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(PIANO DI SORRENTO.)

Fortu, Frotu, my beloved one,
Sit here by my side,
On my knees put up both little feet!
I was sure, if I tried,
I could make you laugh spite of Scirocco;
Now, open your eyes—
Let me keep you amused till he vanish
In black from the skies,
With telling my memories over
As you tell your beads;
All the memories plucked at Sorrento
—The flowers, or the weeds,
Time for rain! for your long hot dry Autumn
Had net-worked with brown
The white skin of each grape on the bunches,
Marked like a quail’s crown,
Those creatures you make such account of,
Whose heads,—specked with white
Over brown like a great spider’s back,
As I told you last night,—
Your mother bites off for her supper;
Red-ripe as could be.
Pomegranates were chapping and splitting
In halves on the tree:
And betwixt the loose walls of great flintstone,
Or in the thick dust
On the path, or straight out of the rock side,
Wherever could ******
Some burnt sprig of bold hardy rock-flower
Its yellow face up,
For the prize were great butterflies fighting,
Some five for one cup.
So, I guessed, ere I got up this morning,
What change was in store,
By the quick rustle-down of the quail-nets
Which woke me before
I could open my shutter, made fast
With a bough and a stone,
And look through the twisted dead vine-twigs,
Sole lattice that’s known!
Quick and sharp rang the rings down the net-poles,
While, busy beneath,
Your priest and his brother tugged at them,
The rain in their teeth:
And out upon all the flat house-roofs
Where split figs lay drying,
The girls took the frails under cover:
Nor use seemed in trying
To get out the boats and go fishing,
For, under the cliff,
Fierce the black water frothed o’er the blind-rock
No seeing our skiff
Arrive about noon from Amalfi,
—Our fisher arrive,
And pitch down his basket before us,
All trembling alive
With pink and grey jellies, your sea-fruit,
—You touch the strange lumps,
And mouths gape there, eyes open, all manner
Of horns and of humps.
Which only the fisher looks grave at,
While round him like imps
Cling screaming the children as naked
And brown as his shrimps;
Himself too as bare to the middle—
—You see round his neck
The string and its brass coin suspended,
That saves him from wreck.
But today not a boat reached Salerno,
So back to a man
Came our friends, with whose help in the vineyards
Grape-harvest began:
In the vat, half-way up in our house-side,
Like blood the juice spins,
While your brother all bare-legged is dancing
Till breathless he grins
Dead-beaten, in effort on effort
To keep the grapes under,
Since still when he seems all but master,
In pours the fresh plunder
From girls who keep coming and going
With basket on shoulder,
And eyes shut against the rain’s driving,
Your girls that are older,—
For under the hedges of aloe,
And where, on its bed
Of the orchard’s black mould, the love-apple
Lies pulpy and red,
All the young ones are kneeling and filling
Their laps with the snails
Tempted out by this first rainy weather,—
Your best of regales,
As tonight will be proved to my sorrow,
When, supping in state,
We shall feast our grape-gleaners (two dozen,
Three over one plate)
With lasagne so tempting to swallow
In slippery ropes,
And gourds fried in great purple slices,
That colour of popes.
Meantime, see the grape-bunch they’ve brought you,—
The rain-water slips
O’er the heavy blue bloom on each globe
Which the wasp to your lips
Still follows with fretful persistence—
Nay, taste, while awake,
This half of a curd-white smooth cheese-ball,
That peels, flake by flake,
Like an onion’s, each smoother and whiter;
Next, sip this weak wine
From the thin green glass flask, with its stopper,
A leaf of the vine,—
And end with the prickly-pear’s red flesh
That leaves through its juice
The stony black seeds on your pearl-teeth
…Scirocco is loose!
Hark! the quick, whistling pelt of the olives
Which, thick in one’s track,
Tempt the stranger to pick up and bite them,
Though not yet half black!
How the old twisted olive trunks shudder!
The medlars let fall
Their hard fruit, and the brittle great fig-trees
Snap off, figs and all,—
For here comes the whole of the tempest
No refuge, but creep
Back again to my side and my shoulder,
And listen or sleep.

