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"mouldering" poems
To live in Wales is to be conscious At dusk of the spilled blood That went into the making of the wild sky, Dyeing the immaculate rivers In all their courses. It is to be aware, Above the noisy tractor And hum of the machine Of strife in the strung woods, Vibrant with sped arrows. You cannot live in the present, At least not in Wales. There is the language for instance, The soft consonants Strange to the ear. There are cries in the dark at night As owls answer the moon, And thick ambush of shadows, Hushed at the fields' corners. There is no present in Wales, And no future; There is only the past, Brittle with relics, Wind-bitten towers and castles With sham ghosts; Mouldering quarries and mines; And an impotent people, Sick with inbreeding, Worrying the carcase of an old song. To live in Wales is to be conscious At dusk of the spilled blood That went into the making of the wild sky, Dyeing the immaculate rivers In all their courses. It is to be aware, Above the noisy tractor And hum of the machine Of strife in the strung woods, Vibrant with sped arrows. You cannot live in the present, At least not in Wales. There is the language for instance, The soft consonants Strange to the ear. There are cries in the dark at night As owls answer the moon, And thick ambush of shadows, Hushed at the fields' corners. There is no present in Wales, And no future; There is only the past, Brittle with relics, Wind-bitten towers and castles With sham ghosts; Mouldering quarries and mines; And an impotent people, Sick with inbreeding, Worrying the carcase of an old song.
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Welsh Landscape
To live in Wales is to be conscious At dusk of the spilled blood That went into the making of the wild sky, Dyeing the immaculate rivers In all their courses. It is to be aware, Above the noisy tractor And hum of the machine Of strife in the strung woods, Vibrant with sped arrows. You cannot live in the present, At least not in Wales. There is the language for instance, The soft consonants Strange to the ear. There are cries in the dark at night As owls answer the moon, And thick ambush of shadows, Hushed at the fields' corners. There is no present in Wales, And no future; There is only the past, Brittle with relics, Wind-bitten towers and castles With sham ghosts; Mouldering quarries and mines; And an impotent people, Sick with inbreeding, Worrying the carcase of an old song. To live in Wales is to be conscious At dusk of the spilled blood That went into the making of the wild sky, Dyeing the immaculate rivers In all their courses. It is to be aware, Above the noisy tractor And hum of the machine Of strife in the strung woods, Vibrant with sped arrows. You cannot live in the present, At least not in Wales. There is the language for instance, The soft consonants Strange to the ear. There are cries in the dark at night As owls answer the moon, And thick ambush of shadows, Hushed at the fields' corners. There is no present in Wales, And no future; There is only the past, Brittle with relics, Wind-bitten towers and castles With sham ghosts; Mouldering quarries and mines; And an impotent people, Sick with inbreeding, Worrying the carcase of an old song.
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57
1 Ever musing I delight to tread The Paths of honour and the Myrtle Grove Whilst the pale Moon her beams doth shed On disappointed Love. While Philomel on airy hawthorn Bush Sings sweet and Melancholy, And the thrush Converses with the Dove. 2 Gently brawling down the turnpike road, Sweetly noisy falls the Silent Stream — The Moon emerges from behind a Cloud And darts upon the Myrtle Grove her beam. Ah! then what Lovely Scenes appear, The hut, the Cot, the Grot, and Chapel queer, And eke the Abbey too a mouldering heap, Cnceal'd by aged pines her head doth rear And quite invisible doth take a peep.
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Ode to Pity
371 A precious—mouldering pleasure—’tis— To meet an Antique Book— In just the Dress his Century wore— A privilege—I think— His venerable Hand to take— And warming in our own— A passage back—or two—to make— To Times when he—was young— His quaint opinions—to inspect— His thought to ascertain On Themes concern our mutual mind— The Literature of Man— What interested Scholars—most— What Competitions ran— When Plato—was a Certainty— And Sophocles—a Man— When Sappho—was a living Girl— And Beatrice wore The Gown that Dante—deified— Facts Centuries before He traverses—familiar— As One should come to Town— And tell you all your Dreams—were true— He lived—where Dreams were born— His presence is Enchantment— You beg him not to go— Old Volume shake their Vellum Heads And tantalize—just so—
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A precious—mouldering pleasure
Mariana in the Moated Grange by Alfred, Lord Tennyson With blackest moss the flower-plots Were thickly crusted, one and all: The rusted nails fell from the knots That held the pear to the gable-wall. The broken sheds look'd sad and strange: Unlifted was the clinking latch; Weeded and worn the ancient thatch Upon the lonely moated grange. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Her tears fell with the dews at even; Her tears fell ere the dews were dried; She could not look on the sweet heaven, Either at morn or eventide. After the flitting of the bats, When thickest dark did trance the sky, She drew her casement-curtain by, And glanced athwart the glooming flats. She only said, "The night is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Upon the middle of the night, Waking she heard the night-fowl crow: The **** sung out an hour ere light: From the dark fen the oxen's low Came to her: without hope of change, In sleep she seem'd to walk forlorn, Till cold winds woke the gray-eyed morn About the lonely moated grange. She only said, "The day is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" About a stone-cast from the wall A sluice with blacken'd waters slept, And o'er it many, round and small, The cluster'd marish-mosses crept. Hard by a poplar shook alway, All silver-green with gnarled bark: For leagues no other tree did mark The level waste, the rounding gray. She only said, "My life is dreary, He cometh not," she said; She said "I am aweary, aweary I would that I were dead!" And ever when the moon was low, And the shrill winds were up and away, In the white curtain, to and fro, She saw the gusty shadow sway. But when the moon was very low And wild winds bound within their cell, The shadow of the poplar fell Upon her bed, across her brow. She only said, "The night is dreary, He cometh not," she said; She said "I am aweary, aweary, I would that I were dead!" All day within the dreamy house, The doors upon their hinges creak'd; The blue fly sung in the pane; the mouse Behind the mouldering wainscot shriek'd, Or from the crevice peer'd about. Old faces glimmer'd thro' the doors Old footsteps trod the upper floors, Old voices called her from without. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" The sparrow's chirrup on the roof, The slow clock ticking, and the sound Which to the wooing wind aloof The poplar made, did all confound Her sense; but most she loathed the hour When the thick-moted sunbeam lay Athwart the chambers, and the day Was sloping toward his western bower. Then said she, "I am very dreary, He will not come," she said; She wept, "I am aweary, aweary, Oh God, that I were dead!"
