internet shopping...
pen to paper...
******* clinching a ripped roll
of cushioning paper
and a pseudo-***** imitation
for a wipe while massaging my prostate
over the enlightened prospect
of dropping the blitzkrieg plump-dump-plum
into an echoing lake in the ceramic basin...
otherwise...

a seanse with that moment of realisation:
"something is happening to us
collectively"... it's as if: we're under a spell...
oh i was under a spell today...
watching alec guinness in the fall of the roman
empire...
and as coming from a people
that were never conquered by rome?
on this fine fine island that was...
well... my hopes were also high for
the conquests of the mongol empire...
and the remains of it in the form of the tatars
in crimea...

here are my tattoos... it's hard to break from them,
it's hard to wash them away...
but at least i can attest:
my brain might be all fat and sponge and
electricity... but there's some skull and skin
to be had of it...
otherwise... why would the year 1066
be important for me... why would the magna carta
be important for me?
i too have my years in tattoos on this big brian
of mine...

otherwise there's that copernico-darwinian
surge of: journalistic science...
i still find it staggering that darwinism continues
to capture the imagination of people...
"of people"... only in Wittgenstein was left
alone in finding that Copernicus did something
astounding... this surge of "awakening"
via darwinism: this statistical bombardment
like it was some tabloid journalism:
throwing a pebble at a mountain while
also ushering in a mantra: grow by
a poppy's seed added height! grow!

perhaps i'm just jealous...
among the polacks i will never be an expatriate...
what a jealous people...
an englishman who moves to france...
comes 20 year later...
he will have never experienced
the mark of cain: immigration "humphrey bogart"...
he or she moved to france...
perhaps to italy...
i remember being in greece and...
i was nothing when i said i was ******:
but with british citizenship! to add...
so what?
well... so what greece...
i latched onto some north africans
and went to **** away the night
in some strip-bar where i had
two strippers either head o' mine...
and it was constellations galore...
grandmother Etna said:
rest here, among the smooches poor child...

i borrowed Etna from when Aeneas
"left off"...
****'s sake... this is the Meditarrean
and not the Baltic? where is the amber
the whiskey and the leverage of gratations
of time?!

i will agree. Macedonia come night traffic
of quicksilver tinging?
if the metal is cheap and you douse it in some gold?
a mountain dripping fresh from some quicksilver
from the moon peering at it?
objectivity what?

the finite plateau of snow-riddled Serbia...
and perhaps that's because these people
speak their own language...
and have so... and i'm just the next
"english" tourist...
a jack kerouac americanism and:
oh sure! sure!
spectacular fly-over country tourism!
everything's so so different!
and yet all so oh so much the same!

darwinism was going to run the 5000 meter
race... it's currently running the 10000 meter
race... god help it in running the marathon
of still pretending: old news is new news...
i can't distinguish between darwinism
and copernican discovery...
only in the english-speaking world
would this discovery not escape a criticism
from ancient greece and some, some predecesor!

wouldn't anyone just bore of darwinism
if they were told: over and over again:
the copernican "reality"?
a scientific fact is... akin to a religious dogma...
until... it becomes regurgitated with
enough time, with enough journalism and...
tabloid wind... and after a while...
it's only worthwhile to be spoken to
amnesia peoples of the world: unite!
it's hardly "stupid" or "intelligent"...
more or less overlooked...
because a pebble thrown at a mountain:
is... no added mountain to behold...
conventional wisdom is the only wisdom
that there ever was made to be made:
available...

nonetheless, the circumstance stands...
unless from the slavic hemisphere
of europe...
unlike any other circumstance: other than
the one given, among islanders...
among continent builders akin
to australia and h'america...
the post-racial societies of post-colonial
spain in south america?
ever wonder why the brazillians don't
look for inspiration from the portugese
when it comes to football?
you'd think: those yanks better have
the best football team in the world...
they haven't exactly looked back...
back at "us": oh god... tea afternoon and cricket...
baseball wha'?
basketball? "football"?
why are "we" looking forward and "they're"
looking back?
perhaps i should learn some spanish and
get some insinuation about:
the argentinian sense of lack when looking
back into spain...

or what else is there to be had?
move to Greenland... admire Denmark...
**** it: do the whole stretch and find
some locals on the Faroe Islands...
perhaps i too will find a tomorrow...
but tomorrow i will find: sobering up
and having to deal with: everything beside jazz...

mmm... "delayed gratification" prospects...
seven kings: canon palmer catholic school...
when boys are educated alongside girls...
what if i went to Ilford County High?
what if i were born to immigrant parents
and wasn't an 8 year old immigrant?
what if i went to the Ilford Ursulines?
the all-girls school... the former, Ilford County High?
what chances of me being an intellectual
******?

what, oh the chances!
perhaps praying: segregated... is a tad extreme?
but perhaps ******-exclusion policies:
teaching boys throughout their puberty
as segregated from girls in the same hormonal
development "range" is...
well! how else! you take a boy and girl
and you put them into the hormonal cocktail!
just because it's in a shared educational
environment... why these teenage pregnacies
you ask?
i wouldn't ask such blunt questions...
not since the genius of Copernicus
couldn't attract these...
psychological left-over intelligenstia clingers...
that darwinism has allowed...
what it darwinism and journalism?
everything! the ant as the ego
inside the mind of an ape...
the dormant tapeworm embryo
inside the mind of an ant:
with siesmic consequence of a disturbance
of the collective hive network...

borrow too much from an ape...
borrowing from an ape is one thing...
it's the borrowing from all other
animals: with the ape as the backdrop
that's truly bothersome!
at least religious spew the same facts
over and over again...
scientific dogma? who keeps track?
tomorrow might be the next:
butter vs. margarine controversy!
what sort of "religion" is science
(it's not a religion... if it's not...
why does it have to cohabit a bed
with journalism then, to spew "new",
"improved" facts, then?!)
when... it's so ******* finicky!

look via the ape long enough:
it won't matter whether it's a geocentric
of a heliocentric system that
reigns above your head, no torso,
a pickled spine...
legs and arms floating about like:
an octopus experiencing spasms
pickled in brine...

perhaps these are the zenith years of
darwinistic popularity...
perhaps like the copernican popularity...
there will come a time of:
fatalism... that somehow all of this
is... inevitable...

i see one answer: this cage of grammar
this cage of whatever this god made human
pressures me into complying to...
to the last typo! i will stand against it!
without caging me into a use of emoji or
some other hieroglyphic purse of:
shortened "thinking"...

the "seven silences" might have passed
around my presence that i dare not
call it: in concrete - figure...
and still my eigth silence to unmask
nothing more than a mask...

