Submit your work, meet writers and drop the ads. Become a member
Mateuš Conrad Dec 2015
a. aristotle's nonchalance in comparison to his other ideas when investigating the lagoon (although wrong on the no. of teeth in a woman's mouth and the origin of flies from rotting fish - two jars, one open, the other covered - he treated his theory of adaptation of an animal / in humans on an individual basis - with less concentration of necessity for the theory to be expanded than his logic or poetics) - i.e. it was not good enough to be made dogmatic, like darwinism, therefore aristotelian darwinism does not exact a necessity to put the theory akin to a theological standpoint.

b. 'the darkened mind, whether that be by illness or some other cause illuminates in reverse to the mind of the plateaus: the stark difference is that the darkened mind attracts light like a moth into it, although it does this attraction without ever revealing the pin-point, the last revealing point of what the light has to illuminate, it's no good providing this point in a reference to psychology searching for the "ego" of that known existential notative abstraction working on the basis of the pro-verb: know your self. the darkened mind is in fact providing the basis for the search of nothing, and a subsequent of offshoot of what knowledge nothing provides: whether that's geology, pharmacology, chemistry, physics, or any of the humanities - although the humanities actually provided the basis for scientific study, since it was poetry that was criticised, and provided the basis for the two socratic pillars: knowledge of your self | knowledge of nothing - without a critique of poetry none of the subsequent investigations beginning with a non-empirical study that's philosophy would still be among the crumbs of history and stone of the parthenon. subsequently the mind of the plateaus simply regurgitates via regression to a known origin, it illuminates with knowledge that was hidden for a while, esp. during the times of illiteracy, which made it easier, although these days almost every man is literate, he is still illiterate in the sense that he prefers images to words / symbols... he's being fed a second illiteracy even though he is literate, therefore whatever knowledge is provided, it's immediately hidden, hidden via the use of images to distract, because words and the symbols that create them are not of an ontology of distraction, but harsh / labouring engagement - esp. if they are not used for the utility of speech, but made solely cognitively optical, they resonate with a double decker bus filled with about 90 people and only one person reading a book.

c. ah the introduction is over, and then the actual poem,
if i could remember it exactly,
it dealt with a cartesian contemplation
dealing with an extension from the trinity model,
what was the extension model? what was the basis
of it? i remember noting that the mind of the plateaus
originality came only with coinage of phrases,
i.e. coining a phrase, or simply crafting a
new compound from words rather than chemical
derivatives... the philological monstrum
of a fixed prefix like sub- or un-
and then the all encompassing suffix
like -conscious - and then some grand complication,
like the word oedipus becoming a complex,
and this complexity reaching a point
where no original idea can be encompassed,
because what's required is the practice
of creating and using an analogue,
so that those in the range of the intended
gesture do not have to go further in their reading
but further their practice: a draw of stars...
none longer or shorter than the other,
all uniform... one shoe fits all story...
i mean how can words conjure ideas
(esp. original ideas) if words are intended
for meaning, and solely that?
ideas come when the intended usage of
such symbols as a - z are not expressed in
how they were intended to be expressed:
pre vox. if you spend a long time with these
symbols in the optic area rather than the
larynx area... you'll find the holy grail of
crafting and fathoming ideas...
philosophy begins here... seeing rather than
the utility of these symbols... to see with them
rather than to speak with them... after all...
think twice before saying something stupid.
i'm still bothered by that cartesian connection,
how did i manage to tangle in the one third
of the equation: substance, thought, extension?
what the hell was i comparing to make that
analogy? surely it wasn't a way of working
from the way existentialists abstracted
something concrete as an identity and decided
to do the pontius pilate of washing their
hands clean of any responsibility using the ditto
marks? sure this abstract enclosure for an identity
(in phonetic units expressed as ego)
cannot have stable if not merely sane grounding
in all serious theoretic engagement by the logic
of being a possessor of a soul;
first they dispossess the people's confines
of the soul's existence, later they come after thought,
and it's there, the proof, like today in the supermarket,
me waltzing for my intended purchase,
and a horde of zombies bewildered by
the abundance of products... standing about the aisles
mouths open, ready for the wind to change
direction and their mouths perpetually opened
with the medussa wind... or simply waiting for
the next pigeon to do his duty on a copper statue
of churchill outside parliament sq., bleached crop
of hair with **** in it.
honestly... the zombies are coming...
first they fool the people that they have no soul,
backed up by the logic of a soul that, when
compounded (i.e. psychology) makes it sounds
important, like an edict by the house of windsor
about to make rise to the 2nd lord protector
via a re-emergence of oliver cromwell...
then they decide to invade the parameters of thought,
they used psychology (the existent non-existence
of the soul) to banish all original thinking...
thought has become banished into hades...
if the soul is not allowed in the body, then
thinking surely isn't either, and how did they do it?
they said: the existent non-existence of the soul
will convince thought to disappear, making
the body virtually mirror like invisible -
like a black kid before the social revolutions
at the back of the bus, before the old lady stepped up,
and yet in the 21st century, the old minotaur is there
at the gate of the new labyrinth; in my school days
all the black boys sat... well... you guest it...
at the back of the bus... so much for the old lady
making a stand.