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Mariana in the Moated Grange
Mariana in the Moated Grange by Alfred, Lord Tennyson With blackest moss the flower-plots Were thickly crusted, one and all: The rusted nails fell from the knots That held the pear to the gable-wall. The broken sheds look'd sad and strange: Unlifted was the clinking latch; Weeded and worn the ancient thatch Upon the lonely moated grange. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Her tears fell with the dews at even; Her tears fell ere the dews were dried; She could not look on the sweet heaven, Either at morn or eventide. After the flitting of the bats, When thickest dark did trance the sky, She drew her casement-curtain by, And glanced athwart the glooming flats. She only said, "The night is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Upon the middle of the night, Waking she heard the night-fowl crow: The **** sung out an hour ere light: From the dark fen the oxen's low Came to her: without hope of change, In sleep she seem'd to walk forlorn, Till cold winds woke the gray-eyed morn About the lonely moated grange. She only said, "The day is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" About a stone-cast from the wall A sluice with blacken'd waters slept, And o'er it many, round and small, The cluster'd marish-mosses crept. Hard by a poplar shook alway, All silver-green with gnarled bark: For leagues no other tree did mark The level waste, the rounding gray. She only said, "My life is dreary, He cometh not," she said; She said "I am aweary, aweary I would that I were dead!" And ever when the moon was low, And the shrill winds were up and away, In the white curtain, to and fro, She saw the gusty shadow sway. But when the moon was very low And wild winds bound within their cell, The shadow of the poplar fell Upon her bed, across her brow. She only said, "The night is dreary, He cometh not," she said; She said "I am aweary, aweary, I would that I were dead!" All day within the dreamy house, The doors upon their hinges creak'd; The blue fly sung in the pane; the mouse Behind the mouldering wainscot shriek'd, Or from the crevice peer'd about. Old faces glimmer'd thro' the doors Old footsteps trod the upper floors, Old voices called her from without. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" The sparrow's chirrup on the roof, The slow clock ticking, and the sound Which to the wooing wind aloof The poplar made, did all confound Her sense; but most she loathed the hour When the thick-moted sunbeam lay Athwart the chambers, and the day Was sloping toward his western bower. Then said she, "I am very dreary, He will not come," she said; She wept, "I am aweary, aweary, Oh God, that I were dead!"
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86
Remind me not, remind me not, Of those beloved, those vanish’d hours, When all my soul was given to thee; Hours that may never be forgot, Till Time unnerves our vital powers, And thou and I shall cease to be. Can I forget—canst thou forget, When playing with thy golden hair, How quick thy fluttering heart did move? Oh! by my soul, I see thee yet, With eyes so languid, breast so fair, And lips, though silent, breathing love. When thus reclining on my breast, Those eyes threw back a glance so sweet, As half reproach’d yet rais’d desire, And still we near and nearer prest, And still our glowing lips would meet, As if in kisses to expire. And then those pensive eyes would close, And bid their lids each other seek, Veiling the azure orbs below; While their long lashes’ darken’d gloss Seem’d stealing o’er thy brilliant cheek, Like raven’s plumage smooth’d on snow. I dreamt last night our love return’d, And, sooth to say, that very dream Was sweeter in its phantasy, Than if for other hearts I burn’d, For eyes that ne’er like thine could beam In Rapture’s wild reality. Then tell me not, remind me not, Of hours which, though for ever gone, Can still a pleasing dream restore, Till thou and I shall be forgot, And senseless, as the mouldering stone Which tells that we shall be no more.
