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I
Thy trivial harp will never please
Or fill my craving ear;
Its chords should ring as blows the breeze,
Free, peremptory, clear.
No jingling serenader's art,
Nor ****** of piano strings,
Can make the wild blood start
In its mystic springs.
The kingly bard
Must smile the chords rudely and hard,
As with hammer or with mace;
That they may render back
Artful thunder, which conveys
Secrets of the solar track,
Sparks of the supersolar blaze.
Merlin's blows are strokes of fate,
Chiming with the forest tone,
When boughs buffet boughs in the wood;
Chiming with the gasp and moan
Of the ice-imprisoned hood;
With the pulse of manly hearts;
With the voice of orators;
With the din of city arts;
With the cannonade of wars;
With the marches of the brave;
And prayers of might from martyrs' cave.

Great is the art,
Great be the manners, of the bard.
He shall not his brain encumber
With the coil of rhythm and number;
But, leaving rule and pale forethought,
He shall aye climb
For his rhyme.
"Pass in, pass in," the angels say,
"In to the upper doors,
Nor count compartments of the floors,
But mount to paradise
By the stairway of surprise."

Blameless master of the games,
King of sport that never shames,
He shall daily joy dispense
Hid in song's sweet influence.
Forms more cheerly live and go,
What time the subtle mind
Sings aloud the tune whereto
Their pulses beat,
And march their feet,
And their members are combined.

By Sybarites beguiled,
He shall no task decline;
Merlin's mighty line
Extremes of nature reconciled,
Bereaved a tyrant of his will,
And made the lion mild.
Songs can the tempest still,
Scattered on the stormy air,
Mold the year to fair increase,
And bring in poetic peace.
He shall nor seek to weave,
In weak, unhappy times,
Efficacious rhymes;
Wait his returning strength.
Bird that from the nadir's floor
To the zenith's top can soar,
The roaring orbit of the muse exceeds that journey's length.
Nor profane affect to hit
Or compass that, by meddling wit,
Which only the propitious mind
Publishes when 'tis inclined.
There are open hours
When the God's will sallies free,
And the dull idiot might see
The flowing fortunes of a thousand years;
Sudden, at unawares,
Self-moved, fly-to the doors,
Nor sword of angels could reveal
What they conceal.

II
The rhyme of the poet
Modulates the king's affairs;
Balance-loving Nature
Made all things in pairs.
To every foot its antipode;
Each color with its counter glowed:
To every tone beat answering tones,
Higher or graver;
Flavor gladly blends with flavor;
Leaf answers leaf upon the bough;
And match the paired cotyledons.
Hands to hands, and feet to feet,
In one body grooms and brides;
Eldest rite, two married sides
In every mortal meet.
Light's far furnace shines,
Smelting ***** and bars,
Forging double stars,
Glittering twins and trines.
The animals are sick with love,
Lovesick with rhyme;
Each with all propitious Time
Into chorus wove.

Like the dancers' ordered band,
Thoughts come also hand in hand;
In equal couples mated,
Or else alternated;
Adding by their mutual gage,
One to other, health and age.
Solitary fancies go
Short-lived wandering to and ire,
Most like to bachelors,
Or an ungiven maid,
Nor ancestors,
With no posterity to make the lie afraid,
Or keep truth undecayed.
Perfect-paired as eagle's wings,
Justice is the rhyme of things;
Trade and counting use
The self-same tuneful muse;
And Nemesis,
Who with even matches odd,
Who athwart space redresses
The partial wrong,
Fills the just period,
And finishes the song.

Subtle rhymes, with ruin rife
Murmur in the hour of life,
Sung by the Sisters as they spin;
In perfect time and measure they
Build and unbuild our echoing clay.
As the two twilights of the day
Fold us music-drunken in.
Thy trivial harp will never please
Or fill my craving ear;
Its chords should ring as blows the breeze,
Free, peremptory, clear.
No jingling serenader's art,
Nor ****** of piano strings,
Can make the wild blood start
In its mystic springs.
The kingly bard
Must smite the chords rudely and hard,
As with hammer or with mace,
That they may render back
Artful thunder that conveys
Secrets of the solar track,
Sparks of the supersolar blaze.
Merlin's blows are strokes of fate,
Chiming with the forest-tone,
When boughs buffet boughs in the wood;
Chiming with the gasp and moan
Of the ice-imprisoned flood;
With the pulse of manly hearts,
With the voice of orators,
With the din of city arts,
With the cannonade of wars.
With the marches of the brave,
And prayers of might from martyrs' cave.

Great is the art,
Great be the manners of the bard!
He shall not his brain encumber
With the coil of rhythm and number,
But, leaving rule and pale forethought,
He shall aye climb
For his rhyme:
Pass in, pass in, the angels say,
In to the upper doors;
Nor count compartments of the floors,
But mount to Paradise
By the stairway of surprise.

Blameless master of the games,
King of sport that never shames;
He shall daily joy dispense
Hid in song's sweet influence.
Things more cheerly live and go,
What time the subtle mind
Plays aloud the tune whereto
Their pulses beat,
And march their feet,
And their members are combined.

By Sybarites beguiled
He shall no task decline;
Merlin's mighty line,
Extremes of nature reconciled,
Bereaved a tyrant of his will,
And made the lion mild.
Songs can the tempest still,
Scattered on the stormy air,
Mould the year to fair increase,
And bring in poetic peace.

