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Sestina

Since time’s morning we all have seen the tower
In the far corners of each eye—
Its shape, its presence, was constant
And dark and cold as its steel pillars,
Which linked the earth to the aloft
As it left its hidden peak among the clouds.

How light and fragile seemed those clouds,
Yet how strong, as they embraced the pillars
Far above the common watcher’s eye
As if their undulations were what kept aloft
The gray, unmoving tower,
The only scaffolds to hold it constant.

But nothing in the cosmos is truly constant,
And nothing in the earth stays perpetually aloft,
Even the pillars
Of the groaning tower
As the wisps of the clouds
Began to pull away from the reach of the tower’s eye.

And how it burst, that eye
Of the suddenly trembling tower
As, from their place aloft
The fading clouds
Heard a promise of “I have always been constant”
From the hoarse vibrations of the mercury pillars.

But the wisps could not be persuaded, and the pillars
Erupted in a terrible shriek as the clouds
Strove to leave the tower
With a peaceful message as the constant
Jettisons from the tower’s erupting eye
Could not remain aloft.

Built, shaped, constructed to hold itself aloft,
No one considered that the tower could not stay constant
Upon the dissipation of those clouds—
First fell, screaming, the eye
And then the buckled, madly clawing pillars,
And so collapsed the tower.

And still the tower’s wreckage remains at the edge of our eye,
The constant twisting, twitching of the pillars,
As they feebly reach to the aloft and the faded strands of the clouds.


Villanelle

This is the tower’s story,
Witnessed by my truthful kin,
Such as it was told to me.

A desperate pursuit made he
After his love, to save him
This. Is the tower’s story

More than it had seemed to be?
What’s about’s seldom within,
Such as it was told to me.

Even though an elegy,
A tale of truth beneath skin
This is. The tower’s story

Is harsh memento mori
For a soul who’s always been—
Such as it was told to me.

Was such a thing meant to be?
Surely, not to have been seen.
This is the tower’s story,
Such as it was told to me.



Sonnet

I heard recountings of profound despair,
About a man with eye and tongue of brass.
The day before, I’d seen his icy stare;
The evening next, his story came to pass.

How strange, distressing, were those words to hear
Of how his love accepted death’s kind call;
The screaméd pleas and how he drew her near—
Unheard, unseen, his anguish wrings my soul.

The image of his twisted countenance
Within my mind—his visage turned to red—
Invades my every thought. What cruel romance,
How he caressed her hands as she lay dead.

And how that icy stare seems now to me—
What once was brass is naught but mercury.


Pantoum**

He would do all to be with her
As he pleaded,
Clinging to her arms
Like a lost child.

And he pleaded,
His eyes streaming
Like a lost child’s,
And told her,

“Is my screaming
Not enough to stop you?”
And, bolder,
“I can’t let you go.”

“What’s enough to stop you
From telling me,
‘I can’t let you know?’”
She starkly asked.

“You’re telling me
What I have never said;
Be stark—we basked
In trust and love;

What have I ever said
That burns enough to turn
Our trust and love
To pain and death?”

“The worlds so roughly turn—
We could not stop the dread machines
Of pain and death
As long as we live.”

He could not stop the dread machines—
Clinging to her arms,
How long could he live?
He would do all to be with her.
All four of these poems are written from the perspective of a fictional poet about two other characters of mine. Technically a school assignment, these will be very helpful for the story itself.
Xander Lopez Jan 2015
How can you spit fire- on earth’s back?
a hot breath that puckers a wind's crack
Your eyes, fill up the Heavens a distant so far
and When you were in motion, I thought you a shooting star
When I was motionless, You became the orbit to my sphere
but You spit fire, spilled it and burnt my earth’s atmosphere
With jettisons to blow soft kisses to try and lull it away
but with a harsh bite to open a closed wound in pain
Your flutters, they fill up my stars with a searing heat
When you're in motion I tethered with you with you when I need retreat
I orbit around you, and I am unwillingly your shooting star
Chad Young Jan 2021
I slide my hand down your **** and thigh from behind as you are bent over, and making yourself a toy for me.
I penetrate you *******, in and out as your shelf provides a suction on and off.
Your skin gets hot and flush.
You grab me like your fulfillment depended on it.
My ***** grows so large that it pierces though your heart and lungs and out your mouth.
Can you feel it in your abdomen?
The pulse and push against your intestines?
Rocking your ecatasy up your tummy as you grab at your heart - pounding with your man.
The rush goes up your ahoulders, up your neck, and your head and face come alive with mortal pleasure.
As you take your mouth over my tower, pressing your lips and tongue on its veins and arteries, digesting the salty skin in your mucus.
Pulsing your head back and forth as if you're not drinking enough, as if your mouth had the sensitivity of your ******.
Without ******* you press it into your pus and my head pulses and enlarges pressing the back of your tunnel.
Woman's immortal enemy: my ******, jettisons my *****, mixing with your wet walls, producing a torrent of film.
We both hadn't had enough.
Day dream
Modern culture deconstructs itself,
jettisons the meta-narrative, finds
no truth but power, no power but
theory. There is only text, superceding
the author's intent. There is no absolute
author, only perspectival framings on a
malleable, transient text. There is only text.

There is no self, only the postmodern critic
deconstructing the world. There is no world,
only relativity in culture. There is no culture,
only postmodernist theories, open to
no truth, for truth is power. And power wills
only power -- a dynamite of meta-energy,
triggered to explode..

The individual remains lost in the cosmos
of theory and text. There is no individual,
only clashing wills-to-power. There is no
power, only theories and deconstruction.
Meaning is meaningless, a maze of repressed
attitudes toward a hostile world. There is no
world, only fragments of deconstruction,
fragments of authorial intent, fragments
of theory, of texts, of power and will.

There is no will, only interpretation.
There is no interpretation. Only power
and theories and text. Modern culture
deconstructs itself. The postmodern
critic sits satisfied, ready
to deconstruct himself.
Jayant Iyer Apr 2020
Trapped in your house, nestled up on your couch,
Nap time it is and the dream waves approach.

The half conscious mind scraps it as lame,
You wake up in a world which is never the same.

Mystical river gushing it's way down the valley,
Meanders through the meadows as if in a chirpy rally.

Foggy dawn arose in the tangled woods, signifying moment for yet another play,
Furtive as it thought bustling across the branches, jittery tiny squirrel misses its prey.

Enriched with minerals, the rill erodes gently forming the lush and fecund soil,
Spring season it is, rejoice the farmers as they are on their way out to toil.

Serene silvery moonlight radiates the patio, a poignant distant tune that is soothing,
Sweet mom exclaims dinner time it is, you reach out to devour the luscious pudding.

Gleaming sunlight streaming through the window swiftly jettisons your reverie,
Glooming, you surmise if the dreamland you experienced briefly is all that you will ever see.

— The End —