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Remind Me Not, Remind Me Not
Montgomery! true, the common lot Of mortals lies in Lethe’s wave; Yet some shall never be forgot, Some shall exist beyond the grave. “Unknown the region of his birth,” The hero rolls the tide of war; Yet not unknown his martial worth, Which glares a meteor from afar. His joy or grief, his weal or woe, Perchance may ’scape the page of fame; Yet nations, now unborn, will know The record of his deathless name. The Patriot’s and the Poet’s frame Must share the common tomb of all: Their glory will not sleep the same; ‘That’ will arise, though Empires fall. The lustre of a Beauty’s eye Assumes the ghastly stare of death; The fair, the brave, the good must die, And sink the yawning grave beneath. Once more, the speaking eye revives, Still beaming through the lover’s strain; For Petrarch’s Laura still survives: She died, but ne’er will die again. The rolling seasons pass away, And Time, untiring, waves his wing; Whilst honour’s laurels ne’er decay, But bloom in fresh, unfading spring. All, all must sleep in grim repose, Collected in the silent tomb; The old, the young, with friends and foes, Fest’ring alike in shrouds, consume. The mouldering marble lasts its day, Yet falls at length an useless fane; To Ruin’s ruthless fangs a prey, The wrecks of pillar’d Pride remain. What, though the sculpture be destroy’d, From dark Oblivion meant to guard; A bright renown shall be enjoy’d, By those, whose virtues claim reward. Then do not say the common lot Of all lies deep in Lethe’s wave; Some few who ne’er will be forgot Shall burst the ******* of the grave.
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Answer To A Beautiful Poem, Written By Montgomery, Author Of “The Wanderer Of Switzerland,” Etc., Entitled “The Common Lot.”
Montgomery! true, the common lot Of mortals lies in Lethe’s wave; Yet some shall never be forgot, Some shall exist beyond the grave. “Unknown the region of his birth,” The hero rolls the tide of war; Yet not unknown his martial worth, Which glares a meteor from afar. His joy or grief, his weal or woe, Perchance may ’scape the page of fame; Yet nations, now unborn, will know The record of his deathless name. The Patriot’s and the Poet’s frame Must share the common tomb of all: Their glory will not sleep the same; ‘That’ will arise, though Empires fall. The lustre of a Beauty’s eye Assumes the ghastly stare of death; The fair, the brave, the good must die, And sink the yawning grave beneath. Once more, the speaking eye revives, Still beaming through the lover’s strain; For Petrarch’s Laura still survives: She died, but ne’er will die again. The rolling seasons pass away, And Time, untiring, waves his wing; Whilst honour’s laurels ne’er decay, But bloom in fresh, unfading spring. All, all must sleep in grim repose, Collected in the silent tomb; The old, the young, with friends and foes, Fest’ring alike in shrouds, consume. The mouldering marble lasts its day, Yet falls at length an useless fane; To Ruin’s ruthless fangs a prey, The wrecks of pillar’d Pride remain. What, though the sculpture be destroy’d, From dark Oblivion meant to guard; A bright renown shall be enjoy’d, By those, whose virtues claim reward. Then do not say the common lot Of all lies deep in Lethe’s wave; Some few who ne’er will be forgot Shall burst the ******* of the grave.
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44
Premeditated Amnesia 1 For nothing here is old, save for deep layers Of moss and muck and mouldering remains Civilisations lit by visions and fire Now lost beneath a Wal-Mart Parking lot Incuriously the tentacles of Now Slither more deeply into the pale past And churn up yet another housing estate At the corner of Kingsford Lane and Heather Way Near the Motorcycle Church, for piston prayers: For nothing here is old, save for deep layers 1”The U.S. is probably the contemporary world’s purest example of a society which is perpetually trying to abolish history, to avoid thinking in historical terms, to associate dynamism with premeditated amnesia.” -Alexander Woodside quoted by Susan Sontag: https://bostonreview.net/susan-sontag-interview-geoffrey-movius?utm_source=Boston+Review+Email+Subscribers&utm_campaign=b581739691-EMAIL_CAMPAIGN_2018_08_17_04_17_COPY_01&utm_medium=email&utm_term=0_2cb428c5ad-b581739691-41080789
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Nov 18, 2018
Nov 18, 2018 at 4:19 PM UTC
Premeditated Amnesia
Desperate limbs drape themselves in the exact same shade of undiluted greengreengreen that we've seen in stagnant pools and empty hearts. A tiny verdant forest of lichens and moss to mask the barren grey of a self inflicted winter. Fingers cast out towards the sky grow thin and wretched with the desperate, exhaustive need need need to ****** the light from the sky. Forgotten are the mouldering piles of discarded stars laying around its feet. I think of that girl as I pick up a damp leaf and carefully press it between love poems and silent reveries.