He shall not seek to weave,
In weak unhappy times,
Efficacious rhymes;
Wait his returning strength,
Bird, that from the nadir's floor,
To the zenith's top could soar,
The soaring orbit of the muse exceeds that journey's length!

Nor, profane, affect to hit
Or compass that by meddling wit,
Which only the propitious mind
Publishes when 'tis inclined.
There are open hours
When the god's will sallies free,
And the dull idiot might see
The flowing fortunes of a thousand years;
Sudden, at unawares,
Self-moved fly-to the doors,
Nor sword of angels could reveal
What they conceal.
Martin Bailes Mar 2017
It's over, its done ...

American Christianity stumbles forward
toward a cruel topsy-turvy world where
help is weakness, compassion is cruelty
& divisive isolation is preferable to
welcome & concern.

American Christianity is a corpse that reeks,

a veritable Walking Dead of pink-tied
Conservatism that picks its leaders
based on a sort of simple country-boy
belief that a fat white man in a suit who
holds aloft his momma's old bible while
same the same time preaching division,
exclusiveness, hate & bigotry is somehow
the best Christian choice & God loves that
man so,

they do this,

they continue to do this,

this rural fundamental upside-down way
of seeing the worst man as the best man
just because he spouts for some phrases
& gets all blessed & such by richly dressed
ministers of the lord who anoint him as the
Chosen One, which is so far off the mark
as to leave one wondering who? who?
who are these representatives of God's
word on earth,

these shiny shoe lackeys, these fork-tongued
well-heeled sybarites closer to Lucifer's
world of consumption & the almighty dollar,

American Christianity should just call it
a day, just give over for awhile, take a
breather & read a book or two, for the
harm they cause to fall on the rest of
us through their ignorant vision is just
way, way too much for them to be able
to claim any affinity with Jesus
the humble Son of God.
Mon rêve le plus cher et le plus caressé,

Le seul qui rit encore à mon cœur oppressé,

C'est de m'ensevelir au fond d'une chartreuse,

Dans une solitude inabordable, affreuse ;

****, bien ****, tout là-bas, dans quelque Sierra

Bien sauvage, où jamais voix d'homme ne vibra,

Dans la forêt de pins, parmi les âpres roches,

Où n'arrive pas même un bruit lointain de cloches ;

Dans quelque Thébaïde, aux lieux les moins hantés,

Comme en cherchaient les saints pour leurs austérités ;

Sous la grotte où grondait le lion de Jérôme,

Oui, c'est là que j'irais pour respirer ton baume

Et boire la rosée à ton calice ouvert,

Ô frêle et chaste fleur, qui crois dans le désert

Aux fentes du tombeau de l'Espérance morte !

De non cœur dépeuplé je fermerais la porte

Et j'y ferais la garde, afin qu'un souvenir

Du monde des vivants n'y pût pas revenir ;

J'effacerais mon nom de ma propre mémoire ;

Et de tous ces mots creux : Amour, Science et Gloire

Qu'aux jours de mon avril mon âme en fleur rêvait,

Pour y dormir ma nuit j'en ferais un chevet ;

Car je sais maintenant que vaut cette fumée

Qu'au-dessus du néant pousse une renommée.

J'ai regardé de près et la science et l'art :

J'ai vu que ce n'était que mensonge et hasard ;

J'ai mis sur un plateau de toile d'araignée

L'amour qu'en mon chemin j'ai reçue et donnée :

Puis sur l'autre plateau deux grains du vermillon

Impalpable, qui teint l'aile du papillon,

Et j'ai trouvé l'amour léger dans la balance.

Donc, reçois dans tes bras, ô douce somnolence,

Vierge aux pâles couleurs, blanche sœur de la mort,

Un pauvre naufragé des tempêtes du sort !

Exauce un malheureux qui te prie et t'implore,

Egraine sur son front le pavot inodore,

Abrite-le d'un pan de ton grand manteau noir,

Et du doigt clos ses yeux qui ne veulent plus voir.

Vous, esprits du désert, cependant qu'il sommeille,

Faites taire les vents et bouchez son oreille,

Pour qu'il n'entende pas le retentissement

Du siècle qui s'écroule, et ce bourdonnement

Qu'en s'en allant au but où son destin la mène

Sur le chemin du temps fait la famille humaine !


Je suis las de la vie et ne veux pas mourir ;

Mes pieds ne peuvent plus ni marcher ni courir ;

J'ai les talons usés de battre cette route

Qui ramène toujours de la science au doute.

Assez, je me suis dit, voilà la question.


Va, pauvre rêveur, cherche une solution

Claire et satisfaisante à ton sombre problème,

Tandis qu'Ophélia te dit tout haut : Je t'aime ;

Mon beau prince danois marche les bras croisés,

Le front dans la poitrine et les sourcils froncés,

D'un pas lent et pensif arpente le théâtre,

Plus pâle que ne sont ces figures d'albâtre,

Pleurant pour les vivants sur les tombeaux des morts ;

Épuise ta vigueur en stériles efforts,

Et tu n'arriveras, comme a fait Ophélie,

Qu'à l'abrutissement ou bien à la folie.

C'est à ce degré-là que je suis arrivé.

Je sens ployer sous moi mon génie énervé ;

Je ne vis plus ; je suis une lampe sans flamme,

Et mon corps est vraiment le cercueil de mon âme.