who are these immigrants, these tight brewed
broods, these furrow brows
representing the native pensive "squint":
of anything beside the eyes and a thought
of h. p. lovecraft?
perhaps inside of europe:
but as ever... without a russian passport...
without a russophobia that's
a tickling hard-on... the "in-between-land"...
perhaps the balkans...
who are we... to these germans and quasi-germans?

we use their tongue, their zunge...
their everything they will otherwise allow themselves
to deny: perhaps this is not Dublin,
this is not Glasgow this is not Cardiff...
perhaps this is not Italy,
this is not France...
perhaps this is "europe" as long as
Scandinavia is involved...

woe a we unto us: the viking Rus...
or some lent word of lost vogue...
last time i heard:
these northern ******* are in no favour
of treating the Spaniards or the Greeks
as their equals...
as long as they have rich arab pimps
race their lamborghini brute ******
down... knightsbridge...

then! and only then! iz ist europa "reconquista"!
"reconquista"... i'll defend these poor polacks
that didn't think it...
"necessary" to only learn english in order
to comply to the global dictum of neu-communist
internationalism...
- what, they didn't teach you you stupid
**** that it only took to learn from english?!
- last time i heard... not teachings polish
to a canape of anything beside the french,
the spanish... also worked!

english as a language is oh so accomodating...
the people will react like antibiotics,
naturally... enough of darwinism and you'll
be found, bound, to having to reference it...
past a de facto menu:
and more like a subjectivity...
there's only so much truth that can be stated...
before fiction has to reply...
because... how many regurgitated facts
can be regurgitated...
before the desert of fiction and...
there's only the fact of a bottle of water...
that remains...
and there's not impetus to walk toward
an oasis...
a fata morgana is hardly a scientific experience...
when experienced...
it's something associated with
a desert and within the desert must either:
live... or die...

what if etymology was to become the new
standard for journalism...
what if one were to escape this contant
bombardment of darwinism...
like it wasn't the next new vogue akin
to the copernican "revolution"?

is that even possible?
whenever i return to Poland...
esp. in Warsaw... i'm a deserter...
i'm not an expatriate...
the native english call those who left
with a sense of longing...
somehow: or at least that's the leftover...
the expatriates from the inside-out
perspective... never the immigrants...

i'm an immigrant and...
a paper citizenship is: no citizenship at all...
a passport is only worth a passport
at a border crossing...
in between the everyday daily affairs?
'where are you from?'
****... 'Bristol?!'...
i'm hardly going to speak
the cockney cockers or an essex schlang...
am i? ***!
all but ******* plumbers and church pulpit
mongers... and some over-ripe
riddle fruits: if not simply left
bottles of wine for the bears...

the first part though, bothers me...

someone once said: only the natives can be designated
free speech...
the immigrants can have their dog
and let it bark, along with whatever thinking comes
their way... in mere thinking...
and a dog barking...

the natives will only have a freedom of speech...
what if an immigrant becomes a citizen?
just asking...
what if an immigrant is granted a citizen
status?
well then... i am your humble example
of a civic nationalist...
such a confusing term...
it must be: for the natives...

oh ****... what language am i using?
the language of the... natives!
rubric civitas!
civic nationalism is reserved for:
those that came from abroad...
i guess the ethno-nationalists never made
this distinction clear:
watching their contemporaries leave their
native pit of woe...
and they would never call them:
deserters... only... only... expatriates...
after all... aren't we in the postmortem of ancient Rome?!
isn't this the time when the remnant
english come out and glorify being
the conquered people of this: lettering?

what is civic nationalism?
what is learnt, integrated nationalism...
this is civic nationalism...
how about the english forget about something,
like solving crosswords...
esp. among the middle-classes...
and let's envision their globalist dream!
let them learn a second language
and let us all become bilingual!
oh no... not polyglots... just bilingual!

i can't be an ethno-nationalist...
em... because (a) (b) and (c)?
aren't the post-colonial commonwealth
remnants of the empire the sort
civic-nationalists there's talk of?
what language am i writing in?
hebrew?! mandarin?!

ethno-natioanlism and its tribalism...
civic-nationalism and its state...
where does the church fit into all of this?
it's like not being an amuptee but
nonetheless being prescribed a "missing limb"...
the **** would i need a third arm for?
wilt the third leg allow me to run faster?!

i guess the term ethno-nationalist is
conflated with civic-nationalist in the ethno-nationalist
realm of "debate"...
a civic-nationalist is your casual parlance
h'american patriot...
patriotism in h'america: nationalism (still)...
in europe...
if we have to: hello, my name is: bob
do it all over again with the squares
and dictum assertions and what not attached...
between the ethno-nationalists and
the civic-nationalists...
the inter-nationalists...

i'm a civic-nationalist because:
i fear people need concrete examples...
i will not move back to Poland...
except on the holidays...
to visit my grandparents...
which is why i have retained the labour
of a native tongue... and "identity"...
i will remain in England...
until England becomes: Alle-Land...
and even when all these
ethno-nationalists ******* to Australia...
and become civic-nationalists over there...
well: over there good luck!

why would anyone ask an ethno-nationalist
the question: are you a civic-nationalist or?
civic- implies:
i'm a Brit from a grand "beyond":
circa 3000km away...
civic is a bewildering prefix for the nationalist
of a ethno- persuasion...
it really is... esp. when this ethno-nationalist
doesn't believe in the existence of
expatriates... that he would remain... "stuck"...
and that somehow... ethno-kin could come
and replace... those kin that left: "in good faith"...

savvy?!

i can't believe i came across this today,
but i am certain did...
   an experience so vague i couldn't believe,
i actually experienced dyslexia,
call it quasi call it pseduo... but it was very
much akin... from the book's narrative...
but not from the footnotes, i read the footnotes
at perfect cognitive speed, but perhaps
returning to the narrative i did experience
a slack of the + (add) of how words are
dissected and quickly put back together...
  yes, that other arithmetic with very little
breathing room, yes, that thing without
a soul... the word... or god...
    i turned custard brain, fudge...
     i felt like watching the gymnastics at
the para-olympics... and if i was going for a cheap
joke / english black humor i'd probably
laugh at that... but since this is the most
perfect ideal, i can't only make that comparison.