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Feb 4, 2015
Feb 4, 2015 at 10:37 AM UTC
Blind Strain
286 That after Horror—that ’twas us— That passed the mouldering Pier— Just as the Granite Crumb let go— Our Savior, by a Hair— A second more, had dropped too deep For Fisherman to plumb— The very profile of the Thought Puts Recollection numb— The possibility—to pass Without a Moment’s Bell— Into Conjecture’s presence— Is like a Face of Steel— That suddenly looks into ours With a metallic grin— The Cordiality of Death— Who drills his Welcome in—
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That after Horror—that ’twas us
I chased the first rays of an autumn morning but to my sorrow when I arrived at the urgent place the sun had already risen breathing a crowning glory of a seasons brilliant splendor alighting the glowing amber of golden woods shining like gleaming constellations of dazzling morning stars... though I desired to find ascendent beauty the ubiquitous glow of transfigured leaves immersed me in a divine chrome... as I traversed the woods, my solitary steps found companionship with a sullen mistress singing a sad rustle of dry fallen leaves and as the drone of cars faded from the receding road I searched myself for courage and found resolve I pondered truth and discovered the wisdom of resolution... yearning  to realize a deeper faith I hiked further up the wooded hill, visiting the gay playfields of my youth and received an epiphany of wholesome closure opening new timeless doors... still questing for more light a prophetic wren whirred a pliant secret into my ear she bespoke a symphony of avian improvisations conversing in a thousand luminous tongues, relating a sonorous elegy teaming with the brightest joys of life raising bold proclamations celebrating a seasons radiance imploring me to join the chorus... though the canopy of the woods still boasted boughs of green the infant hues of spring had run its course the glory of an expiring season strewn on the forest floor covering the mouldering stags inching back into the compost of life breeding blankets of furry moss feeding on the primal organica of seemingly expired flora here, in this darkened moment I realized the transcendent miracle the loam of life incubating churning   in concert with the turn of seasons... to my sorrow I missed the first rays of the morning the first peeks of light a breaking day gracefully bespeaks upon a sleeping earth awoken in new light yet I am filled I am transcendent I am the first ray of an eternal light I am the first ray of my earthen gloaming... on the morrow the best of me is in the marrow of all who loved me and all whom I loved these rays of me will forever rise in an eternity of dawnings For Joey Godspeed Beloved Vaughan Williams: Lark Ascending Oakland 101313 jbm
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Oct 14, 2013
Oct 14, 2013 at 12:13 AM UTC
First Rays of an Autumn Morning
I chased the first rays of an autumn morning but to my sorrow when I arrived at the urgent place the sun had already risen breathing a crowning glory of a seasons brilliant splendor alighting the glowing amber of golden woods shining like gleaming constellations of dazzling morning stars... though I desired to find ascendent beauty the ubiquitous glow of transfigured leaves immersed me in a divine chrome... as I traversed the woods, my solitary steps found companionship with a sullen mistress singing a sad rustle of dry fallen leaves and as the drone of cars faded from the receding road I searched myself for courage and found resolve I pondered truth and discovered the wisdom of resolution... yearning  to realize a deeper faith I hiked further up the wooded hill, visiting the gay playfields of my youth and received an epiphany of wholesome closure opening new timeless doors... still questing for more light a prophetic wren whirred a pliant secret into my ear she bespoke a symphony of avian improvisations conversing in a thousand luminous tongues, relating a sonorous elegy teaming with the brightest joys of life raising bold proclamations celebrating a seasons radiance imploring me to join the chorus... though the canopy of the woods still boasted boughs of green the infant hues of spring had run its course the glory of an expiring season strewn on the forest floor covering the mouldering stags inching back into the compost of life breeding blankets of furry moss feeding on the primal organica of seemingly expired flora here, in this darkened moment I realized the transcendent miracle the loam of life incubating churning   in concert with the turn of seasons... to my sorrow I missed the first rays of the morning the first peeks of light a breaking day gracefully bespeaks upon a sleeping earth awoken in new light yet I am filled I am transcendent I am the first ray of an eternal light I am the first ray of my earthen gloaming... on the morrow the best of me is in the marrow of all who loved me and all whom I loved these rays of me will forever rise in an eternity of dawnings For Joey Godspeed Beloved Vaughan Williams: Lark Ascending Oakland 101313 jbm
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148
SELECTED FROM THE IRISH NOVELISTS THERE was a green branch hung with many a bell When her own people ruled this tragic Eire; And from its murmuring greenness, calm of Faery, A Druid kindness, on all hearers fell. It charmed away the merchant from his guile, And turned the farmer's memory from his cattle, And hushed in sleep the roaring ranks of battle: And all grew friendly for a little while. Ah, Exiles wandering over lands and seas, And planning, plotting always that some morrow May set a stone upon ancestral Sorrow! I also bear a bell-branch full of ease. I tore it from green boughs winds tore and tossed Until the sap of summer had grown weary! I tore it from the barren boughs of Eire, That country where a man can be so crossed; Can be so battered, badgered and destroyed That he's a loveless man: gay bells bring laughter That shakes a mouldering cobweb from the rafter; And yet the saddest chimes are best enjoyed. Gay bells or sad, they bring you memories Of half-forgotten innocent old places: We and our bitterness have left no traces On Munster grass and Connemara skies.