d. as the title suggests i was working up to a crescendo,
i was about to mention the sort of confusion cuneiform
might have provided had it existed in writing
but not in thought, although we write with latin symbols,
i'm sure that our thinking is still ingrained in
the coming of the three magi and the loss of cuneiform,
all the many offshoots of christianity you'd think
we were living in babylon, where the king went
mad, and the hebrew architects scratched their heads
so hard and so long that it caused the babylonian
king to become sensitive to scratching sounds,
he ran out of the palace screaming:
'cockroaches! cockroaches everywhere!'
then the enslaved hebrew architects just said:
but sire... gardens upside down? earth above sky?
how will that work... we did the pyramids,
perfect geometry, perfectly understandable geometry,
but garden that grow trees upside down?
didn't you hear the greek theory of how trees grow
by eating the earth from below, rather than above?
'cockroaches! cockroaches are nibbling!'
so i did end the poem i lost via a message on the screen...
jimi is dead, forget jim.
i ended it by noting the admiration of the romans
when it came to the mausoleum at halicarnassus,
persian design, intended for mausolus,
so admired that the word mausoleum gained
popular public everyday usage status,
a bit like a war-pig / war-dog in the legionnaire army,
above the general's servant: does battle...
doesn't do pampering with perfumes.
seems fair enough, got the warring grunts / barks,
runs miles with the horses, has a piquant snout and tongue
for human flesh... plays dead, finds mushrooms
beneath the slain... speaks broken german war-cry...
perfect for combat... not really perfect for my quarters of rest.

e. what does it really matter, this 200,000 million
or thousand year old historical co-ordinate?
the chinese were drawing dragons with the welsh
concerned with st. george long before dinosaur
bones were unearthed; if this isn't an example
of the jungian collective unconscious of being
"clued-in" then i don't know what is...
esp. given that not even 2000 thousand years of
history fits into my brain when i boil
a kettle filled with water in 5 minutes...
smoke a cigarette in the same amount of time,
it makes no sense to "pump iron" so much
when practising history to go as far back as that,
it makes in-the-moment living so far detached
from life per se, that you begin to wonder
why we went further than the epic of galgamesh
(where all western take on history begins)
or the upanishads... when the caste system
became operational: from dark skinned sri lankans
to the masters on the boarder of the himalayas:
un-believable... racism within a society
that did not expand into colonialism...
strange to have kept the blue indians in mint condition
due to the cuisine... and have slaughtered the red
indians keeping them a minority to such an
extent as to keep them in nature reserve parks...
black president is a phenomenon? a slave, former,
is a phenomenon? i puppet i suspect...
get a native on the top seat and their will be
less jubilation i gather.
but that blue indian word for demon: rakshasa...
from the serialisation on the t.v. entitled indian summer...
the h as silent as in dhaal?