and so it was, i sat there doing nothing productive,
nothing... counting sheep to encourage
day-dreaming...
       so i said: 'i'll read a book', like i might do
on the whim in my grandparent's house
(one of the many reasons i decided to be "canadian" -
and establish a firm belief in bilingualism -
since if i didn't speak the tribal tongue
i wouldn't be rummaging in my grandfather's
library... and stealing books from him...
  well, exporting them to england, where he said
on my last visit: your library is bigger than
mine, isn't? well... it can fill a double-bed
   and be stacked at about 300cm up...)
    maybe the fact that being immersed in the tribe:
polish on the radio, on the television,
the fact that i can be without the internet for
weeks on end and have no quick-canvas outlet for
my earned tongue is the reason i could read
Kraszewski's* Dei Ira / bozy gniew / god's wrath...
    (there is too much subtle differences between
capital iota and little-town lambda -
   or why iota had to have the dot above it, anyway) -
so dei ira looks better... which is why i'm
not orthodox about using capital instances all the time...
   what a whirlwind...
         but prior to that i was watching
a david jacoby film - love is the devil: study for
a portrait by francis bacon...
                                         and all i could think of:
what marvel, to have a **** shoved up your ***
and speak so beautifully...
  have such a vast array of narratives...
     i can only assume that experiencing **** ***
gives you the other man's **** shoved into
your mouth that acts like a tongue and speaks
      so many truths as could be possible,
as in Freudian dream: when a woman wears a hat...
a talking ****** on her head from slurping
at the vaginal grotto of another woman...
     such a marvel though, homosexuality, esp.
the type of homosexuality that has art to express
rather than a civil partnership, civil rights...
  i mean, i could watch this stuff for days and never
yawn or need to watch protests and marches...
  just the image of what is best described
   john william waterhouse's
   painting hypnos and thanatos...
      i can't help but see it like that...
         francis plays the female role, his model the evident
dominant male... and sure, francis having his
**** punctured for what could be best described
as diarhhea either side of the equator does so...
it's as if he is eloquent enough / intelligent to allow
this to happen, for another man to speak through
him somehow... the model's phallus in francis' ****
becomes the model's tongue in francis' mouth...
    which becomes the stage for hypnos and thanatos...
in that francis' tongue becomes a phallus in
the mind of the model: and it whispers him nightmares
in his sleep... a vicious cycle indeed...
           that's the homosexuality that's highly regarded
by me, not the confetti functional type that
    exploits science and social norms and can no longer
lend itself to art, to transcending the taboo...
      with homosexuality divorced from art...
i can't see anything profound by gays from now on...
i really can't... if there is no art in this deviant
love, no art is worth being expressed by this
once glorious realm that has grovelled into the gutter...
so let's start once more: with Onan!

and everyday i awake wake with only one identifiable
fear: will i not write a single verse as of today?
it's not a case of a single day encapsulating my
fear, but that that crux day: furthered into a silence
that can't compensate the act of writing with
anything, other than sleep... i just can't seem
to smarten up concerning this very rational phobia...
    and having said that: here is the incision mark
denoting an interlude, and how: what are originally
intended to be of enso quality, cannot
   stand up to the biological tick-tock of needing
the loo...
     and do i think o'keefe's music foundation
by children is so much better than the original
done by tool concerning the song forty six & two?
yes, yes i do... just look at the kid on the bass guitar,
the fact that bass guitar is allowed to state a layer
of cake just above drums to set the rhythm
means the rhythm guitar doesn't have to solipsistic
******* and scale the everest of solo...
   it can remain in the rhythm section,
actually be worth a rhythm,
   the guitar doesn't need to overload into a solo...
the vocals belong to that domain...
   as long as the bass guitar is allowed to be heard
(unlike in metallica) - then i must be tone deaf!
revise me!
                    jazz knew the importance of every instrument,
and the need to be spontaneous, but also
the need to be anti-synchronisation,
  and therefore anti-muddle tsunami of:
all together now!
            n'ah, **** that **** (yes, the Vulgate is
coming along, i like the pooch, i don't care what things
i might say, the rude growl-bark is coming along:
so we can admire him licking his *****, and for no
other reason he's coming):
as in the birth of sexes... which the animals don't
seem to comprehend that much intently...
                 i can't like my ******* or **** one off...
but i know i can abstract a woman into
a hand and just pretend it's me doing the ****
crap with her... than myself included,
   or as i might add: never drink or *******
before the mirror... soon enough your reflection
becomes a bit odd, not because of what you do,
but because you hide so much perplexity before
you in Lucifer's daylight with which
  the moon Narcissus governs the moods...
that you start to look at your actual shadow
   with more clarity and fact...
  looking in the mirror is the reverse of looking
at your shadow under a street-lamp at night...
the mirror sort of becomes a shadow...
             the form becomes a bit (ha ha, what
an exagerration) vague... i look into
a mirror and i am but looking into shadow...
                   and i can't exactly recognise the eyes,
or make our geometric approximations
of a skull...
                      it's not even a case of a poor Yorrick
blah blah.
    or as the new governing body put it:
there are to be no mirrors contained within
the gates of Pandemonium...
        each to his own shadow, each to his own abstract...
   for the shadow will be deemed the new mirror...
   the new found glacier of, yes:
when salt water freezes, comes pure white floating
on the oceans... but must you freeze fresh water
and there's this matrix...
as in icecubes...
       dropping from a vendor machine...
and i knew i shouldn't have digressed so much,
but then again, if there was no ****** tick-tock
       rebellion, i probably wouldn't have revealed this much...
with ancient lore...
    who'd use the word Pandemonium these days,
if you're merely trying to call it: the Houses of Westminster...
well sure, accusation due: i prefer
a bunch of kids feeding me a nostalgia over a song
i heard aged 14... such is the power of the song 46 & 2
done to a... wait wait...
  i was talking about bass guitars and jazz...
(i could never get to like rap...
            i liked when the blacks deconstructed classical
music, but they did after: i'll never like,
mainly people of blackies and that general fanfare
of rap feeding tribalism) -
          the greatest aspect of jazz:
that on some recordings there's a chance to hear all
the instruments having a solo moment...
you'll hear a quintent solo:
  the piano, the drum, the saxophone, the horn,
the double-bass solo... each doing a solo...
not some erectile dysfunction of rock music from the 1980s...
i mean: each one will do a solo...
  and **** me, that's grand... and given there's no vocals
makes it all the better... but where, the ****, can i hear
jazz music being kept with such high regard as i
might find mozart pickled and even mummified
     to suddenly rise again and compose like i might hear
it on classical.fm... maybe acid jazz killed it...
   i can't seem to hear of one place where i can hear
the range of jazz music i have in my collection...
which probably mean's i'm lazy and don't fiddle about
with the radio fm and am channels... to "look" for jazz...
  i'm all applause though: jazz allowed for
deconstruction of classical music and paved the way
for the current state of polyphony in plateau...
    meaning: too much drum, too much ump-pst-ump-pst...
   jazz paved the wsay from orchestra,
   and yes, maybe because it was too impromptu
as it was necessary, that there was no jazz composer...
  there could have been no jazz script... no pre
           to what was otherwise alway and only: uno...
a once...
    sure Thelonious Monk did use an orchestra at some time...
  but if only someone decided to do a solipsism
and write out jazz like mozart wrote out
      concerto... but no... jazz descending from on high
and invoking african villages could never do to
its practitioners the deadly fate of breeding a jazz
composer...
                   it was the communal idea, the musketeer
unus pro omnibus, omnes pro uno:
   you could never allow a silent dictator like
a mozart dictating to a throng of people contained
within an orchestra... which later made the once
silent dictators very very vocal... speeches in Munich
alike...
           the fact that jazz has no script,
and the fact that if someone tries to play a Miles Davis
from script... is completely an ***...
     put him on a donkey (backwards)
                     donning a sanbenito and lynch him
to the nearest traffic junction to **** louder than
a car klaxon... that will do the trick...
       they did bother to script led zeppelin though...
    maybe it was the stiff competition that did it:
jazz. airy... breezy... but what a quick moment it was...
i'm almost jealous of the beat poets experimenting
with jazz musicians... but then i'm not:
i like to think of them as parasites...
   you know... those things feeding of spontaneity...
parasites... or dare i say: plagiarising leeches...
plagiarisng what? well, not the content, the context:
feeding of jazz spontaneity... not working from
old composers like Milton or Dante...
thank god for Ezra Pound and Sylvia Plath.

