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"recognizably" poems
I've done a lot of things I'm not proud of but I can't be tied to those forever so people forgive and forget I try to forget but still feel bad and I know there are still sore subjects that I should be sensitive about. Scrolling through Reddit I see a post of Māori students at an airport greeting their returning teacher with a traditional Māori war dance which was an admittedly sweet gesture but something didn't sit right with me. I wondered why the students greeting their teacher had to do so through a display of militaristic nationalism I wondered if that was the last dance the Moriori people saw before the Māori genocided them for their resources I wondered if the Māori danced like that as they ***** murdered, and cannibalized the Moriori. Wondering all of this made me ask myself: Why did they have to greet their teacher like that? The students wanted to make a big gesture which dancing is perfect for but dancing can also be vulnerable and embarrassing because people may mock how you express yourself but strangers at the airport are less likely to laugh at you if you're doing a synchronized dance with a group of people and the dancing is recognizably tied to national identity because then it's a culturally rich dance you're a xenophobe for laughing at and that's what nationalism is: strength in numbers and a readymade identity in lieu of an individual personality oftentimes for the sake of pistanthrophobia. So as I read the circlejerking comments on the post I wondered what the difference is between a Māori war dance and a **** salute I guess the Māori people have experienced more oppression than Nazis but nationalism is nationalism and those who have oppressed are oppressors and many who are oppressed would gladly be oppressors given the chance. Nationalism isn't healthy for culture and often isolates people from other cultures that are all combining due to globalization which people fight to preserve their little dances and costumes so we can stay in eternal conflict over delusions of supremacy when the only nationality should be a global one.
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Aug 28, 2022
Aug 28, 2022 at 8:41 PM UTC
Nationalism
I've done a lot of things I'm not proud of but I can't be tied to those forever so people forgive and forget I try to forget but still feel bad and I know there are still sore subjects that I should be sensitive about. Scrolling through Reddit I see a post of Māori students at an airport greeting their returning teacher with a traditional Māori war dance which was an admittedly sweet gesture but something didn't sit right with me. I wondered why the students greeting their teacher had to do so through a display of militaristic nationalism I wondered if that was the last dance the Moriori people saw before the Māori genocided them for their resources I wondered if the Māori danced like that as they ***** murdered, and cannibalized the Moriori. Wondering all of this made me ask myself: Why did they have to greet their teacher like that? The students wanted to make a big gesture which dancing is perfect for but dancing can also be vulnerable and embarrassing because people may mock how you express yourself but strangers at the airport are less likely to laugh at you if you're doing a synchronized dance with a group of people and the dancing is recognizably tied to national identity because then it's a culturally rich dance you're a xenophobe for laughing at and that's what nationalism is: strength in numbers and a readymade identity in lieu of an individual personality oftentimes for the sake of pistanthrophobia. So as I read the circlejerking comments on the post I wondered what the difference is between a Māori war dance and a **** salute I guess the Māori people have experienced more oppression than Nazis but nationalism is nationalism and those who have oppressed are oppressors and many who are oppressed would gladly be oppressors given the chance. Nationalism isn't healthy for culture and often isolates people from other cultures that are all combining due to globalization which people fight to preserve their little dances and costumes so we can stay in eternal conflict over delusions of supremacy when the only nationality should be a global one.
