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Mateuš Conrad Jun 2016
preliminary explanation

before i really begin the project i have a few scatterings
of thought that made me do this, without real planning,
a different sort of impromptu that poetry's good at,
less Dionysian spur-of-the-moment with an already
completed poem entwined to a perfect ensō,
as quick as the decapitation of Mary Boleyn with the
executioner fooling her which side the swing would
be cast by taking of his hard-soled-shoes -
i mean this in an Apollonian sense - i know, sharp contrasts
at first, but the need to fuse them - i said these are
preliminary explanations, the rest will not be as haphazardly
composed, after all, i see the triangle i'm interested it
but drawing a triangle without Pythagorean explanation
i'm just writing Δ - i'll unravel what my project is
about, just give me this opportunity to blah blah for a
while like someone from an existential novel;
what beckoned me was the dichotomy of styles,
i mean, **** me, you can read poetry while in an awkward
yoga position, you can read it standing up, sitting down,
eating or whatever you want - obviously on the throne
of thrones taking a **** is preferred - the point being
what's called serious literature is so condensed for
economic reasons, font small, never-ending paragraphs,
you need an easy-chair and a bottle of cognac to get
through a chapter sometimes - or at least freshly mowed
grass in a park in summer - it's really uncomfortable because
of that, and the fact that poets hardly wish upon you
to be myopic - just look at the spacing on the page,
constantly refreshing, open-plan condos, eye-to-eye -
but it's not about that... the different styles of writing,
prose and the novel, the historical essay / encyclopedia
or a work of philosophy - what style of writing can
be best evolutionary and undermine each? only poetry.
poetry is a ballerina mandible entity, plastic skeletons,
but that's beside the point, when journalism writes history
so vehemently... the study of history writes it nonchalantly,
it's the truth, journalism is bombastic, sensationalist
every but what courting history involves -
a journalist will write about the death of a 100 people
more vehemently than a historian writing about the Holocaust...
or am i missing something? i never understood this dichotomy
of prose - it's most apparent between journalism and history...
as far as i am concerned, the most pleasurable style of
prose is involved in the history of philosophy, or learning per se,
but i'll now reveal to you the project at hand -
it's a collage... the parameters?

the subject of the collage

it weighs 1614 grams, or 3 lb. and 8 7/8ths oz.,
it's a single volume edition, published by Pimlico,
it's slightly larger than an A5 format,
3/4 inches more in length, and ~1 centimetre in
width more, it has a depth of 1 and 3/4 inches in depth,
a bicep iron-pumping session with it in bed -
i was lying with this behemoth of a book
in bed soothing out a semi-delirium state
listening to Ola Gjeilo's *northern lights

and flicking through the appendix, and i started thinking,
no would read this giant fully, would they?
the reason it's a one volume edition is because
the only place you'd read such an edition would
be in a library, at a desk, and you'd be taking snippets
out from it, quotes, authentic references points
for an essay, esp. if you were a history student,
such books aren't exactly built for leisure, as my arms
could testify... after the appendix i started flicking
through as to what point of interest would spur me
onto this audacious (and perhaps auspicious)
act of renegading against writing a novel (in the moment,
in the moment, i can't imagine myself rereading plot-lines
after a day or two, adding to it - that's a collage too,
but of a different kind - and no, i won't be plagiarising
as such, after all i'll be citing parallel, but utilising
poetry as the driving revision dynamic compared
to the chronologically stale prose of history) - i'll be
extracting key points that are already referenced and not
using the style of the author - the book in question?
Europe: a history by Norman Davies prof. emeritus
at U.C.L. - the point of entry that made me mad enough
to condense this 1335 page book (excluding the index)?

point of incision

Voltaire (or the man suspected of Guy Fawkes-likes spreading
of volatility in others) -
un polonais - c'est un charmeur; deux polonais - une
bagarre; trois polonais, eh bien, c'est la question polonaise

(one pole - a charmer, two poles - a brawl, three poles -
the polish question) - mind you, the subtler and gentler
precursor of the Jewish question, because the Frenchman
mused, and not a German, or a Russian brute...
and i can testify, two Polish immigrants in a pub,
one senior, the other minor, one with 22 years under
his belt of the integration purpose, one with 12 years,
the minor says to the senior about how Poles bring
the village life to cities, brutish drunkards and what not,
it was almost a brawl, prior to the senior was charming
a Lithuanian girl, before the minor's emphasis on
such a choice of conversation turned into idiotic Lithuanian
nostalgia about the disintegration of the Polish-Lithuanian
commonwealth, primarily due to the Polish nobility.

10,000 b.c.

