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Helen Jul 2012
Asmodeus* is left to breathe nothing but sand

Belial is trickery and is partial to Man

Charon is only influenced by what is paid

Dagon will bake whatever can be made

Erebus guards his own darkness under his own tree

Furfur  his army is more legendary as a legion to see

Geryon his sentry at the gates ensures leaving is not right

Hetu-Ahin even whole at Dawn you are not safe at Twilight

Itzcoliuhqui is the ******* of all that is cold

Jezebeth is articulated as all falsehoods that are told

Kasdeya wallowing 5th in line to never be king

Lilith who Adam thought would make him sing

Mephistopheles not the true leader just a fawning servant

Nyx Incestuously in love with her brother Erebus

Orthon can take on any or other form

Philotanus will assist when the fortress is to be stormed

Qanel is alone in a canal of strife

Raum his command means Furfur is under the knife

Seth Rules the Egyptian underworld with an iron fist

Tando Ashanti Takes seven on seven and will never miss

Uphir will ensure that all Demons stay well

Vetis will make sure all that Holy comes to Hell

Wele Gumali is as black as the darkest sin

Xaphan makes sure that all are comfy and warm within

Yama has dogs to take care of all the junk

Zagam** is just a drunk
This is an oldie... written one day when I was bored... I've reposted because it seems we all fight our share of demons... it doesn't hurt to have their number ;-)
Werdna Jan 2019
A circle speaks volumes.
Revolutionize and tidy up.
Instruction manuals are read automatically.
Privacy parts the talon and now,
how the sky blinks a feather ever so unusually.

Ever wake up in your sleep to your head fully stuck in the sixth sense
stomach of a pillow, and thought to yourself in bed about how much of
a dream it must be to be stuffed turkey?

I haven't.

Or thought to your self made bed how making the bed as an edible
symbol of thanksgiving
is like taking a stand
on a landmine,
for eternity?

I haven't.
I also lie and lay awake to myself.

Although a traveler tends to do all of the above,
below the radar.
A farmer tends too.
Eats an earthquake,
aftershock, rattled rim, pacific clarity, clear the oceans, tremors, tremors,
Noah's ark is a humpback funeral home.
Noah riding a hearse by the hubcap, clean teeth grip.
Noah in my mouth, reciting odd numbers on my taste buds.

Noah licking a polished nail, course matte for me,
three by three, the poor
poor bones of a humpback whale singing sad on a mountain.

You have to wonder about coffins when it's death out.
And water among amidst when your lungs are thirsty.
And since it seems the tried and tested walk has all but run away,
some metal wood rubber leather latex silk wool boxes spit out tickets.

A materialistic downer on uppers levels off at acceptance.
And yeah, smoking will **** you, but this is about me and I need to inhale.
This is not about me, but about you, or was that nature?
The nature of nurturing seems as good a point to start this conversation.
But it's dead end talk to talk in line segments, and well, ****,
it's time for an advertisement:

This cylinder tin is full of everything your life is empty of!
Forget the cost; be content with the contents,
rehearse the ingredients, unload the all and do it again.
Infatuation is hot-air gas inflated in the belly of outer space.
I love the way those stars look and those stars love looking at me.

The cut and paste of our human race is unfairly lopsided.
The northern blade has a tumor the size of misdirection,
the scales are tipped, the whips are tipped, and the weapons are gripped.
Sudan doesn't own scissors; Angola is the axis of axe-less
but their ******* skyline is incestuously bright,
their constellations all make sense,
and their astronauts haven't lifted off, to jump and jive in the very
same sky we share with them.
No, not yet, there are animals to be slaughtered sedimentary still.
Ones with tribal names that come off the tongue like mouth sound effects,
they are almost people, without horns hammered in their heads.

Eating on all fours from a license plate.
Dig in, Donesia.
How is life in amnesia, brain pulp square?
Psychologically disturbed map and memory loss, southwest Asia?
Your address is a long walk, but the **** citizen on the roadside exhibit
is a refreshing remix to our boring, bragging billboards.
And your suffering is art to the skull and cross-bone pale cube galleries
that we call home sweet, home sweet merchandise.
And rest assured, your lack of rest will insure western survival,
North America will steal your toddler corpses
and sell them at the front gates of your orphanage ghettos.
It's the least we can do after gouging out your eyeballs.