O how will your country show next week
When all the vine-boughs
Have been stripped of their foliage to pasture
The mules and the cows?
Last eve, I rode over the mountains;
Your brother, my guide,
Soon left me, to feast on the myrtles
That offered, each side,
Their fruit-*****, black, glossy and luscious,—
Or strip from the sorbs
A treasure, so rosy and wondrous,
Of hairy gold orbs!
But my mule picked his sure, sober path out,
Just stopping to neigh
When he recognized down in the valley
His mates on their way
With the *******, and barrels of water;
And soon we emerged
From the plain, where the woods could scarce follow
And still as we urged
Our way, the woods wondered, and left us,
As up still we trudged
Though the wild path grew wilder each instant,
And place was e’en grudged
’Mid the rock-chasms, and piles of loose stones
(Like the loose broken teeth
Of some monster, which climbed there to die
From the ocean beneath)
Place was grudged to the silver-grey fume-****
That clung to the path,
And dark rosemary, ever a-dying,
That, ’spite the wind’s wrath,
So loves the salt rock’s face to seaward,—
And lentisks as staunch
To the stone where they root and bear berries,—
And… what shows a branch
Coral-coloured, transparent, with circlets
Of pale seagreen leaves—
Over all trod my mule with the caution
Of gleaners o’er sheaves,
Still, foot after foot like a lady—
So, round after round,
He climbed to the top of Calvano,
And God’s own profound
Was above me, and round me the mountains,
And under, the sea,
And within me, my heart to bear witness
What was and shall be!
Oh Heaven, and the terrible crystal!
No rampart excludes
Your eye from the life to be lived
In the blue solitudes!
Oh, those mountains, their infinite movement!
Still moving with you—
For, ever some new head and breast of them
Thrusts into view
To observe the intruder—you see it
If quickly you turn
And, before they escape you, surprise them—
They grudge you should learn
How the soft plains they look on, lean over,
And love (they pretend)
-Cower beneath them; the flat sea-pine crouches
The wild fruit-trees bend,
E’en the myrtle-leaves curl, shrink and shut—
All is silent and grave—
’Tis a sensual and timorous beauty—
How fair, but a slave!
So, I turned to the sea,—and there slumbered
As greenly as ever
Those isles of the siren, your Galli;
No ages can sever
The Three, nor enable their sister
To join them,—half-way
On the voyage, she looked at Ulysses—
No farther today;
Though the small one, just launched in the wave,
Watches breast-high and steady
From under the rock, her bold sister
Swum half-way already.
Fortu, shall we sail there together
And see from the sides
Quite new rocks show their faces—new haunts
Where the siren abides?
Shall we sail round and round them, close over
The rocks, though unseen,
That ruffle the grey glassy water
To glorious green?
Then scramble from splinter to splinter,
Reach land and explore,
On the largest, the strange square black turret
With never a door,
Just a loop to admit the quick lizards;
Then, stand there and hear
The birds’ quiet singing, that tells us
What life is, so clear!
The secret they sang to Ulysses,
When, ages ago,
He heard and he knew this life’s secret,
I hear and I know!

Ah, see! The sun breaks o’er Calvano—
He strikes the great gloom
And flutters it o’er the mount’s summit
In airy gold fume!
All is over! Look out, see the gipsy,
Our tinker and smith,
Has arrived, set up bellows and forge,
And down-squatted forthwith
To his hammering, under the wall there;
One eye keeps aloof
The urchins that itch to be putting
His jews’-harps to proof,
While the other, through locks of curled wire,
Is watching how sleek
Shines the hog, come to share in the windfalls
—An abbot’s own cheek!
All is over! Wake up and come out now,
And down let us go,
And see the fine things got in order
At Church for the show
Of the Sacrament, set forth this evening;
Tomorrow’s the Feast
Of the Rosary’s ******, by no means
Of Virgins the least—
As you’ll hear in the off-hand discourse
Which (all nature, no art)
The Dominican brother, these three weeks,
Was getting by heart.
Not a post nor a pillar but’s dizened
With red and blue papers;
All the roof waves with ribbons, each altar
A-blaze with long tapers;
But the great masterpiece is the scaffold
Rigged glorious to hold
All the fiddlers and fifers and drummers
And trumpeters bold,
Not afraid of Bellini nor Auber,
Who, when the priest’s hoarse,
Will strike us up something that’s brisk
For the feast’s second course.
And then will the flaxen-wigged Image
Be carried in pomp
Through the plain, while in gallant procession
The priests mean to stomp.
And all round the glad church lie old bottles
With gunpowder stopped,
Which will be, when the Image re-enters,
Religiously popped.
And at night from the crest of Calvano
Great bonfires will hang,
On the plain will the trumpets join chorus,
And more poppers bang!
At all events, come—to the garden,
As far as the wall,
See me tap with a *** on the plaster
Till out there shall fall
A scorpion with wide angry nippers!

