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Yenson Jul 2018
May we live in and see interesting times, the old saying goes

another offers that when the mind is blind, the eyes cannot see

for me my days are interesting and the laughter readily and often comes

for the grapes of wrath brings forth mirth filled grapes on grapevine tendrils

As lemmings and sheep enact bellyaching absurdities, as the ridiculous does



Veracity on sojourn and falsehood in residence with doors firmly closed

Hamlet re-enacts hapless role, with Red Robin Hood and vigilantes to a tee

eager audiences, participatory scenes in towns and cities, leaving empty homes

come all and vent your spleen and satiate your prejudices without paying a fee

This land belongs to us, it is our birthright and we will send Hamlet to the catacombs



Nothing is private anymore, rights and freedom nailed, anywhere we roam

Ophelia not only went to Italy, she went to Hull, Turnpike Lane and even Essex

but a joke here, if all these were good, why did she come to me, you simple gnomes

perchance unlike you common goons,  she knows distinction has no comparison to thee

Your vacuous hate filled mind cannot see that difference in a Prince, that regally looms



Act two, dim, fooled actors in their Beggars Opera, screaming, 'we oppose' with glee

so called republicans, laughable in their ardent favor, ignorant of their lobotomy botches

we will do Hamlet's head in, totally unaware theirs been done in, for the brains of fleas

in a civilisation, our conscious and stable populace, roots for vigilante and mob rule, yeah

for a man of distinction is a threat reminding you of your insignificance and lack of tomes



Come friends, lets see how the home of Democracy, hounds a citizen for us all and we

lets know that Robin Hood is alive and taxing, and 'Windrush' is still active in dispatches

indigenous people power, meets criminal gang stalking, meets racism and we all drink tea

and in true cowardly fashion, its all done by insidious, indictable, nefarious, malcontents and psychopathic crazies

It is our proud duty that we should all ruin Hamlet, for mediocrity has no distinction for aspiration et excellence


Copyright LaurenceA. JUNE 2018.All rights reserved.
This is based on the experience of some one victimized by a contemporary Left-wing Group for daring to criticize their views and believing in aspiration. This poor fellow has been hounded all over London, lost his job, isolated by smears and outrageous lies now broke and on the verge of suicide,, all because he aired his own stance against socialism. The Reds are forsaken bullies, I dare say this. In the old Soviet States dissidents are subjected to a program called Slow death, where they are discredited, harassed, hounded, mobbed everywhere, isolated, they are smeared, character assassinated and persecuted. they are unfairly dismissed from jobs, denied basic Human rights and some are framed and institutionalized and declared insane, in essence their whole lives are summarily destroyed and most end up committing suicide. I regret to tell you that this happens to some in this great Nation too. Pls research Criminal Gang-stalking, Cause Stalking and Community Vigilantes online.
tread Apr 2013
It wasnt long before the baluster flapped somewhere in the distance and Icarus knew how old he had been on the day of his birth. For whatever reason, the snow capped cappuccinos he had willfully destroyed in a heated debate on fiscal policy had him beginning again. Why was there always a beginning where there was an end? Fur traders used to circumnavigate the Hudson's Bay of his humanity when he was young, sharing drinks and fire water whiskey like it was all an H2O ready for the soul search. Sadly, many ended up in Hitlers concentration camps weeks after the **** invasion of Poland, about a month or so before the fall of the Roman Empire. Beginning with a last breath, Icarus strode off the plank with a new-found confidence unnatural in his niceties of long past. It was as if 1 minute and 35 seconds was enough to dish a clamouring populace onto the dinner table before the fat step-father gleefully orders
everyone to 'dig in, everyone!'

Cancelling everyone's appointment with Dr. Pardon meant the gaining of a key participatory certificate in El Dorado, and the gold lingering in dusty sun-beams was sifted for the taking. Some got rich, the rest got miserable. The rest used to imagine the gold, staring at ivory towers and lottery tickets, apple cores lording over old public servant applications near the city hall drain pipes as the modern world collapsed into a flash-mob image of Ronald Reagan.

