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ipoet Jul 2012
I have always liked,
Defiant Africans,

Nelson, Patrice, Kenyatta,
Martin Luther King,

Groovy black men,
******* with attitude,

But they intimidate me,
Black men.

Freedom fighters,
Bar room brawlers,

And I rise from sleep,
Sheened in sweat,

Running away,
Scribbling my number,
On scraps of paper,

On foreheads and trousers,
On outstretched palms,

And I’m breathing heavily,
Feeling stained,

Because,
That one there,

The white man in Navy uniform,
With hair on his *****,

I know him,

-conquistador-

He smells of garlic and grease,
And my black friends call me,
******, *****, *****.

Will he take the lion tooth offered,
Will he make the tribal dance?

-I can teach him to love the earth,
Teach him to plant his feet in, deep-

I ******* from sleep, supported
By thick, colonial, muscle.

I am forging steel,
Industrial iron,

I am engineering a white lover
Beneath the sheets, whilst

Apologising to freedom fighters,
Who call me ******, *****, *****.
Hope Aug 2012
To soak up the dirt is to soak up the stories.
My story is grime pushed into the cracks in the concrete
From all the crusty hobos and sweat-sheened showgirls.
My story is glitter from all the strippers and their grinning patrons, and
*****, spilled liquor, and ***** from those who have sought a cure.
I am nourished by pain, and also rubber from the wheels of souped-up sports cars
Driven by men with chasmic souls. The oil from a billion french fries
Palliates the sting of alcohol upon my fractured, ***** skin.
The filth of the cigarettes and of the **** smoke,
Dank in the air, and heavy, slathers on another coat.
I see all things and I hear all things and I know all things.

I can see up your skirt right now, you precious little object,
As you flee the casino like a gull from a shark’s open jaws.
Your nightmare is right behind you, and he’s starving.
His humanity has been chewed up by the worms of his rancor,
And all that remains is an animal with hot blood on his brain.
In the alleyway I hear the pop and crack as stiletto gives way to concrete
And bone gives way to undue stress. His smile is unhinged as
Stifled screams and muffled gunshot atomize in the black air.

A decade later, the mops of sad janitors cut through like razors,
Making clean spots more unsightly than the ocean of grunge.
Surreptitious blood spatters, long since scrubbed
Still glint under blacklight.  The chalk outlines have absorbed
Into my unholy black skin, and though I was drunk on your blood,
I still remember cradling you as you died.
They had long met o’ Zundays—her true love and she—
   And at junketings, maypoles, and flings;
But she bode wi’ a thirtover uncle, and he
Swore by noon and by night that her goodman should be
Naibor Sweatley—a gaffer oft weak at the knee
From taking o’ sommat more cheerful than tea—
   Who tranted, and moved people’s things.

She cried, “O pray pity me!” Nought would he hear;
   Then with wild rainy eyes she obeyed,
She chid when her Love was for clinking off wi’ her.
The pa’son was told, as the season drew near
To throw over pu’pit the names of the peäir
   As fitting one flesh to be made.

The wedding-day dawned and the morning drew on;
   The couple stood bridegroom and bride;
The evening was passed, and when midnight had gone
The folks horned out, “God save the King,” and anon
   The two home-along gloomily hied.

The lover Tim Tankens mourned heart-sick and drear
   To be thus of his darling deprived:
He roamed in the dark ath’art field, mound, and mere,
And, a’most without knowing it, found himself near
The house of the tranter, and now of his Dear,
   Where the lantern-light showed ’em arrived.

The bride sought her cham’er so calm and so pale
   That a Northern had thought her resigned;
But to eyes that had seen her in tide-times of weal,
Like the white cloud o’ smoke, the red battlefield’s vail,
   That look spak’ of havoc behind.

The bridegroom yet laitered a beaker to drain,
   Then reeled to the linhay for more,
When the candle-snoff kindled some chaff from his grain—
Flames spread, and red vlankers, wi’ might and wi’ main,
   And round beams, thatch, and chimley-tun roar.

Young Tim away yond, rafted up by the light,
   Through brimble and underwood tears,
Till he comes to the orchet, when crooping thereright
In the lewth of a codlin-tree, bivering wi’ fright,
Wi’ on’y her night-rail to screen her from sight,
   His lonesome young Barbree appears.

