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Poetry, the reason we are all here.
Writing words that we hope someone reads and hears
Hears in the sounds of the words, them coming alive
Vocally there is a potency to written words
Say them out loud, hear them, feel them form in your mouth
Soulfully continue this aged tradition of story telling
Poetry, is known globally, it transcends diplomacy,
it reaches souls, hearts and minds.
Like a minority,poetry is seen as weak and bleak,
but then life is not a bed of roses, there are thorns.
Reproachfully it is scorned, 'poet? Try writing a novel'
Wrongfully seen as the poor man to a novelist, poetry
at its best conveys, more in a few verses than a thousand
pages of a novel. Lonesome is the poet, that sees truth.
There is merit in poetry, the continuation of odes told by
the fireside, Viking, Persian, Celt, all historic bardic civilisations.
Purity in poetry leads down a path least travelled these days
but tales of yore still prevail, and Beowulf still roars.
Canterbury tales still elicit smiles, cries and woe.
Shakespeare, Dante, Poe, Neruda, Thomas, Petrarch all Poets with soul.
So, you tell me, and all of us poets are we the novelists poor relation?
Or, just reclaiming our station in life as the purest storytellers?
© JLB
In my heart the old love
Struggled with the new;
It was ghostly waking
All night through.

Dear things, kind things,
That my old love said,
Ranged themselves reproachfully
Round my bed.

But I could not heed them,
For I seemed to see
The eyes of my new love
Fixed on me.

Old love, old love,
How can I be true?
Shall I be faithless to myself
Or to you?
Julia Burden Jul 2010
He wouldn't laugh
if he knew
how much of
me
still belonged
to him.

He would close his eyes
(almost -
is that -
regret?
desire?
disappointment?)
if he understood
how my inspiration
is all
derived
from stolen glimpses
of that
stupid smirk.

He would ****
his head -
say my name
(reproachfully?
regretfully?
desperately?)
if he could
feel
himself in
every word
I write.

Though I wonder
would the
disapproval
be for my feelings?
Or simply
for the way I
romanticize them?
Emily Fay D Dec 2010
I let my dog out back and watch him
because it’s cold out and I’m
not wearing a shirt
my arms are crossed and I watch
as he disappears in the inky blackness
and I turn to the sky


Mintaka Alnilam Alnitak
eyes drawn to Sirius
and back
to Betelgeuse and Bellatrix
Rigel Saiph
The Pleiades, and
I like to pretend I can find
Procyon


My ******* and my hands press closer
to the glass, and it is freezing
yet my eyes are locked on the left of
Orion,
at a star I don’t know
nearly blinding with its luminosity
a planet, but one I do not know
and it thrills me


This is how planets are discovered
I think
anomalies in the sky that
make man wonder
it is bright and beautiful and my face is
against the window
my breath fogs the glass
yet still I see the nameless Star—
and I open the door, to bring myself
closer, to war the cold
in hopes that being near will
fill me with knowledge and that
elusory star will tell me its name


And my dog, invisible in the night,
jumps back from the door and looks
reproachfully at me
and I stare at that gorgeous sky
and my naked skin is already shivering
and my arms cross against my chest
as I turn and go back
inside,
staring at the Pleiades and Orion,
and that white-hot star
once more.
Written December 4, 2010.
She turned her head on the pillow, and cried once more.
And drawing a shaken breath, and closing her eyes,
To shut out, if she could, this dingy room,
The wigs and costumes scattered around the floor,--
Yellows and greens in the dark,--she walked again
Those nightmare streets which she had walked so often . . .
Here, at a certain corner, under an arc-lamp,
Blown by a bitter wind, she stopped and looked
In through the brilliant windows of a drug-store,
And wondered if she dared to ask for poison:
But it was late, few customers were there,
The eyes of all the clerks would freeze upon her,
And she would wilt, and cry . . .  Here, by the river,
She listened to the water slapping the wall,
And felt queer fascination in its blackness:
But it was cold, the little waves looked cruel,
The stars were keen, and a windy dash of spray
Struck her cheek, and withered her veins . . . And so
She dragged herself once more to home, and bed.