Icarus was a sliver of duskish light flittering a top distant windowsills, all cupped in an intentional light because happiness was as possible as sadness. Not that considering either would make you either.

Icarus slept as his wings incinerated at the first glimpse of the solar system. He now believed every single proverb the old ***** slumbers had whispered their children as they woke to find themselves adults.

In the beginning he found the beginning beginning again. It made him feel however you wish. Both were just as possible. Both were just as much a jazz configuration as a smooth and easy guitar rift.

Ahha!
http://www.facebook.com/home.php#!/profile.php?id=716179266&ref;=ts
Jerry Saltz Michael Reid Rubenstein: What I am about to write IS NOT A PUTDOWN of your art. You write, that "everything you see is priced under $950..." I am NOT sayiong you are a bad artist but I looked at some of those brush painting things: They are overpriced at that figure. There is no originality in the work; no spirit; no idea; no touch; risk; or whatever. I am sure many many people would not pay a dime for MY WORK! I would not pay fopr yours. Again, no disrespect intended; YOU posted it and made the offer; I thought maybe I'd buy something so I looked, is all ... ♥ Js Tuesday 12:30 PM

2 figures on stage in totally make believe situation
JERRY PEPPERZ hello Michael i noticed you withdrew your offer
MICHAEL REID RUBENSTEIN why are you acknowledging me if you think i have no originality no spirit no ideas no touch risk whatever?
JERRY PEPPERZ oh come on Michael hasn’t your skin grown tough enough by now to withstand a little criticism you want to run with the big guys you got to learn to play hardball (smiles smugly)
MICHAEL REID RUBENSTEIN a little criticism huh Jerry you’re a published big time nyc art critic nominated for prestigious awards advisor to celebrated exhibitions visiting critic at many esteemed universities friends with renown celebrities photographed with powerful dignitaries who the hell am i to utter a whisper in your direction (smells looks away)
JERRY PEPPERZ now come on Michael i was just doing my job no need to take it so personally like i wrote What i am about to write IS NOT A PUTDOWN of your art (picks hair from shoulder flicks it)
MICHAEL REID RUBENSTEIN Jerry you got a way with words (pause) i’m just a stupid-*** painter who doesn’t stand a chance against a shrewd critic like you i think i’ll just keep zipped up and quiet (makes eye contact)
JERRY PEPPERZ but i asked you when i re-friended you on FB to be more vociferous and participatory i guess i didn’t realize how valueless your artwork is please forgive me (sniffs finger)
MICHAEL REID RUBENSTEIN didn’t do your homework huh Jerry? i keep asking myself why you didn’t send me a private message why you needed to take an earnest exchange of ideas and openly deprecate me heck you’ve never even seen my work in person your casual remarks dispute my entire life’s work credibility authenticity what you think you were being clever or cute Jerry you know how to be vicious i realize you don’t become a famous critic by being nice to people critics gain popularity because they’re ******* with razor-sharp slandering tongues you want to hear what i think i’ll tell you you’re a balding insecure little man who enjoys beating up on small time artists (is it all right with you if i call myself an artist) like me you know how to take a person’s complete career and trash it with a few choice words you can be rather mean Jerry (grinds teeth)
JERRY PEPPERZ i apologized now let’s not turn this into a regrettable incident (rubs hands together)
MICHAEL REID RUBENSTEIN at least i’m doing something Jerry instead of sitting on my **** condemning others i wonder if my work were hanging in Larry Gagosian’s Gallery and collected by Charles Saatchi how fast you’d change your tune you’re nothing more than a puppet of the rich and if you try to sue me for these remarks you’ll get nothing since you made **** sure my paintings are undeserving with your haughty dismissal
JERRY PEPPERZ would you excuse me i’m late for a lunch date with Alec Baldwin this little repartee will have to end bye Michael (turns looks down checks cell phone)
MICHAEL REID RUBENSTEIN Jerry can anything good or positive come out of this or does your mind not work that way i mean you’re a revered critic i need you in my corner
JERRY PEPPERZ you really think i’m an ******* don’t you (looks down rechecks cell phone)
MICHAEL REID RUBENSTEIN like i mentioned Jerry i’m just a stupid-*** painter not a judge or brilliant critic what i think is irrelevant what you did was cruel sadistic abusive
JERRY PEPPERZ get over it let it go just drop it Michael i really need to run Alec doesn’t like to be kept waiting he’s buying (grabs coat walks like he needs to go to bathroom fast stage right then suddenly reappears) don’t let me find out i underestimated you who do you think you are i’ll thoroughly destroy you (exits immediately)
MICHAEL REID RUBENSTEIN (shakes head) sheesh