f. if something profound has happened to you,
and you want to speak about it,
remember to take hold of the psychiatric buffer,
this buffer zone will enable you to see
an atypical sociological reactive compound
of the ****** expression, it will reveal
who you can reveal a secret to,
after all, psychiatry is all about listening,
therefore not thinking, therefore not doubting,
therefore actively engaging with the precursor
negation... sartre to descartes:
i use too many punctuation and "punctuation"
marks, therefore i can't couple thinking with
doubting, i must therefore couple thinking
with negation... descartes to sartre:
i always knew that even though we salvaged
the latin alphabet by adding the diacritical marks,
our punctuation and style would get the better of us...
what's the point of ć ń ś ó if we have
the capsule of " " to mind in terms of what words
are allowed a blessed disunion from meaning
when over-used esp. when you to deceive rather
than covey orthodox meaning?
Aurora Feb 2020
R.J Calzonetti


Screaming cross the skyscraper’s windbreaker tapering

Aether vapour- trailblazing ****-sapien wafers

Of machinations psychotropic doppelgängers

Aristotle throttling menagerie’s philosophically hypnotic obelisks

Mind-boggling astronomical chronological esophagus

Antioxidants phosphorus catastrophic mitochondria

Beyond anaconda onomatopoeia

Of hallucinogenic Armageddon biblical umbilical cords

Swarming northern lights of aurora borealis

The chalice a battleground of Evangelion belladonna

Metalica candelabra swallowing the monochrome Hanukkah

Of a cold winter’s eldritch disintegration photosynthesis

Of innocent infinity stretching wretched beckoning requiem

The words that fall upon my page, are really just a shallow grave

Of the dawn of nighttime in my eyes, calm upon the twilight sun

Wrong is done draped on the blood moon wraiths

Skyscraped fields dusk a hollow thud below the dunes

That thumps the consumption of our fate, fumes to glow in darkness loom

Left blind in light of day you cannot see, the little pieces silver sheen

For blinding light may fade to grey, and I will never have my way

Nightfalls on another daybreak, dawning darkness, sundown on another day

Twilight plays with sparkling haze, the sky a wildfire made ablaze in patchwork scarecrows

Who etch rainbows black as a heart of coal, sold flatlining railroads

Gold wraithlike halos of stained-glass cathedrals unreal in the fever-dream of human beings

Bleeding Elysium from the seabed of dead worlds, gourds of incorporeal cornucopias

Born orchestra morsels of sorrowful oracles predicting crucifixion of ellipsis’ antithesis


(MC) Aurora


Absonant  as my pen writes the twilight, the red swallowed on horizon and bright

As through a sea of blood under my feet and shrinking mast of my mighty ship

A shadow I make on that red snow and peep into my heart’s hollow

It’s deep as much as my pen spake of grief.

I blinded in that last light and hurled like a beast dreading the songs of holy lies

That have just pained in bright and made me grieve.

They dragged me on my wings and deplumate  me as so fallen humans

They wrenched my limbs and rive my heart out and flinger me in air and I laid forever

On the stones that dank my blood.

I wait for the troth  of  demise but betrayed as it didn’t come to detract,

I laid when the horizon grinned red on my face and poured the last ale

And brutally drank the last sip of me.