looking that far back i don't know why you even
bother to celebrate the weekend -
i mean, 10,000 years back Denmark was
still attached to Sweden,
England was attached to France,
and there was a weird looking Aquatic landmass
that would become a myth of Atlantis
in the Chronicles of Norwich,
speedy ******* Gonzales with the equivalent
of south america detaching itself from Africa...
mind you, i'm sure the Carpathian ranges are
mountains. they're noted here are hills or uplands,
by categorising them as such i'm surprised
the majority of Carpathian elevations as scolded
bald rocky faced, a hill i imagine to have some
vegetation on it, not mountain goats with rock and roof
for a blacksmith in a population of one hundred...
at this point Darwinism really becomes a disorientating
pinpoint of whatever history takes your fancy,
Europe - mother of Minos, lord of Crete,
progenitrix / ******* and the leather curtains
of Zeus's harem (jealous? no, just the sarcasm
dominates the immortal museum of attachable
****** to suit the perfect elephant **** of depth
the gods sided with, by choice, excusing the Suez
duct tightening of a prostate gland... to ease the pain
upon ******* rather than *******); mentioned by Homer
the Blind tooth-fairy, the Europe and the bull,
Europoeus and the swan, same father of wisdom to mind,
on the shores of Loch Lomond -
attributes a lover to the bull, Moschus of Syracuse,
who said earring Plato cured him of where the ****
should not enter even if it shines a welcome
in the disguise of Dionysius... revisionists bound to Pompeii
named Titian, Rembrandt, Rubens Veronese
and Claude Lorrain revived the bulging bull's *******
and her mm hmm mm, too gracious my kind, hehee...
Phonecians from Tyre and Io - so too the Sibyl of ****** -
and unlike the great river civilisations of the Nile,
the Ganges, soon to be the Danubian civilisations
and gorged-out-eyes-that-once-sore-colour-but-lost-sight-of-
colours-­after-seeing-the-murk-of-the-Thames...
soon the seas overcame civilisations of the rivers,
as Cadmus, brother of the thus stated harlot said:
i bring you orbe pererrato - hieroglyphics of the cage,
but not an owl or a hawk inside it -
so let's perfect speaking to an encoding by first
rummaging into learning how to procure the perfect
forms of counting - i say left, you say I, i say right
you say II, left right left right, what do you say?
VI. bravo! the Hellenic world just crossed the Aegean
and civilisation bore twins within the cult of a lunar-mother,
Islam of Romulus and Remus, a she-wolf
a canine of the night - according to another -
tremulae sinuantur flamine vestes - or so the myth goes -
a cherished phantom of what became the fabled story
of sole Odysseus with his ears open and the remnant
sailor's ears waxed shut - as if the bankers of this world,
revelling in culprit universal fancy than nonetheless
bred the particular oddities - lest we forget,
the once bountiful call of the sirens to the oceanic
is but a fraction of what today's sirens claim to be song,
a fraction of it remains in this world, the onomatopoeia
of the once maddening song, the crude *******
arrangement of vowels bound to the jealous god's
déjà vu of the compounding second H.

from myth to perpetuating a modern sentiment

you can jump from 10,000 b.c. to the Munich Crisis
of 1938 - 9 with a snap of the fingers,
imitating quantum phenomenons like gesticulating
a game of mime with Chinese whispers necessary,
if Europe is a nymph, Naples her azure eyes,
Warsaw her heart, Sebastopol and Azoff,
Petersburg, Mitau, Odessa - these the thorns
in her feet - Paris the head, London the starched collar,
and Rome - the sepulchre
.
or... die handbuch der europaischen geschichte
notably from Charlemagne (the Illiterate)
to the Greek colonels (as apart from Constantine to
Thomas More in eight volumes, via Cambridge mid
1930s)... these and some other books of urgency
e.g. Eugene Weber's H. A. L. Fisher's, Sr. Walter Ralegh,
Jacob Bronowski... elsewhere excavated noun-obscurities
like gattopardo and konarmya had their
circas extended like shelved vegetables in modern
supermarket isles, for one reason or another...
prado, sonata sovkino also... some also mention
Thomas Carlyle (i'd make it sound like carried-away isle,
but never mind); so in this intro much theory,
how to sound politically correct, verifiable to suit
a coercion for a status quo... Europe as a modern idea,
replacing Imperum Romanun came Christendom,
ugly Venetian Pirates at Constantinople,
Barbarossa making it in pickled herring juice
in a barrel to Jerusalem... once called the pinkish-***-fluff
of Saxony, now called the pickled cucumber,
drowning in his armour in some river or Brosphorus...
alchemists, Luther and Copernicus were invited on
the same occasion as the bow-tie was invented,
apparently it was a marriage made for the Noir cinema,
beats me - hence the new concept of Europe,
reviving the idea of Imperium Romanun
meant, somehow including Judea in the Euro
championship of footie gladiator ***** whipped
narcissists, rejecting the already banished Carthage
(Libya / Tunisia by Cato's standards) and encouraging
the Huns, the Goths and the even more distant Slavs and
Vikings to accept not so much the crucifix as
the revised spine of the serpent but as the geometry of
human limbs, well, not so much that, but forgetting
Norse myths of the one-eyed and the runic alphabet
and settling for ah be'h c'eh d'ah.
dissident frenche stink abbe, charles castel de st pierre
(1658 - 1743) aand this work projet d'une paix perpetuelle
(1713) versus Питер Великий who just said:
never mind the city, the Winter Palace... i have aborted
fetus pickles in my bedroom, lava lamps i call them.
the last remaining reference to Christianity?
Nietzsche was late, the public was certain,
it was the Treaty of Utrecht, 1713, with public reference
to the republica christiana / commonwealth was last made.
to Edmund Burke: well, i too wish no exile
upon any European on his continent of birth,
but invigorate a Muslim to give birth on it
and you invigorate an exile nonetheless:
Ezra expatriate Pound / sorry, if born in eastern
europe a ***** Romanian immigrant, pristine
expatriate in western Europe, fascist radio has
my tongue and *****, so let's play a game:
Russian roulette for the Chinese cos there's
a billion of them, and no one would really mind
a missing Chow Mein... chu shoo'ah shaolin moo'n'kah!
or a cappuccino whenever you'd like to watch
classic Italian pornographic cinema with dubbing
with nuns involved... Willaim Blake and his
stark naked prophesy, pope pius II (treatise 1458)
even though Transylvania, Tharce and Hungary
shared the same phonetic encoding with diacritical
distinctions like any Frenchman, German,
or Pole at the Siege of Vienna (1683)
to counter the antagonising Ottoman - i swear historians
do this one purpose, juggle dates and head-of-state figures
prior to entering a chronology - they must first try out
a ******* carousel before playing with the toy-train...
broadcasting to a defeated Germany public, T. S. Eliot
(1945) ****** import to into Western Germany
and talk of the failing moral fabric, China laughing
after the ***** intricacies of warfare of trade,
what was once wool we wished to be silk...
instead of silk we received vegetarian wool, namely
hemp, and Amsterdam is to blame... nuke 'em!
that's how it sounds, how a historian approaches
writing a history from the annals, from circa and
circumstance and actual history, foremost the abbreviations,
the fishing hook standards, the parameters,
the limits, and then the mathematics of history,
one thing culminating into another... contra Lenin
N. S. Trubetskoy, P. N. Savitsky, G. Vernadsky
Russian at the perks of the Urals - steppe Tartar shamans
or salon pranced pretty **** boys? where to put
the intoxicant and where to put the mascara... hmm,
god knows, or by 21st calculations, a meteor;
they say the history of nations is a history of women,
then at least the history of individuation
and of men who succumb to its proliferation
is astoundingly misogynistic.
Seton-Watson, among the the tombstones too reminded
of remarkable esteem and accomplishment
with only one gravedigger to claim as father...
as many death ears as on two giraffe skeletons
stood Guizot, men of many letter and few fortunes,
or v. v., incubators of cousin ***** and none the kippah
before the arrogant saintly diminished to
a justly cause of recession, ha ha,
by nature's grace, and with true advent of her progression
as guard-worthy pre- to each pro-
and suggested courteous of the ****** fibre,
oh hey, the advent of masqueraded woofing,
a Venetian high-brow, and jealousy out of a forgotten
spirit of adventure that once was bound
to hunting and foraging... forever lost to write  history of
a king dubbed Louis the XIV...
crucibles and distastes for the state to be pleased,
once removed from Paris, forever to Angevin womb
accustomed once more, at Versailles released -
as cake be sown so too the aristocratic swan necks
for worth of mock and scorn - and the dampening rain
rattle the blood-thirst of the St. Bartholomew's Day
slaughter, to date, the rebirth of Burgundy,
of Anjou, and with the dead king presiding, to be
of no worth in judging himself a king before god or pauper...
saluer Antoine Quentin Fouquier-Tinville!
that i might too in stead rattle a few bones prior to burial
with the jaw that will laugh and chatter least
had it been to my kingly-stead a birth so lowly.
then at least in satisfactory temperament i procure a
judgement of the noble like of a *****
for an hour's worth of pistons and jarring tongues...
as if from a nobleman then indeed as if from a *****,
for who sold Europe and said: Arabia, if not the
Frenchman, the Englishman, the Spaniard?
the former colonial conquests served you not enough?
i imagine the reinstatement of Israel like
the Frankish states under Philippe-August...
precursors to a cathedral dubbed Urban the 2nd's..
there were only Norwegian motives in the Ukraine
and the black sea... Israel to me is like plagiarism
of the Frankish states of the middle-east, with Europe
slightly... oom'pah loom'pah mongolian harmonica.
some said Rudyard Kipling poems,
some said Mr. Kipling's afternoon tea cakes -
whichever made it first on Coronation St.
some also say the Teutonic barbecues -
it was a matter of example to feed them hog
and cannibalise the peasants for ourselves,
a Prussian standard worth an army standard of
rigour - Ave Maria - letztre abendessen nahrung -
mein besitzen, wenn in die Aden, i'd be the last
talking carcass...
gottes ist der orient!
gottes ist der okzident!
nord - und sudliches gelande
ruht im frieden seiner hande.