seems i have a ****** for a larynx...

perhaps i just seem to mean: i am a firm believer
in bilingualism... perhaps that's based on
some sort of religiosity,
    and let me tell you: it's born with
a schismatic nature, siamese, but not like a
siamese twin, in that it really needs a surgeon...
  it's a nucleus that's inherently schismatic...
i can't blame the english nation being
so lazy in its multicultural ethos,
i quiet like it: i don't live in a ghetto...
but forgetting my native tongue just so i could
sing a national anthem with conviction?
na'ah, that's not me...
            we'll come to Kraszewski's rex piast
in a minute, and it really was a genuine
experience of placebo dyslexia,
the one on the other side: should i have written
zilch...
      i believe in something quiet Canadian...
i don't believe in isolated communities,
   or ghetto tactic... i am a firm disciple of the advent
of bilingualism: forget the *** for just one day,
your genitals won't suddenly drop off with
gangrene scabs... you don't need a doctor
to say that...
                i mean: bilingualism as a concern
for incorporated culture, and the culture you were
born in... why can't these people just care to juggle
three testicles?
                   oh, elaphantisis got in the way...
sure, two oranges and a watermelon: makes sense...
no!
      have mutual respect, you come to me sprechen
Piast i'll speak Piast to you...
   well: given that polish and polish aren't that far apart,
i'd feel inclined to utilise
           idiosyncratic lingo...
   lingua genesis...
                children are so much easier to utilise than
angels: they have yet to experience anything at all
on the Socratic basis...
            so if i talk Piast to me, you will know what
i'm talking about?
     it doesn't matter if you do... i chose to be
a library, rather than an encyclopoedia of immigrants...
    there's not need to test me on general knowledge:
the stuff i "know" already gives me membrane...
     i respect both the culture of my birth and the skin
i am sometimes told to make sure is called tattoo,
and what i see before me, and quiet frankly:
i see nothing before me... a turban here,
    a sausage & mash there, a pint of guinness there,
noodles elsewhere... all in all: globalisation
and the elements: earthquakes... torandos...
   there isn't much to see in a poly-ethnic society...
there are too many major changes taking place
in a pyramid of non-ethnic ascriptive
         non-this-and-that pawns...
  it's not even painful: just a bit disgusting to watch...
  and yes i have access to a voult of monochromatic
society:
   you know how many ethnic minorities i spotted
in a train station in Warsaw? three...
two asians and one black woman...
              i haven't experienced the cold winters in Poland:
but i knew there was a limit...
         only about three apaches in a crowd of
albinos... which doesn't translate as:
    i was somehow content, it just meant
that most signs in Warsaw are written with a bilingual
bridge of Polish... and Ukranian Cyrillic...
plenty of Ukranian Mecca-bandits, for sure,
     but that's the end of the line with what
western Europe is doing to itself...
        every time i come back from Poland
i'm smeared with a rainbow of variety,
   it's either: i want to **** all these girlies
or i want to **** them... mostly the former,
  but you get the picture of experiencing the alternative
of the western experiment: since marxist economy
was "doomed" or simply expected to fail...
the economy finally seems reasonable with safety
for the old and the pension plans...
that marxist-culturalism had to emerge... if we are not
on the same dough plan of being content with a table and
a chair: might as well say we're all prone to don
a ******* afro.
                ***** are naturally curly, no?
going back "home" is always a weird experience, i tend
to read books there... like Kraszewski (who,
even the locals **** as being an unbearable bore
and joke that Joyce is easier read)... with his dei ire...
my grandfather just dropped it into my hands
as an experiment, thinking i wouldn't read it...
    well, in terms of translation Kraszewski is a myth-broker...
no one would read him,
  meaning: i'm kind of grateful that poles
seem to sorta: not exist, when it comes to citing examples
that include modernity and the history being
formed... i could sorta believe it if i were Estonian
or Lithuanian, or from Liechtenstein...
          but we're talking about a place with a large
enough population to be a major player in some
wordly conflict... Poland isn't that small...
    but yet it appears like it appeared from
the 18th century onwards... a state partitioned...
    and what i love about remaining tactifully bilingual?
i can talk about my native in a "colonial" tongue...
hence the " " definition: self-acquired...
             that's why i became spastic-fantastic reading
Kraszewski's rex piast - nothing came in,
i lost all trace of syllable construction, i read the books
so slowly i had one page done in about 10 minutes:
prolonging my musing of world powers, thrones
and crowns on a toilet...
        *******... another interlude.

can anyone see the, dodo project? i really just see a dodo project, yes: eine dodo projekt... i'm white, i'm male: can i be allowed to express these nouns in a pronoun, or am i schizophrenic prone? it seems i c

Monk tinks tonight
fine glasses clink
convivial banter
bubble pop blink

in breathing rooms
bit woofed and stirred
the smoke mint sound
we dare exhale

Monk swings about
a bell do ding
the huey blues
bird bops on wings

hips juicy moves
rubby mounds wet ****
slow drum rolls blow
dance steady bump

Monk rocks the house
the clock do tick
me feets be tappin
gonna busta trick

key ******* bounce
mouths all agape
we gettin down
like crazy apes

Monk’s muzik rides
a sonorous beam
levitatin hipsters
to places unseen

gosh groovy tunes
a **** good gig
we all stoked up
Monk we do dig  

Monk played alright
some swingin tunes
Happy B Day Monk
you over the moon

Thelonious Monk
(October 10, 1917 - February 17, 1982)