Her cwold little figure half-naked he views
   Played about by the frolicsome breeze,
Her light-tripping totties, her ten little tooes,
All bare and besprinkled wi’ Fall’s chilly dews,
While her great gallied eyes, through her hair hanging loose,
   Sheened as stars through a tardle o’ trees.

She eyed en; and, as when a weir-hatch is drawn,
   Her tears, penned by terror afore,
With a rushing of sobs in a shower were strawn,
Till her power to pour ’em seemed wasted and gone
   From the heft o’ misfortune she bore.

“O Tim, my own Tim I must call ‘ee—I will!
   All the world ha’ turned round on me so!
Can you help her who loved ‘ee, though acting so ill?
Can you pity her misery—feel for her still?
When worse than her body so quivering and chill
   Is her heart in its winter o’ woe!

“I think I mid almost ha’ borne it,” she said,
   “Had my griefs one by one come to hand;
But O, to be slave to thik husbird for bread,
And then, upon top o’ that, driven to wed,
And then, upon top o’ that, burnt out o’ bed,
   Is more than my nater can stand!”

Tim’s soul like a lion ‘ithin en outsprung—
   (Tim had a great soul when his feelings were wrung)—
“Feel for ‘ee, dear Barbree?” he cried;
And his warm working-jacket about her he flung,
Made a back, horsed her up, till behind him she clung
Like a chiel on a gipsy, her figure uphung
   By the sleeves that around her he tied.

Over piggeries, and mixens, and apples, and hay,
   They lumpered straight into the night;
And finding bylong where a halter-path lay,
At dawn reached Tim’s house, on’y seen on their way
By a naibor or two who were up wi’ the day;
   But they gathered no clue to the sight.

Then tender Tim Tankens he searched here and there
   For some garment to clothe her fair skin;
But though he had breeches and waistcoats to spare,
He had nothing quite seemly for Barbree to wear,
Who, half shrammed to death, stood and cried on a chair
   At the caddle she found herself in.

There was one thing to do, and that one thing he did,
   He lent her some clouts of his own,
And she took ’em perforce; and while in ’em she slid,
Tim turned to the winder, as modesty bid,
Thinking, “O that the picter my duty keeps hid
   To the sight o’ my eyes mid be shown!”

In the tallet he stowed her; there huddied she lay,
   Shortening sleeves, legs, and tails to her limbs;
But most o’ the time in a mortal bad way,
Well knowing that there’d be the divel to pay
If ’twere found that, instead o’ the elements’ prey,
   She was living in lodgings at Tim’s.

“Where’s the tranter?” said men and boys; “where can er be?”
   “Where’s the tranter?” said Barbree alone.
“Where on e’th is the tranter?” said everybod-y:
They sifted the dust of his perished roof-tree,
   And all they could find was a bone.

Then the uncle cried, “Lord, pray have mercy on me!”
   And in terror began to repent.
But before ’twas complete, and till sure she was free,
Barbree drew up her loft-ladder, tight turned her key—
Tim bringing up breakfast and dinner and tea—
   Till the news of her hiding got vent.

Then followed the custom-kept rout, shout, and flare
Of a skimmington-ride through the naiborhood, ere
   Folk had proof o’ wold Sweatley’s decay.
Whereupon decent people all stood in a stare,
Saying Tim and his lodger should risk it, and pair:
So he took her to church. An’ some laughing lads there
Cried to Tim, “After Sweatley!” She said, “I declare
I stand as a maiden to-day!”
Marshal Gebbie Feb 2016
I’ve strode this road of war and love
And born it’s bile and spleen,
I’ve wept at death and laughed at birth
But nowhere have I seen,
A sweeter place to live and die,
To quest for things supreme,
Than to forge these days of hard forays
In the Land of In Between.

Candied apples hang from boughs
Like jewels bequeathed by Queen
And silver sounds of bubbling brook
Cascade to tumbling stream,
Parakeets in vivid hue
Fly by with shreeking scream
In forest’s green majestic light
In the Land of In Between.

Paint no man black or vivid white
Whilst points of view be gleaned
With race and politics ignored
Then manifest, obscene.
Where labour be a man’s reward
And filthy lucre screened
As noxious be a spider bite
In this Land of In Between.


Where hate be strangled to the end
Then with a keen blade ,sheened,
Be put to death with avarice
No guilt or guile redeemed.
Leaving in the pristine wake
A countryside so clean
That God be queuing up to live
In this Land of In Between.