germany's lebensraum, inferiority and classification,
inferior slavs and jews, genetics and why my
hatred of Darwinism is persistent, you need
an explanatory noting to make it auto-suggestive
for Queen & Country? diseased elements,
Jewish Bolshevism, Polish patriotism,
Soviets, Teutons, the grand alliances of 1918
or 1945? Wilsonian testimony of national self-determi
Opgedra aan ‘n kind  wat gebliksem moet word.
Deur: Desperaatheid en vrees

Jy klim in en uit die ***** van bestaan,
beide die rede vir liefde en
die kind wat sy baar.

Jy is ‘n drievoud van godelike hervertellings
, want wie kan regtig liefde
in ‘n enkel sin verhaal?

Geminag , die seun van liefde en haat
- jou einste bestaan ,van die vroegste
paradoksale meesterstukke.

Verewig , verewig tot ‘n kind
tussen die Groottes wat
blindlings onder jou boogpunt swik.

Vir elke nasie ‘n ander droom
Vir elke geloof ‘n ander naam en
Vir elke mens ‘n ander god.

Amor , oh Amor!
Die sinnebeeld van liefde
wat die mendsom verbly

, maar Eros jou ramkat
jou hupse hygelbek!
Jou erotiese aanraak!
(die begeer ek)

En ek?
Met my koker van lig en van goud,
wat hulde blyk en bou en bring
maar bestorwe le voor my Laurel
oor ‘n lood-stomp pylpunt vir haar ‘n treuerlied sing!

Amor, Amor word wakker!
My son le liefdeloos in my bros hart
, wat instaan teen logika
– sterk op die oorlogspad!

Jy wat na my heuning reik
-met honger hande vieslik gryp
en ek wat jou met angel steek
in desperaatheid jou nat vel breek…

“Oh moeder”, roep die wetter na bo
vir die planete om aan te ****:
“Oh moeder, Oh liefde “ ,spat die sot se treur,
“ *** kan so bietjie , so klein – so seer!”

En die heumel druis soos die moeder lag
haar humor eg , maar haar woorde sag:
“ My naakseun, my hinksperd
My fallus met vlerke!
Jy ,nog ‘n roosknop.
gaan ook so te werke!
Aanvaar die poëtiese justitie
Stil nou liefstetjie
Lamtietie Damtietie …”

Amor, Amor!
Weerstaan tog skoonheid se wieggelied
en wees my genadig!

Begunstig my ten einde laaste
, selfs vader tyd is verveeld
met die son se enkelpad!

*** lank nog wil jy sluimer?

Amor, Amor!
Tel weer op jou leisels
en bring liefde op die wind
my wereld lê in afwagting
vir die dolfyn en sy kind!

Wees my genadig, Amor!
Deurboor my leemte met goud,
,want die bringer van lig is slapeloos
en my hart is droewig en koud.

Oh Amor, Amor!

Ek weet jys nog jonk,
maar *** speel jy dollos met lewe se vonk…

Amor, Amor!

Word wakker!