Ne plus penser, ne plus aimer, ne plus haïr,

Si dans un coin du cœur il éclot un désir,

Lui couper sans pitié ses ailes de colombe,

Être comme est un mort, étendu sous la tombe,

Dans l'immobilité savourer lentement,

Comme un philtre endormeur, l'anéantissement :

Voilà quel est mon vœu, tant j'ai de lassitude,

D'avoir voulu gravir cette côte âpre et rude,

Brocken mystérieux, où des sommets nouveaux

Surgissent tout à coup sur de nouveaux plateaux,

Et qui ne laisse voir de ses plus hautes cimes

Que l'esprit du vertige errant sur les abîmes.


C'est pourquoi je m'assieds au revers du fossé,

Désabusé de tout, plus voûté, plus cassé

Que ces vieux mendiants que jusques à la porte

Le chien de la maison en grommelant escorte.

C'est pourquoi, fatigué d'errer et de gémir,

Comme un petit enfant, je demande à dormir ;

Je veux dans le néant renouveler mon être,

M'isoler de moi-même et ne plus me connaître ;

Et comme en un linceul, sans y laisser un seul pli,

Rester enveloppé dans mon manteau d'oubli.


J'aimerais que ce fût dans une roche creuse,

Au penchant d'une côte escarpée et pierreuse,

Comme dans les tableaux de Salvator Rosa,

Où le pied d'un vivant jamais ne se posa ;

Sous un ciel vert, zébré de grands nuages fauves,

Dans des terrains galeux clairsemés d'arbres chauves,

Avec un horizon sans couronne d'azur,

Bornant de tous côtés le regard comme un mur,

Et dans les roseaux secs près d'une eau noire et plate

Quelque maigre héron debout sur une patte.

Sur la caverne, un pin, ainsi qu'un spectre en deuil

Qui tend ses bras voilés au-dessus d'un cercueil,

Tendrait ses bras en pleurs, et du haut de la voûte

Un maigre filet d'eau suintant goutte à goutte,

Marquerait par sa chute aux sons intermittents

Le battement égal que fait le cœur du temps.

Comme la Niobé qui pleurait sur la roche,

Jusqu'à ce que le lierre autour de moi s'accroche,

Je demeurerais là les genoux au menton,

Plus ployé que jamais, sous l'angle d'un fronton,

Ces Atlas accroupis gonflant leurs nerfs de marbre ;

Mes pieds prendraient racine et je deviendrais arbre ;

Les faons auprès de moi tondraient le gazon ras,

Et les oiseaux de nuit percheraient sur mes bras.


C'est là ce qu'il me faut plutôt qu'un monastère ;

Un couvent est un port qui tient trop à la terre ;

Ma nef tire trop d'eau pour y pouvoir entrer

Sans en toucher le fond et sans s'y déchirer.

Dût sombrer le navire avec toute sa charge,

J'aime mieux errer seul sur l'eau profonde et large.

Aux barques de pêcheur l'anse à l'abri du vent,

Aux simples naufragés de l'âme, le couvent.

À moi la solitude effroyable et profonde,

Par dedans, par dehors !


Par dedans, par dehors ! Un couvent, c'est un monde ;

On y pense, on y rêve, on y prie, on y croit :

La mort n'est que le seuil d'une autre vie ; on voit

Passer au long du cloître une forme angélique ;

La cloche vous murmure un chant mélancolique ;

La Vierge vous sourit, le bel enfant Jésus

Vous tend ses petits bras de sa niche ; au-dessus

De vos fronts inclinés, comme un essaim d'abeilles,

Volent les Chérubins en légions vermeilles.

Vous êtes tout espoir, tout joie et tout amour,

À l'escalier du ciel vous montez chaque jour ;

L'extase vous remplit d'ineffables délices,

Et vos cœurs parfumés sont comme des calices ;

Vous marchez entourés de célestes rayons

Et vos pieds après vous laissent d'ardents sillons !


Ah ! grands voluptueux, sybarites du cloître,

Qui passez votre vie à voir s'ouvrir et croître

Dans le jardin fleuri de la mysticité,

Les pétales d'argent du lis de pureté,

Vrais libertins du ciel, dévots Sardanapales,

Vous, vieux moines chenus, et vous, novices pâles,

Foyers couverts de cendre, encensoirs ignorés,

Quel don Juan a jamais sous ses lambris dorés

Senti des voluptés comparables aux vôtres !

Auprès de vos plaisirs, quels plaisirs sont les nôtres !

Quel amant a jamais, à l'âge où l'œil reluit,

Dans tout l'enivrement de la première nuit,

Poussé plus de soupirs profonds et pleins de flamme,

Et baisé les pieds nus de la plus belle femme

Avec la même ardeur que vous les pieds de bois

Du cadavre insensible allongé sur la croix !

Quelle bouche fleurie et d'ambroisie humide,

Vaudrait la bouche ouverte à son côté livide !

Notre vin est grossier ; pour vous, au lieu de vin,

Dans un calice d'or perle le sang divin ;

Nous usons notre lèvre au seuil des courtisanes,

Vous autres, vous aimez des saintes diaphanes,

Qui se parent pour vous des couleurs des vitraux

Et sur vos fronts tondus, au détour des arceaux,

Laissent flotter le bout de leurs robes de gaze :

Nous n'avons que l'ivresse et vous avez l'extase.