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The Dedication To A Book Of Stories
Type of the antique Rome! Rich reliquary Of lofty contemplation left to Time By buried centuries of pomp and power! At length—at length—after so many days Of weary pilgrimage and burning thirst, (Thirst for the springs of lore that in thee lie,) I kneel, an altered and an humble man, Amid thy shadows, and so drink within My very soul thy grandeur, gloom, and glory! Vastness! and Age! and Memories of Eld! Silence! and Desolation! and dim Night! I feel ye now—I feel ye in your strength— O spells more sure than e’er Judaean king Taught in the gardens of Gethsemane! O charms more potent than the rapt Chaldee Ever drew down from out the quiet stars! Here, where a hero fell, a column falls! Here, where the mimic eagle glared in gold, A midnight vigil holds the swarthy bat! Here, where the dames of Rome their gilded hair Waved to the wind, now wave the reed and thistle! Here, where on golden throne the monarch lolled, Glides, spectre-like, unto his marble home, Lit by the wan light of the horned moon, The swift and silent lizard of the stones! But stay! these walls—these ivy-clad arcades— These mouldering plinths—these sad and blackened shafts— These vague entablatures—this crumbling frieze— These shattered cornices—this wreck—this ruin— These stones—alas! these gray stones—are they all— All of the famed, and the colossal left By the corrosive Hours to Fate and me? “Not all”—the Echoes answer me—”not all! Prophetic sounds and loud, arise forever From us, and from all Ruin, unto the wise, As melody from Memnon to the Sun. We rule the hearts of mightiest men—we rule With a despotic sway all giant minds. We are not impotent—we pallid stones. Not all our power is gone—not all our fame— Not all the magic of our high renown— Not all the wonder that encircles us— Not all the mysteries that in us lie— Not all the memories that hang upon And cling around about us as a garment, Clothing us in a robe of more than glory.”
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The Coliseum
Type of the antique Rome! Rich reliquary Of lofty contemplation left to Time By buried centuries of pomp and power! At length—at length—after so many days Of weary pilgrimage and burning thirst, (Thirst for the springs of lore that in thee lie,) I kneel, an altered and an humble man, Amid thy shadows, and so drink within My very soul thy grandeur, gloom, and glory! Vastness! and Age! and Memories of Eld! Silence! and Desolation! and dim Night! I feel ye now—I feel ye in your strength— O spells more sure than e’er Judaean king Taught in the gardens of Gethsemane! O charms more potent than the rapt Chaldee Ever drew down from out the quiet stars! Here, where a hero fell, a column falls! Here, where the mimic eagle glared in gold, A midnight vigil holds the swarthy bat! Here, where the dames of Rome their gilded hair Waved to the wind, now wave the reed and thistle! Here, where on golden throne the monarch lolled, Glides, spectre-like, unto his marble home, Lit by the wan light of the horned moon, The swift and silent lizard of the stones! But stay! these walls—these ivy-clad arcades— These mouldering plinths—these sad and blackened shafts— These vague entablatures—this crumbling frieze— These shattered cornices—this wreck—this ruin— These stones—alas! these gray stones—are they all— All of the famed, and the colossal left By the corrosive Hours to Fate and me? “Not all”—the Echoes answer me—”not all! Prophetic sounds and loud, arise forever From us, and from all Ruin, unto the wise, As melody from Memnon to the Sun. We rule the hearts of mightiest men—we rule With a despotic sway all giant minds. We are not impotent—we pallid stones. Not all our power is gone—not all our fame— Not all the magic of our high renown— Not all the wonder that encircles us— Not all the mysteries that in us lie— Not all the memories that hang upon And cling around about us as a garment, Clothing us in a robe of more than glory.”
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46
Ye banks and braes and streams around The castle o’ Montgomery, Green be your woods, and fair your flowers, Your waters never drumlie! There simmer first unfauld her robes, And there the langest tarry; For there I took the last fareweel O’ my sweet Highland Mary. How sweetly bloomed the gay green birk, How rich the hawthorn’s blossom, As underneath their fragrant shade I clasped her to my ***** The golden hours on angel wings Flew o’er me and my dearie; For dear to me as light and life Was my sweet Highland Mary. Wi’ mony a vow and locked embrace Our parting was fu’ tender; And, pledging aft to meet again, We tore oursels asunder; But, O, fell Death’s untimely frost, That nipt my flower sae early! Now green’s the sod, and cauld’s the clay, That wraps my Highland Mary! O pale, pale now, those rosy lips I aft hae kissed sae fondly; And closed for aye the sparkling glance That dwelt on me sae kindly; And mouldering now in silent dust That heart that lo’ed me dearly! But still within my bosom’s core Shall live my Highland Mary.