…”Such trifles”—you say?
Fortu, in my England at home,
Men meet gravely today
And debate, if abolishing Corn-laws
Is righteous and wise
—If ’tis proper, Scirocco should vanish
In black from the skies!
Boaz, overcome with weariness, by torchlight
made his pallet on the threshing floor
where all day he had worked, and now he slept
among the bushels of threshed wheat.

The old man owned wheatfields and barley,
and though he was rich, he was still fair-minded.
No filth soured the sweetness of his well.
No hot iron of torture whitened in his forge.

His beard was silver as a brook in April.
He bound sheaves without the strain of hate
or envy. He saw gleaners pass, and said,
Let handfuls of the fat ears fall to them.

The man's mind, clear of untoward feeling,
clothed itself in candor. He wore clean robes.
His heaped granaries spilled over always
toward the poor, no less than public fountains.

Boaz did well by his workers and by kinsmen.
He was generous, and moderate. Women held him
worthier than younger men, for youth is handsome,
but to him in his old age came greatness.

An old man, nearing his first source, may find
the timelessness beyond times of trouble.
And though fire burned in young men's eyes,
to Ruth the eyes of Boaz shone clear light.
When will the day bring its pleasure?
  When will the night bring its rest?
Reaper and gleaner and thresher
  Peer toward the east and the west:--
  The Sower He knoweth, and He knoweth best.

Meteors flash forth and expire,
  Northern lights kindle and pale;
These are the days of desire,
  Of eyes looking upward that fail;
  Vanishing days as a finishing tale.

Bows down the crop in its glory
  Tenfold, fifty-fold, hundred-fold;
The millet is ripened and hoary,
  The wheat ears are ripened to gold:--
  Why keep us waiting in dimness and cold?

The Lord of the harvest, He knoweth
  Who knoweth the first and the last:
The Sower Who patiently soweth,
  He scanneth the present and past:
  He saith, "What thou hast, what remaineth, hold fast."

Yet, Lord, o'er Thy toil-wearied weepers
  The storm-clouds hang muttering and frown:
On threshers and gleaners and reapers,
  O Lord of the harvest, look down;
  Oh for the harvest, the shout, and the crown!

"Not so," saith the Lord of the reapers,
  The Lord of the first and the last:
"O My toilers, My weary, My weepers,
  What ye have, what remaineth, hold fast.
  Hide in My heart till the vengeance be past."
Fragments 91, 92, 99, 106, 104, 103, 100, 105, 101, 102, 96, 109, 93, 94, 97, 95, and 133 combined.

Raise high the beams of the raftered hall,
(Sing the *****-refrain!)
Ye builders, of the bridal-dwelling!
(Sing the *****-refrain!)
Lo, the bridegroom comes, as the War-god tall —
(Sing the *****-refrain!)
Now nay — yet our tallest in stature excelling;
(Sing the *****-refrain!)
For stately he towers above all the throng
As the Lesbian singer towers among
All alien poets, a prince of song.