Nous, nos contentements dureront peu de jours,

Les vôtres, bien plus vifs, doivent durer toujours.

Calculateurs prudents, pour l'abandon d'une heure,

Sur une terre où nul plus d'un jour ne demeure,

Vous achetez le ciel avec l'éternité.

Malgré ta règle étroite et ton austérité,

Maigre et jaune Rancé, tes moines taciturnes

S'entrouvrent à l'amour comme des fleurs nocturnes,

Une tête de mort grimaçante pour nous

Sourit à leur chevet du rire le plus doux ;

Ils creusent chaque jour leur fosse au cimetière,

Ils jeûnent et n'ont pas d'autre lit qu'une bière,

Mais ils sentent vibrer sous leur suaire blanc,

Dans des transports divins, un cœur chaste et brûlant ;

Ils se baignent aux flots de l'océan de joie,

Et sous la volupté leur âme tremble et ploie,

Comme fait une fleur sous une goutte d'eau,

Ils sont dignes d'envie et leur sort est très-beau ;

Mais ils sont peu nombreux dans ce siècle incrédule

Creux qui font de leur âme une lampe qui brûle,

Et qui peuvent, baisant la blessure du Christ,

Croire que tout s'est fait comme il était écrit.

Il en est qui n'ont pas le don des saintes larmes,

Qui veillent sans lumière et combattent sans armes ;

Il est des malheureux qui ne peuvent prier

Et dont la voix s'éteint quand ils veulent crier ;

Tous ne se baignent pas dans la pure piscine

Et n'ont pas même part à la table divine :

Moi, je suis de ce nombre, et comme saint Thomas,

Si je n'ai dans la plaie un doigt, je ne crois pas.


Aussi je me choisis un antre pour retraite

Dans une région détournée et secrète

D'où l'on n'entende pas le rire des heureux

Ni le chant printanier des oiseaux amoureux,

L'antre d'un loup crevé de faim ou de vieillesse,

Car tout son m'importune et tout rayon me blesse,

Tout ce qui palpite, aime ou chante, me déplaît,

Et je hais l'homme autant et plus que ne le hait

Le buffle à qui l'on vient de percer la narine.

De tous les sentiments croulés dans la ruine,

Du temple de mon âme, il ne reste debout

Que deux piliers d'airain, la haine et le dégoût.

Pourtant je suis à peine au tiers de ma journée ;

Ma tête de cheveux n'est pas découronnée ;

À peine vingt épis sont tombés du faisceau :

Je puis derrière moi voir encore mon berceau.

Mais les soucis amers de leurs griffes arides

M'ont fouillé dans le front d'assez profondes rides

Pour en faire une fosse à chaque illusion.

Ainsi me voilà donc sans foi ni passion,

Désireux de la vie et ne pouvant pas vivre,

Et dès le premier mot sachant la fin du livre.

Car c'est ainsi que sont les jeunes d'aujourd'hui :

Leurs mères les ont faits dans un moment d'ennui.

Et qui les voit auprès des blancs sexagénaires

Plutôt que les enfants les estime les pères ;

Ils sont venus au monde avec des cheveux gris ;

Comme ces arbrisseaux frêles et rabougris

Qui, dès le mois de mai, sont pleins de feuilles mortes,

Ils s'effeuillent au vent, et vont devant leurs portes

Se chauffer au soleil à côté de l'aïeul,

Et du jeune et du vieux, à coup sûr, le plus seul,

Le moins accompagné sur la route du monde,

Hélas ! C'est le jeune homme à tête brune ou blonde

Et non pas le vieillard sur qui l'âge a neigé ;

Celui dont le navire est le plus allégé

D'espérance et d'amour, lest divin dont on jette

Quelque chose à la mer chaque jour de tempête,

Ce n'est pas le vieillard, dont le triste vaisseau

Va bientôt échouer à l'écueil du tombeau.

L'univers décrépit devient paralytique,

La nature se meurt, et le spectre critique

Cherche en vain sous le ciel quelque chose à nier.

Qu'attends-tu donc, clairon du jugement dernier ?

Dis-moi, qu'attends-tu donc, archange à bouche ronde

Qui dois sonner là-haut la fanfare du monde ?

Toi, sablier du temps, que Dieu tient dans sa main,

Quand donc laisseras-tu tomber ton dernier grain ?
Alicia Mortlock Apr 2018
We were good.

While you were ****** and I was intoxicated.
I saw you through a Rosé tinted wine glass and felt your eyes caress me through the
Constant,
Concupiscent
THC haze.

We were junkies.

Sybarites on substances,
Addicted to lingered kisses.
****** on lust, wrapped golden.
Eye to eye and skin on skin.
Our altered minds in synchronicity.
Our bodies
pulsing
pulsing
pulsing
To instinct's beat, the almost thereness.
The best bit was always the almost thereness
while high as a kiteness because
After there,
Comes
Here and nowness
And

my mouth is dry
And your lips are tight
And you won’t speak to me.
So I try to ask you if...
But you shut your eyes so you don’t hear me and I know the answer.
You make me hate myself almost as much as you hate me so I know you’ll never love me.
But.
Your lips part in the coldest lie as we lie cold and lonely,
In the shared bed.
Sober and resentful.
La petite mort melancholic.