Thelonious Monk
with John Coltrane
Trinkle ******


10/9/13
Suffern
jbm

If I’ve ever known truth it just chaffed at the neck
I’ve been suffering all the symptoms of a lack of respect
So I must reflect then deflect all the gloomy flecks I see
Then reflect again on the lifestyle,
Of the wild life inside the childish side of me
All in effort to be free
Not free falling
Not roaming from a new ideal, to new ideal like a new calling
I 'd rather have a grand New Deal like Mr. Roosevelt's
And swim easily in this sea of changes like Michael Phelps

I asked myself over a warm cup of tea, "what kind of beauty is there in finding mystery in yourself?"
I took a little sip, and had more thoughts.
And so I scribbled, a few words on a piece of paper.
a fine day indeed to be playing Thelonious Monk,
one of my favorite Jazz pianists.
y'know, his music has a certain type of soul to it, something inviting about it. I dunno.

with that cup of tea still in hand, I listened to the ocean dance while Monk rushed over the piano keys.

that cup of tea smelled like years of fear and peace to come.
that cup of tea reminded me of the first time I burnt my finger with a candle when I was still a kid.
that cup of tea reminded me of my first love.

it reminded me that I'm still 17, it also tasted like conversations I had with friends about girls we'd never have.
"that girl. she's the one, you'd probably have a chance with her. say something, you shy mo'fo."
but then again it wasn't about probability.

it tasted like 5AM in the morning after your first breakup.
it tasted like 4PM when you wrote your first poem.
it tasted like bitterness.

the tea tasted like my love for things that have aged.
'65 Mustangs and inked pages.
ripped jeans and new faces.
jazz music and new places.

its funny what tea can do one's mind once it burns your tongue and runs down your oesophagus to warm your lungs.

Monk's music in the background, I still scribbled words on a piece of paper.
if only this moment could linger.

cup of tea, cup of tea, what type of flavor did you leave in me?

see, when i stare at this cup, it seems as if it holds unneccessary emptiness.
but can still hold my deepest desires in liquid form - a warm cup of tea.

I probably wrote all of this after I burnt my tongue with tea.
but then again, this isn't about probability.

this is from the deep of things, with love.

sincurlyxbaki

i don't why, but it just happens sometimes,
one minute you're listening to Ryan Adams'
self-titled album with that pillar of
rock stay with me reading the Sunday Times
style magazine after having digested
the culture magazine and the Sunday Times
magazine, bobbing along to an article about
the singer Ariana Grande, seeing her almost
kissing a pooch on a skyscraper (*****,
that tongue's been up my ***, so said the pooch)
and you don't get Ryan Adams,
****'s a gridlock, a traffic jam, it doesn't
have a care for Pearl Jam and the wilderness of
Canada... so you switch listening material
to Herbie Hancock's cantaloupe island,
and suddenly you're in Philip Larkin territory...
it's funny to say that slavery of the africans
by the english to colonise the American continent
gave us fewer princes bored by Mozart
stating 'too many notes' - well jazz has enough
too many, notes, because there's this whole impromptu
going on; in my collection of the genre?
a decent list: sonny clark's complete works,
sonny clark's cool struttin',
cannonball aderley's somethin' else,
cedric 'im' brooks united africa,
booker t & the m.g.'s green onions (~jazz),
thelonious monk's monk's blues,
thelonious monk's criss-cross,
egberto gismonti's solo, eric dolphy's out to lunch,
donald byrd's royal flush, duke ellington's soul call,
terry callier's occasional rain, guru's jazzmatazz vol. 1,
miles davis' ******* brew / sketches of spain /
kind of blue / porgy and bess / the complete birth of the cool,
hurbie hancock's takin' off / my point of view,
steve kuhn trio's wisteria, joshua redman's back east,
freddie hubbard's hub-tones, john coltraine's blue train /
a love supreme, nina simone's nina simone at the village gate,
bobby mcferrin's spontaneous innovations,
chet baker's my funny valentine, dexter gordon's go!,
us3's hand on the torch, sonny rollins' ballads,
freddie hubbard's ready for freddie,
art blakey's moanin', kenny burrell's midnight blue,
chick corea's now he sings now he sobs,
mccoy tyner's the real mccoy, dianne reeve's i remember,
duke ellington's money jungle, horace silver's song
for my father, jimmy smith's back at the chicken shack,
wayne shorter's ju lu...
so with this mind, from bukowski the baton was
passed, don't get me wrong, i appreciate classical
music, but jazz is too much poetry,
not really the makings of coupling the two like
the Beats... just that they originate with a sentiment
best stated: 'what the **** was that?'
reverse aerodynamics: actually, no, proper
aerodynamics: you see the plane and then get the score
sheet... those European composers must have
been literally mad, so many instruments encoded,
pitches, larks, stresses of a violin's specific accenting
that wouldn't never sound like a nail scratching
blackboard... i know it's horrid to compliment
slavery... but hell... without it no jazz,
just stuck in a rut with classical whitey boys...
and no jazz no blues... no future rock or pop...
if there's anything to redeem the trade it's this music,
and, let me tell you, jazz is urbanity a soul of
frank o'hara's new york, it's amplified in
a suburban environment, never did suburbia
bordering on countryside feel so cosmopolitan,
but i'm adding this amplification to have been
aided by the number of birds i can spot, lazily
from my window...
and god, i love the fact that in jazz you can
have a specific bloom for each instrument used,
you can have a horn, a sax, a drum a bass solo
all in one go, so it's not as monochromatic as in
rock music (primarily occupied with
lead guitar solos, in the 1970s the drum solos
of john bonham) - all in one go i.e.
the tactful representation of each instrument,
the sort of football match analogy where every
player gets a touch of the ball / limelight.

I lap a bit of the water out of my cupped hands,
then splash the rest on my battered face.
Evan looked at me like I was obscene,
left the room, slammed the door, burning,
Tyler was still nauseous, buried in the couch,
talked light about being surprised at his survival.
I made him some toast,
we tried to piece together the night,
but we only remembered that
he concocted some White Russian rip-off and called
it a Grey Romanian,
I talked to Rachel about *** and respect,
Evan wasn't very appreciative of the cake I baked,
nor was he kind to Shawna or Kara when
they gave him kickass gifts,
Bobby kept Tyler from drowning in his *****,
Lauren brought me a blanket when I was freezing,
I passed out in the bathroom,
and the general consensus was we need to slow down.

Tyler told me he felt like he needed to go to church.

I felt ***** too,
but it was more from the things I have seen,
I have touched, and God never could make me unsee, unfeel.