O happy bridegroom! it cometh to-day,
The bridal thine heart hith longed for aye!
At last shall she be thine own, the maid
For whom thou hast sighed, for whom thou hast prayed.
For none other maiden beneath the skies,
O bridegroom, was like unto her in thine eyes.
Whereunto may I liken thee, bridegroom dear?
To a green vine-shoot in the spring of the year.
Now, now let the bridegroom rejoice, for the bride
Into the hall cometh joyful-eyed.
Ethereal-pale is her lovely face.
Hail, bridegroom! Hail, bride, queenly in grace!
How goodly to see thy lord stands there!
And his goodness will keep him for thee ever fair.
Ah, doth she, ah doth she regretfully brood? —
Does her heart still yearn after maidenhood?
Nay, not in this hour she cries:
'Maidenhood, maidenhood, whither away
Forsaking me?'
While maidenhood replies:
'Not again unto thee shall I come for aye,
Not again unto thee!'
No more, no more doth she chant
Proud young virginity's vaunt:
'As the sweet-apple flames on the tip of a spray against the sky,
At its uttermost point, which the gleaners forgat, and passed it by —
O nay, they forgat it not, but they could not attain so high.'
But she thinks of the fate, an evil thing,
That the years fast-fleeting to fair maids bring.
When the roses are faded, the gold turns grey.
And the smoothness is furrowed, as singeth the lay —
'As the hyacinth-flower on the mountain-side that the shepherds tread
Underfoot, and low on the earth its bloom dark-splendid is shed.'
Lo, her hand into thine hath her father given.
And thou leadest her home 'neath the Star of Even;
To thy portal the bridal-train draws near.
And the Chant Processional rings out clear:
'Hail, Hesper, who bringest home all
That radiant Dawn scattered wide,
Bringest back unto fold and stall
The sheep and the goat, and thy call
Brings the child to the mother's side.
Let the rose-ringed Star of the Evenfall
Usher thee on, love's willing thrall,
Bride, garden of loves like roses blowing.
Bride, loveliest image of Paphos' Queen!
So pass to the bride-bower, pass within
To the nuptial couch, for the sweet bestowing
On the bridegroom, whose measure is overflowing.
Of the bliss, wherein honoured is Hera: 'tis owned
Of the Marriage-goddess, the silver-throned.'
Brent Kincaid Apr 2016
Pop top rings and coffee cups
Were dropped across the sound
Of paper screams from campaign mails
Discarded on the ground.
A splash of spray paint lettering
Spelled "Bobby Loves Marie"
And left a message of its fate
For passing friends to see.

And the children asked their elders
Questions of their brothers
Of things that seemed to matter
Of things they had to know.
Are these the gleanings,
Forgotten in-betweenings,
The measure of our meanings
As we come and go?

Two girls passed the masterpiece
And walked away enraged
They guessed about the artist
His parents and his age.
A sailor and a merchant passed
And argued as they walked
Of rising unemployment
And the hopelessness of talk.

And the children asked their elders
Questions of their brothers
Of things that seemed to matter
Of things they had to know.
Are these the gleanings,
Forgotten in-betweenings,
The measure of our meanings
As we come and go?

The lady rolled her window up,
The chauffeur changed her tire
As Bobby sprayed her limousine
For rich men to admire.
Later in her drawing room,
Her husband called her down.
"A lady has no business in
The ***** part of town."

And the children asked their elders
Questions of their brothers
Of things that seemed to matter
Of things they had to know.
Are these the gleanings,
Forgotten in-betweenings,
The measure of our meanings
As we come and go?
robin moyer Jul 2012
Sea of Trees crests at Mt Fuji's feet.
Thick forest of Japanese cypress, red pines
grow neck and neck with alder. Where when
trees fall, they don't: they cant. Rope-like
roots, stymied by volcanic rock, twist and turn,
tortured by ancient lava impeding their desire
to push deep within.

Some voices echo that the trees themselves,
fueled by juices full of malevolent energy
sap the resolve of ones who venture there.
Gnarled branches twisted, tortured
under deceiving feathery moss, rise
above intertwined cypress knees as if
the forest had gone for a stroll and then knelt
when a soul ventured near.

Jukai, of the breathtaking views
where hanging hemp ropes take breath forever away.
Living greens so dense, sounds are swallowed whole:
No one hears the screams in Aokigahara
and there is no one to see until
bleached bones lie in stark relief;
Death thrives next to the rotting.
Sunlight muted beneath canopy
where chilling beauty lies
in perpetual twilight
and the only movements are swinging ropes
where no breeze passes.

Here come the ones who have reached
the end
of their rope or choices: Hanging is
the death of choice in Aokigahara.
Yurei, Japanese spirits who yet cling
to Earthly realm flit between the trees--
white, shifting forms caught only in the
corner of your eye. Leading, perchance,
across cenotes or hollow tubes,
where hidden caves make up your mind
when you travel down the wrong path.

Colorful ribbons, blue, white, red
stream through the forest; strings,
tapes trail behind those who walk
in case they change their minds for
no compass works near volcanic iron.
I am reminded of gaily wrapped presents
but here, what is unwrapped is death--
here, there is only the past where
Theseus unwinds his ball of thread
in the labyrinth of the Minotaur,
in the labyrinth of Aokigahara.
Scavenger hunts lead only
to those scavenged by the forest gleaners.

Death lies in the mists,
in the midst of the living.
An Apollo butterfly
rests on a sign pleading for life--
Apollo, god of light, of plagues, of music
seems to have no place here
but for the plague of suicide
which runs rampant.