All ****** love be sacrosanct
And soft endearments seemed
As normal as the light of night
When by the moon dust preened.
And that laughter be our currency
Affection always seen
As bonding in fraternity
At the Land of In Between.

M.
Foxglove, Taranaki NZ.
30 January 2016
Sara Brummer Dec 2021
The alarming realm of the vertical,
so immence a hue – a blue
of such majesty that wonder
comes over all.

The magical universe of color –
linear filigrees of tone sheened
on unlikely surfaces : clandestine
rose and violet, a shout of crimson,
a whisper of pastel.

Sun-honeyed pine trees,
wind-silver rumpling of fields
falling into manes of lustre,
galleries of varying shades
fading into each other,
mirroring a marriage
of likenesses, mauve
through cerulean.

Tinted pavilions of firmament
overhung with luminescense
where mind is lost in the
amazement of impermance .
Michael W Noland May 2013
The spout
Of the battle
Shouting
In inconsiderate
Babble about bling
While i'm saddling
My steeds
Manning the machines
And breathing easy
Before i speak
Clearly to your dreams
Interjecting the theme
Of the losing team
Cheering in victory
Snickering in mockery
I remarkably sing
In drowned out tones
And zings
And i'm gonna be
Everything you been
In a week
And its weak
That i win
And you grin
With your arms up
Hooray!!
But you lost today
Too dumb to know it
But showin it
To everybody
Rhyming
Isn't about money
Its about diction
Metered rhymes
And harmony
Arming the
Alarmingly
Disarming memes
Of scattagoried kings
Euphorically
Seized
In the lean
Of delivery
Creativity key
The breezy
Sleezinous
Sheened
In the has beens
Gassed up
Gin drunks
Grunting whats
In response to love
Callin bluffs
On the tuffs
Of your huffs
And shrugs
Whatever punk
I got a foot on you
And your ****
On my side
Talking over you
Until you shut
Out the light
With your mouth
Over your eyes
And your house
Of flies sized up
In tough love
And shoved off the shores
To the unexplored oceans
In the notions
Of severed portions
Aborted with a snorkel
In the cortex
Of Oxygenated
Brains showing you
A thing or two
So ******* vein
Watching you strain
To speak
To breathe
To think
When your ready
Il be brief
A pat on the back
And declaration of king
Before you bend over to be
Blessed by the best
In this contest
Im tested
Only of my patience
In the vagrancy
Of your empty words
Freshly matured
In manure
Skewered
In the lured
Obscurity
Muraling
The masterpieces
Stealing thesis-es
With the soul content
Of cheeseless pizzas
Sauceless in the lossless
Belligerence
And im tempted
To kiss
My fists
And commence
To smash out the comments
To astonished onlookers
Booking for Brooklyn
When im shooting
Blood across the pavement
With fury of a patient
To fairfax and back
To break the bones
Of your home
Set your soul apart
From the heart
That pumps lumps
Of *******
From the start
Of your every sentence
Ill take two seconds
To count on your blemishes
To settle this
In nubbish
*******
Stumbling
From a kid
Im only kidding
In my giving a single ****
Get with it
The mic is yours
And ill freely admit
To being bored
Here you go

....
Waverly Dec 2011
Remmel's
pocket smelled
like armpit,
and his switchblade
felt good
and heavy
near his thigh.

The air was humid with
passing rain
and asphalt
and he pulled out a Marlboro
and stuck it
to chapped lips.

A flood of water
hammered the gutters.

And the grass he stood on
was an island.

A flash of light rolled around the corner.
Two glimmering beacons
riding up on him.

Rolling slow.

The windows were all blacked out
and sheened in a perfect
reflection of orangeish streetlights.

Remmel put his hands in his jeans,
his white boxers
pin-striped in orange
bars.

He'd come out the house without a shirt, and
his black *******
got hard as lead in the new wind.

He licked his lips.
As the car rolled up,
a murmur of bass
making the windows buzz.

He put his hands on the hood
feeling the buzz go through him
warm and tickling
as he leaned into the car.