R.J Calzonetti


People are sleeping under the blankets of a tranquil streetlamp

A sunflower in the damp bed of concrete

Soon they’ll be pushing up daisies

Underneath the foundation of what I stand for

Nip the bud of the flower pedalling the root of all evil like fallen leaves

Breeding paraplegic freedom from the pollen melancholic

Anarchistic polycrystalline shapeshifters drifting vilified

Buried alive like asphalt constellations crowning metallic gallows alcoholic in my solitude

See the clouds bury the ground in half a heaven’s heartbeat

Limbo’s limitless abyss the photosynthesis of the sepulchral diablo

Revenants of redemption dancing with death

Evanescent in its bioluminescent crescent moon spooning illuminated illustrations

Of Himalayan mayhem cremated avarice of ethereal onomatopoeia unravelling catacombs in God’s palindromes

Homeopathic saplings decapitated in the dismembered September wastelands defibrillator

Invigorating the nightshade white wraiths plane-walkers of Apocrypha documenting entropy

Pent up sentience avenging the endless demigods of discombobulated proclamations nocturne graceless, octaves eldritch, evangelic

Elegant elevators to flights of staircases where the air is fragrant with the fragments of stagnant stained glass asterisks

Written gospels to masquerade hostage to the faith the man misplaced the sacred hate, the passageways of apathy apostrophe

Apartheid of serpentine survivors carving smiles on the sidewalks

Farming diamonds and their detox

Arming giants like a phoenix

Carnal nihilists with their secrets

Stardust quiet as the bleachers

Start defiant still a reject

Art discipled to our freedom

Shattered hearts pick up the pieces

Jigsaw puzzles, smothered treasons

Sow the seeds and **** the reaper

Even legions rhyme and reason

Tattered flags without a penance

Good men do not go to heaven

Buy your burden at 7-11

Your exit is the only the next entrance

Resurrection prepubescent

Asymmetric biomechanics

Anguish to be reprimanded

Megalomaniac in our sabbath

Living life is just a sentence

Psalms of seance death’s senescence

Baptize vengeance lest it ventures into heaven

Ventriloquist omniscience of rhythmic equilibrium

Earthly hurricanes reemerging insurgent as the sugarcane purgatory

Primordials metamorphosis contorting rigour Mortis oracles horoscope cloaked in cloaca hallucinations

Induced irradiated amalgamated retaliatory incorporeal chlorophyll

Born from the sorcerers' spell, the cathedral of doubt

The only darkness is within oneself, light shed within a holy shell

Isolation is a lonely hell, scythes of moonlight blight of bells

Nightingales fail to halo word of mouth

Enveloped in the clouds cast shadows hex

But resurrection cannot hide from the eyes of death

Fresh as babies breath

Rank as the body festers effigies

Bless the Nephilim the questions beck

And call for some god to collect the rest

Is there any answer?

Even growth can be a cancer

Lifeless corpses once were dancers

Devils waltz on top of canopies

Heaven’s hands have touched serenity

****** brands that crushed His enemies

Stained glass sanguine dismantled entropy

Calamity ran dry insanity dabbling in humanity

Unravelling the candy wrapper saplings of happiness

Pitch black irradiant dull edges sharpening archangels, darkness reincarnating

Blinding bioluminescent glistening abyssal rakshasa sarcophagus parting monarchies

Metamorphosis coruscating fornication immortalization Tartarean

Reverberating ****-sapien scintillating hurricanes palpitation circulating ricocheting oblivion

Shining crepuscular homunculus dully illustrious

Sunless avatars, mannequins of Abaddon stygian as fallen leaves on the breeze of Avalon Evangelion

Incarceration breeding Elysium’s jailors in the cathedral of double helixes

Bethlehem's’ new genesis of Lucifer’s crucifixion

Brighter than a fallen star

Mourning in the dark

Doppelganger apostles night stalkers of phosphorous

Pockmarked arcanum bloodstained in gravestone Salem

Where the braves’ halos dined on maelstroms alone

Heirs succeeding failures of the empty throne

Filled with nothings’ own

Brimming bound by Babylonian poems

Deus ex Machina's apocalypse coughing prophets of Samsara blossoming diabolic

Life is but a Holocaust

Death the moment God forgot

Breath the only psalm we sought

Kept within a hollow box

Shedding devils, angelic, lost

Finding metamorphosis


(MC) Aurora


A world often synonymous with beauty on the horizon,

Meet my eyes you mourned demon load the strength on thee.