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Highland Mary
When first, descending from the moorlands, I saw the Stream of Yarrow glide Along a bare and open valley, The Ettrick Shepherd was my guide. When last along its banks I wandered, Through groves that had begun to shed Their golden leaves upon the pathways, My steps the Border-minstrel led. The mighty Minstrel breathes no longer, ’Mid mouldering ruins low he lies; And death upon the braes of Yarrow, Has closed the Shepherd-poet’s eyes: Nor has the rolling year twice measured, From sign to sign, its stedfast course, Since every mortal power of Coleridge Was frozen at its marvellous source; The rapt One, of the godlike forehead, The heaven-eyed creature sleeps in earth: And Lamb, the frolic and the gentle, Has vanished from his lonely hearth. Like clouds that rake the mountain-summits, Or waves that own no curbing hand, How fast has brother followed brother, From sunshine to the sunless land! Yet I, whose lids from infant slumber Were earlier raised, remain to hear A timid voice, that asks in whispers, “Who next will drop and disappear?” Our haughty life is crowned with darkness, Like London with its own black wreath, On which with thee, O Crabbe! forth-looking, I gazed from Hampstead’s breezy heath. As if but yesterday departed, Thou too art gone before; but why, O’er ripe fruit, seasonably gathered, Should frail survivors heave a sigh? Mourn rather for that holy Spirit, Sweet as the spring, as ocean deep; For Her who, ere her summer faded, Has sunk into a breathless sleep. No more of old romantic sorrows, For slaughtered Youth or love-lorn Maid! With sharper grief is Yarrow smitten, And Ettrick mourns with her their Poet dead.
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Extempore Effusion Upon The Death Of James Hogg
When first, descending from the moorlands, I saw the Stream of Yarrow glide Along a bare and open valley, The Ettrick Shepherd was my guide. When last along its banks I wandered, Through groves that had begun to shed Their golden leaves upon the pathways, My steps the Border-minstrel led. The mighty Minstrel breathes no longer, ’Mid mouldering ruins low he lies; And death upon the braes of Yarrow, Has closed the Shepherd-poet’s eyes: Nor has the rolling year twice measured, From sign to sign, its stedfast course, Since every mortal power of Coleridge Was frozen at its marvellous source; The rapt One, of the godlike forehead, The heaven-eyed creature sleeps in earth: And Lamb, the frolic and the gentle, Has vanished from his lonely hearth. Like clouds that rake the mountain-summits, Or waves that own no curbing hand, How fast has brother followed brother, From sunshine to the sunless land! Yet I, whose lids from infant slumber Were earlier raised, remain to hear A timid voice, that asks in whispers, “Who next will drop and disappear?” Our haughty life is crowned with darkness, Like London with its own black wreath, On which with thee, O Crabbe! forth-looking, I gazed from Hampstead’s breezy heath. As if but yesterday departed, Thou too art gone before; but why, O’er ripe fruit, seasonably gathered, Should frail survivors heave a sigh? Mourn rather for that holy Spirit, Sweet as the spring, as ocean deep; For Her who, ere her summer faded, Has sunk into a breathless sleep. No more of old romantic sorrows, For slaughtered Youth or love-lorn Maid! With sharper grief is Yarrow smitten, And Ettrick mourns with her their Poet dead.
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44
There was a green branch hung with many a bell When her own people ruled this tragic Eire; And from its murmuring greenness, calm of Faery, A Druid kindness, on all hearers fell. It charmed away the merchant from his guile, And turned the farmer's memory from his cattle, And hushed in sleep the roaring ranks of battle: And all grew friendly for a little while. Ah, Exiles wandering over lands and seas, And planning, plotting always that some morrow May set a stone upon ancestral Sorrow! I also bear a bell-branch full of ease. I tore it from green boughs winds tore and tossed Until the sap of summer had grown weary! I tore it from the barren boughs of Eire, That country where a man can be so crossed; Can be so battered, badgered and destroyed That he's a loveless man: gay bells bring laughter That shakes a mouldering cobweb from the rafter; And yet the saddest chimes are best enjoyed. Gay bells or sad, they bring you memories Of half-forgotten innocent old places: We and our bitterness have left no traces On Munster grass and Connemara skies.
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Dedication To A Book Of Stories Selected From The Irish Novelists
Oh, Friend! for ever lov’d, for ever dear! What fruitless tears have bathed thy honour’d bier! What sighs re-echo’d to thy parting breath, Whilst thou wast struggling in the pangs of death! Could tears ****** the tyrant in his course; Could sighs avert his dart’s relentless force; Could youth and virtue claim a short delay, Or beauty charm the spectre from his prey; Thou still hadst liv’d to bless my aching sight, Thy comrade’s honour and thy friend’s delight. If yet thy gentle spirit hover nigh The spot where now thy mouldering ashes lie, Here wilt thou read, recorded on my heart, A grief too deep to trust the sculptor’s art. No marble marks thy couch of lowly sleep, But living statues there are seen to weep; Affliction’s semblance bends not o’er thy tomb, Affliction’s self deplores thy youthful doom. What though thy sire lament his failing line, A father’s sorrows cannot equal mine! Though none, like thee, his dying hour will cheer, Yet other offspring soothe his anguish here: But, who with me shall hold thy former place? Thine image, what new friendship can efface? Ah, none!—a father’s tears will cease to flow, Time will assuage an infant brother’s woe; To all, save one, is consolation known, While solitary Friendship sighs alone.
