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N Paul Mar 2016
They let me in the room with her and I walked without meaning to walk. It was bright with big windows covering the opposite wall looking out onto grass and a bed at a right angle to the light so that lying there she rested her chin on her left shoulder to gaze out and had to roll her head rightwards to see who came in. Walking as I was she got bigger and I started to feel her fear and only then did I realise that I was absolutely terrified and had been for a long time though I can’t say when it started. The room smelled sterile and smelled like a room you shouldn’t leave. It made you want to run but made you feel like you absolutely couldn’t; she wanted to run but politeness kept her sane.

She looked at me and it felt like when we met at a station or arrived by taxi and hadn’t seen each other in a while. Except this time we had seen each other but wouldn’t see each other for a while yet. Her eyes were filled with tears and she had a smile like she was happy and proud and surprised in her happiness but glad, and that it was all too much to bear. ‘Hi.’ her voice was stronger than I thought and I knew that I loved how she could be so full of emotion but still function and not collapse.

I couldn’t say anything but patted her with my hand. We both cried quietly. I started to feel I should be doing more and I wanted to tell her but now it all seemed lame and wrong and stupid. So I told her I loved her and I felt I was saying it to be strong and make her feel safe but of course I didn’t feel safe and I heard it as a squeak and more air than sound. I wanted her to say it and she did and her face was still proud but now also concerned but concerned for me and how I was and in a moment all this love turned to hate and then all I felt was shame that I would make her worry for anyone but herself and then blame her for it. It couldn’t end like this so I started to tell her and at first I fumbled and had to keep starting over but then I forgot where we were and even that she was there and I just felt what I wanted to feel and before I knew it I had said it.

‘Here’s what’s going to happen. We’ll cremate you. You’ll be ash. And… well ash is a great fertiliser. After a volcano the land regrows and the crops are full, for years they’re full. So I’ll take you, and--- remember when we went to the garden centre? You said we should get lilies and I said we would and I haven’t. Well I’ll buy some and I’ll take you… I’ll take you…and I’ll plant them and mix you in with the soil. I’ll mix you up with the soil and I’ll plant them and they’ll grow and… you’ll be in them. And I’ll look out and see them growing and know that you’re in them. And when they’re big I’ll pick them and smell them and put them in vases all around the house and I’ll always be with you. Because I love you so much. And you have to know that. I love you so much and I might meet someone but it won’t mean anything because they aren’t you, do you hear me? I will always think about you because you are my heart and you always will be. Do you understand? You have to know that because I’d want to know that, desperately; that not for a second will you be less important to me than you are right now.’

Only then I saw that whilst she was touched and she nodded and her face filled with yet more pride it was all show this time and maybe always had been and really she was just scared. I knew then that she was really only grateful that I cared so much to need her and that she didn’t really care if she was a plant and that was fine with me.

By the time the footsteps came we had fallen onto each other and were kissing clumsily because we were too busy crying but we were smiling with this painful relief that we weren't acting strong anymore when we weren't. And I had begun to feel excitement for some reason that this would all be over soon and I could go back although things would never really go back of course. But now this felt right and I was glad that I had told her.

The nurse came in the needle went in and she was gone. I saw I was walking and in the corridor and the moment I saw I fell in a stumble against the wall and slid and couldn’t feel a thing for all the shaking. I shook on the floor and wept and shuddered in sobs and no why did I leave I didn’t want to leave yet I wanted to be there with her but I can’t now she’s gone.

I looked around dumbly as people saw but couldn’t give what they thought they should because they were embarrassed or busy feeling. And I looked around for the family I knew wasn’t there because my family had been in that bed and now had faded along with my heart. I was sharp breathing and strange noises and that was everything for a while until someone helped me up and walked me around until I took my body back and walked to my car and went home and stared blankly at a door and remembered I’d forgotten something and went back to the car again to get lilies.
Ben Jones Dec 2017
There lived a witch in olden times
Of the quizzical variety
A firm grasp of the arcane arts
Though sadly not sobriety
She hatched a certain theory
Causing general consternation
But she turned away from doubters
And towards her new salvation

Go deosil, never widdershins
Avoid a deadly plight
For turning left is sinister
And that just isn't right
Rotating anticlockwise
Is officially redundant
Keep turning right for victory
Examples are abundant

My cousin said she knew a man
His name is immaterial
He turned left one too many times
Whilst searching for the cereal
Reality was torn apart
And through the gap he fell
He landed in a tangled heap
Outside the gates of hell