Repugnant skulls with hollow eyes
can no longer see their reflections
in the rounds of polished glass
that mirror anguished souls
at the train station in hope
that they will see that they are not
invisible and stay among the seen.
The station is last stop
before they walk the forest path.

Aokigahara, Sea of Trees
looks up to the sun glinting off Mount Fujiyama
but beneath the canopy
are only the fallen.
harlon rivers Nov 2017
Hops and topsy-turvy jumps ― blurred movement
muddles across  the dewy meadow floor,
as though dawn brushes away the sandman’s magic
from the corner of sleepy eyes,
                                  to cast an enchanting spell
    A sudden hazy yet abrupt stop…
    hastily,  halting ,   frozen motionless

Stillness, as if some final destination has been reached…
  
Neck stretched and craning,
tilted with an eye to mother earth ;
a canted focus beyond interruption
   In the blink of an eye,
   with a vigor too rapid to capture,
   as the nowness of urgency flashes ― 
 
   She stretches the earthworm
   with the grasp of subsistence
knowing after fall   becomes the long winterlude.

The morning sun illuminates the glow of the native Maple’s
glorious fiery orange and yellow color palette  
A steady stream of animation rushes in and out
   of the giant tree’s golden splendor

Abundance perishes with the seasonal gardens decay.
Mornings of blueberry and strawberry feasts
have left the red breasted robbers foraging
for the last rotting apples the deer have left behind.

   Harbingers of spring…
  
   Blueberry sneakers…
  
   Gleaners of fall and winter..

“Teeek”  “tuk” “tuk” “Tseep”....
        fills the overhead air
   with a beautifully chaotic verve

The flock returns repeatedly     to and fro     the towering Maple
to the ripened cornucopia of scarlet berry clusters of the Mountain Ash

The Robin’s flock ravage and gorge on the plentiful delights
Soon the crimson berries fuel of flight will disappear
   as if it were only an unspoken allusion
          of the passing seasons

The pearl gray sky is an ominous backdrop
          for the fickle fleeting migrants
Daylight fades as the flock disappears
          into a break                in the clouds
fleeting unto the ominous pending winter sky…

In the blink of an eye ... life’s  senescent seasons
transform the stormy whirling winds of change
bearing the golden Autumn leave’s splendor
   across the rolling vista
like a higgledy-piggledy murmuration
   of a migrating beautiful mess

The naked rooted scaffold’s branches stretch
across the sprawling tapestry of the wooded sanctuary.
Winter flocks of Thrush and Robins,
    arrive on a frosty new dawn
Red breast feathers puff with the morning sun’s rays,
warming the tree tops leaning toward the southern sky;
   Their journey here and now,
from distant mountainous horizons,
   is part of a soul’s sacred circle of life…


November rivers ...the final autumn entry of 2017
Postscript:  ... something fitting and gentle for a beautiful fall  morn
in the Pacific Northwest ~ I've realized I want to share lighter moments in life when they are writ,  readers or not...this is for the few with eyes that see beyond the obvious sense of nature's vastitude ...ubiquitous zen ~

The Mountain Ash grove is always a fascinating spectacle in the fall…After watching for several days…recording the thoughts, mentally painting the picture for a sit down at the table, in the window with a pen and paper  tablet.   Today was the day for a 30 minute stream of natural consciousness in this narrative prose poem about a reoccurring seasonal fascination with the American Robin’s cycle of life…
When I stop to ponder the irony, actually our circle of life is just as round…

Some say all poetry is about the writer, at least in some subtle way,
even when they try to convince themselves it is not...
This writer wants his poems to become just as personal to the reader,
whether a writer or not ...Why say that here & now?
As most writing from me is too deep for many readers...
we all need to breathe deeply and exhale a sigh now and then... these days
I try to stay out of the Robin's way... it's my  nature's way
Giving up attachment to things is impossible...
"Attachment to things drops away by itself
when you no longer seek to find yourself in them."