He checked up and down the street,
and finally squared on his reflection
in the black glass
seeing nothing but
the shaking
green God of himself
about to create.
Mike Bergeron Jun 2014
The news came into town like the flu,
rubbing the sleep from the eyes of the people,
Clearing them to see the words in pixels of ink
spelling out what had happened.
Mothers dropped plates,
car brakes screeched,
the cats and dogs
stopped in the middle of their whims,
and the gums got to flappin'
in the hospital-sheened caskets on wheels
where forgotten old folks were left
to feel forgotten.
The collective energy of
all this dude’s friends and family
rose and pushed the clouds in a mushroom,
A rude intrusion into the heavens,
where little old ladies
and blindsided grammar schoolers
had convinced themselves
he was sitting, looking down
in somber remembrances,
happy thoughts,
shared joys,
and all that jazz.
They piled into cars
and trooped to the viewing,
to cry and behold a waxinine figure
with a painted smile.

Then they kicked dirt
into the hole in the ground
and left him to rot.
Robert C Howard Sep 2015
MUSICA ANTIQUA

I - Time Keeper

Prize of a difficult hunt
fresh meat seared in the fire pit:

The ****-clothed victor
severed pieces with his flint
to feed his mate and son
then idly stroked a hollow log
with his crimson tinted club.

He picked up the pace
when the child began
to laugh and whirl
about the flames -
his mother' contented smile
telling, that for a spell at least,
serenity ruled the glade.

II - Found Flutes

In a time too early for telling.
one of our kind unearthed
a dry hollow bone and blew.

Its tones were pleasing
but many more could be found
by scoring several holes in its side.

Though carbon dating may tell
to a millennium or so, when,
no one can ever say why.

III - To Build a Lyre

A Grecian soldier on a cyprus stump
cut holes in a bow too lax for arrows
and gently swept his weathered fingers
across the new strung cords
then composed a lyric to Pan's amors
and a second to brave Alexander.

The soldier, well pleased
resolved to fashion a nobler frame
for his dulcet strings
and raised worthy songs
to Apollo and Terpsichore.

MUSICA MODERNA

IV – The Music Press

In his modest shop in Venice
Ottaviano Petrucci turned the wheel
and pressed notes to paper
for music's first edition.

Squares and diamonds peppered the staves
and tunes of Obrecht and Josquin des Prez
soon graced the salons
of Europe‘s most elegant palaces.

V - Sonata Pian e Forte

From a desk at St. Mark’s in Venice
Gabrieli pondered a question,
“How can an echo’s diminishing sound
be shown in a music score
so that one group of brass
can reflect the other
across the cathedral's nave? '

With two simple words he shifted forever
the course of music’s stream.
For the leaders he marked down “forte, ”
and their its echo marked down, “pian.”

VI - The Master of Cremona

Stradivarius extracted a maple sheet
From his curing vat in Cremona
and hung it to dry with the others -

Then taking his carving knives
He sculpted a cello's scroll
while a golden sheened violin
awaited his finishing cloth.

His secrets expired
when his time was fulfilled
but his magic sings on forever.

VII - Theodore Boehm, designer - flutist*

A gifted precious metal smith
desiring a more supple flute
applied all his art and skill
to its maze of rods and keys.

Each trial was scored
by his ears and fingers
until the door was unlatched.
to euphonious efficiency.
Clarinetists then coaxed him
to fashion their keys as well.

So behind every dixie licorice stick
or Debussy’s pastel faun
stands a persistent man
with a silver flute and
a jeweler's patient hands.

December, 2007
john lindsay May 2016
Forty miles
Pieced by gannet
The saint who never was
Keening through skirts of sleet
Her broken psalm
Against time

Forty miles
To jaws of gabbro , dark Hirta
Boreray, Stac Li. Towering teeth
Bird-crammed. Men spidered, scaled
Over a void where one fall
Could blacken time

Forty miles
The wheel spun, warping language
The world weaved on
Behind oiled womens fingers
Picking at time

Forty miles
Over sheened cobbles to the bay
Men and dogs taken last
Out of a mornings haar
To stranger seas in time
A lament following the death of the last surviving resident from the island of St. Kilda. Antiphon is a term derived from Medieval music in which church choirs sing across each other.... from the Greek.
Jonny Angel Mar 2014
You could tell she
was really someone special,
walked as if she floated on air,
wore her sheened-hair
in abundance,
wrapped it flowing
all around her sweet pretty face.

The bandana & pretty flower,
indeed were an attractant,
but the real grace was
in her penetrating-eyes,
they glowed brightly,
peered right into your soul,
melted your heart
with unspoken kindness.