Jerry Saltz
Jerry Saltz September 8, 2010 at 9:22am
Subject: I am sorry.
Michael,
I read your comment.
I am sorry. I did not mean to cause you any pain.
I went back and deleted by commnet to you. I will now delete the comment i made to you about it.
You can do whatever you want with your comment to me; it is up to you.
Thank you,
Jerry "clever," "cute," "vicious," "*******," "slandering," "balding,"
"insecure," "little," "beats up on small time artists," "take a person’s complete career and trash it with a few choice words," Saltz
Universal Thrum Nov 2014
I am going to try speaking some reckless words, and I want you to listen to them recklessly.

Burning Man is an invitation to a collective art experience, similar to that of the Jew’s mass revelation at Sinai, to be converted into little children and enter the gates of heaven together.

In Black Rock City, There is no money, no commercialization, only a gift economy of free cooperation, supported by the radical ethos of self-reliance, self-actualization, and radical inclusion.  

One friend, who happened to live the life of a hobo artist, commented that she felt that burners were paying to experience life as a hobo. I understand the experience as a way to live openly without attachment and give freely without attachment, and as the saying goes, the playa provides.

In Black Rock City, There is no us and them, because as one citizen so aptly put it to me as I thanked him for the gift of some unknown chemical, “We’re all ravers here man.” And We we’re and are all raving mad, dancing to the song of the desert, everything everything everything, yet no one died there, no children were harmed.

Socio-Economic status indicators are less apparent at Black Rock City, dress is both shabby and marvelous, as many are in the hippy Mad Max apocalyptic desert tribal grindhouse gear of their choosing, or naked as the day they were born, covered in dust.  

The happiest man I witnessed, sat naked in full lotus, serenely smiling to himself, dreadlocks draped over his shoulders rocking back and forth at a woman’s wedding where she married her self.  He knew the open secret.

This strikes at the heart of the matter, there in the desert, there is an awareness, that every citizen is in an act of participatory art happening in the now, you may wear your body without shame, without scorn or derision, or even a second glance, you may simply be in all your human glory, in whatever mode of conscious, whatever identity or avatar you choose.

Comfort of touch arises in this open, relaxed atmosphere of non-repression, Hugs are standard greeting, and last a deliciously long time compared to our society. Cathartic emotional release arises, encouraged by freedom from social conditioning, laws, and traditional mores. There is a fervent, accepted development of comradeship, the beautiful, sane affection of man for man, latent in all the young fellows, north south east and west.

Rumi’s quote on Zoroastrian’s wheel reads, “Come, come, whoever you are, Wanderer, idolator, worshipper of fire, even though you have broken your vows, a thousand times, Come, and come yet again. Ours is not a caravan of despair.”

In this living environment of artful community empowerment new social standards arise, more equivalent to private desire, as there is increased ****** illumination, new social codes made manifest that rid us of fear of our own nakedness, rejection of our own body.

This stands in stark contrast to the present condition of life for American Person, which is one of deathly public solitude and mass commercialization.
We’ve built a technological Tower of Babel around ourselves, and are literally reaching into heaven to escape the planet. The stupendous machinery surrounding us conditions our thoughts, feelings, and reinforces our mental slavery to the material universe we’ve invested in, the separation and tension this creates can be felt walking down the street avoiding stranger’s eyes.