... thank you for reading "it's only water" final fall chapter

Flight of the Red Breasted Robin
Written by:   h.a. rivers
J L James Nov 2018
Social Media chops like a cleaver.
A truth optional blade comes down
to deliver clean edge fodder
for others too pick and ****
like carrion gleaners.
A broadside to crush after
the initial hack.
Hold the handle with great care,
and far away from you.
Too heavy to wave about
like a fencer's foil.
Its damage is ugly and
spreads like the spurt
from a jugular.
Social media chops
like an unforgiving cleaver.
Remembering the innocents who have been damaged, bullied and shamed on social media.  Knowing with such power comes great responsibility.
Ryan O'Leary Dec 2019
What is rather an anomaly,
the littler birds that feed on
our hanging baskets are the
ones providing ground food
droppings for their superiors.
july hearne Jul 2021
it was a picture i didn't want,
that is what she gave and that is what i got

the scared children huddled together
in the middle of the shabby bridge
as the angel hovered wingedly behind them

a forever that comes stuck just in time
dressed in white and angel abright


it is all so suspended
implying they cross
and safely cross

well in that one way it's just so sad
that hell is real
and time so irreversible

and in another way it's just the way it has to be
when i see you from the ugly side
and i see you so uglified on the ugly side

getting excited at $40 CAD profit on a baseball card trade
a 5% gross profit $CAD
not so much now

you're just something
gathered in bits and pieces
by stray gleaners in strawless fields of straw
that or the unnecessity on the otherwise empty shelf

the events of the day are so embarrassing these days
some man in a wheelchair in the middle of the safeway parking lot
smelling up the hot sun,
stuck in the middle of the safeway parking lot,
he says, "yes, he needs help" when asked,
"he needs to be wheeled to the shade", he softly moans

but he does all the heavy wheeling as I push
when he gasps for spare change, he will get the $5 USD,
then leave his uneaten take out that someone else he met in the parking lot bought him.
he will keep the $5 USD.

stinking in the hot sun
looked as if he had been good looking once
making his money in the parking lot

Excited to make the $40 CAD,
not at all net of any uncharged packaging, shipping
or taxes,
Excited to make the $40 CAD
can always be counted to be

comfortable with trudeau,
uncomfortable with anyone vocal about their discomfort with trudeau

and to know the correct placement of commas, semicolons, and periods
never using the exclamation point
or regarding unhappiness,
other than his own

but we can't recross the creaky bridge
or get the $5 USD back
or ever care about $40 CAD
we can't uncross the creaky bridge

as sad as it is
that is the way hell has to be
the way you have to be
in a house built upon sand
that stands and stands
Ryan O'Leary Nov 2019
Ok Cathy, I did have an inkling
that this could have been the case,
hence, why I pursued those questions.

Having been in that predicament I
fully understand what the foetal
position and dark room means.

Once, it was Christmas week, I was
in a semi squat at 16 Britannia Rd
in Fulham.

Not far from Chelsea stadium it
links Kings Rd to Fulham Rd
near the Broadway.

I was minding ****, a cross between
an Irish terrier and a Kerry Blue, a dog
familiar with Marijuana.

It was many the time he got high on
it while we, Christopher Beresford and
I were marinating in alcohol.

Chris was the director of projects for
Debrett’s Peerage in Mossop St, I did
a bit of work there myself.

Chris went up to Bury St Edmunds
for Christmas, while I minded ****,
it was the first time I ate dog food.

The house had no heating and outside
toilet, gas and electricity had been cut off
due to non paid bills.

What money I had at the beginning of
that week, I spent it on drink and never
bought one morsel of food.

I drank water and spooned sugar until
it was all gone, I slept and woke and slept
all day, **** toiletted in the house.

No phone, nobody called and even if they did
I would’t answer the door, I had grown a stubble
I was ***** and unkempt.

The curtains were drawn, there was a low gutter
by the bedroom window which is what I used as
a urinel.

I was out of cigarettes, even all the butts had been
used up, it was cold and I got the poor mees,
I was ashamed of myself.

There was an old lady next door, she was well
aware the Chris was an extreme eccentric and
I was some sort of an odd Irishman.

In better times, I cleaned snow away from her
door and once I looked through the window and
discovered her on the floor.

She liked us, and no doubt felt as though we were
two lost cats unable to manage our lives because
of alcohol.

On the 25th, Christmas Day, towards evening, she
brought out a turkey carcass for ****, I knew her
voice, so I opened the door (plate width)

No sooner was she gone, and ****, who I had
given it to in her presence, was immediately
forced to surrender the Turkey.

Covered in his saliva, I was not in any state to
be pulling rank on ****’s social standing, we
were all of a sudden, equals.

**** did eventually get to participate in a
communal meal, as he got the gleaners share
of the boney discards being relayed to him.

There was a second knock, it was the lady again,
I apologised for not doing a better job at washing the
plate, ****’s tongue had no detergent.

