In the stillness of a winter dusk
     softest snowflakes begin to fall -
draping the western slopes
    with delicate veils of purest white.

The rising moon faintly glimmers
    veiled by swirling clouds
and towering peaks swiftly vanish
      beneath the storm’s frigid advance.

Winter has come to the mountains
     painting a snowscape wonderland.
Winter has come, winter is here
     and rules the high country once more.

Howling winds merge with the poignant cries
     of distant coyote laments.
Deer and elk bed deep in the woods
     gaining warmth in the sheltering pines.

From dawn to dusk the snow cloak deepens,
    wind-sculptured drifts sweep over the hills.

Through the long night the storm presses on
     lashing sleet waves against our window panes.
Homebound, we gather close to our hearths -
     braced to wait out the storms final frenzy.

By morn a few lingering clouds remain -
     spreading vibrant prisms of violet and gold
and shimmering crystals across the valleys.

Winter has come to our village
    and with it a snowscape wonderland.
Winter is here, winter has come
     to rule the high country once more.

*© 2017 by Robert Charles Howard

Fukiko had woken before her accustomed time. She was alone and would have prefered to sleep, and sleep on until Narumi had lit the brazier in her room and brought tea. But she had woken, and was aware that outside the world had changed. The world, her world of Yukiguni, where the mulberry fibres for paper-making were laid out in the snow-bleached fields. Her world where men from the cities sought the kind of woman she was, a woman uncultured in the ways of geisha, but possessing a freedom no city-bred geisha could possess. She had been schooled by an aunt, was accomplished as a performer on the samisen and though her voice was thin, it held a quality of understanding, it had a fine texture, though thin. And yes, this morning a change had come over the world outside her small house that looked over Hikachi Lake, that looked towards the southern flank of the Central Mountains where during the previous day and night the snows from across the seas had fallen on the landscape. She imagined the roofs of the monastery across the lake were heavily white, and as she sought the image in her mind’s eye so the large brass bell of the temple sounded, no, it throbbed across what she knew would now be hard-frozen water.

I am floating she thought, like the snowflakes I glimpsed in the reflected lamplight when last night I opened the shutters for a moment before bed, before sleep and descent into my dreams. For days now she had been dreaming like never before. She seemed to enter a dreamstate; she would then wake purposefully; she would then fall instantly into quite a different world; over and over this seemed to happen until she found herself wondering if she was dreaming within a dream; she would become aroused, her skin glowing with the ministrations of hidden hands and fingers; she would feel that presence on her upper thighs, a kind of perspiration born of that ****** sensation that, when awake, would sometimes steel upon her.

The coming of the deep snows before spring was always a delight, an excitement carried her from childhood. The way its coming turned daily life upside down. She would enjoy choosing her very warmest garments, the bringing together of layers, her rabbit-skin mantle perhaps, a bright warm scarf over her hair, which she would not today ‘put up’ but allow to flow comfortably next to and down her back, then the hood only if the snow and the wind persisted. She could tell from the warmth of her bed that this was not so, that outside there was a stillness. Even the birds were subdued. Only the brass bell broke the stillness born of this deep snow of spring.

She heard Narumi rise, heard her **** in her chamber ***, heard her roll her bedding away, heard her bring the stove into life and fill her mistress’ brazier with the few precious coals brought across the mountains. There would be tea soon, and this young girl, appointed by her aunt to her charge, would appear to kneel beside Fukiko and give the morning blessing her mother had given Narumi since infancy. Then, she would say, ‘Madam, the snow is deep this morning. We are bound in snow today. Our path has disappeared.’ Still a child’s voice, and still a child at thirteen winters, such a slight girl. And she would retire to the warmth of the kitchen and Fukiko’s cat who was not allowed into her mistress’ presence unless requested.

Fukiko could feel the warmth from the brazier. It was as comforting as the thought of the silent snowscape outside. Gathering her cloak around her, kneeling on the covers of her bed, she held the bowl of tea in her hands, letting its warmth caress her fingers. Standing up, she stroked herself as though to bring her body awake - her flanks, the front of her thighs, her stomach, her slight *******, the long curve of her bottom and then the back of her thighs, her right hand stroking her left arm, her left arm stroking her right arm from shoulder to fingers. She was awake, and placing her feet on the cold matting found her night cloak of deepest blue with the ornamental sash of red and white. She would open the shutter and gaze out into this fresh world of snow and light.