Go deosil, never widdershins
As daytime follows night
For hard to port is oh so gauche
But starboard's always right
Moving counter to the clock
Will ever be unwise
So keep on going rightwards
And away from your demise

Wendy failed to plan her route
With careful dedication
To turn only the rightest way
And reach her destination
Her lack of forward thinking
Led to tragic complication
She came upon a roundabout
And died of dehydration

Go deosil, never widdershins
Stay right and on the level
For only flaccid penises
Hang limp towards the devil
And those who turn to face the dark
The gods will surely smite
So if you think of turning left
Instead, go three times right
glassea Dec 2015
my handwriting changed
after you left.

now, it runs rightwards
as the words strive to
escape my pen.

now, any letters that
stand upright
are left so very empty.

now, the ink i use is blue
because i needed a break
from the black-and-white
i used to live.

now, i showed someone else
the things i'd written
for you.

she told me my words
could be beautiful,
even if i only write
in the margins of
old books.

my letters dance, now.
just another thing
that changed after you left.

(they are still not enough
to tell the paper what i hurt.)

(they are still not enough
for my forgotten regrets.)
(ew)
(words are hard)
taylor Feb 2020
Greenleigh:

Rounding your cottage side,
There you were, bundles tied,
Cerise honeysuckles kissed,
What plan were for the blooms?
In the kitchen rose fumes,
You truly  hoped for a tryst,
Wine love potion cauldron,
Boiled in my drink to stun,
Cerise honeysuckles kissed.

Haven:

My beauteous neighbor,
I submit to ardor,
All in obscure struggles midst,
I see your distant gaze,
But you I try to faze,
You were all to me exist,
“I will beckon at noon,
In this hot summer June,”
All in obscure struggles midst.

  Greenleigh:

But as I spy, I think,
Then discreetly slink,
Cerise honeysuckles kissed,
I culled my own blossoms,
His allures my thraldoms,
I truly hoped for a tryst,
To you a bit of remorse,
Yet my heart waxed full force,
Cerise honeysuckles kissed,

I catch the way you stare,
I will avoid our affair,
All in obscure struggles midst,
Supplanted your fetters,
Entreaty, scrawled letters,
He were all to me exist,
I thought to meet halfway,
Might I be led astray,
All in obscure struggles midst,

  Wyn:

And I received her word,
Intended a detour,
Cerise honeysuckles kissed,
Read the book of magic,
My love to you chronic,
I truly  hoped for a tryst,
Donned my riding garments,
Leas, with my assortments,
Cerise honeysuckles kissed,

Her eyes, you I outshone,
Heedless to her writ tone,
All in obscure struggles midst,
Fancied your ivor teeth,
Smooth skin, your clothes ‘neath.
You were all to me exist,
In daydreams I drifted,
Blunders, I self chided,
All in obscure struggles midst,

  Greenleigh:

Shocked when I saw him trot!
With grasp I became fraught,
All in obscure struggles midst,
He visits you, not me,
Deceit deserved, yet plea!
You were all to me exist,
Could not look in his eye,
Yet utter not goodbye,
All in obscure struggles midst,

Haven:

“Neighbor, wrong I done ye!”
I watch only blankly,
All in obscure struggles midst,
Her twisted mouth distressed,
No one thought we were blessed,
You were all to me exist,
I mumbled, brimming tears,
Should have asked direct, fears,
All in obscure struggles midst,

He was the fool of fate,
Confused yet did await,
Cerise honeysuckles kissed,
I vied for your full love,
As you to his yet shove,
I only hoped for a tryst,
Rapt in misconceptions,
Mocked us, even aspens,
Cerise honeysuckles kissed,

All:

Yet not so sly were we,
Does cognizance come bleak,
Cerise honeysuckles kissed,
We greeted happenchance,
What’s left but insistence?
Our furtive attempts yet missed,
Admit not errs, turn rightwards,
Fracturing our concords,
Cerise honeysuckles kissed,

  Greenleigh:

Anxiously sipped bottles,
And did we start battles,
Cerise honeysuckles kissed,
Suffused eyes, flushed faces,
Affects spill, anguishes,
Our furtive attempts yet missed,
We die lone in shambles,
Bonds of love in scrambles,
Cerise honeysuckles kissed.
Jonathan Moya Mar 2019
Passion’s Cursive Highway