I say all this tremendous and dominant play of solely materialist bearings upon current life in the US, with the results already seen, accumulating, and reaching far into the future, that they must either be confronted and met by at least an equally subtle force infusion for purposes of spiritualization, for the pure conscience, for genuine esthetics, and for absolute and primal manliness and womanliness – or else our modern civilization, with all its improvements is in vain, and we are on the road to a destiny, to that of the fabled ******.


How can we Americans make our minds change theme? For unless the theme changes-encrustation of the planet with machinery, inorganic metal smog, violent outrage and mass ****** will take place. We witness these horrors already.

Abruptly then, I will make a first proposal: on one level symbolic, but to be taken as literally as possible, it may shock some and delight others – that everybody who hears my voice, directly or indirectly, try the chemical LSD at least once; every man woman and child American in good health over the age of 14, find a kindly teacher or guru guide and assay their consciousness with LSD – that if necessary, we have a mass emotional nervous breakdown in these States once and for all.  

Then I prophecy, we will all have seen some ray of glory or vastness beyond our conditioned social selves, beyond our government, beyond America even, that will unite us into a peaceable community.  I hope this will be understood not as the solution, but a typical and spiritually revolutionary catalyst, where many varieties of spiritual revolution are necessary to transcend specifically the political Hobbesian cold war we are all involved in.

I would invite you to step away from your rational mind
Seek inner space awareness
May the long time sun shine upon you
And all love surround you, and the pure light within you, shine your way on
I gave this speech as part of a Pecha Kucha presentation at the Columbus Musuem of Art on 11/13/14
Homunculus Oct 2016
Step 1: Legalize all drugs and treat their possession as a public health issue, as is practiced in Portugal

Step 2: Get all nonviolent drug offenders out of prison and (A) into treatment when dealing with harder drugs like ****/coke/****** (B) get the *** growers some jobs doing what they're good at, and watch as the extra tax revenues progressively revitalize both local and national economies. (1)

Step 3: Fill the new vacancies in the nation's prison system with the entire US government and the top 1% of income earners as  punishment for their hubristic crimes against nature and humanity.

Step 4: Forgive all debts and redistribute all of the assets of the aforementioned parties among the entire population, but especially the impoverished classes, to create socioeconomic balance.

Step 5: Decentralize the economy and rebuild it along the lines of federated, autonomous municipalities, based on common ownership of economic resources, free education and healthcare, and participatory democracy. Once this is done, we can let the former government and 1% out of prison. (2)

**Brought To You By: Homunculus For President (but not for very long, because being an authority figure would sort of contradict the entire essence of the society I just described) 2016
Note 1: it is also worth considering that the hemp production resulting from steps 1 and 2 could eventually make fossil fuels and petroleum based plastics obsolete, as well as curtailing the deforestation and habitat destruction caused by the logging industry. Hemp is an excellent source of methanol, essential oils, and pulp; the former of which can be used to make biofuels that could substantially reduce carbon emissions from motor vehicles; the latter of which could produce cheap, high quality paper. As a corollary to this, the acreage saved by the economical production of industrial hemp could be used to replant forests, thereby increasing biodiversity, and allowing the plant life to sequester excess atmospheric CO2.

Note 2: Except people like Cheney and Kissinger. Those evil pigs can sit and rot in solitary while they watch our revolution unfold on television.
Chad Young Feb 2021
What is quantifiable are the symbols. What isn't quantifiable are the zones between the symbols, unless there are many symbols present that form spaces.
There are partial symbols, i.e. a gesture of an animal is present but not the form of the animal.
Reality stays more abstract with partial symbology.
What is known about the symbol gives reality meaning.
Speaking of visions as symbols separates the meaning from the visual experience.
The person who doesn't see the symbol as the reality has not been exposed to reality which is somewhat hard to ascertain.
When, in dreams for example, there are just collages of things, it is hard to say that it is more than a collage. But if I recognize symbology, it allows me to see every part of the picture.
Symbols are more for the artist than the scientist who simply wants to verify what happens in reality. While transcendent of verification of meaning is reality "filler", yet it attains to meaning only if it is seen as symbol.
The filler is more abstract because logic only exists here if we consciously give something meaning. Otherwise a huff of a dog, for example, is merely a passing image.
Since concrete objects already have existential meaning, they cannot constitute as filler.
Visions, because they only partially exist, calls into question existence itself.
In filler reality, it becomes participatory as to giving reality meaning or just enjoying the visions.
What separates this filler world from normal mind is that meaning is no longer the key to reality.
Simply experiencing the visuals explain reality in an easy way.
Meaning almost ruins the mode of experience.
laying in contemplation
Nat Lipstadt Oct 2017
who among us
does not whisper
many a daily silent prayer,
unconsciously, or even a thoughtful thought
initiated usually by
  guilted conscience