Amor…
Vir die liefhebbers van die Griekse- , Romeinse mitologie en aanhangers van Eros...
DIe pleidooi van almal wat valentynsdag haat... geniet die epiese klagbrief aan Amor!
lucy winters Jul 2015
Al wat jy my wys gemaak het is dat seer die selfde voel
Maak nie saak van watter oord dit spoel
Ek en pyn ken mekaar al jare
Jy het my niks nuuts laat ervaar
Daar is geen onderskeid binne my tussen jou seer en syne
Dit le nou als binne my, dis als nou myne
So wat bly oor van jou sogenoemde goeie intensies, wil ek weet
Binne n jaar of wat het jy als hier vergeet
Die bietjie wat ek gehad het, het ek met jou gedeel
Dit was nie wat jy wou he, my hart het jou verveel
Ek was net n goeie tyd wat jy op gedress het en liefde genoem
Terwl ek lee hande daar gestaan het en jou met my hele hart gesoen
Ek wens ek het harder probeer en jy het net geluister
Toe ek hard en saggies, en aanhoudend nee, nee, nee deur jou soene fluister
Written for B. Ek is jammer.
Sprei jou vlerke
My struikel-kind
, want die berge se rante
Steek skerp teen die wind

Vlug vir jou onskuld
Vlug na die son
Vlieg weg van Gamora
ontsnap van *****

Vlieg ver oor die wolke
My struikel-kind
Daars ń storm wat broei
, maar hou jouself blind

Want sere en blase
Word gou-gou weer heel
Maar geen pleister plak toe
Die letsel van ***
Honger hande neig
Om jou kinderlikke onskuld van jou af weg te steel...

Sprei oop jou vlerke
My struikel-kind
Want die berge se kranse
Hang laag in die wind
Kruip weg vir die hande
Wat jou wil verslind
En keer terug na jou kinderdae
Om jouself weer te vind...

Liefde...
Van ń kaalvoet-kind
seethroughme Nov 2009
ek dryf in koperson
want wolke is te wit om op te trap
en blou lug te min om my te hou
ek dryf in illovo-stroop lig
wat om my vou
soos ‘n ma se hande wat skulp
om ‘n kind se huil
#afrikaans
Claudia Oct 2013
Gebroke sit ek
my hart vol emosies
my gesig uitdrukkingloos
Di masker groei vas-
almal **** ek glimlag
maar my hart skree van pyn
my siel staan snikkend
en my glimlag verlore!
ek wonder oor liefde
ek wonder oor haat
wnt in hierdi eensame wereld
gryp ons almal na hoop
verwagtend di antwoord le daaragter
ek verlang na jo stem
ek mis jo oe op my
en ek wil nt luister *** j asemhaal
wnt sonder jou voel ek leeg!
So hier staan ek mt my hart in my hande...
hopend jy gee wel 'n bietjie om...
Daar was g'n tyd vir bybelversies nie
, want die brood van lewe was te duur
En wie wil nou regtig wag om ring
As die manne vir jou hoogliedere sing.

Aan die begin was daar niks nie
Maar hyt gepraat met sy hande
En toe was daar lig en oh die gode
Dit was goed! Dit was goed!

Maar hy was aleen in n wereld met als
En almal was sonder naam
, toe hy sy laaste een gee en ek
Deur bloed en been vir hom geskep is.

Dit was goed, dit was goed
En ek huil snot en trane van seer
Maar die appel proe soet
Of jy hom in die hemel of die hel hap...

Jy is die fontein van lewe,
Ek drink van jou en raak dors
Vir meer as net een aand van sterrevolg.

Mag ek dronk raak op jou wyn?
Of is jy my een reeds voor!?

En ek kan.nie kerk toe hol nie
En die Bybel vloek my skel
Want jou lyf voel soos die Hemel
Maar Hy se jy is die Hel.

Mag ek langs jou bed op kniee neersak
En jou hand in myne neem??
Kom ons raak besope...
Genoeg om liefdesliede
vir mekaar te kreun.

More bid ons om vergifnis
En vergeet wat sonde is
Tot die vlees te veel begeer
En die lewenslig so bietjie blus.

Dit is *** die liefde werk,
Dis my lewe dié
Die struikelblok wat my versmoor
Van n vel religie.
lucy winters Jul 2015
ek is deurskykend, transparant, deurmekaar
opsoek na my vrede, my mensweesm my wees
ek voel so secondhand, so op gebruik, so klaar
bid vir verlossing, a trade in vir n nuwe vlees, nuwe gees, beter wees
my oe hoop op vol trane on gehuil
ek slaan lelike kolle uit in my sogenoemde persoonlikheid
maar dis alles ek, ek wat my vervuil
ek wat my eenkant hou, ek wat my uit smyt
ek wat ja se al wil als binne my nee skree
ek wat bly staan terwyl ek moes weg hardloop
ek wat myself wou uitvee
ek wat myself vir cheap thrills verkoop
maar hirdie ek is te oud om te kniel
hierdie ek word te oud om te glo
so ek staan waar ek staan en verniel
en ek bly staan sonder n tree en verloor
kyk dis ek wat hier staan, te sad om te bid
te seer om te huil, versteen deur my toedoen
daar is geen hande vat en aansit
maar ek dra dit met n smile want dis my skoen
Jare terug geskryf.  Al hou ek nie van wat ek gekry het,  dra ek my keuses en die nagevolge
**** jy die **** van yster-gordyn wat val en die aarde omhels ten laaste sy afwaartse versnelling.

Dit maak seer mamma...

Gewere word neergelê as ń universiële teken van hoop en vrede , maar verlang na ń lid van die geledere.

Dit maak seer mamma...

Ons was almal naïef; in ons drome was daar plek vir twee,
Ń eindelose see waar ons kon wegvaar van die ontbindinde spoke van gister, waar ons ons hande in soutwater-poele kon was iewers langs die kus van versoening...

Dit maak seer...