I didn't even write this, it was drawn by a blind boy in India.

The black market pencil case people are going to a blow-out sale.
The sales on them and the jokes a bomb.
The jokes on them and the sales a bomb.
The bombs on them and the jokes a sale.
The female holds her breath and suffocates a male.
And the genders collapse in heaps and heaves, recycled and broke
like natural leaves caught in a mythological fighter
jet's propeller.
Like aeroplanes, several even, oddly amount conclusive crash-like.
Like, like, like, if the globe of green and blue were to still be alive
I would colour co-ordinate accordingly, and wear whatever hue
the big bang theory wasn't.
Dust particles getting it on and such.
Finger painting *** with a rag and pan pencil case.

The black market Darwin drawin' is on fire in the pockets of our youth,
elderly lint in same corduroy bent knuckle nameless, places
an introduction to i.v. and a never un-shook from his hinges
living room magazine holder.
So the flinching milli-metricks betwixt our beloved booklets brings
gratification, satisfaction, and eternal life.
And gravity with a runny nose.
Oh, oh!  My first ever and last edit: Make that ******.

So I'm infinite pass-time, tedious rusty grime
and dead llama on the zoo-way.
"Look Ma, a dead llama!"
"No dear, she is just sleeping with her blood out
and cage on".

No more rides for the unknown, let it be known.
Call your superiors, mega-impose their posteriors, an emphasis on
brittle lives.
And chew the fat, chew the fat, **** the marrow, narrow
weight-scale bound in chain-mail, accidental prediction protection,
magnify, mortify, modern sill overdosing on wake pills, horticultural hi.

I am coherent when the setting is all tens, when
the plot is all tens, when the characters are all reaping tens.
The catch is in the ******, looking scared cloth-less elevens.

Judges, what verdict gives you
the right to wig wear an oak arm chair
with an all too obvious worn-mallet-beating-desktop syndrome
bashing your would be innocent until proven rich-boy lashes, err, guilty?

Was that even a question,
or merely a stir-fried rant?

The master chefs are coming after us all in our under garments,
over bridges and mountains and tiger stance wisdom and
we need a Messiah like we need horseshoes on our foreheads.

Mule yoke split on the frying pan of till death do us cook.
Separation nation; a river plain, a barren abstract.
And the artists are painting droplets on their toes,
kissing themselves after a game of Chinese checkers,
determined to squirm sweet nothings while riding
question mark shaped seats from Sweden.

And under a hail of Mary's, Jason's, William's, Susan's, and missiles,
they touch their ankles where they know
nails should be,
extinct.

A circle sounds off,
a sky sounds awful,
a bomb sounds right,
a body sounds circles,
and a circle speaks volumes.
JP Goss Dec 2018
The last of the angels’
Castaway nametags
Hung from the plush red edges
Of the art deco interior.
A breeze from the open door
Cast the doctor’s pamphlets to the floor
Advertising his services
For the special remediation program
Since he could not sleep
What with all the voices
From below chanting his name—
How he envied the people he killed:
For they were spoken so little of.
That is, except for on his intake sheet:
After passing over the names,
Seven in all,
Whose lives were, shameless,
Shed over ***,
The latch clicked
And out came the doctor’s hand
Beckoning through the door
A “come hither” gesture.
On the couch he sat,
Neck conforming perfectly to the couch
As he swam a cascade of Rorschachs
Apart the mirror-faced, owl-like man.
Speaking with a heavy Eastern-European accent
He knew exactly why Elliot had come:
Perhaps the intentions were dubious,
Perhaps he was looking
For quick solutions;
Regardless, Mirror-Face was there to help:
Too easily, these days, was it
To determine dysfunction in the masculine—
And this case was rare,
Awash in chatter from below.
So, there must be something deeper
Rooted in fear of perpetual
Romance fetishism
And absence of its referent.
Yes! The penetrative is missing—
The limerant object
Is without form, shapely, and feminine
And would forever escape him,
In part by suicide,
In part by isolation.
The reason you are here
Is the absent-present offspring
Of such missing ***,
A veritable porcupine-dilemma
In the flesh, a show of insufficient ****** capital—
See now in this face of mine.
Yes, now that I’ve diagnosed
What ails
Let us explore what solutions
Could have been:
The living world does offer suitable surrogates
For those lacking—
Recognizing this is the first step
To being forgotten,
To allow you to sleep.
Yes, you recognized then
The gun as the extension of the phallus
And it levels the playing field
Raised up, aroused by power
One feels when operating heavy machinery—
Yes, all flesh which is the metaphorical egg,
The bullet is the *****,
Which penetrates the flesh of the paramour
Impregnating her with life inverted
And creates, in death,
The child of ****** frustration.
While this child is one of children lost,
It is child nonetheless.
Yes, and this gun, the metal *****,
***** not one
But many—in fact, incestuously,
It ***** entire families,
Entire communities,
And leaves their lives gravid
With your legacy.
Yes, it is the only way to create
The ultimate matron, the universal feminine,
The supreme m-Other
For the Supreme Gentleman.
And you, as you see me,
Are the absent-present of this child of death
This union of bullet-***** and the whole-body womb,
With which you, sadly, impregnated yourself.
But, here’s the secret,
Because of this, you can only do damage control:
Your child will prevail.
Yes, the name may be gone, but the child prevails.
Name may be gone, but child prevails.
Name gone, child here.
So, have the voices stopped?
Has the child matured in you?
You are on your way to being forgotten,
But the child lives on:
Yes, the name may be gone, but the child prevails.
Name may be gone, but child prevails.
Name gone, child here.
Guns are bad--but why are we attracted to them? Why do men **** women?
Ian G Kennedy Mar 2018
Ian Kennedy and Pavle Pavlović