Tyler and I sat and talked like ancient men,
men who had far outlived their time,
and were just waiting for death's hour
to claim its ****.

Pure things come and find us,
we won't find you,
not down the road we've been taking.
Pure things,
the world should hang its head in shame
at all its ***** things.
Give us a revival.

The Grey Romanians, the depths,
and the *** aren't giving the answers
we expect.

I told Tyler I loved him,
walked out the door,
the sun was too bright,
I walked past an Asian lady,
her smile was insane,
I climbed in my car,
put on some Thelonious
and mended myself with each erased mile.

I often write my poems too fast
And the emotion gets passed by
In a rush to be finished
I gotta remember
I'm not Jack
I can't write on a continuous scroll
In a Benzedrine blur

I wish I could read my poems
With a jazz backing band
I keep a terrible rhythm alone
And when I'm in my car
Listening to Thelonious Monk,
The Jazz King of my heart,
My voice has this growl of feeling
But when I'm on that stage
With the mic staring back at me
I hesitate
It doesn't come out right
It doesn't sound like I rehearsed it
In my bed late at night
Or on those countless car trips

Oh I wish I could take that car
Gun it down an empty highway
Windows down
Air rushing in
And the Miles Davis trumpet
Screaming for me to go
Go
Go

I want to write about more
Than just how I'm feeling
My hero Woody Guthrie said
"All you can write
Is what you see"
But I've spent too much time
Looking in the mirror
When I should be looking out the window
But the window reveals my reflection all the same
I can never truly escape my self
But still I write

I know they are in me
The true holy poems
And maybe they won't be howling
And maybe they will never have been to Chicago
And maybe they don't know any Rimbaud or Garcia Lorca
And maybe they can't sing the blues
But when it is all said and done
No matter what they are
They're all I've got
And you can never hate something like that

ponds and rivers
frame masterpieces

the watery mirrors
of inverse images

a fluid movement
of inexact things

dependant derivations
of the swirling world

cloud billows
leafy trees
sun dance
shimmer
sambas with
water people
tipping along
the wet stones

flowing by
to effortless
destinations
attired in
wondrous
watercolors

birds of paradise
loft along the
gentle eddies
seeking beauty
of transcendent
touch points
in gracious
multicolored
micro slices
of tiny time

revealing the
hidden
unemerged
reflections
going
fathoms
deep...

Thelonious Monk /Sonny Rollins:
Reflections

Oakland
10/25/13
jbm

The melodious thunk
of Thelonious Monk.
Nobody ever played
the piano that way
before or since
nobody ever imagined music
that way
before or since.

It took a while
for the audience to get it.
Longer for the critics.

And the Poor Man -
all he wanted was a
hit record.

His wayward mind
took him in difficult directions.
Left him with flint on his tongue
a fever on his brain.
No matter to the music, though.

So take it any way you like -
straight, no chaser.
Or after midnight.
Doesn't matter
the time and place
the drinks they're serving.

Not in this smoky little club  
practically sitting with the band.
Know what I mean?
Music like this
might once have been heard
on a planet
spinning in some wild ellipse around
Alpha Centauri.
But never here.
Never now.

So sit back and enjoy!
That's what I'm doing -
swinging slowly.
Join me, friends.

Book your flight to
my home town.
Bring your seven-cornered syncopation hat,
your saxophone or any other
musical instruments you possess.
You can sleep in a tent
beneath the fir trees
in my backyard
once the guest room is full.

And together
we can search for
the mystic connections
between interstellar music
poetry
truth
and love.

I reached enlightenment going 75 on a highway on a summer night
No visions of Blake
Only spirits of Kerouac and Thelonious Monk beside me as I sat glued to the wheel
The psalms read as tail lights
The night smelt like memories of Boy Scout camp in the hills
I saw all of the kids of the American night as they should be
O holy angels
Fresh cut sunflower souls
Finding cute boys in Nashville or Indiana
Breathing in every ounce of childhood nostalgia with cigarette whispers
The only cigarettes I smoke are the secondhand whisps from close friends
The smell of cigarettes reminds me of lost love
No tears of Marx
Karl Marx is asleep tonight and all is quiet
Josef Stalin sits in an alley
Gut rot drunk and weeping
Somewhere in South America Trosky weeps through holes in his head the shape of ice picks
O American children
Drinking 100 proof distilled American passion
A stronger high than all the drugs I have never taken
A stronger kick than all the boots of the ones who won't put up with apathy any longer
Tonight we are the ones who are holy and crying
The chill of the night seeps into my bones and I shake with the earth and with drums and saxophone and everything sounds as it should
Paul Robeson my heart goes out to you wherever you are tonight
I stand watch so the skeletons of Babylon can throw stones at you no longer
The shattered glass reminds us the struggle isn't over
O American Angels listen to me ramble
I have sat in ecstasy and seen the smile of God and everything will turn out ok
Death comes when it has to
Don't rush it my friends
Until then raise whatever glasses you have as high as you can
Use the stones they throw to build your foundation
Kiss the ones you know in your heart to be holy
Don't worry how loud you are yelling
This is America and you don't have to be sorry
This is as beautiful as we allow it to be
This is as many tears as we can afford
Only saints cry on Thursdays
And tonight the wisdom of sages are written on bathroom stalls for whoever cares enough to read it
Bless everyone who sneezes
Don't  tell yourself that you aren't enough
Don't fool yourself that there is an enough
You are already as complete as you can be
You are the sunflower soul
You are enlightenment
Going 75
Down a highway
In the American night

******* wanna tango... hell... let's tango! we'll be heading to Argentina to bag us a few nazis and then cruise to Nuremberg... trying to forget that Buenos Aires hot-tilt night of adventure... i ******* love celibacy... you get to take the **** out of so many people that they thankfully never mattered in their bedrooms, as what was the best method to keep them entertained; could they never keep it to themselves? so i'm writing! there's no other reason to counter their need to share that frolicking! it's inverse *******... these people actually needed a ******!