Her feminine thighs
spoke volumes &
the other guys were listening,
stood speechless,
surrounding her,
mouths open in awe.

Her voice sounded pure nightingale,
not too high-pitched, but rather
an alluring melody & hypnotic.
She wore her **** clothes
to accentuate her finer details,
******, borderline exotic,
all the others paled
in comparison.

She was so fine,
genuine heaven
on two tiny feet,
first-rate all the way
& somebody else's date,
that was the problem.
Jonny Angel Feb 2014
Sea gulls had blown
in from the coast,
circled themselves above us
screaming sounds of laughter,
so full of revelry
& true excitement.

We untangled plastic
in the strong winds
as  ******* birds mocked us,
along with the purple-sheened crows
strutting around the periphery
with some other
unidentified carrion.

Lifting like
an experimental tunnel,
strong currents blew
through the covering
while we slowly
tied down each corner,
basked in the odor of refuse,
laughing at ourselves and
the stupidity of the moment.

When we were finally done,
had completed our task,
finished the mundane project,
we looked at each other
and thought about
the concept
of no free lunches,
wondered why such
beautiful birds would
want to eat garbage,
these smelly leftovers.
It seemed so strange,
not to forage for better meals.

But minutes later,
just down the road,
we spotted the carcasses
of famished-looking
winged-creatures,
it was surreal,
almost mystical.

We stood in silence,
our jaws hung
as we truly understood,
felt like guilty killers
with blood on our hands,
staring at the falling sun.
In a night of soft and muted starlight

I saw myself

Erected upon a battlefield

Clad in shining armor

Wielding in my hand a sword

Wreathed in gilded fire

 

In a night of pouding thunder and

Lightning white hot

I saw myself

Cowering in terror

Before a beast dreamt up

From Lovecraft's nightmares

And woke sheened in sweat

 

In a night of cool breezes

And the warm song of the cicadas

I saw myself

Married before my friends and compatriots

Saw happiness across my face

And woke

Not terrified

Not over joyed

But sad

Because I had not the contentment

Of my other self

 

In a night dark and thick as pitch

I saw myself

In snippets

Saw what was to be

Mundane happenings

And simple laughs

I was, but for a night

A seer

 

In a night blanketed in fog

Thick as the rolling clouds of smoke

Wafting from a warrior's pyre

I saw myself

In a mirror

No dreams

No sleep

Merely myself and my thoughts

And I was more scared than suring any nightmare
Dreams thoughts fears
beth Feb 2021
Behind the screen, her dress shifts
Allowing meticulously placed sequins to glitter
Over smooth, lithe legs

******* compacted tightly to the chest
In a tight hug
Like the cold, soft clasp of a mother hands

Hair bounces vertically
Sprouting like yellow cress
In all the designated areas

Her imperfect movement conjure images of an animal;
A new-born
That men across great swathes of the country will appreciate
As though a painting in a museum

A painting that’s lifeless eyes will follow them
And only them
Across the room

Their pupils flitting, dilating, observing in abject arousal
To have been chosen is not a perhaps not a right
But an expectation

For this woman with arms like rubber and the joy of an uninhibited child
The carelessness of an *** past its prime
Drawn forward by sheened eyes

And youthful spring.
I draw my eyes away.
KorbydAngyle Dec 2020
We stumble into virtue as the
New year greens our potential lights
Then we stare chant hack
Betwixt sappy speeding steady
Legs
Slowly walking   is this fila beast
But now exoskeleton rungs of fur
Aim and denial at twelfth then ninth
All vows the first copper sheened window
4 falling deedle mort limbs
3 then finger apparatuses
Excuses cleaned sorrow's boiled jam masonry
Excuses always twisting ending not seeking
However! I've impacted the  fracas of stockade feelers
Such swords and  swaths, which? Spatha yet Scythe....
Yee who walk forsaken embrace
For together we might  bruise/ fall
They lunged spirits broad
Strikes!.... yet nothingness was more than air
Preclude to needless remorse
Folks of  instinct with witch
Each has a kiss is chaos
Cacks and Clubs Kow! Kazaam! Zaps and Chattle
Chains on Mice and Rust on Bottles
Then might and magic we may prevail or...?
Perhaps chance though little  for tail ?
Or simply contemptuous each day
Yet one day might appeal a contemporary write
All this is done of the thoughts
For a New Years night!

— The End —