to a deity,
or to just
the god voices of ourselves, or
ha! or anybody within earshot...

these whispers,
sally forth,
direction upwards,
to an unmappable and usually
unresponsive atmosphere,
seeding the sky moment hoping for
a smidgen of warm rain in a life drought,
and
the wanted future with
grains of hope, needy desires and
evil warded, off put

who among us
reflexively,
without marks of hesitation,
hearing the prayers of others
desirous of any bounty's share<
whisk-that-wish a
fare-thee-well, a shout out, a whisper,
thinking our legal rights confirmed
by a participatory, hearty, ***-along-little-doggie,

amen,
even a
hot ****
or an-oh-so subtle, a holy colloquial
yeah baby!

who among us never says,
please,
promise,
need, want?

not me...
a piece of a broken poem,
broken off...
Oct. 4 - 7, 2015
Manhattan Island
DuBray Mar 2018
Hello
This is your introductory
_ oem
As y_ u may know
Not all  _oems need to
Rhyme
Practice though
And in good time
You may be anoth _r
Alexander _ _ _ _

* Complete first four blank lines to discover poet's surname.
DuBray Mar 2018
1923
William Carlos Williams
Wrote
The Red Wheelbarrow

And in 1564
There was  
Christopher Mar _ o _ e:

"It lies not in our power to love or hate,
For will in us is overruled by fate".

- From: Who ever loved, that loved not at first sight? -
Mitchell Sep 2014
It's alright
George.
Are there things in this world
You
Can't be?

I want to be a cloud
Drifting more like fog in Autumn
Over the Pacific
Than
A dreaded ray of
Golden sunlight.

(Those types
Are so
Typical nowadays)

What about a note?
Like the sound.
I want to be an orchestra unwritten.
Perhaps something
That cannot be felt.
A thing apart of
The unknown
Unknown.

Can I be
Love?
Are can one only be apart
Of that?
Can one be alone in love
And have it
Be

True?

I want to be nothing.
Being dead
Is
Something,
So don't be give me
That argument.
Like I said,
I want to be nothing for
Nothing's sake.
Nothing ever seems to have
Anything and I'm sure
It gets very tired of that.
But nothing ever had anything
In the first place.
It was born with nothing and came
From
Nothing,
So if nothing were to receive, be gifted, or lent
A thing
It would turn
Into that
Something.

An empty space
Is never
Truly
Empty.

Perhaps a falling
Leaf
Feels it's nothing as it
Sways
Back and forth
In the windless, still air
With one of those
Golden rays of sunlight
Passing by it?

Falling to its first of many
Resting
Places.

Participatory.
In action.
Moving and never
Dying.
Forever changing.
Living in a skin
Not your own for so long
It becomes your own.

What is it about the original
That is so special?
What is it about the one
Who created the mold where
So many others after them
Try to fit
Inside their
Unintentional creation?

If one observes,
Tries not to force themselves to fit,
Hovers around the curves, the edges,
The smooth lines where maybe
The calf's bulge out just a little too much,
Maybe then the shape of the mold
And how it came to be will become clear.

But so what?
What what?
Then what?

They say
You should

Never
Meet your heroes.

One's imagination
Displaces time.
Forgets age.
Puts them near the watchtower
Only to be burned
By the sun
That much more.

I can love their thought
If you can.
I can cherish their creation
If you can.
I can live in our gentle lie
If you can.

I know I can.