Me? Do I hate you too?
No!
I just don’t like you any more.
I’m not sure that I ever did.
Inspired by the WhatsApp message I sent to an ex lover telling him I didn’t want to do the ‘friends’ bit.
Julian Apr 2023
THE IATRALIPTIC DISGUISE OF MASKIROVKA IN THE WHIGGARCHY OF SUBLIMATED ELASTANE PREROGATIVES SOOTHING THE MALAXAGE OF A SENICIDE PROMONTORY OVERLOOKING THE ACELDAMA OF NOYADES ENTANGLING DOYENNES FLIRTING WITH THE GLAZE OF INFINITE SPECTERS OF BALEFIRE IN THE WROTH AND WRIX OF A WANCHANCY RIGGED BY ALTARANE AISLINGS MEANDERING IN DAYDREAMS SURROGATE MOTHERS TO NEWLYWED MUGIENCE THAT DERIVES FROM HANDSPIKES OF TANTONY A TENACITY OF TIMBERLASK VISION SCATHING AGAINST THROTTLEBOTTOM SATRAPS WHO MALINGER IN THEIR OWN CODDLED ENTROPY DISMISSIVE OF THE FUSION OF NUCLEOTIDES MIGHT THE BLAINS OF BLUNGE BECOME THE ASCENDANCY OF ALL NEW WORLD POTTERY AND ALL THE GREATEST POTAGERS OF CENTURION GROWTH OF SYRINXES TOO WELL-GUARDED IN KATABOTHRON SYNERGIES TO EVER BE DEFEATED BY BEGUILED SOPHIANIC NEPIONIC NIDOR THAT IN SCALARIFORM HUES DISMANTLES THE EMBOSSED PERFECTION OF ZALKENGUR. WE WANDER WITH THE WAMZELS OF WOODSHEDDING VERDERERS WHO EARN CERBERIC MERIT FROM AS EARLY A SYCOMANCY AS A WAR GAMES VENTANA THAT PREFIGURED GLEBES SERENADE THE AVALANCHE OF TURNVEREIN SURFEIT OF BANGTAIL ECONOMIES OF SPOKESHAVE SPODOMANCY THAT WE CANNOT CALCULATE THE LIMOSIS OF LIMNETIC LOSS IN THE DULOCRACY OF TIMES OF HEYDAY AND BRIMSTONE FEWTERERS THE HAUNT OF JACKALS AND THE BRONTEUM OF THE VENTRAD AND VENTRILABRAL OLIVASTERS OF VEES AND MOUNTENANCE BECAUSE SWASHBUCKLING  SHALLOP IS AN INDENTURED LANGUOR BEYOND THE CARAPACE AND TESTUDO OF FLICKERING ALPENGLOW SUNRISES ON THE DESOLATE PLAINS OF THE NOVANTIQUE BEYOND THE BUTTRESS BECAUSE OF THE ROORBACKS OF SEDERUNT SCUTTLEBUTT OFTEN THE RAFFISH  APLOMB OF VAMPIRES CAROUSING UNDER PRETENSE FOR BLOODTHIRST WITH PRETEXTS OF WIDDERSHANCY BECOMING THE CIPPUSTURE OF THE CHAMOISES AMONG THE GREAT COBALTIFEROUS CABRILLAS THAT USES THE SAGINATED SURETYSHIPS OF JORDAN STOKEHOLDS AMONG CASEMATES IN THE PRODROMES OF WAR AND BELLICOSE STRIFE OF CONTRAPLEX TAMARAWS BELONGING TO THE LIONIZATION OF THE APIKOROS FASHIONS OF THOSE THAT FORESAW WITH THE GREATEST TENACITY OF CAREWORN WORMCASTS OFTEN SEEN AS HERETICAL AMONG ESBAT OLIMS BUT THEIR HEYDAY IS RECONVENED BECAUSE NO LONGER IS  THE BETHEL IGNORANT OF THE CHARADES OF POTEMKIN SQUALOR ABAFT ON THE TURTLEBACK TAFFRAIL THAT ALL DESTINY UNFOLDS WITH PRESTIDIGITATION THAT OUTNUMBERS THE ENUMERATED LEGERDEMAIN WITH ITS PLASTIC PROTEAN SERVITUDE TO ICEBERK ICEBLINKS OF VERGLAS THE EMOLUMENT TO THE PAST HAMARCHIES RESIDUAL TO HACHURE BECAUSE THE AISLINGS OF ONEIROMANCIES ONCE BELLOWING AND BELLIPOTENT EVEN IN ANTEBELLUM CARNAGE THAT THE CARTHAGIAN MOORGANIZATION OF THE MOST PROMETHEAN OF FATIDICAL HEROES THAT COBBLED FROM EMOTIVISM IN AN AGE OF SPHECOID SPHENOGRAMS AN ANZACTILE MOBILIZATION OF AN URBANE SPREE AND SPRINT TOWARDS THE ENTELECHY OF THE AUTOGNOSIS AGAINST NEUTROSOPHY THAT WE MIGHT EASILY DEBUNK THE URCHINS OF WEGOTISM BECAUSE THEY STRAIN THE BARNSTORM OF PETTIEST WASES OF WAPENTAKE DESIGNED TO ENTOMB THE GRIDLOCK OF MANUFACTURED POLLARCHIES OF WEIGHT MEASURED ONLY