Niemand sou kon raai dat die jare se snellertrek en loopgraaf grawwe jou eens sagte vel kon magnetiseer nie... *** kon ek voorsien dat jy ń bietjie van die geweld gaan steel het om vir jouself te hou nie. *** sou ek weet dat jou vingers jeuk sonder die dooie staal wat dit streel nie...

Een skoot
Twee skote
Drie skote
Ń eenman vuurpelaton reën op my neer en dring deur my ope arms...
Jy het nog altyd ń plek in my hart gehad, maar nou het jy dit beset met lood en alle onskuld uitgerook met brandende kruit...

Dit maak seer...

Dele van jou hang nog swaar op al die plekke wat saakmaak en seermaak en trek my af grond toe...

Eina...

Liefde ek het altyd geweet ons het mekaar se ruë gehad... ek hey net nie geweet jy was besig om ń rooi kruis vir jou fissier op myne te verf nie...

Dit maak seer mamma...
Koebaai
Dis nou die tyd om te babbel
En my mond verby te praat
, want hulle sê mos
A drunk man's words is
A sober man's thoughts...
En wie weet dalk vind ek
Die antwoorde in ń diep gesprek met myself...

Sien ek is nie een van daardie
AA lappies wat skeinheilig
Sit en slukkies suip om
Geluk onder in die bottel
Op te spoor nie.
Ek rook skaamteloos en
Omhels die intense stank
Van 10 jaar se lewe wat ek
Mors en longkanker, want
Dit herrinner my an oupa se
Skoot en *** veilig ek was
In daardie asbak woonstel
Waar ek soos white-trash eers my brood moes inspekteer vir
Indringer kokkerotte wat ook
Maar net teen ons kompeteer het
Vir ń krummeltjie kos.

Ek babbel, want wat anders kan mens doen as vrees jou aangryp as die koue staal jou hande brand -
En nee ek praat nie van lemme en inspuitings nie,
Want lemme maak merke waarvan ek reeds te veel het wat nou oor my polse uitgesprei lê en my herrinner *** swak ek was, maar *** sterk ek was... en inspuitings los ek vir die dokters en susters en die bloeddiens
Wat my leeg wil tap om een of ander sad case se lewe te red met bloed van ń bloedjie wat self nog in die verdoemtenis rond dwaal.

Ek babbel, want dis social anxiety en scary stuff om in ń kring te sit en Russian roulette te speel met al 5 van die mense wat ander van jou verwag om te wees. Want wat gebeur as ek myself in hierdie hoerasie van persoonlikhede raakskiet. *** weet ek watter een is ek as elke een die sneller swaar trek en hoop en bid vir ń blank... *** weet ek.

Kliek...
Kliek...
Kliek...
Kliek...
Bang!!

En nou babbel ek maar weer
...
Want ek het so pas agtergekom ek weet ook nie juis *** dit voel om dood te wees nie.

Wie is ek...
-*** sal ek weet

Bang!
Bang!
Bang!
...

Ek weet.
want my fyn porselein is nou skerwe op die vloer
als wat goed is in die lewe;
saam met die suur melk uitgemoer
al my heuningtee en moerkoffie staan nietig in my kas
, ek hunker na n glasie brandewyn
om die herrinneringe mee weg te was.

Want Vader al val 'n duisend aan my sy
en tien duisend hier langs my
vlieg Eros se pyle net die heeltyd verby.
Ek is moeg vir alleen wees
moeg vir bang wees
vir koue voete
koue hande en
'n hart wat altyd koud sal wees.

waars die liefde en genade
waarvan ons in ******
en die Bybel lees.

Waars my stukkie hemel.
Waars my engelkoor.
Is dit ook tussen my suur melk...
of het ek dit deur bottervingers verloor?
Siska Gregory Dec 2016
Die fluister van my hart...
Ek raak stil en luister *** fluister my hart.
Die liggiese geklop in my keel maak my bly oor die lewe wat ek voel. Myne praat van die ope lug so blou, ek hou dit vas, en van die wind wat vry waai sonder om toestemming hoef te vra.
Van die son wat vroeg oggend goud op kom met die begin van nog n nuwe dag, wat warm bak teen jou rug as jy dit die minste verwag.
Van harde hande werk in die kombuis na die tuin wat vra vir bietjie liefde en gesels.
So is die lewe vol lewe, vol kere vir lekker lag.
Ja dit gee mens krag om die mooi te sien, in elke dag. 2016-11-28
Siska Gregory Dec 2016
Here gee my krag elke dag.
My pyn wil nie verdwyn.
My hart raak swaar want die jaar is net nog een van baie waar ek uit roep na U om hulp.
U genade is groot en ek glo dat U n plan berade het om my pyn te laat verdwyn.
My lewe is in U hande en ek weet U sal my bande los maak en my vry laat loop oop in n lewe van liefde en vrede.
*** wonderlik die oomblik van geen pyn, my gebede beantwoord en die pyn het verdwyn volmaak aan geraak en geseen deur n genesende hand van bo.
Be as strong as you always are. God knows best
Knuppeldik gaan slaap die stad
na 'n feesmaal van smaak en kleur
vloei die reuke deur die strate
in 'n Brown se beweging van geur.

Alle trommels , trommeldik maar maak 'n lee geraas
en in die donker , agterstrate begin die ander nou te aas

Kom die honger hande uit die sakke
en krap met rook-geel vingernael
soek die skummel in die swartsak
vir 'n laaste dissipelsmaal.

Maar jy is skille , jy is doppe
jy is alles wat laat gril
nie genoeg vir koningstafels maar vir my
net genoeg om die  knaagdiere te stil.

Onerfare soos ek is , vat my hongerbrein ook mis
watter mens kan so dan lewe? watter mens kan so dan eet?
van die lykswa en die straatveers
het hierdie boemelaar vergeet.
Ek is mens en nie 'n vark nie,
(al moet 'n mens ook eet).

En stil vergaan die boemelaar
wat kieskeur ook wou wees,
nog 'n straatkind se ou lykie
nog 'n honger kinder gees...

ek wat was het mos gesien
*** kos op tafels lyk,
en het sodanig hart verloor
op kosse kleur en ruik.