P
It starts with the line, an upwards curlicue,
the noose flapping rightwards in the wind,
at the top of the curl, an afterthought,
because every line needs a curve and a loop
to follow the road set to the next ones beginning,
less it turn in on itself, circle about,
or start and end nowhere.
a
The next road is not a road,
but an interchange, connected
curve flowing at the bottom,
arching outward to the top,
to half the height, straining
to touch the loop behind
and just above, falling
in an outward curve
that delivers the scribbled
start that is the highway
of their journey.
ss
Their highway starts in swagger,
they thinking it’s straight
but it really swerves and swerves,
she existing in the sedan
of soul and soothing blissful union,
he riding in the open convertible
the slapping wind of ***, sin
and self his indulgent mantra,
the rolling curves of the highway
unfolding, a striking rattlesnake
pushing them together in
a union of fear and death
stuck half in trust and mistrust.
i
They exit the highway their auto
in the fleeting traffic streaming by
an unnoticed sensible sedan, SUV,
minivan amidst the flashier styles
until a passing train forces a stop
at the gate till the arms clear
and the red lights stop flashing
and they can continue the little ways
to the incline street that halts
period, at the dead end that is their
garage and two story home.
o
Everyday they drive in and out
of the interchange that is
their two kids, two cars,
back and forth from shopping,
home, work, garage to garage,
other stories and two story house,
she practicing, and refining the
upward curve outward *****
that is her harmonious devotion
to perfecting the craft of family life,
he to the obsessive dedication of
work, promotion, goals, achievement.
n
At the up stroke, halfway to the end,
he crashed and she was there
to pick up the pieces and give him
her half of the inward flexing n,
loosening the noose to fly in the wind,
finally uniting their divided passions
into not a marriage but a union
that respected the middle ground
they had created with each other
and the true real love that was there.
Miguel Diaz May 2016
This pathway is my life,
Behind, vehicles
In front, thorns
Rightwards are vast empty and endless paddocks

Fear overwhelms me, I can't control where I steer.
Paralyzed by anticipation of actions, pushed by gushes of wind into destinations unwanted.

Unwinding into a spiral of crashes, colisions into mountains of despair.
Avalanches of irresistable agony.

Death, the only way out.
Derrek Estrella Feb 2020
Pianos are crashing inside my head as the yellow light of the city and the sun force me into an excruciating halt. An affectionate young man- who is now old, yet remembers the skin he shed- sighs about ****** premonitions through the medium of digital frequencies. A car edges its way to my side- my father tells me “we’re almost there”- the car is positioned in such a contrived way that should I turn my attention exactly ninety degrees rightwards, I would be obliviously vying for the driver’s attention. The thought unnerves me, so I encourage my divagated musings elsewhere. Why did my father tell me that we were nearing our destination? Did he meekly say it, with the meagre velleity of keeping me aware of my surroundings? Where else could my head go, but up?
Pedestrians, their knees adorned with snow trinkets, fall within my periphery. As our car fit itself into a fleeting crevice on the cliff face of concrete, I adjusted my vision into a volitional telescope, narrow and explorative. Among the constellation of humans lay writers in poses denoting propriety, cigarettes suggesting esotericism, and face begging for denial. Facsimiles of these characters dance between the ivory-laced walkways of the interconnected district. I am disgusted by this labile beauty. I am fearful that I will witness its extinction.
I crossed the indifferent street, sure that my haste wasn’t apparent, and therefore, non-existent.
“Disappointingly, the record store sat waiting, knowing of my excitement”, said a fool, pricking my ear. I almost ran for an officer, indignant in my role as a victim to his verbal impotence. When I regained my composition, I paid full attention to the unassuming door between a burger shack and some unidentifiable after-thought-structure. This door, pedestrian to most, contains within it what a common walker would consider heaven. It is, to me, a strenuous Sunday stroll of impulse and and opulence. There is no point in resisting that which makes me happy yet unstable. I could not do without it. To deny is to doubt the music that I loved, and am currently beholden to by chains; the lobotomical sort.
I scoured the store and bough the prized possession. It was quite probably a Tim Buckley record. Here comes a man, quick and close, with a chartreuse disposition.
“I see you thinkin’ kid, it makes my brain throw up alllll funny things. If my erradition ever had anyin’ ta say, it’d shout that you’s too rowdy a rider.” Good sir, a sharp mind and apt humour is all I need to keep myself from harm. I wrote that down, walkings as if the stiff block was nothing but. Such a misdemeanour, to be so passive. I lingered forward and onwards.

— The End —