BY A PRETENDED BARAGNOSIS ENFORCING THE SWARF OF THE BOSCHVELDT THAT EVENTUALLY IN THE TIMEPIECE OF FORESIGHT HINDSIGHT ITSELF DISCOVERS THE GREAT NOMOGENY OF ITS CLEVER BYWORDS AGAINST BACKPIECES OF CARDIOGNOST CARDIMELECH TITRATIONS OF WRATH ARMORIES OF RANCOR IN SUNBITTERN SUMPTERS ALWAYS BROOKED WITH ARRAIGNMENT RATHER THAN THE SURFEIT OF A POLISHED OLIGOPSONY BECAUSE THE STANGS OF THE STANNARY ARE BANKROLLING JESUITICAL JANSKY TO PROVIDE THE PATHWAY TO CIVILIZED SALVATION AGAINST POLTROONS OF ******* HARBORED BY THE CREDENDA OF DISRESPECTFUL MACROBIAN DECEIT AUTHORED BY THE CONTRARY ELEMENTS OF CAMARILLAS DEPOSED BY DEMUR. THERE IS GREAT TIMOCRATIC VALOR IN HETERODOXY WHICH BORROWS FROM BAHUVHRI AGAINST THE STUNTS OF CAGOULES OF YERNAGE AND CATAMOUNTS OF DIATRIBES OF SHIBBOLETH DESTRUCTION BECAUSE OF CAFARDS OF BIFIDS THAT EXIST AS MARTINGALES AS ENTOMBED SILENCE GRIPS THE LAND SUCH THAT THE CACHALOTS ARE ALWAYS MOTATORY IN CONVERSE DIRECTIONS TO HEED THE INFORMANTS OF TIME THAT ASTOUNDED FEATS OF FENESTRAL RELEGATION BECOMING A HABITUE OF THE MOST PROFOUND SPURTS OF BULGURS OF TRAULISM IN THE FACE OF PROMINENCE AND EMINENCE FRONT LIONIZATIONS BECAUSE THE BALDRIC AUTHORITY OF NAZES WHO ARE MURENGERS THAT ARE BLACKGUARDED GUARDIANS OF COUNTERCULTURAL OPHILIOPHILISTS THAT OFTEN CAVORTED WITH THE AUTARKY OF KALIMKARI THAT A WORLD SEDIGITATED BY RACKRENT COACERVATION IS A COAMING MENACE OF PICAROONS THAT ARISE FROM MERIT RATHER THAN ABDERVINE CONTUSIONS ON BLISTERED NIDOR OF NIDAMENTAL NIDDERING NANCIFUL RECKLESS WAYSPAYING MULIEBRITY COAUTHORED BY PLOUGHSHARES OF BLUEPETERS BECAUSE THE NEW TORCHIERS OF ANGLOPHONIC COUVEUSES THE GONFALONIER OF SOTERIOLOGY AMONG THE HIDEBOUND YET PRIVY VOGUE OF A GYRATING ECONOMETRICAL SCALING EVENT THAT HERALDS THE SUBTEXT OF ALL CONFORMED PECCADILLOS OF IDIOSYNCRASY AND REVILES THEIR BACKPIECES BECAUSE THE CORTEGES OF THE OLIGARCHY OFTEN SCRIDE OVER SCRIVELLOS BECAUSE OF CHRYSELEPHANTINE GAMBOLING VESTIGIAL HARBINGERS OF ALL SPAWNED ENTROPIES AT ONCE DISCARDED BY WREPOLIS AND WRIKPOND AS CALCARIFEROUS RANCID BLENCH AND BLAGUE BECAUSE OF PROMINENT BONTBOKS OF ENTHYMEME DESPERATELY BEING PUSHFUL WITH ADVANCED CYBERNETIC VITIATION THROUGH ARTIFICIAL INTELLIGENCE BECAUSE OF HALLOWED HARPOONING GRAMPUS BECAUSE OF NEKTONS ENABLED BY DUGONG MARTYRS OF PRAXINOSCOPES FAR AND WIDE TO DISENGAGE THE PSAMMOPHILE FROM DISCHARGED DUTY AT HIS OWN BEHEST AND THE FLUID DYNAMICS OF TURBINATED TUBIFACIENT ICEBLINKS REGISTERED BY THE SEDERUNT OF SYBOTIC WORMCASTS ALL CONVEYING THE SUBSTANDARD SUBTERNATURAL SATURNALIA OF UNHINGED DECADENCE PROFESSING A CRETACEOUS SERVITUDE TO AN EXTINCT BRAND OF SCIENCE BECAUSE OF CONFEDERATE GNOTOBIOLOGY BECAUSE OF MODERN FIGURATIVE GEITONOGAMY THAT FIELDS ASTRAY THE JOLLYBOAT OF THE VANGUARD THAT IT MIGHT FETCH THE DOOMSTERS OF HAVENED COMBUSTION AGAINST TRICOTEES OF SCORIA WIDELY ENAMORED OF THE DISSIPATION OF SPHACELATION TO INFORM THE WORLD OF ITS DUTIFUL SERVITUDE TO HONOR BRITSKAS RATHER THAN DISDAIN VENDETTA HEROISM. WE IN BLINKERED HUBRIS BECAUSE OF INGLUVIES OF ILASTICAL WEIGHT FOR THE HYPAETHRAL LYTHCOOPS THAT ASTOUND THE SIDEREAL ELEMENTS OF THE HAMARCHY THAT PATIENTLY ABIDED