Met 'n bord vol knubbels le die lykie
voor hom , onaangeraak.
Al was kos ook wat kos was daar
het hy te lief vir die droom geraak.

Eerder kwyn en dood verslaan
as om die droom te ruineer.
Eerder dood van honger,
as om hierdie kos , as sulks te eer.
Medusa Oct 2018
No Garden awaits here, I am Stone
You are Water, so We are lost
Gardener: tend my arid places

Hope for me when I have nothing
Be my Rock to future flowers

Maybe there are none left me
Masada palaced and unplaced
Our longest dreams of lions

Now is now, a furled fist
Behind my back and seen
Not at all and never again
So it never happened, we all
Agree
~*~
Read Me all the Poemes You Fynde
My Rising shall Be just to Hande
I Arise to Illustrate Your Care

Earn thus Existential Tendril
Iambic grace, Rarest remonstrance
Pentameters helplessly Entwine
Willow so Willing to Your taste

I will take your hand
Lead you far and a-
fielding

A great song eats strange hours
Horses know, wielding such power
A-stamping and snorting
Horses born crazy, now bending tame
Never underestimate planetary power
To lay you to ground

Sleeping, a runaway,
One changling thing who clings
Inside sweat-soaked dream burrows
No evasion, no escape

In such wild grown tall goddess
Places, clinging to a broken bit
A knuckle’s worth of bitter
Traded for a kiss

All is well
Love song/war tale
A bit of an experiment in experience.
Gister se tragedie
En tranedal
Skuil agter vandag
se hartseer verhaal
Ja gister se monumentale prag
Lê aan vervalle en ondermyn Sy gesag

Vandag se kuns
Bewys geen guns
Aan die brandebde hande
Wat swoeg om hul wins

Gister se weenlied neurie dit sag
Ontlok vermaak uit die jeug van vandag
Vanaand vou ek my snoesig toe
                                                                          in die soet-droom blou lug
iewers tussen die maan en die sterre...

                                                                        en as die liggies  my pla
                                   trek ek weer, soos kleintyd, die duvet oor my kop
                                                                                                    en verbeel myself dat
                                                                                                 jy
                                                             en jou honger hande
                             nie in die werled bestaan nie!!

                                                                                                                    Ek kruip dan in die sagte plekkies
                                                                                                                van ontstuimige oseane...
                                                                                                                             so tussen deur die nate van
                                                                                                   die brekende golwe...
                                                                                           en le terug as die trek
                                                                                                            van moegheid my kom haal...
                                                                                                                        en terwyl die vloeiende satyn
                                                                                                                                     my wange streel...

                                     maak ek my oe toe
                          en glimlag
*** praat jy met 'n nagmerrie stem
waar jou uitroeptekens soos 'n slu foks-stem
in 'n koue marmer gaap besterf?

*** druk ek my ore toe
as my hande agter my rug gebind is
met drade van sielsdiep verse?

7 biljoen stemme , maar joune rys uit:
'n metaal orkes in 'n wereld van vyandlike vriende
en godslasterlike psalm-gesange.

*** droom ek stukke van jou op
in al die gifte van 'n barmhartige maan
wat my geliefde aan die bitterbessie bosse hang?

Ek probeer verwoed om my monsters
soos silwer gekwaste honde te verdrink
, maar selfs in die beursie-tapper lawaai water
is hul swem tegniek onverbeterlik.

Vergewe my stilswye en klapperwoorde
, maar ek sukkel om my drome te deel
met klaasvakie kerels wat hulle
voetspore ongeskonde laat
en liederlike drome aandra.

Ek bevraagteken soms die vraagtekens
en die puntlose stellings wat
tenstrydig die onbeperkte moontlikhede kortknip...

Soms wonder ek...
soms droom ek...
soms hoop ek...
-maar ek skrik altyd wakker
, altyd.
Siska Gregory Dec 2016
Nog n jaar is verby, waar gaan die tyd dan heen?
Ek was klein en toe verdwyn n paar jaar.
Toe is ek groot en het skoon vergeet van dinge wat verby is.
Ywerig om groot mens te wees was alles tevergeefs want nou dat ek is, wens ek vir n lewens rewind in my mind, om alles weer van voor af te beleef soos gegee was aan my voor die groot mens wees wens. Dankbaar vir genade van bo vir n lewe so groot en ryk vol pragtige mense en wense.
So se ek dan dankie, dankie vir klein en groot, vir die hulpende hande in my lewens boot vir nog n jaar wat sowaar verby is. 2016-08-14
Sy vra: "Hoekom is jy nou so n non"?
Ek sê: "**** is mos eintlik net vir die lewendes".

Ek is my eie memento mori.
Jy is die oorsaak van dood.
Laat dit so op my graf geskrywe staan:
-Hier lê die skerwe van iets amper heel-
,want nou sit ek weer aan jou tafel
en my laaste maaltyd is n herkouing
van spoegsels vergete tye saam met jou
En ek kou en ek kou en ek onthou:
*** warm jou hande was teenoor jou hartskou
, *** gretig jy was om my vas te hou
en na die tyd toe te snou.

"Ek sit nou waar jy gesit het"
, grinnik jou wellus oor die porselein rand
en ek wil vir jou sê staan op en gee vet
want almal wat daardie stoel beset
wals met die noodlot en wink vir seer.
"Kom ons probeer , nog n keer"
Sê jou hand langs jou ritsluiter
, maar ek voel n veer
, want kadawers ken nie lustigheid nie
en ek is oorgebalsem met n gelofte.

Los die dooies dat ons rus,
Los daardie "ons" begrawe in die kis.
Sy's honger en sy krap in
die yskaste en kombuiskaste
vir haar daaglikse brood.
Soekend deur die rakke
terwyl haar siel kreun
van pandemiese hongersnood.