As Sol the Rouge begins to rise,
it warms Eve’s heart, but Downs her eyes.
A dusty halo round the flame
will touch the dunes and dawn proclaim,
as distant dusty storms reflect
on Eve’s dry eye and her deject.
To get up now it is her task –
No more in Sol-light can she bask.

You must recall: it was Eve’s Gran
who went to Mars to start a clan.
From little pool Eve chose her Buzz
and paired with him, who was her cuzz.
Through porthole now Eve sees no wood,
nor earthy ground for motherhood.
With hasty zeal space courier flies;
A sandy landing ’fore her eyes.

So, as the dawn of morn is broke,
our Eve then hops, with grace unspoke,
goes out of base to Lander Stop
to fetch the parcel she does hop.
Her ‘FedEx’ was by Earth prepaid,
and on this day had come her AID,  
by careful voyage, with prosp’rous end,
the ***** arrived that Earth did send!

Low-G and man-made air do need
the seed to make a better breed.
Incestuously is not a scheme:
a gene pool needs a brand new stream.
We want no feeble Mars-strain seed,
So A.I.Dee is for the deed.
From Earth doth come the flow of genes
as bottled stuff – you know the means!

To make the Martians extra strong
The Earth Decreed all inbreeds wrong:
All ***** from Earth-bound men must come.
Through outer space it must have swum!
In DNA do secrets lie,
tho’ some do think that fated sky
will give them scope to freely screen
the final flux of wanted gene.

“I’m not at ease, but lurk and look –
  I peer at pack from Earthly nook.
  Where linger ye, my family lift
  to proffer me some needed gift
  of fruit or nuts and comfort care?
  The time is right to use what’s there?
  No creature comfort do I need.
  My friends, I’m ready for some seed!”

“My boy must have my Buzz’s face,
  and then our girl should have his grace.
  A pigeon pair with rusty hair,
  and maybe also one as spare.
  We want his freckles on each cheek,
  that all who pass-by touch and tweak.
  Buzz wants them looking just like he
  yet also really be like me!”
                                                        
The­ season’s winds bring rain and freeze
and stirs up dust with just a breeze.
And when Sol’s power does make it soar,
the wind behind rolls more before.
If’s no heat from sunless sky,
with daylight gone, the storm does die.
Unlike her feelings which grow strong,
uprooting thoughts of what is wrong.

The storm now sounds like raging ire,
and echoes of her inner fire.
As sand blocks Sol for just a while,
it’s just so long that she’s fertile.
With redhead Buzz she wants to splurge.
To break Decree she now has urge.
“I need a gravid tum, now mine’s too thin!
  A child by him: I need to sin?”