there's a me in an alternative reality,
screaming... *i'd rather be a bus-driver!...
  apparently that's how
capitalists translate the joke
about someone... listening to the amazing
atheist... and not getting paid for it!
wait wait, that's what? beggar gotta squael?
eek! piggy farming for ****'s sake;
comedy, it really should return to
that silent movie period where ambiguity
was allowed... too much effort slurping clean
a chicken bone... it's like you're about
to perform an orchestra...
i give it to herbie hancock though...
    but what of sonny clark? ******, orverdose,
played a piano like a ******, dead before
he's 30... the only tragedy being,
i dare to remember him...
watching too much of that crap...
the watermelon joke had me...
and then in started listening to herbie hancock...
the ****'s up with these watermelons?
      and what's with herb and cantaloupe?
i bought that double-disk in russia...
   now i'm thinking: triple distillation,
and double that for standard...
   i'm not going to speak this sort of crap
at a street corner anyway...
         just hollywood and thieves of shadows...
the scary part is:
there aren't any nazis knocking on doors
these days,
     so why am i asking for a me in an alternative /
"what if"              reality?
    asking a question tell a joke...
      isn't that what english is resembled as
across the Atlantic?
        counter that, i moved to Sicily and lived to be
a century old...
     'cos' i really gave a ****.
last time i checked, jazz had no script,
thelonious monk could be questioned
writing scripts on the side...
       but it would never be impromptu...
  it could never be: snapping your fingers....
or what the head of hector spoke when achilles
decapitated it...
             the **** am i here for?!
plus hector is a better sounding name...
    not that the gods really matter,
what matters is: why did this whole freak show
go on for so long?
   and god... it will go on for so much longer...
given how frisky and kink prone we're becoming...
    thus as rare as to cite macbeth...
   and say: from this, we are to feel?
    is this the only kindness toward stating a genuine
human heart? from this?!
        then indeed it is from this,
outside the biblical spectrum of constipated imagery...
  but ah... aren't the lucky ones telling us apart,
and providing us with a quasi-gravity impetus,
that rather than unifying us... drives us apart;
for thus: we fake or at least accept:
     a sense of contempt, that is thus a mode of faking
the fakeness of contentment...
   what is man in his faking? a magician?
a chauvanist? something this that or the other?
         man is man set against the elemental...
mas is parasite set against manhood...
           a man can't be if another man thinks
nothing of thought beyond the realm of freedom,
to only implement the exercise of thought
toward slavery... i really could find more abhorrent
things to eat, beside pork, beside crab...
i could take my ego-tongue, and tell it to eat by
the digestion that's thought: islam...
i'm just starving and i've been drinking and i've
been listening to herbie hancock and
i resent the notion of real-time and a "care" for
an "audience"... and all that ******* that is *******...
and how you eventually replicate the apathetic mood
of what you see around you when you begin
investing something in a project, or art...
         i'll watch the oscar ceremony tomorrow
and could begin with: the way people said i sounded
like... but won't...
                because i'll thankfully say:
the world's too big, to distinguish a seagull from a flock
of seagulls.
                      this world exists, only via
a tired god; it really was born from an argument reaching
an end... the tired god said: boom!
    and from his tiresome effort,
                never bothered to be given an argument to exist;
unless you argued some quasi 3G...
   and got all that dough and ***** and B.F.G.;
20 hours fasting can really make you think the oddest ****
when you actually, just want to eat a curry....
or really go through that experiment of adding sourcrout
to kebab meat... with all the toppings... pickled chillies...
raw cabbage... cucumbers... tomatoes...
   what would a kebab with sourcrout and pickled chillies
and all the toppings taste like?
       probably like that david bowie blackstar song...
heaven heaven; speak to me of heaven as if i were eleven.

(To be read while listening to Thelonious Monk's "I Didn't Know That About You")

I might wake up
tomorrow
I might get dressed
and attend classes
I might even finish the work
that is due, and
I might graduate
in a few months and then
I might get a good job, you know
and make enough to be comfortable, then
I might meet a nice girl
and take her out a few times, yeah
I might get up the courage to kiss
that girl and make love to her, well
I might stick around a while
and see where it goes, but
I might ***** it up some how
and send her crying and
I might get low down at a bar
up the street
I might have a few drinks and
try to forget her, and
I might have a hard time coping
without her but
I might get along anyway and
start writing again
I might let the years go by rather
quickly and
I might get old before I do anything
about it and, well
I might get sick and die in an apartment
alone with the heat on, yeah
I might do a lot of things and
I might just sit and let the record play
a little longer

Real work, whether of mind or body. Real work isn't a job or an occupation. It is any effort that occurs when what you know and what you do converge with who you really are.

Mammalian warmth: the touch of human bodies in all it's wonder and pleasure that reminds me of Nietzsche's saying, "First, be a healthy animal."

A cat's purr. It's existence requires no justification; it is complete in itself.

Blueberries, the plants and the fruit. A feast for every sense.

Books, movies, and works of art that are so compelling they take you on a vacation from reality by creating their own more vivid reality.

My white, 1997 Saturn with 245,000 miles on it. A gift from an angel, I call her Moby and together we sail the asphalt seas. She's a real lady.

Birds. They fill the world with color and music and desire no profit in return.

A lovely woman with bare legs in a sun dress. As Wallace Stevens said, "Beauty is momentary in the mind, the fitful tracing of a portal, but in the flesh it is immortal."

The electric charge of lips touching lips, of flesh brushing flesh.

Anything, on a woman, that is made of silk. Silk is exquisite, elegant and ******.

Weeds that flower, because their beauty is unexpected.

Evan Williams bourbon. Exquisite distilled ****** that burns and satisfies.

Cool evenings after hot days.

Conversation that sparkles with intelligence, wit and conviviality.

Warren Zevon, Thelonious Monk and Mozart, not necessarily in that order.

True friends. When the chips are down, they are a treasure more valuable than even family.

The magical, healing sound of flowing water.

Trees, especially the deciduous. Their greenness speaks to and cools my spirit.

Writing and reading poetry, my craft and my solace.

Love. It is elusive and difficult and perhaps impossible, but the belief that it may be out there sustains even the jaded, aging life.

The fecundity of the unexpected.

Fireflies. Almost too much beauty for one world.

Sunrises, because they bring the undeserved possibility of another shot at redemption.

Garlic, the spice of the gods.

And on and on...
- mce

you say you’re a patron of the arts?
then *******
i don’t feel like getting patronized today
every singer must fight the urge to pander to the crowd
sometimes an audience gets in the way
i’m only playing to an ideal anyhow
two ideals actually
and though pretty girls listen occasionally
they seldom buy the complications i peddle
so they’ve disqualified themselves
which leaves my other target
myself at 20
i don’t see that fellow either
the *******’s probably out smoking a joint during my set
but i’m going to assume he’s listening
with one ear at least
so i’ll keep broadcasting the love
besides
thelonious monk said a musician plays for people
and am i gonna argue with thelonious?
even if i wanted to, i missed my chance

Schoolhouse Rap: Boyfriend Killaz Edition

Jody Arias!
Jody Arias!

Let’s not forget
what you’ve done to us
When you find the ****
That is the most to ya
Don’t try to play
It’s just today for ya
Cuz she may have
Another way
in store for ya
whether she comes through
the front door
Or that doggie’s little door for ya
You’re gonna have to make some
extra room for Ma

Said she’s not your shorty no more
T.
No more P.
said our Miss Jody

You ****** the wrong chick.