She handed me a large bottle of Guinness, a
a packet of rolling tobacco, papers and matches,
I was in recovery, somebody cared about me.


Ryan.
Ryan O'Leary Oct 2018
The gleaners had already been, bins pillaged, cats were gone also, time for the rats!

But; before them, came Tariq and his inseparable friend Halil, a pair of local hobo's from Istanbul.

Halil was the smarter of the two, yet co-dependant on Tariq, who was
bigger and quite ferocious looking.

While rummaging outside a restaurant, a local take away scooter passed and dropped a roasted chicken, by accident.

Halil was on to it in a flash. Off they went to the local park bench to
devour their poulet roti.

A feast fit for a Sultan remarked Tariq as he ripped succulent strands off the breast bone while licking his ***** fingers with enthusiasm.

The stray dog that almost got to the chicken initially, followed them and was rewarded with the discarded pieces from Halil.

Finally, they got to the wishbone and Halil suggested that they should invest in the future by making a wish!

Another street dog (one seen earlier playing with the first) arrived on
the scene, where there were bones a plenty, for both.

Halil offered Tariq the wishbone, he put that slimy finger between, leaving little room for Halil.

They closed their eyes to contemplate which that they individually
desired.

Startled by the viscous brawl that ensued between the two dogs who
were earlier, best friends, the bone snapped!

Tariq, by faith or mere accident was holding the larger section and thus the winner.

Halil immediately praised Allah because it was, as he saw it the just decision.

Disclosure was not compulsory for the victor, but Halil was obliged
to reveal his wish.

Before Halil responded, Tariq got up and kicked the dogs away from the carcass.

While doing so, he briefly reflected on his own wish, which was, that whatever Halil requested would not be granted.

Tariq reseated heard what Halil wished for!
"He wished that Tariq would find a fat wallet on the street that night"
This incident was based on an actual encounter of which I observed. Both names are assumed as was Tariq's wish. But, what I deduced from observing them, it could well have been true.
Ryan O'Leary Jan 2020
HP should devote a special
site for the polluters.

In that allocated area where
they off load their *******,

ink gleaners would come
with brushes, erasers and

abortion vacuum's, so that
early terminations could be

performed before readers
are optically contaminated.

Failing that, some form of
Trip Advisor ™ system

could be put in place beside
the names of those poetic

imposters who should be
rated by real poets and thus

save the planet unnecessary
i cloud congestion which is

contributing to Global Warming
time wasting and discontent.


Signed: Gretta Thonberg.
Ryan O'Leary May 2020
It was a banquet, a summer
wedding under plum trees.

Long trestles adorned with
evening dressed table skirts.

Lines of L back chairs laced
ribbons balloons with roses.

Red white et bleu candles
burned unevenly quenched.

Wax stains, wine blobs, ash,
lipstick transfer kissed glass.

Place marker, name tag,
wire meshed cork, bottles.

Bunting, well wished cards,
written speech, crumpled.

Fish in shoals, bread in bowls,
lemon fingered watering holes.

Caw winged gleaners, black
tie sophisticates, Corvidae & Co.
Ryan O'Leary Apr 2020
Our avian friendly organic
garden has specie specific
areas, designated by nature.

Ground feeders tend to stay
close to freshly dug beds of
the early Spring plantings.

Crows find the seed baskets
to flimsy to negotiate so they
become sub reaping gleaners.

Our herbivore barbecue with
open lid became a perch, the
grill is for poo doo-doo ****'s.
Ryan O'Leary Apr 2020
It is where we have to share
everything one doesn't want,
especially contagious noise,
because estates are infectious
to the point of being incestuous.

A certain repetitiousness can
be observed, one out all out,
water blaster, lawn mowers
chain saws, an orchestra with
no regard for day nor dinner.

Avoidance brings no dividend
for those in recluse, seclusion
grants no escape from the en-
passant gleaners who garnish
oral morsels with verbaliser.

The revulsion of wind blown
carnivore wafting's mixed with
carbon-monoxide from Polish
coal, barking dogs, droppings
of cat poo on vegetable gardens.

On line deliveries of the latest
**** and moss solutions as
advertised on television being
sprayed copiously without any
warning or consideration.

Unsolicited conversations, late
night television, cars parked in
precarious positions, plus being
observed ever minute, lace curtains
are the first sign of a mad woman.

— The End —