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48
~ he sings to her in floral bloom, melodic language all his own; his magnolia blossoms heralding the rays of warmth, his utterance to come. its shyly spreading pink, and softly budding green, proof enough to her aching heart that winter's cold cannot for long contain, within its icy grip any life that from their union came. for deep within these roots, yet he lives again in breathing form; that every year til him she holds, winter's loss must yield to spring. she beholds this heralding; as with slowly, warming heart she tilts her ear, listening; waiting for this dearest voice. for to her ears alone and to her heart only a rising medley, tender melody, a lullaby returned, to her... for her... he begins to sweetly sing, unmistakably, recognizably... his magnolia lullaby. . ~ post script. *inspired by a dear friend's photo and accompanying caption... "Logan's magnolia showing her first winter bloom." a remembrance of her title bequeathed at his birth; a reminder of his legacy that has not, will not ever end.*
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Feb 20, 2015
Feb 20, 2015 at 9:56 AM UTC
magnolia lullaby
'But that was nothing to what things came out From the sea-caves of Criccieth yonder.' 'What were they? Mermaids? dragons? ghosts?' 'Nothing at all of any things like that.' 'What were they, then?' 'All sorts of queer things, Things never seen or heard or written about, Very strange, un-Welsh, utterly peculiar Things. Oh, solid enough they seemed to touch, Had anyone dared it. Marvellous creation, All various shapes and sizes, and no sizes, All new, each perfectly unlike his neighbour, Though all came moving slowly out together.' 'Describe just one of them.' 'I am unable.' 'What were their colours?' 'Mostly nameless colours, Colours you'd like to see; but one was puce Or perhaps more like crimson, but not purplish. Some had no colour.' 'Tell me, had they legs?' 'Not a leg or foot among them that I saw.' 'But did these things come out in any order?' What o'clock was it? What was the day of the week? Who else was present? How was the weather?' 'I was coming to that. It was half-past three On Easter Tuesday last. The sun was shining. The Harlech Silver Band played Marchog Jesu On thrity-seven shimmering instruments Collecting for Caernarvon's (Fever) Hospital Fund. The populations of Pwllheli, Criccieth, Portmadoc, Borth, Tremadoc, Penrhyndeudraeth, Were all assembled. Criccieth's mayor addressed them First in good Welsh and then in fluent English, Twisting his fingers in his chain of office, Welcoming the things. They came out on the sand, Not keeping time to the band, moving seaward Silently at a snail's pace. But at last The most odd, indescribable thing of all Which hardly one man there could see for wonder Did something recognizably a something.' 'Well, what?' 'It made a noise.' 'A frightening noise?' 'No, no.' 'A musical noise? A noise of scuffling?' 'No, but a very loud, respectable noise --- Like groaning to oneself on Sunday morning In Chapel, close before the second psalm.' 'What did the mayor do?' 'I was coming to that.'
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2.8k
Welsh Incident
'But that was nothing to what things came out From the sea-caves of Criccieth yonder.' 'What were they? Mermaids? dragons? ghosts?' 'Nothing at all of any things like that.' 'What were they, then?' 'All sorts of queer things, Things never seen or heard or written about, Very strange, un-Welsh, utterly peculiar Things. Oh, solid enough they seemed to touch, Had anyone dared it. Marvellous creation, All various shapes and sizes, and no sizes, All new, each perfectly unlike his neighbour, Though all came moving slowly out together.' 'Describe just one of them.' 'I am unable.' 'What were their colours?' 'Mostly nameless colours, Colours you'd like to see; but one was puce Or perhaps more like crimson, but not purplish. Some had no colour.' 'Tell me, had they legs?' 'Not a leg or foot among them that I saw.' 'But did these things come out in any order?' What o'clock was it? What was the day of the week? Who else was present? How was the weather?' 'I was coming to that. It was half-past three On Easter Tuesday last. The sun was shining. The Harlech Silver Band played Marchog Jesu On thrity-seven shimmering instruments Collecting for Caernarvon's (Fever) Hospital Fund. The populations of Pwllheli, Criccieth, Portmadoc, Borth, Tremadoc, Penrhyndeudraeth, Were all assembled. Criccieth's mayor addressed them First in good Welsh and then in fluent English, Twisting his fingers in his chain of office, Welcoming the things. They came out on the sand, Not keeping time to the band, moving seaward Silently at a snail's pace. But at last The most odd, indescribable thing of all Which hardly one man there could see for wonder Did something recognizably a something.' 'Well, what?' 'It made a noise.' 'A frightening noise?' 'No, no.' 'A musical noise? A noise of scuffling?' 'No, but a very loud, respectable noise --- Like groaning to oneself on Sunday morning In Chapel, close before the second psalm.' 'What did the mayor do?' 'I was coming to that.'
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51
But then, in that instant of plastic smiles and disco rain, I strode away from my first cradle. The air was northern and sliced my lungs open into startling clarity sliced my brain open into startling clarity. And when I looked around, I saw, and when I felt around, I touched. My trunk was slapped into shape, and in a blazing radio tower of language it became un-unique. I fuzzed my skull and rejected the lull and became recognizably human. And while school strobed by in a prosthetic ferris wheel, I jazzed to a different beat. 'Cause my friends were kids, but neon dashed through my veins; playing saxophone with irrational exuberance. I woke every sunrise with an occupation syncopation: they breathed air while I smelled bass guitar solos in the sultry breeze blowing by the office's oasis. And paper is a flimsy wall for desire, and I never could read a point twelve sized STOP. I spread my arms and heart-orchestrated yearnings in the moon-clouded evening in the mist-drenched night in the raindrop-fresh awakening, but grey can't do but see only grey. And neon doesn't come in that shade. No food but life no air but life no life but life. That advertisement sky is still looking at me, but I can see with my off-beat eyes that it was never a smile, but a frown of grim satisfaction. I was just looking at it upside-around. But my hair is people-colored, and my breath is derby muted, and no one puts money in my can. And then I looked around and saw, and then I felt around and touched, and then I Those glass windows melted and gaggled themselves across my tongue, spewing honeyed drops on my flaring trombone soliloquies! My vision spiraled into a black pond of bebop and my lids and lashed fainted: up up and away into the fading light of day.