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Epitaph On A Beloved Friend
607 Of nearness to her sundered Things The Soul has special times— When Dimness—looks the Oddity— Distinctness—easy—seems— The Shapes we buried, dwell about, Familiar, in the Rooms— Untarnished by the Sepulchre, The Mouldering Playmate comes— In just the Jacket that he wore— Long buttoned in the Mold Since we—old mornings, Children—played— Divided—by a world— The Grave yields back her Robberies— The Years, our pilfered Things— Bright Knots of Apparitions Salute us, with their wings— As we—it were—that perished— Themself—had just remained till we rejoin them— And ’twas they, and not ourself That mourned.
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Of nearness to her sundered Things
Oh Joy, Oh Great Heavens Above, How I like to lingeringly slaver o'er The fartleberries hanging humunguously Out of your **** cleft like bunches of mouldering grapes, And to gaze upon the lusciously stale shitstains Decorating your hirsute ********** You so rarely wash and your dumps are omnipotent And you are too mean to buy any **** wipes. You moan quite loudly in colonic ecstacy As I plumb the Stygian depths of your sit-upon place, My nose diving daintily like a woodpecker's beak Smeared with poo-bits, seeking Nirvana In your ****** paradise, brown love-tunnel Serenaded by the poets since Time began! Nowhere in all the Hershey Universe can there be A pongier rimmee than you, O unshaven beauty of mine! My probing tongue is covered with nutty brown paste, Your sweet excremental delight makes me drool In joy, as I personhandle myself "down there"; Ignoring the most elemental rules of hygiene. But sadly there is a fly in the ointment Indeed a whole ******* barrelful of them: Not only will I get a very nasty E-coli infection But I'll have bad breath tomorrow at chapel.
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Mar 11, 2015
Mar 11, 2015 at 1:45 PM UTC
Cheeks
There was a green branch hung with many a bell When her own people ruled this tragic Eire; And from its murmuring greenness, calm of Faery, A Druid kindness, on all hearers fell. It charmed away the merchant from his guile, And turned the farmer's memory from his cattle, And hushed in sleep the roaring ranks of battle: And all grew friendly for a little while. Ah, Exiles wandering over lands and seas, And planning, plotting always that some morrow May set a stone upon ancestral Sorrow! I also bear a bell-branch full of ease. I tore it from green boughs winds tore and tossed Until the sap of summer had grown weary! I tore it from the barren boughs of Eire, That country where a man can be so crossed; Can be so battered, badgered and destroyed That he's a loveless man: gay bells bring laughter That shakes a mouldering cobweb from the rafter; And yet the saddest chimes are best enjoyed. Gay bells or sad, they bring you memories Of half-forgotten innocent old places: We and our bitterness have left no traces On Munster grass and Connemara skies.
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1.9k
The Dedication To A Book Of Stories Selected From The Irish Novelists
"Mariana in the Moated Grange" (Shakespeare, Measure for Measure) With blackest moss the flower-plots Were thickly crusted, one and all: The rusted nails fell from the knots That held the pear to the gable-wall. The broken sheds look'd sad and strange: Unlifted was the clinking latch; Weeded and worn the ancient thatch Upon the lonely moated grange. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Her tears fell with the dews at even; Her tears fell ere the dews were dried; She could not look on the sweet heaven, Either at morn or eventide. After the flitting of the bats, When thickest dark did trance the sky, She drew her casement-curtain by, And glanced athwart the glooming flats. She only said, "The night is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Upon the middle of the night, Waking she heard the night-fowl crow: The **** sung out an hour ere light: From the dark fen the oxen's low In sleep she seem'd to walk forlorn, Till cold winds woke the gray-eyed morn About the lonely moated grange. She only said, "The day is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" About a stone-cast from the wall A sluice with blacken'd waters slept, And o'er it many, round and small, The cluster'd marish-mosses crept. Hard by a poplar shook alway, All silver-green with gnarled bark: For leagues no other tree did mark The level waste, the rounding gray. She only said, "My life is dreary, He cometh not," she said; She said "I am aweary, aweary I would that I were dead!" And ever when the moon was low, And the shrill winds were up and away, In the white curtain, to and fro, She saw the gusty shadow sway. But when the moon was very low And wild winds bound within their cell, The shadow of the poplar fell Upon her bed, across her brow. She only said, "The night is dreary, He cometh not," she said; She said "I am aweary, aweary, I would that I were dead!" All day within the dreamy house, The doors upon their hinges creak'd; The blue fly sung in the pane; the mouse Behind the mouldering wainscot shriek'd, Or from the crevice peer'd about. Old faces glimmer'd thro' the doors Old footsteps trod the upper floors, Old voices called her from without. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" The sparrow's chirrup on the roof, The slow clock ticking, and the sound Which to the wooing wind aloof The poplar made, did all confound Her sense; but most she loathed the hour When the thick-moted sunbeam lay Athwart the chambers, and the day Was sloping toward his western bower. Then said she, "I am very dreary, She wept, "I am aweary, aweary, Oh God, that I were dead!"