Sy smag na Valentines-tjoklits
en 'n P.S. wat se: "yes"
en rooiwyn met strawberries dipped in cream
, haar moed begeef haar
-sy verwerp haar teenage dreams.

Love aint all moonlight and roses...
- aint as fun as it seems

Haar mond water nou vir lippies
en jelly-hartjies en vampire tande.
So sy staan op hoeke en bedel
vir suiker...
haar oe so honger, dit brand ,
,maar kyk na haar lee hande
wat leeg sal bly
in ons liefdelose land.

-inamabilis
Gister se tragedie
En tranedal
Skuil agter vandag
se hartseer verhaal
Ja gister se monumentale prag
Lê aan vervalle en ondermyn Sy gesag

Vandag se kuns
Bewys geen guns
Aan die brandebde hande
Wat swoeg om hul wins

Gister se weenlied neurie dit sag
Ontlok vermaak uit die jeug van vandag
Sy's honger en sy krap in
die yskaste en kombuiskaste
vir haar daaglikse brood.
Soekend deur die rakke
terwyl haar siel kreun
van pandemiese hongersnood.

Sy smag na Valentines-tjoklits
en 'n P.S. wat se: "yes"
en rooiwyn met strawberries dipped in cream
, haar moed begeef haar
-sy verwerp haar teenage dreams.

Love aint all moonlight and roses...
- aint as fun as it seems

Haar mond water nou vir lippies
en jelly-hartjies en vampire tande.
So sy staan op hoeke en bedel
vir suiker...
haar oe so honger, dit brand ,
,maar kyk na haar lee hande
wat leeg sal bly
in ons liefdelose land.

-inamabilis
Siska Gregory Jul 2017
So loop ek deur die strate van Paris en voel dadelik tuis;
Tuis soos in n vreemde wereld wat juis net vir my gemaak is.
Die outydse geboue wat vertel van jare terug, die noue strate wat ver af le amper verby more, die klasieke fietse met klokkies wat "trieng" in die verby gaan na ander plekke, ook die french brode wat jou vertel van vandag en die krag van twee hande wat gebruik is om die smaak in jou gedagtes te laat verdwaal, om n storie te vertel.
So loop ek deur die strate van Paris en voel dadelik bly;
Bly soos n kind wat haarself bevind in n lewe vol nuwe dinge, vol nuwe betekenisse soos n nuwe paar oe wat oop gaan om te sien en dan te verstaan.
Maar die lewe gaan aan met n lank terug en n more wat kom of n vandag wat verby gly na n elke dag;
Wat my vertel van n lewe van geluk en plesier om te geniet vandag, elke dag.
2016/07/17
Anita Jul 2021
Jy
My liefste mens
My beminde
Jy.

Jy is n meesterstuk.
Jy is digkuns, jy is melodie
Jy is ink en papier en woorde
Jy is n kaleidoskoop in anatomie.

Jou mond is my kompas
As my kop verdwaal
Gerroes en deur die wind verweer
Kan jou sagte woorde my veilig laat huistoe terugkeer.
Jou hare, watervalle oor die skatkamers
Waar ek my geheime neerle
Van fluisters in die donker
Tot hardop liefde opse.

Dat ek myself aan jou mag gee
My swaar, my lig, my heimwee
My gister, my more, my vandag.
My geslote deure, my trane, my glimlag.

Jou hande is sleutels wat my kamers oopsluit
En oor my gly soos water oor rante
Om hoeke om draaie
My sirkels, my vierkante
My donker steugies en oop plaaspaaie.

Jou oe is die verlede, die toekoms en nou
En as jy lag sien ek padkaarte in hulle oopvou
Wat lei na orals en nerens
Na die sterre
En na onthou.

Jou bors is my vesting.
My kaggel, my lig, my beskerming
Waar ek veilig my hart kan hou
Om saam met jou dans
Op die ritme van vetrou.

My liefste mens, my beminde
Jy is sterre oe en oop-oog droom
Jou glimlag breek, vee weg en maak skoon.
Jy maak die storm in my rustig.
Jy is die vrede na die reen...
Jy is my virewig
Blom In Blou Aug 2020
Gedagtes wat eenvoudig lig lief is
Kan helder maak
Koppe wat te slim swaar donker deurmekaar raas

Woorde wat moedig sag sappig is
Kan heel maak
Harte wat moedeloos af gebreek is blaas

Dade wat beleefd groots gaaf gelukkig is
Kan skeppend maak
Hande wat hopeloos toegevou honger staan staak

Drome wat goedhartig braaf kreatief is
Kan hemels moontlik maak
Oorkom toekoms wat donker verborge na vrees smaak
Frans Dec 2019
‪There are times that your simply predictable and unpredictable.‬

‪There are times that you’re a nightmare dressed like a daydream‬

‪You’re too much to hande‬
‪Yet you let me become teachable‬

‪You let me down‬
‪That makes me grow‬

‪You let me shed tears‬
‪To laugh like there’s no tomorrow‬

‪You let me encounter strangers‬
‪That makes my life a beautiful disaster‬

‪You let me know my downfall‬
‪For me to realize my strength‬

‪You misguide me‬
‪To make me stand on my own‬

‪And now you’re close to end the book‬

‪The book that has unique chapters‬

‪Unique chapters that you made ‬

‪And in 2020, you’ll see what you made me do.‬
Here’s my way of greeting you a Happy New Year:)
David Zavala Nov 2018
sinners: his cane dislodged

l

Cane:

To an awake friend, he said mesmerized "rest on gorgeous fields are made for soccer players,"

The motion analogy is the lake or the river, at the school, reminds me of that the left row of made of pink lamps is still a malls sweat on their knees, whose above?

I lift your nudged fox to the women with the air filled with music in your clothes

Chicago is today, sick of the warm color warmed colored walnut an elementary something, happy by troubled, world only only world, enter my vision of art - the movie set, really,  

At the table, Socrates came from out of the cave,
of the center opened of the like a snoring beast snoring beast,
up staircases inside the small indent of the university, legs-crossed, lectures partially complete, and contemplated a 4 winged bird which leapt from the ground: cone-less and timeless.  