Crestfallen light on your wrist burns down your girth

And you can plead, just plead your twilight sun.

Watch the dead sea swallow you in the salts of agony

And drown in the anguish, hundreds of angelic bloodsheds,

Press hold of the thumbprints on your throat, you can't roar.

Sore lugubrious melancholy aired atmosphere,

And downhearted souls dispirited dragons dragged along.

The sob grim hiding in a blue funk rusty smog choking wind,

The nyctophilliac animals howl long the cold-blooded love song

In your lungs and burn.

It's the twilight sun,

Just that twilight sun.
By Aurora & R.J.Calzonetti
Hunter Miles Nov 2014
Onward and onward they march
These automatons of flesh and bone
Seeking whom they may devour
Upon this ungodly hour

Onward and onward they march
This army of rakshasa
United not by flag or ideals
But by the monster within

Onward and onward they march
This new dominant species
Humanity's bones break beneath
The decaying feet of the ******

Onward and onward they march
These bearers of immortality
Time, thier greatest ally
Ignorance, their greatest enemy

Onward and onward they march
These ignorant beasts of burden
Infect and feed, infect and feed
Programmed into their minds

Onward and onward they march
Into the great unknown
Knowing not what they do
Knowing not where they go
C H Watson Jan 2015
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Rampaging tiger, once gentle girl, spare us our lives!
Reduce us not to blood-spray with your lethal knives!
                   Lop                           not
                 our                              red                            
­               and                               raw                necks
             with your  wicked       and         brutal
            claws and glinting        wry   fangs!
          You                   are           kindly
        and               not a              bad
     monster      with a                sly
and         voracious                   gut!
                   Have                        for
                   our                           wet                        tears
              some                             wee                      pity!
        This                                      we beg, O rakshasa!
  Please,                                          remain vegetarian!
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
This poem is shaped like the Japanese character for death (死 ****) and is dedicated to my pal ShiftingTiger on AllPoetry.com! She happens to have been afflicted by some sort of teenage lycanthropy, so we try to give her moral support and vegetarian encouragement whenever possible.
Was she but the fallen
Come down to raise an Arcadian hell,
Avoiding peace in graceful slalom,
Encased in her callous breathing shell,

Most would describe her as the Cacodemon,
With the eyes of baleful sin,
Defined by her nefarious inner demon,
That had beguiled her sanity to its whim,

She breathed of ethereal indignation,
Sought upon her by trenchant thoughts,
Damning her for indulging in feelings as dissipation,
By those who seek defamatory purity as frauds,

She was the unwanted succubus,
Whose earnest beauty cost too high a price,
Her darkly alluring convictions were a neuritis,
Brought too bare all adamant admirers vice,

She was thought to be the rakshasa,
Condemned for safeholding her own heart,
Not wanting persue any psychodrama,
Not wishing for a reckless counterpart,

So she clinged to her hellhounds,
To hold at bay any contemptuous intruder’s,
And so they dub her hell bound,
Ignorant of her past patronizing prosecutors.

She is the Cacodemon,
As she shuts her gates from all,
Trusting none acclaimed shaman,
As she has already been judged to fall
I share my bed with demons.
Goblins, and Rakshasa,
And Japanese Oni
stain my sheets,
already crimson,
with red hot unrest.
They do not speak in whispers.
They do not close their eyes.
Together we lie and toss,
And think and sleep
Not a wink, not a wink!
Just listen to the
Crickets and wind and,
below us,
Hear slow, steady,
Heartbeats of
the hell they call home.

Follow sulfur incense strings,
My mercy, down to the
ninth circle of my bed.  
**** the swelter of
this under-the-covers underworld,
Drown touch-starved fires
with holy water sweat.
Suffocate a roomful of shadows,
with a fistful of light.
Guide my way to dreams.

Save me, save me, save me.

When you are not with me
I share my bed with demons.

— The End —