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"saffrons" poems
“Let love be your feature” Mandela My eternal man Mandela My eternal man The scent of your breath The scent of freedom O, Mandela Your eyes have the color of freedom O, Mandela The scent of your breath The scent of freedom O, Mandela My eternal man Your hand is the flag of freedom Freedom Freedom O, flower,  your name is the symbol of freedom Tulips Meadow saffrons Seek your scent And red poppies ask you: “Where is the freedom” The beloved Mandela Our eternal man Our eternal man I’m with you O, you, flower of freedom I’m with you O, flower ….O, Mandela Mandela Our eternal man Mandela Our eternal man I’m with you O, you, flower of freedom I’m with you O, flower ….O, Mandela Our eternal man Poet: Pezhman Mosleh Translator: Lida Kavoosi
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Jul 14, 2015
Jul 14, 2015 at 5:10 PM UTC
Mandela, My eternal man
I REMEMBER here by the fire, In the flickering reds and saffrons, They came in a ramshackle tub, Pilgrims in tall hats, Pilgrims of iron jaws, Drifting by weeks on beaten seas, And the random chapters say They were glad and sang to God. And so Since the iron-jawed men sat down And said, "Thanks, O God," For life and soup and a little less Than a hobo handout to-day, Since gray winds blew gray patterns of sleet on Plymouth Rock, Since the iron-jawed men sang "Thanks, O God," You and I, O Child of the West, Remember more than ever November and the hunter's moon, November and the yellow-spotted hills. And so In the name of the iron-jawed men I will stand up and say yes till the finish is come and gone. God of all broken hearts, empty hands, sleeping soldiers, God of all star-flung beaches of night sky, I and my love-child stand up together to-day and sing: "Thanks, O God."
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2.2k
Fire Dreams
My thoughts are merely a tangle of non-conformant chemicals in an ultra-responsive setting; echoes of scarcely delayed feelings, millimetrically placed and ready to be felt; remnants of cromagnon desires, keeping me occupied, unassuming and tame, while life rolls on silently, reflexively and impressively, with all its humiliating nerve. Rumination is for cows, guppies, and humans alike, and saffrons, sapphires and the snow all reason in their own way, no less conscious than our total unconsciousness. Like a rock or plant, man is authoritatively ignorant of his ignorance, and in his metaphysical realism lives and loves and dies, without a clue that he never lived, never loved and was perpetually dead. Thought’s true thought is to block awareness by darkening the place where true awareness lies. We think therefore we think: to god (I mean exact-Nature) no other valid reason exists. We conveniently overrate rationality in self-serving cycles of chronic urgency and folly, leaving us continually stuck to our cyclic fate. Life is Nature’s grunt or roar (whatever and the same) all just a sound, faint or not. We are unsubstantial and chimerical animals by excellence, and in the circle inside the box we live in, our fancy appears really real.   As a feeling awaits its chemical fate, in the millimetric second that lingers, whole worlds are imagined, and our universe and all is perceived: violence, joy, depression, hope, and unbearable pain are unleashed, cities are wanted, planned and assembled, while man, impeccably and in turns, plays god, king and beggar, and true lives, true loves and true deities are born. As man progresses (i.e. transgresses his own nature) and as he overcomes thought, word and feeling, he ceases to be restrictively alive: he is released, he is now free. Thought stands alongside feeling, without communication nor vibration, and gradually and painfully amalgamate into a new corrosive mix, directly eating into spirit, flesh, and understanding, until our wholeness wholly disintegrates.   The world as we know it folds upon itself,  layer by layer, in an inner spectacle of perfect annihilation and renewal. The chasm separating man from himself contracts (eventually to nil) and man plunges from the edge of this last plank (4). As he falls, in mid-flight, the ultimate metamorphosis occurs, and an übermensch is born.