Paul hadn't guessed it yet--though twice, already,
She'd fainted--once, the first time, on the stage.
So she must tell him soon--or else--get out . . .
How could she say it?  That was the hideous thing.
She'd rather die than say it! . . . and all the trouble,
Months when she couldn't earn a cent, and then,
If he refused to marry her . . . well, what?
She saw him laughing, making a foolish joke,
His grey eyes turning quickly; and the words
Fled from her tongue . . .  She saw him sitting silent,
Brooding over his morning coffee, maybe,
And tried again . . . she bit her lips, and trembled,
And looked away, and said . . . 'Say Paul, boy,--listen--
There's something I must tell you . . . '  There she stopped,
Wondering what he'd say . . .  What would he say?
'Spring it, kid!  Don't look so serious!'
'But what I've got to say--IS--serious!'
Then she could see how, suddenly, he would sober,
His eyes would darken, he'd look so terrifying--
He always did--and what could she do but cry?
Perhaps, then, he would guess--perhaps he wouldn't.
And if he didn't, but asked her 'What's the matter?'--
She knew she'd never tell--just say she was sick . . .
And after that, when would she dare again?
And what would he do--even suppose she told him?

If it were Felix!  If it were only Felix!--
She wouldn't mind so much.  But as it was,
Bitterness choked her, she had half a mind
To pay out Felix for never having liked her,
By making people think that it was he . . .
She'd write a letter to someone, before she died,--
Just saying 'Felix did it--and wouldn't marry.'
And then she'd die . . .  But that was ******* Paul . . .
Paul would never forgive her--he'd never forgive her!
Sometimes she almost thought Paul really loved her . . .
She saw him look reproachfully at her coffin.

And then she closed her eyes and walked again
Those nightmare streets that she had walked so often:
Under an arc-lamp swinging in the wind
She stood, and stared in through a drug-store window,
Watching a clerk wrap up a little pill-box.
But it was late.  No customers were there,--
Pitiless eyes would freeze her secret in her!
And then--what poison would she dare to ask for?
And if they asked her why, what would she say?
Trevon Haywood Oct 2015
In my heart the old love
Struggled with the new,
It was ghostly waking
All night through
Dear things, kind things
That my old love said,
Ranged themselves reproachfully
Round my bed.
But I could not heed them,
For I seemed to see
Dark eyes of new love
Fixed on me.
Old love, old love
How can I be true?
Shall I be faith less to myself
Or to you?

Sara Teasdale (1884-1933).
I like Sara Teasdale
William Bratton Mar 2021
She hates hospitals
They’re so sanitized
The floors, the walls, the smells, the talk
She’s driven by this one so many times
and always looks the other way
They reassured people about covid19
«All those people are isolated »
« Those people », really?
Her husband’s undergoing tests
and she has to wait it out
The guy coughing in the corridor
is making her think twice about
« those people »
The doctor looked a little too young
but he had a nice smile under his mask
She noticed his empathetic eyes
But how will she manage
if he can’t work any more?
The insurance company will say
it’s a pre-existing condition
She’ll have to go back to work
Maybe her brother-in-law can find something
at the supermarket he manages
But how will she cope with those
incessant checkout beeps all day long?
Her daughter will have to quit college
How will she even begin to tell her?
She’s doing so well and is so close to graduating
The white walls are staring at her reproachfully
and the woman across the room
has a contemptuous look on her face
Could this be her doing?
Has she been pushing him too far about overtime?
She told him they couldn’t afford that car
but she finally gave in cause his heart was set on it
She seldom gives in when it comes to money
It’s going to be hell and she just doesn’t know
How long is this going to take?
Oh there’s the young doctor with the gentle gaze
He’s slowly walking towards her
She just doesn’t know!
He’s keeping his social distance
but his eyes are smiling
Mrs. Collins the tests came out fine
Your husband’s just overtired
With some rest at home
he’ll be back on his feet in no time…

— The End —