Frank Sinatra is on center stage, the square, literally, like being the poetess naked in the garden, singing with her husband went missing for several days reciting Shakespeare.

Eden, no that Eden, Eden is gorgeous and mothers multiple their eggs in wombs, they are birds, by way of television - sick of that rhythm, inside the history of museums, public images paint delicately.

                               Fathers are all brilliant and masterminds, the inside of the skyline fits my heart,

Driving to the national rabbit we liked the peanuts which were snacks and
saw walrus near the ocean with non-fury legs, their paws with peaches, pinks from schools like sugar Montessories, whole swarms of bees learning that John Ashberry's  mind used mine to mind dollars bills he finds off the street in New York to tell you that you should learn what a unit is. Close the world, close the window in the other room and when you to go to work and maybe to bring a snack where creativity is here and there. I see differently the trees and red wheel-barrow. My water bottle is purified and the reverse is the Cosmos on calcium. I want more chloride and sodium - make that ingredient good, good enough for your doctor, good enough for me, a cake for us, and faster because Arkansas is always walking, it is plastered rich sandwiches, missing girls are little and little on TV, the bud of a flower is a direction.

Space is big but my things are spill proof, the pumpkin we seed inside the my house next to the popcorns guitars are colored blue and fall immutably pulling loudly from men, in their canes, shaven cane, clean cane, looking at me looking at the portrait saying, I can see the red and blue in black and the dove sits on the statue on Monday and flew in cold from Alaska over whole towns, and the bird said, yes the bird said, he said "A fisherman saw, he was bearded and arrived on Friday, photos on the ground, animals are outside, libraries filled with no books and no their indexes leading to prologues that Freud says is moral but I've been saying better and reasoning that her makeup is missing and no shampoo in the bathroom, blush hands up in Vegas, fold - our cars are stuck on the highways means is leaving the only bar that is yellowish only from blue painters who paint with their paint brushes such that ballet dancers contemplate their watch. The Nutcracker and Animal Farm are complete. Bearded and braided black man, your is hair completely skinless in San Francisco which I've been to for two weeks because the back of the pack on back of the feet of the ton of the ground street lights guide us to a single number such is an exciting job opportunity, inside classroom, the difference is I'm in the front, how ludic it is, isn't it? Get dressed or get in we're going dancing. Drive or I can drive only to recognize a slip of free will, you're in white, the forums we enjoy are for professors which are only in my mind and therefore sprung forth whenever I want them. There are a couple of whole armies giving trees, Dr. Pink wants motion to activate a concert such that I like the words operraeta and subscribing to the dictionary, Mainly up is laughing are diamonds in hands in apartments are feet and hands, and almost wind, fire, water, turning from distance brothers and cowards uses his left hand and experiences sleep and whole days in a single sentence. It's cruel really to be beautiful and no I don't feel back for you. Your just a memory of him riding the shopping cart down the aisle of HEB - insight into psychologist's events - welcomed with nobility bowing down near the single article, sitting in front of our produced and not free laptops, their machines were used to make paintings and sculptures, thousand of journalists in their ties dress with microscopes in front of classrooms like a style that is thoughtful, high on salamanders, wait salamanders? No, a sad living room examining a firefly is a history of museums, it is useless. It is a calm waterfall, it is back from the seminary, it back from the river we sat at before inside of a conference room near downtown, the light of love produced kayaks.

We currently sit younger pondering an ice rink made of children dressed for Halloween, a few feathers but I know down on my injured fence after a tornado came in and placed beautiful women, their naked bodies and all, are here as a college student staying awake from both for Sundays and U-HAULs are only like criminal floats down the formed uselessness of that jars of pennies. But we selected! Entertained and busy, working, on a math problem from universities, I was reading Einstein earlier, bought it and profoundly expressed I am personally interested in Dvorak's String Quintet in B major Op. 77. That is, while watching YouTube videos of mysterious friendly characters although I'm standing naked in a bathroom, a peacock created the world, leaves fell, fire on the dirt, it doesn't burn too bad, does it? We pose another  question, to what sickness can I stand on a bench suit jacket, ill-fitted and have a friend say to me, you look like a philosopher?

I stick my leg out quietly because clouds coolly that day spent on wooden tables is possible and not meant to able to assuage the sun even for you school bus, actual school bus, hiding from large groups of people scared while the congregation sits praying,

Even for you, helmet,
On a football field, orange Spain leant me a hande, our dogs were not beside us though while Mr. Grinch sits in his apartment, editors don't want him pulling flowers from, for example, the baseball fields, doing baseball players are plays catcher, dresses in the same uniform totally is mesmerized by how water becomes ice, such that the eye bending time like a green cactus, objects and mountains and the insides of the restaurants, eight o clock evening dinners,

Dancing with angels the devil is ugly, trains go through time and say biology is easier than white picket fences, it makes me sad, it should make me sad, but there is new hope.

So more difficult the white flower is the candle menacing number 3 thousands of logically lettered alphabets for the alphabets, and for her, waiting at trees rooted but you know, construction men leaving everything at that grocery store where I can sit down and wouldn't buy a lottery ticket, sorry.

II  

Dislodged:

Entering my vision are tragedies
collages of white photos
eat our sons
              we
           swarm
          predators
          slowly
          down
             the
            street
                is
                a
             cigarette
                  is
busting friends out of apartments into huge houses after coming from grocery stores, passing fields, outside and zoos visited, jealous of her offices,
200 page completed novels completed, my way home, it's our problem really, but that comma coulda dressed in a suit, coulda been someone must run the title of his license plate

III

Cane Dislodged:

Settle down, the movie sat at the bar is dumb, i sit alone, I sit alone, still I sit alone, I sit alone. Tea from down the street is expensive so
we can't believe that the founders of the Quakers movement did that and that they are made in the image of empires such that a body ignorant because smudged paintings are the mouse, right?

— The End —