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May 5, 2012
May 5, 2012 at 4:04 PM UTC
Awareness (level 5 of 7)
My thoughts are merely a tangle of non-conformant chemicals in an ultra-responsive setting; echoes of scarcely delayed feelings, millimetrically placed and ready to be felt; remnants of cromagnon desires, keeping me occupied, unassuming and tame, while life rolls on silently, reflexively and impressively, with all its humiliating nerve. Rumination is for cows, guppies, and humans alike, and saffrons, sapphires and the snow all reason in their own way, no less conscious than our total unconsciousness. Like a rock or plant, man is authoritatively ignorant of his ignorance, and in his metaphysical realism lives and loves and dies, without a clue that he never lived, never loved and was perpetually dead. Thought’s true thought is to block awareness by darkening the place where true awareness lies. We think therefore we think: to god (I mean exact-Nature) no other valid reason exists. We conveniently overrate rationality in self-serving cycles of chronic urgency and folly, leaving us continually stuck to our cyclic fate. Life is Nature’s grunt or roar (whatever and the same) all just a sound, faint or not. We are unsubstantial and chimerical animals by excellence, and in the circle inside the box we live in, our fancy appears really real.   As a feeling awaits its chemical fate, in the millimetric second that lingers, whole worlds are imagined, and our universe and all is perceived: violence, joy, depression, hope, and unbearable pain are unleashed, cities are wanted, planned and assembled, while man, impeccably and in turns, plays god, king and beggar, and true lives, true loves and true deities are born. As man progresses (i.e. transgresses his own nature) and as he overcomes thought, word and feeling, he ceases to be restrictively alive: he is released, he is now free. Thought stands alongside feeling, without communication nor vibration, and gradually and painfully amalgamate into a new corrosive mix, directly eating into spirit, flesh, and understanding, until our wholeness wholly disintegrates.   The world as we know it folds upon itself,  layer by layer, in an inner spectacle of perfect annihilation and renewal. The chasm separating man from himself contracts (eventually to nil) and man plunges from the edge of this last plank (4). As he falls, in mid-flight, the ultimate metamorphosis occurs, and an übermensch is born.
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I'll always feel in my chest broken Septembers. I am languishing with the days, head first to a point of no return. I am the ghost of an abducted goddess, the one who bled all over saffrons and still holds on to her sorrows. I bid farewell to the sunglow on wildflowers. I bid farewell to daylit copper fields. I bid farewell to golden hours, as down I descend to the sweetest madness, and up it goes to consume me.
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Sep 10, 2021
Sep 10, 2021 at 11:36 PM UTC
September Sadness
I took a step forward to taste the waters I dive deep in my destiny only to find a never ending storm Fury waters and rogue waves vast with despair My thoughts and dreams written on the swell disappearing as soon as they appear My life is dark as midnight on the waters And lightning revealing only nightmares Bitter are the tears falling down my cheeks And the rain can’t wash I am trapped in my low self esteem Hands tied I let my weakness helplessly take me under How do I get out? How do I take back control? The fiery winds I hear passing create swells of my misery The distant sky above me roaring near my ear A disguise to my cry for help I wonder if there will be a moment where everything will be aligned A moment where you float in calm waters As the sun’s dipping below the horizon A moment where you picture painted skies of crimsons blended with tangerines and saffrons The crisp circle casting its colors on a quivering path across the waters And you get the promise of new dreams after the velvety night I am in troubled waters and I am weaken by the strong tides underneath pulling me in on a pathless deep The enormous waves taking me under as soon as I pull my head out When does it end?
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Sep 3, 2019
Sep 3, 2019 at 3:10 PM UTC
Troubled waters
When you uproot a poet, you ****** away her 'self' Because her self is enjoined to the soil beneath her feet, With tendrils she seeks sustenance from her land And blooms into songs of love and promises to keep When you rob a painter of her colour palette That shone messily but beautifully of the hues, Of saffrons and greens merging together and seeping Into the brown of her skin- the only colour she knew, You turn her hands into barely-there phantoms, Unable to create a canvas of her heart's song, Jarred by chants of 'who are you?' 'where are you from?' 'do you belong?' 'prove you belong!' How does she prove her belonging to the cradle That birthed her, that housed her, Whose elements are admixed with all her blood inside How does she profess her allegiance to that earth? It is as if being exhorted to prove she is alive, inhale, see!, exhale, see!, I breathe, see! It is as if being wrenched by her limbs to gauge their depth the pulse in my arteries, see!, these crimson rhythmic spurts, see O my land, I bleed with abandon; O my land, I bleed in poetry for thee.
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Oct 18, 2021
Oct 18, 2021 at 2:01 PM UTC
Crimson Poetry