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1.8k
Mariana
"Mariana in the Moated Grange" (Shakespeare, Measure for Measure) With blackest moss the flower-plots Were thickly crusted, one and all: The rusted nails fell from the knots That held the pear to the gable-wall. The broken sheds look'd sad and strange: Unlifted was the clinking latch; Weeded and worn the ancient thatch Upon the lonely moated grange. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Her tears fell with the dews at even; Her tears fell ere the dews were dried; She could not look on the sweet heaven, Either at morn or eventide. After the flitting of the bats, When thickest dark did trance the sky, She drew her casement-curtain by, And glanced athwart the glooming flats. She only said, "The night is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Upon the middle of the night, Waking she heard the night-fowl crow: The **** sung out an hour ere light: From the dark fen the oxen's low In sleep she seem'd to walk forlorn, Till cold winds woke the gray-eyed morn About the lonely moated grange. She only said, "The day is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" About a stone-cast from the wall A sluice with blacken'd waters slept, And o'er it many, round and small, The cluster'd marish-mosses crept. Hard by a poplar shook alway, All silver-green with gnarled bark: For leagues no other tree did mark The level waste, the rounding gray. She only said, "My life is dreary, He cometh not," she said; She said "I am aweary, aweary I would that I were dead!" And ever when the moon was low, And the shrill winds were up and away, In the white curtain, to and fro, She saw the gusty shadow sway. But when the moon was very low And wild winds bound within their cell, The shadow of the poplar fell Upon her bed, across her brow. She only said, "The night is dreary, He cometh not," she said; She said "I am aweary, aweary, I would that I were dead!" All day within the dreamy house, The doors upon their hinges creak'd; The blue fly sung in the pane; the mouse Behind the mouldering wainscot shriek'd, Or from the crevice peer'd about. Old faces glimmer'd thro' the doors Old footsteps trod the upper floors, Old voices called her from without. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" The sparrow's chirrup on the roof, The slow clock ticking, and the sound Which to the wooing wind aloof The poplar made, did all confound Her sense; but most she loathed the hour When the thick-moted sunbeam lay Athwart the chambers, and the day Was sloping toward his western bower. Then said she, "I am very dreary, She wept, "I am aweary, aweary, Oh God, that I were dead!"
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84
Tanagra! think not I forget Thy beautifully-storey'd streets; Be sure my memory bathes yet In clear Thermodon, and yet greets The blythe and liberal shepherd boy, Whose sunny ***** swells with joy When we accept his matted rushes Upheaved with sylvan fruit; away he bounds, and blushes. I promise to bring back with me What thou with transport wilt receive, The only proper gift for thee, Of which no mortal shall bereave In later times thy mouldering walls, Until the last old turret falls; A crown, a crown from Athens won! A crown no god can wear, beside Latona's son. There may be cities who refuse To their own child the honours due, And look ungently on the Muse; But ever shall those cities rue The dry, unyielding, niggard breast, Offering no nourishment, no rest, To that young head which soon shall rise Disdainfully, in might and glory, to the skies. Sweetly where cavern'd Dirce flows Do white-arm'd maidens chaunt my lay, Flapping the while with laurel-rose The honey-gathering tribes away; And sweetly, sweetly, Attick tongues Lisp your Corinna's early songs; To her with feet more graceful come The verses that have dwelt in kindred ******* at home. O let thy children lean aslant Against the tender mother's knee, And gaze into her face, and want To know what magic there can be In words that urge some eyes to dance, While others as in holy trance Look up to heaven; be such my praise! Why linger? I must haste, or lose the Delphick bays.
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Corinna, from Athens, to Tanagra
*Beneath yew tree's shade mouldering they sleep ashes of yesterday Chronicles of time ravage golden yesterdays ne'er more to live again O swelling anthem of praise chorus of robin, warbler, and oriole, mocking my broken heart triumphantly sing! Smile on! Thou blazing sun and scorn dreamless beds of innocent furry friends ashes of yesterday* ~ ~Hilda~
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Jan 18, 2014
Jan 18, 2014 at 6:33 PM UTC
Ashes of Yesterday
From Shisha with Love The room was dark as I entered Like a tangled pipe, I twisted, turned, and stumbled to my seat That’s when I saw her, everything was suddenly bright My eyes struck her creating a spark, she set me alight Her head had all the flavour, her hair the fiery glow Her eyes sweet like double apples, and her mouth mulish like mint She was, so tall, so fine, so slender The combination of cute and **** any man would surrender The path to the glow was clear, I couldn’t let this opportunity pass Every advance I took towards her I inhaled and exhaled a little deeper Like a shooting star in the night, I had to make my wish come true before the star strays I found myself immersed in smoke I had lost my way; where was the star, the glow the blaze? I began coughing and blowing the smoke away, and there she was In my brief moment of vertiginous, the pipe was in another palm The once fresh flavours became harsh, and the fiery flame was now smouldering Like a coal that had lost its grey coat that protected its fragile warmth was now mouldering Take a deep breath and let it go. @BengGeorge
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Sep 28, 2016
Sep 28, 2016 at 5:34 PM UTC
From Shisha with Love