BY THE STRICTEST OF SECRECY TO UPHOLD A NEW WORLD VISIONARY POTAMOLOGY THAT SERVES JAWHOLES WITH THEIR SUBPOENAS THAT THEIR CARDIOGNOST CELERITY IN MOBILIZING THE POPULAR RANCOR OF SIMPLE PRETEXTS ENTANGLED BY COMPLEX THERMODYNAMICS OF MALAISE THAT WE MIGHT EXPEL KILLCROP BODEWASH INTO THE BARTONS OF JARVEY RATHER THAN ELEVATED INTO JASPERATED VESICLES OF JESUITICAL CULTURAL TERRORISM AUTHORED BY DESPERATION EVEN WITHSTANDING VAPULATION TO CONVEY THE CONTRARIAN MESSAGE TO THE WIDEST SPECTACLE OF BYRE EVER WITNESSED BY THE PLUMAGE OF THE PEN NOR THE ARCHITECTURE OF ARCHITECTONIC SERVITUDE. WE MUST INFORM THE SYBARITES KNOWLEDGEABLE ABOUT MASCON GEOCARPY AND ALL OF THE INTERRAMIFICATIONS OF INTERSTELLAR DEBUTANTES THAT REVILE THEMSELVES INTO CATERCORNERED ATTEMPTS TO THE BALUSTRADE OF THEIR OWN SURMOUNTED EGOISM THAT EVENTUALLY THEIR BANGTAIL OSTENTATIONS GLORIFYING THE DEBUNKED FULGURANT BRONTEUMS OF RHIZOGENIC INSTRUMENTALISM OF CRIME FINESSED BY SPECTER AND ENFORCED BY THE VENDETTAS AGAINST PROPER SOTERIOLOGY THAT THEY ARE IN FACT IN DELUSION ABOUT HOW THE CORTEGES OF VENTRAD MUGIENCE OPERATE IN THE WROTH OF ATTINGENT CONTRITION BECAUSE WHEN WE TITRATE ATTEMPERED PHENOMENA OF IDIORHYTHMIC AND THERMOLABILE POIKILOTHERMIC ELEMENTS THAT GOVERN THE SABOTAGE OF MANY UPSTART TITANISMS THAT THEY MIGHT SIDLE AGAINST THEIR OWN CALCULUS TO SOCKDOLAGER BECAUSE THEIR EFFETE AND EFFUSIVE NEUTROSOPHY IS AN ANGLED ENTRYISM TRYING TO INTERPOLATE NEW WORLD FICTIONS TO FIX THE NIDOR AND CASUALTY OF PAST TORMENTS AND TEMPESTS OF CRUCIBLE TRIBULATIONS SUCH THAT A MODERN ESBAT IS BORNE AMONG REMIGATE OLIMS THAT SUSPEND DISBELIEF IN ORDER TO INGEMINATE SERVITUDE TO DEFEAT THE SONDAGE OF SELCOUTH SECODONT BODACHES WITH THE GREATEST PENALTY OF SENICIDE BECAUSE THEY ARE SWARTHY WITH THE DARKLED RANCOR OF FENNECS THAT THEY DESPISE BECAUSE OF SALIVATING SOVENANCE IN ESPIRITS OF CONTRITION. IN WARTORN REVANCHE THAT EMBATTLES THE SWIFT DEMOBILIZATION OF DEMASSIFIED ECONOMIES TO DISARRAY THE SCHWERPUNKT OF SARANGOUSTY BECAUSE THE ELAPID DISTRACTIONS OF MALAXAGE SEETHING IN TOOTHLESS DENTICLES TRYING TO COVERTLY ASSUEFY ENTIRE REGIONS TO THE NOMOTHETIC NORMALCY OF PERVERSE IDEOLOGIES BECAUSE OF RAMPANT SOURCES OF JAWHOLE OCREATED SWAMP MARSHES THAT SWARF WITH SWARPOLLOCK TO BENIGHT ENTIRE GENERATIONS OF THEIR DUTIFUL PREROGATIVES BY PROSCRIBING IN THE STRICTEST TERMS OF CREDENCE AND COVENANT THAT INSUBORDINATION MUST BE PUNISHED WITH THE STEEPEST CULVERTAGE EVEN AMONG THE MOST VENOMOUS AND POWERFUL ELEMENTS OF STANNARIES OF BULSE AND PROFUSE VENOSTASIS BECAUSE THE HARBINGERS OF TOMORROW ARE DESIGNED TO SCARECROW THE PAST INTO ZUGZWANG BY AN ECONOMY OF QUANTUPLICITY OF GAME THEORY DYNAMICS SUCH THAT FEWER PEOPLE WAGE GIGANTOMACHY AND THE PILLORY IS ENGORGED WITH THE FASHIONS OF FLAMFOO VINTAGE SERICULTURE TO DISMOUNT AND DISCOURAGE MANY A PERSON TO SEEK RECOURSE IN SUBLIMATED PSYCHOGONY RESULTING IN A PANMIXIA ENTRAPMENT AGAINST ACCOLENT PANTAGAMY BECAUSE WE RESORT TO OUR BASEST INSTINCTS IN THE TWILIGHT GLOAM OF THE PARLANCE VERDURE OF ESCULENT DISCOVERIES PREAUTHORED BY COACERVATION OFTEN WITH SYNTHETIC RHEOTAXIS TO ENTOMB THE WAPENTAKE IN A CONVERSE STATURE