Can
You?
Paul NP Aug 2022
Deep meaning fills my sorrow and makes my love cool.
I never thought truth would act this way. Beyond perceptions, it's participatory affection.
I never thought truth would act this way.

Deep meaning fills my sorrow and turns love into tool.
I never thought I'd work this way.
With hands on deck, steering out of my mess.
I never thought I'd get away.

Deep meaning fills my hallow and glues me in to revelations.
Watching cryptic worlds undress, removing the stress.
I never thought I'd be okay again.

Deep meaning fills my soul, and my thoughts align.
Reorienting my passion alive.
I never thought I'd love again.
Alarming to the heart
We are partaking
In this participatory struggle
To find our soul
In the rubble of an earth
That’s been pummeled
By poisons
And corporate cannibalism
There i said it
Love is the wisdom we need
To seed the future
And plant a garden
For you and me
To breathe
Lawrence Hall Oct 2023
Lawrence Hall, HSG
Mhall46184@aol.com


                                  The Synod on Synodality

  “There are to be forty interlocking committees sitting every day…”

                    - C. S. Lewis, That Hideous Strength, p. 36

                    One reads the words of the committees:

The grammar of synodality our times the time journeying together breaking molds inclusion experts facilitators process delegation the people totality sense of the faithful organize discussion opening remarks challenges continental stage novelties dynamic legitimize interrelation common discernment modules instrumentum laboris synthesis report road map response paradigm preparation planning natural vision human planning expectations narrative of radical change shifting models of synodality conciliarity emblematic expression methodology dubia divine discourse adjudicate delineating areas of consensus specific situational analyses media framing reinterpreting confidentiality requirements module serenity of the discernment in common implementation phase inclusive ecclesial process participatory ways of exercising responsibility social dialogue regenerating relationships initiate the processes practicing synodality a double dynamic of conversion articulations of synodality ten thematic nuclei to be explored synodal dialogue the potential of synodal engagement national synthesis document consultative sessions what it means to be church social media template an operative notion national synthesis of the people of God contextualize diocesan phase of the synodal process enduring wounds needs-friendly steps for discerning ongoing formation for mission…

                    Brushing aside this choking fog of words
                    The reader ceases to read, for he sees
                    A silent, sandal-shod saint in a raggedy cloak
                    Having fed the chickens now telling his beads
Yenson Oct 2020
How sad they could not have the drama planned
couldn't even blame Convid 19
it happened before the pandemic
though you could call it all an epidemic in a way
the producers were sure this was it
the Directors were all ready to get to the next level
the scripts were ready though there would be re-writes
as things moved
lots of improvisations would add the edginess
and there would be lots of extras in the frame

It is going to be reality TV at its best
follow the two central characters
there will be pathos galore
suspense, anxiety, fights, love and disappointments
there would be fidelity and infidelities
even moments of silence
the masses will tune in by their thousands
the red carpet would carpet it all and even pay for it
the shoot was about to really begin
lights, stage, camera.......action

They all waited with bated breaths
they were going to love this
privy to inside secrets, able to throw in their paddle
at will or change scenes and action like puppet masters
Then....puff
it all went up in smoke
its over.....a lead has walked away...,no can do
Gone with the Wind is no more, it all has blown away
just like that
Oh how all concerned pined, what a disappointment
what a let-down

Some blamed the lead actress, she had peaked too soon
some blamed her script and the scriptwriters
some said its all part of the act...just a tantalizing break
some just refused to believe and kept on editing their takes
some even pretended they were still shooting
supplying scenarios based on their delusions
some sly Investors are still selling participatory rights to extras
collecting street smart cache by telling extras to keep on acting
its all part of the shoot, we are still on it
tis said one of the lead retired to Greeners Green to drink soup

The other semi-retired said
" what drama, what epic, what nonsense
do I look like I play silly slimy in the rain
I only do serious roles, that's meaningful and sincere,
its one thing to buy into illusions but mass delusion just borders
on utter stupidity
and that's not my scene "
Quite a lot of senseless devotees are still writing script
they are too far gone to be rescued......idiots can't be anything else!
but...!

— The End —