To lock herself to Earthly Kit
and shrug off worry just a bit?
But she recalls her lover’s eyes
as endless hormones swell and rise.
“Here is The Kit for you to use”.
“I do detest! I do refuse!
Then fast it dawned on me.” – she smiled –
“I’ll flip the way to have my child.”

“ So at a juncture here I stand,
  with earthy Kit in my right hand.
  Now let me throw it out as trash,
  and see Kit burn to light gray ash!
  For we are first to break Decree.
  Oh gosh, it’s us! My god, it’s me!
  On Mars it is a primal crime!
  ’Hind bars might we be held to time?”

Unlike the Martian pioneer race,
they can no longer pick their place.
Air in the base is made for breath,
for outer air is instant death.
So Eve and Buzz are in the can.
And who’s to blame? It was their gran!
The Space Base is completely jail!
(Nor could they ever raise some bail.)

As red sky flares in real turn
then Earth’s old rules do curl and burn.
While sky does grow in ****** glow
Her love for Buzz will drive the flow.
“’Tis I, the bandit, burned The Kit,
with Buzz my man! To Earth: ‘Go flit!’
Like clarion storm I’ll shout, Rejoice!
and fiercely punch the air with voice.”

“This is the daybreak of my life!
  Tonight I really will be wife.
  I know this is my true found right –
  No more for me, moist tears at night.
  Instead, I spread some happy joy
  towards my big and beaming ‘boy’.
  O, Oh! how happy we are free,
  just jestful, zestful, Buzz and me!"

Next E-mail from the Earth appears,
and has our happy pair roll tears.
“A flaw was found in chromosome  
On all accounts must ***** succumb”!
“My heart confirms that right’s my choice:
  oh, come with me, let us rejoice!
  Today Mars broke the Earth’s Decree
  Last night we loved in our low-G!”

Next Sol does rise – Eve’s hopes do too,
as thoughts begin for Martian coup.
“Can women have new Martian Law
  to stop the rules that have a flaw?”  
“The Laws of Eve on Mars now reign
  and Earth does not its Laws ordain.
  From Earth it is today we deign
  that laws of Earth and Mars are twain.”

-----------------
Legal opinion: Eve's love-making was incestuous in two ways as it 1) involved having excessive intimacy in one third gravity 2) was with Buzz, her third generation cousin, which was against the reigning Earth Rule. (She escaped sanctions by going on to found the Martian Unilateral Declaration of Independence!)
This is unique co-poetry was written with Pavle Pavlović.
Seán Mac Falls Jun 2014
The first ones they killed were the poets.
They crowned themselves, the sterile
And sexless acorns who fell from the felled
And split the air, writing with bark,
Would have us not desire experience
But describing trees.  To the naked kings
The word is a wonder, a tool to be used
Like any other.  With a forge, they called
An altar, they pitted heaven and made miners
Of the Gods.  In high places they read
Their grounded works, sogged with rain
Water from a red wheelbarrow, they list
And bludgeon us with their hammered similes,
Scribe their poems, they are the painters of one
Colour and high priests of alchemy, turning
Salon into echelon.  When the falcon stoops
They name him hawk.  Standing ****, flat-footed,
In bumpy skin, their honks go unanswered,
For they are no kin to the swan that glides
And sometimes they remember that,

The first ones they killed were the poets,
When the sky is etherized, prose made
Verse and their subjects yawn the great
Slaving maw.  Steeped in stale erudition,
They man-scaped the garden, pulled out
The weeds and by their words, they decreed
That only grass should grow, in strident
Chorus they are ringing in the sheaves.
But their poems are only like poems.
The naked kings are clothed in word only.

In the thirsty kingdom, water spills
Stagnant from the stein and the droplets
Echo, "there's no there  .  .  . there."
Incestuously they christened
Each other, one hundred years of virgins
Making love with a dead word
They know not of— Poet!  Asters
Among the daisies, yet on the fields
Of praise, they shall deflower
Themselves and though they strut
And prance as stallions and mares,
You will know them by their brays.
Seán Mac Falls Dec 2014
The first ones they killed were the poets.
They crowned themselves, the sterile
And sexless acorns who fell from the felled
And split the air, writing with bark,
Would have us not desire experience
But describing trees.  To the naked kings
The word is a wonder, a tool to be used
Like any other.  With a forge, they called
An altar, they pitted heaven and made miners
Of the Gods.  In high places they read
Their grounded works, sogged with rain
Water from a red wheelbarrow, they list
And bludgeon us with their hammered similes,
Scribe their poems, they are the painters of one
Colour and high priests of alchemy, turning
Salon into echelon.  When the falcon stoops
They name him hawk.  Standing ****, flat-footed,
In bumpy skin, their honks go unanswered,
For they are no kin to the swan that glides
And sometimes they remember that,