Jody!
I said
Jody Arias!
Her love life was so precarious
Her lover so nefarious
Treating her like a *****
little piece of ***
The result of which was not so hilarious
Salacious? She?
Predacious? He?
Predacious? She?
Salacious? He?
Who’s to say?
Really.

Said she’s not your shorty no more
T.
No more, T.
said our Miss Jody

You ****** the wrong chick.

He thought he’d get his perfect first wife
And start that brand new life.
Jody?
Can you hear me?

O Travis
my dear dear Travis
They did try to ******’ warn your ***
Her hands more nimble than Thelonious
Your end more wretched than felonious
This hookup
for you
rather deleterious
Looks like she took your picture laying near the glass

Said she’s not your shorty no more
T.
No more P.
said our Miss Jody

YOU ****** THE WRONG CHICK

the magic of advertisement...
it's not like i would drink the beer being
advertißed...
beer sure... but what's being sold?

i could be drinking a really expensive
whiskey... an irish whiskey...
but... i'm no ******* connoisseur...
give me the base-bust of the cheap ****...
and i'll rap you the drunk's
rhapsody...

        closet skeleton and king rat
that i am... not sycophancy prone...
the bass! the horns!
and we have, 'ere... something better than any
thelonious monk's big band jazz:
& orchestra...
it worked pretty well with the quintet
and the quartet...
jazz would never be so limited
as the power-3 of guitar, bass and drums...
you need the piano at some point...
and if not the horn taking front-stage...
because saxophone jazz is more
difficult that you'd be led to believe...

i mean:
i can stomach *******' brew more than
i will ever entertain: a love supreme...

the first one was a hit: to begin with...
the syllables of the three prince charming(s)
the bud frog,
the wise frog,
the err frog...

wiseguys: say ooh la la... say so... c'mon
c'mon...

coupon brigade! the adversts didn't want me
to buy the beer...
sooner or later i'd be glugging down a kosher's
goat slit of: the cider bottle turned up...
and gravity: did what gravity did best...
making the equal playing field:
no better acorn from the bad tree...
still the plateau of the impeding fall...

why would i buy more...
budweiser? they brew... making *******
from what the europeans use
to compensate the bland rye or wheat...
they use hops...
not from rice we were ever to be born...
but the advert cleaved into my like a mantis...
perhaps not because of the song...
but the frogs of the three syllables:
bud-wise-err...

  ****** rice... bleach and other detergent
fermentor *****-whips of beijing...
scared city and... believe it or not...
the vatican library was treated as such...
before the nag hammadi library...
was a chimera doberman and rottweiler let
loose... without anyone minding...

henry westons' cider... my... point of docking
to: two solid feet about to make a tango
into a patchwork of a waffle....

i could drink really expensive alcohol...
i could... to tease the buds of: spring without spring...
but... i just care about drink
and in that: i bring spring with me!
because i'm quiet fond of the drunk qui: une...
je and moi...
i drink and the imaginary drum-kit comes
out as i wait to: pressure listening to a beat
with my idle hands that are still waiting
for the devil to wake up from a slumber
as i click-click-and-wait-for-maggot-bait...
it's no piano: this alphabet of:
shouldn't we blind-teach the alphabet
as not: a b c d e f g h i...
and more q w e r t y u i o p...
and how: if you're not going to become
a juggling schizoid bilingual...
you need one tongue to speak...
two eyes to see and read...
and, most effectively: two hands to write?
since we've abandoned the concept
of hand-writing?

the sinkin sensation of throwing a stone into a lake;
breaking the mirror -
unlike throwing a stone into a river:
completely uninterrupted -
or a the sea -
faking faking faking: if only it was about
putting on clown make-up...

the sensation of throwing a stone into a lake
with it skimming / skipping before the anchor moment
of the SINKing...
while you remained shackled to the shore...
and the sand doesn't eat you up...
the forever standing wishing to fall...
the stone the heart... if only it was that easy...
the labyrinth the straitjacket of the mind
grieving... what's to be expected:
mostly it isn't...

i won't be drinking the beer...
god forbid...
once upon a time it was... down to...
the muscles from brussels...
jean-claude van ****... ****: van damme...
salute to: coors light...
the magic of movies is...
well... long gone... when the editorial process
took over with its epileptic editing
of scenes - multitasking...
what of the ol' movies and the panoramic
stage: lasting at least a minute...
before the horses... came into contact
with cowboy hats, the reins and stirrups!

british *** bonanza on: ****** ibiza...
or some other island in the mediterranean:
i was never a part of...
i could be drinking expensive *****...
and... love the taste...
but i'm more of a co-op whiskey brand
leech... the threshold is passed
and i forget inhibited sober moi...
and the price is... pointless minding
the same bass beginning...
i quiet like the drunk me -
no amount of anorexic champagne will
bother me: to...
do whatever is not necessary...

a twist then...
the current song chosen by the coors light
advert?
swimming in snow? no jean-claude van damme?

FooR x Majestic x Dread MC - Fresh (Official Video)...
will i be buying some coors light beer?
when the wiseguys came out to support
the graeae frogs: the syllables bud-wise-err...
did i buy more budweiser?
i was a teen... i probably did...
but then... i read the label...
you're making ***** from rice and not
a note of hops?
***** ching and changer blood bribe...

if i'm not going to buy the beer...
because...
eh... 18.66 stones on 6ft2... doesn't look that
much walrus... as...
a fresh cucumber chinese soup that all i've eaten today...
the better excuse is: thick bones...
but alcohol is... or becomes:
lazy muscle... it's bloat: but it's not blubber...
fat...

apparently 18K people know this reference point...
me buying budweiser or coors light is like
me buying fat-free yogurt...
not going to happen...
thank god whiskey is not supposed to be
meddled with "light" alternatives...

to have found oneself curating for the most
fickle crowd - happily donning the solo project...
to drink without a self to drag along...
to "later mention":
to be a shadow boxer or a stair-chaser on
all fours...
to be a meddling cat owner...
whatever the name is deserved...
the tombstone silence: an expansion of
a yet to be written epitaph by a stranger...
i imagine... and there have been several
graveyards i've visited...
finding a grave with an epitaph...
is a bit like finding a unicorn...
then again... there was a nietzsche and his
book of aphorisms...
which probably exhausted the chance
for a many a people to gravestone gravity their
past and currency of a present "now"...
with a escape from both names
and dates of birth and blessed death-day...
an epitaph...
but not unless you are on a diet
of someone else's maxims...
truths that probably never come into a fruition...
as: foremostly observed... too...
and secondly... in concordance of agreed to.