It seemed quite miraculous that a covering of snow could so change this view across the lake to the monastery and its attendant village and then to the mountains beyond. She had once seen a woodcut of this scene, in snow, and had been mesmerised by what it revealed. Despite her status, her profession, such as it was, any ambition she might have harboured to dwell in a city, evaporated at this vista, this snow country scene. It was as though she was living in a story book where she could imagine herself as a concubine of some favoured lord, even better, a princess groomed for a fine marriage, a marriage she knew she would be unlikely to experience. There was one, a land-owner beyond Huchin whose business brought him past her domain, who, widowed and childless, had been advised to seek her presence. And she had been charmed by his shyness, his lack of experience with such as the woman she was, or thought she had to be. And it was often that she would find herself thinking of his presence, and imagining her body melting to his careful touch.

Suddenly, out on the lake figures moved. Was the hard frost of the last week really able to sustain figures on the ice? The brothers from the monastery were tentatively moving too and fro, they were suketo, skating. She would summon Narumi. Her girl should see this sight. The brothers in their crimson robes moving to and fro across the ice, their robes flowing. ‘Narumi’, Fukiko said, ‘a sight so rare. Come and look, the monks are skating.’

So Fukiko and Narumi opened wide the shutters and let in the whole landscape, the lake, the monastery, the snow-roofed village, the mountains beyond into the room. The snowlight dazzled, the hard cold air rushed into the warm room filling its very corners with an enervating freshness. Narumi knelt beside the brazier in her best purple cloak, her hair already pinned for the day, her eyes wide at the sight of these figures dancing with movement on the ice. Although cold, Fukiko would not pull herself away from this play of forms, this wholly pleasurable sight. Just below her window her camellia bushes were in bud, almost budding, their dark redness, bloodlike, enhanced by the vivid snow white. And then the bamboo, snow on the bamboo, as though carefully layered on the fragile stems and branches. This morning no wind and a period of snow falling that had laid flake upon flake upon flake giving the bamboo a wholly different form and weight and body. Its stems bent as though in supplication, as though in prayer to bless the landscape of this snow country.

One must bend
In the floating world -
Snow on bamboo

Kaga no Chivo (1701-55)

Transmogrified
by winter squalls,
the branches of the sycamore
have ossified into a cathedral
of snow.

A red cardinal alights
there—a spot of blood,
a feathered clot of sin.

Hush. Listen to the limbs
where he has perched:

the nascent cracking
of winter’s church.

The snow sheets have blood drops,
down the legs of trees,
over snowy skin--cardinal hops.

The high bush's shrivelled cranberries persist
five striking berries that the sparrows missed,
arterial red above the snow,
pleasure buttons bright with hot lick.

I see the striking red, in the snowscape, in the trees,
same  hot blush on my winter lover's cheeks.

And as it gets colder, snowy skin,
is ravaged and pinched,
by hawk of red shoulder.
and inside, my tongue crosses over,
from white ******* onto red areola.

Such hot wintry throbbing,
is bouncing red breast of robin.
I wish my naked lover to never leave,
and the ground to never soften.

She calls on the cardinal in winter.
All that remains of reverence for a god who has gone--
And he appears to her!
A lone spark lighting the static of snowscape
Like a bolt of lightning traverses dimensions to strike a dream.
He delivers lost loved ones as she washes the dishes.
Ascension of memory is as steam on glass.
The child raises a finger and draws the sign of the cross,
And through the clarity of its lines, she sees the river change its mind,
Stop short,
Swirl in Inertia’s moment of uncertainty
Before scrambling frantically back toward its
Source.
She washes the dishes,
And watches through window of steam and snow for a sign from God.

Off this deck there are no splendid vistas to see.
Gray and marbled trees lean and weather
Rooted in the ground, entangled, rigid,
They appear imperturbable.
The earth sleeps under a veil of snow.  

A hawk ensconces on a barren tree limb,
Catching the warmth of the sun, unmoving
As stone and stoic, in a blanket of cold,
The snow-covered yard seems to undulate
Below its menacing black silhouette.

A dog trots by like a miss-casted
Jackal hunting on a snow Savannah.
The path is bleak as a bleached desert.
A lone woodpecker hammers a fallen tree.
The wooden deck stays unmoved, quiet, steady

Along with its snow-covered assemblage
Of strewn chairs, square ricks, clay pots and wind chimes
Resting silent. Encircling me the air moves
And chatters in a vague idiom.
I listen as the passing moments arise and pass without hesitation.

Later on, the sky will be heavy with snow.
A grim night for star-gazers and hunters.  
Even the tree trunks crackle from the cold.
I wished to see the hawk catch its quarry
But instead, watched it fly at dusk,

Slow, solemn, an apotheosis of nature,
Survivor of bleak winters, taut sinew and bone
Covered in a feathery jacket.
The morrow will see it back again and
This snowscape will flicker like a candle.