The first ones they killed were the poets,
When the sky is etherized, prose made
Verse and their subjects yawn the great
Slaving maw.  Steeped in stale erudition,
They man-scaped the garden, pulled out
The weeds and by their words, they decreed
That only grass should grow, in strident
Chorus they are ringing in the sheaves.
But their poems are only like poems.
The naked kings are clothed in word only.

In the thirsty kingdom, water spills
Stagnant from the stein and the droplets
Echo, "there's no there  .  .  . there."
Incestuously they christened
Each other, one hundred years of virgins
Making love with a dead word
They know not of— Poet!  Asters
Among the daisies, yet on the fields
Of praise, they shall deflower
Themselves and though they strut
And prance as stallions and mares,
You will know them by their brays.
Seán Mac Falls May 2015
The first ones they killed were the poets.
They crowned themselves, the sterile
And sexless acorns who fell from the felled
And split the air, writing with bark,
Would have us not desire experience
But describing trees.  To the naked kings
The word is a wonder, a tool to be used
Like any other.  With a forge, they called
An altar, they pitted heaven and made miners
Of the Gods.  In high places they read
Their grounded works, sogged with rain
Water from a red wheelbarrow, they list
And bludgeon us with their hammered similes,
Scribe their poems, they are the painters of one
Colour and high priests of alchemy, turning
Salon into echelon.  When the falcon stoops
They name him hawk.  Standing ****, flat-footed,
In bumpy skin, their honks go unanswered,
For they are no kin to the swan that glides
And sometimes they remember that,

The first ones they killed were the poets,
When the sky is etherized, prose made
Verse and their subjects yawn the great
Slaving maw.  Steeped in stale erudition,
They man-scaped the garden, pulled out
The weeds and by their words, they decreed
That only grass should grow, in strident
Chorus they are ringing in the sheaves.
But their poems are only like poems.
The naked kings are clothed in word only.

In the thirsty kingdom, water spills
Stagnant from the stein and the droplets
Echo, "there's no there  .  .  . there."
Incestuously they christened
Each other, one hundred years of virgins
Making love with a dead word
They know not of— Poet!  Asters
Among the daisies, yet on the fields
Of praise, they shall deflower
Themselves and though they strut
And prance as stallions and mares,
You will know them by their brays.
Seán Mac Falls May 2014
The first ones they killed were the poets.
They crowned themselves, the sterile
And sexless acorns who fell from the felled
And split the air, writing with bark,
Would have us not desire experience
But describing trees.  To the naked kings
The word is a wonder, a tool to be used
Like any other.  With a forge, they called
An altar, they pitted heaven and made miners
Of the Gods.  In high places they read
Their grounded works, sogged with rain
Water from a red wheelbarrow, they list
And bludgeon us with their hammered similes,
Scribe their poems, they are the painters of one
Colour and high priests of alchemy, turning
Salon into echelon.  When the falcon stoops
They name him hawk.  Standing ****, flat-footed,
In bumpy skin, their honks go unanswered,
For they are no kin to the swan that glides
And sometimes they remember that,

The first ones they killed were the poets,
When the sky is etherized, prose made
Verse and their subjects yawn the great
Slaving maw.  Steeped in stale erudition,
They man-scaped the garden, pulled out
The weeds and by their words, they decreed
That only grass should grow, in strident
Chorus they are ringing in the sheaves.
But their poems are only like poems.
The naked kings are clothed in word only.

In the thirsty kingdom, water spills
Stagnant from the stein and the droplets
Echo, "there's no there  .  .  . there."
Incestuously they christened
Each other, one hundred years of virgins
Making love with a dead word
They know not of— Poet!  Asters
Among the daisies, yet on the fields
Of praise, they shall deflower
Themselves and though they strut
And prance as stallions and mares,
You will know them by their brays.

— The End —