TO THE BETTER ANGELS OF OUR NATURE. NOW A GAMMERSTANG DELIVERANCE THAT SEEKS THE MAXIMALISM OF ONCOSTMAN OF COMPROMISE THAT THEY MIGHT BE ENTHUSED BY A WORLD LESS “*** IN THE CITY”ADMIXED WITH “BIG BANG THEORY”AND MORE A SOCIETY OF “MASKED DANCER”AGITPROP THAT CONGEALS A HOMONORMATIVE MESSAGE THAT IS DEFICIENT AND DEFUNCT BECAUSE SOME AND MANY IRONCLAD WARSHIPS ARE MARTYRS TOWARDS A DECADENCE OFTEN FORESEEN THAT NOW REMAINS HOBBLED BECAUSE THE DISAGIO OF A DISTRACTED WORLD OF BOWERIES SEEDING MALCONTENT MIGHT BE EFFERVESCENT IN A NEUTRALIZED DIRECTION RATHER THAN FATHERING A NEW WORLD SOLIDARITY TOWARDS NUCLEOTIDES OF NEPIONIC LORE THAT SOLVES CLIMATE CHANGE AND SYLLABATIM PROVIDES RECOURSES FOR THE BALDERDASH AUTHORED BY MANY HOBBLEDEHOY CULTURES OF STULTIFIED SUTLERS IN SECTILE REGRESS RATHER THAN AGENTIC PROGRESS OF GLOWERING LOVE BECOMING CENTRIPETAL RATHER THAN A CALCIFUGE OF SHANTUNG BECAUSE OF STOCKINETTE DIVERSIONS. THE KEY TO THE FUTURE IS TO ANALYZE WITH THE GREATEST PATIENCE AND THE MOST EXPANSIVE SCOPE THE NEUTROSOPHY OF THE AVERAGE CAMPUS AND THE ATHENAEUMS THAT RAISE NEW WORLD LEADERS TO THINK THE INDEPENDENT THOUGHT AND TO ENTERTAIN THE SOLFERINOS WITHOUT TRITANOPIA OR PROTANOPIA BECAUSE WE BELONG TO AN AGE WHERE THE FACTUAL IS FRACTIOUS AND THE MYTH SUSTAINS A BREVITY OF COMPUNCTION THAT IS THE RAILLERY FOR MANY DERAILMENTS THAT ENTHUSE THE SPECTACLE BUT DEPRIVE THE LIBERATION WE SEEK IN PUBLIC INSTITUTIONS OF ORTHOTOMY AND ORTHOTROPISM IN ORTHOBIOSIS BECAUSE OF GEOTECHNIC OPTIMIZATION THAT GOVERNS A HOLLYWOOD SYSTEM THAT REFRAINS FROM THE PALLOR OF NEBBICH GORE AND EXTINCT PREROGATIVES OF CINEASTES WORKING FOR NUBILE GRAFT AND CARNIFICINE CORRUPTION BECAUSE OF MURAGE AND WOKISM MURENGERS WHO GUARD ZEALOUSLY THEIR CULTURAL IMPRINT FOR IMPRIMATUR. LET US AUTHOR A NEW AGE THAT IS CONSCIENTIOUS OF IDIOSYNCRASY IN ACADEMIA AND WORKS AROUND THE HEDGES TO THAT EXCHEQUER OF ASCERTAINED BELIEFS THAT THE TOTEMS OF SCIENCE BENEATH US PREVENT A BARYEICOIA OF REITERATIVE AGITPROP OF BACKPIECES NOTARIZING A FICTITIOUS WORLDVIEW THAT BLARES IN DEFIANCE OF THE FACTS BECAUSE OF SUBORNED AGENDAS OF THE WEIGHAGE OF THE STEVEDORES THAT MANUFACTURE OUTRAGE TO MOBILIZE POLITICAL BARNSTORMS THAT EVOLVE INTO GROSS TEMPESTS RATHER THAN REFORMED MOVEMENTS THAT CONSERVE THE MOMENTUM OF TRUTH IN AN INEXORABLE MARCH FORWARD TOWARDS THE LIBERATION OF THE BAHUVHRI IN THE HEYDAY OF ORIGINAL THOUGHT ANCHORED IN REALISM EVEN WITH SURREAL MAGNIFICATIONS OF ITS MOST MESMERIZING QUALITIES BECAUSE THE FUTURE DESERVES AN ACCOUNTABILITY IN THE SOCIAL SCIENCES ON A GLOBAL SCALE THAT UNDERSTANDS POTAMOLOGY AND IMBREVIATES THE STOKEHOLDS OF JAWHOLES SO THEY SUSTAIN IMPETUS AND INSTRUMENTALISM TOWARDS PRODUCTIVE GROWTH RATHER THAN RANCID BLENCHES OF REGRESS UPON CAPITOL HILL.
Nick Calvert May 2020
When I was small there were Boys and Girls,
and bisexual and gay were risque worlds.
Now, there are flavours for every taste.
Are we all, secretly, sybarites and epicureans...?
There are 46 terms to describe ****** attraction, behavior, and orientation.
https://www.healthline.com/health/different-types-of-sexuality

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