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Oct 4, 2011
Oct 4, 2011 at 1:08 PM UTC
Quadraform Lifeform Blues
But then, in that instant of plastic smiles and disco rain, I strode away from my first cradle. The air was northern and sliced my lungs open into startling clarity sliced my brain open into startling clarity. And when I looked around, I saw, and when I felt around, I touched. My trunk was slapped into shape, and in a blazing radio tower of language it became un-unique. I fuzzed my skull and rejected the lull and became recognizably human. And while school strobed by in a prosthetic ferris wheel, I jazzed to a different beat. 'Cause my friends were kids, but neon dashed through my veins; playing saxophone with irrational exuberance. I woke every sunrise with an occupation syncopation: they breathed air while I smelled bass guitar solos in the sultry breeze blowing by the office's oasis. And paper is a flimsy wall for desire, and I never could read a point twelve sized STOP. I spread my arms and heart-orchestrated yearnings in the moon-clouded evening in the mist-drenched night in the raindrop-fresh awakening, but grey can't do but see only grey. And neon doesn't come in that shade. No food but life no air but life no life but life. That advertisement sky is still looking at me, but I can see with my off-beat eyes that it was never a smile, but a frown of grim satisfaction. I was just looking at it upside-around. But my hair is people-colored, and my breath is derby muted, and no one puts money in my can. And then I looked around and saw, and then I felt around and touched, and then I Those glass windows melted and gaggled themselves across my tongue, spewing honeyed drops on my flaring trombone soliloquies! My vision spiraled into a black pond of bebop and my lids and lashed fainted: up up and away into the fading light of day.
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4
It seems to me that even the most artfully sculpted facsimile of that designed by nature could never compare to the beauty of the recognizably finite and fragile. It would be the most grave of all crimes to correct the brush strokes of the most grand artist, that ancient blind watchmaker whose work is all around us. Who is the watch to say he isn't designed as he should be? Those with cogs misplaced are just as beautiful and unique as those whose finish shines with the most brilliant luster.
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Apr 3, 2012
Apr 3, 2012 at 2:37 PM UTC
The Beautifully Finite
My love, glides with cunning ease Mockingly, provoking, faintly… An incubus feeding off those who tease As a freezing breeze gropes the unclothed remains saintly . My greedy yearning, desires nothing less, but to drain To fill the vast pitiless appetite of  bittersweet sin. That sultry incubus is the only to blame Each hasty face, each unknown sigh, recognizably invited in. My crimson intimacy, defies a settled truce Between two famished predators hesitantly hoping To finally attain the succulent, lukewarm, juice Attempting, clenching onto composure; groping. Facing each other,  a mirrored image of one another Unmoved by the lingering aromas of the, Other.
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Sep 29, 2014
Sep 29, 2014 at 7:33 PM UTC
Mirrored Appetite
We’re the heavy eleven. Think about that number for a couple of seconds. It’s a pair of ones, side by side. When people talk about couples, significant others, they often say something about two people becoming one. I’ve always liked the idea of two ones. Two single and separate entities becoming a recognizably different thing, yet still able to be autonomous. What an enormously human achievement. And, the achievement in no way has to be relegated to romantic partners. We can all be friends, right? We can have each other’s backs, yeah? Support one another? Thick and thin, and all that kind of thing? Home team? Visiting team? Does it really matter? I’m one. Me. Alone, You’re one. Alone. Independent. Relevant. Real. Like the ones in the number eleven. One. one. Two ones. Side by Side. Each holding the other up. Supportive. Encouraging. Together. The heaviest of elevens. *** -JBClaywell © P&Z Publications 2019
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May 17, 2019
May 17, 2019 at 4:44 PM UTC
The Heavy 11
Tension drips from my lips I tighten forcefully. I tap my finger tips recognizably. Hoping you look over to see my anger seethe Notice the chip on my shoulder And ask it nicely to leave. Your the thing to calm me, and my raging head disease.
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Feb 11, 2017
Feb 11, 2017 at 9:12 AM UTC
Antidote