Wee Angus McSporran, the world's most accurate marksman, is deployed  to Afghanistan and Iraq as a ****** in the Royal Scots Guards. In spite of his diminutive stature (4ft 8in), we see him skilfully shooting men, women and children by the score, convinced they are terrorists and a threat to our freedoms in the West. He becomes emotionally involved with the gigantic ginger-haired Pipe Sergeant-Major **** McKnob, the loudest piper in the British Army and a famous poofter. We see Angus and **** in some of the most explicit ******* love scenes ever shown in a mainstream movie (tastefully filmed in soft focus and sponsored by KY-Jelly).

When **** is blown to smithereens by a roadside bomb planted by American freelancers in order to implicate the Taliban, Wee Angus goes into deep depression and becomes obsessed with his skill as a ******, often shooting "allied" soldiers in so-called "blue on blue" friendly fire. After each shooting we see the image of the ghostly dead Sergeant-Major appear as in a dream, his kilt a-swirl and his pipes wailing a tragic dirge in scenes reminiscent of Braveheart.

When Wee Angus triumphantly notches up his 500th **** (including over 75 US military personnel and several important Afghan politicians), the British government decide it is time to withdraw him from active service. In order to gain patriotic press coverage in the run-up to a General Election in Britain, it is agreed that Wee Angus shall be awarded the Victoria Cross by HM the Queen.

We see Wee Angus, in full regimental uniform, marching up the Mall to Buckingham Palace to receive his medal, his telescopic-sighted ******'s rifle looming heavily on his childlike shoulder, being cheered on by crowds of thousands of wellwishers. Tragically, when he is crossing the road in front of the Palace, he does not hear a new environmentally friendly eco-diesel double-decker London Transport bus approaching (his hearing has been seriously impaired by the noise of battle) and he is mown down, his scream being amplified to eardrum-splitting levels of horror. The camera lingers lovingly on his crushed body and we see scenes of unimaginable grief in the crowds who have taken Wee Angus to their hearts. His lover, the strapping Pipe Sergeant-Major **** McKnob, appears as an angel and weeps by Wee Angus's squashed corpse.

In the final scene, reminiscent of the closing minutes of Slumdog Millionaire, the massed marching pipe bands of the Assembled Scots, Irish and Welsh Guards appear as if by magic and the entire crowd cast all inhibitions to the wind and indulge in a life-enhancing Highland Dance and Ceili around the Victoria Memorial facing Buckingham Palace. The film ends with a heart-breaking shot of the Queen coming out on the balcony in front of the Palace and having a fatal heart attack with the shock of what she sees before her. Prince Charles is seen gleefully rubbing his hands together in the background: at long last, he is King! *(end titles shown over a shot of him groping Camilla's naked sagging ****)

it has been exactly since ~3p.m.
                                                            yesterday...
                                       through to
3p.m. today: that's 24 hours +
                                      4 o'clock, 5 o'clock rock,
          6 o'clock,
                                          7, 8, 9
                     10, 11 and the upcoming twelve
         24 + 9 + excess passing the 36th hour...
oh this is just target practice -
                  what used to be
   serotonin has become adrenaline:
   spawning cobweb shadows with
   a mere arm-hair aligned with an itch:
i say to my cohabitants -
        i'm too poor to rent an apartment
with my contemporaries,
         and i can't be bothered to look cool
for 10 years... before the money starts
coming in... a day before a tongue spoke:
and see you in 20 years...
         and see you in 30 years...
the people born prior to 1975
       and after 1969 came out to earn
£57,000 a year... while those born
after 1979 and before 1985 had a wealth
*** of £27,000...
                            who are the landlords?
quick digression, i love how the idea
of exiting the bloc (it used to be designated
to the eastern bloc, now anything east of Calais
if a bloc... the European bloc -
        my my... ain't it love-ly?
   they wanted an Australian points system,
so first came the Australian plastic currency,
boy, i was happy, cashing in my first Churchill
miniature that i could dip in baked beans
and use as a spoon) spread beyond the old
stereotype... and the points system?
you know who's smoking the hookah of
panic here?            
                            the freelancers of nationality...
   they haven't fitted in...
don't worry... they'll keep you,
but after seeing you they just thought:
once the cheeky chappy, now a chavvy chappy...
  we love the E2 dialect, it's hardly Coccers
or bonkers... but after my day
(i'll relate to it in a moment)
       i heard to prop'ah Cockneys giving it
all the guv' and n'ah and
        what's Kilimanjaro in Cockney slang?
all the Cockneys are living in Essex,
   Romford, Chelms and the Essex lads
from Ireland are a bit shy, never talk to
the old people who used to live on
the Isle of Dogs or the Wharf -
              East London moved, and i'm in
the thick o' it... you ***...
                       i'm here,
open ******* spaces and hedgehog counts
to mind... never the next Susie from
Whitechapel doing the runner from Jackie,
             and funny that,
the day began during the night,
sober, i tested the idea: if you gonna go
nocturnal, stay sober...
                  fast... drink coffee in the morning,
and what some proper bollocking
        on the box...
                               i say: revivals never
sounded more like bells, the 1970s
had Patois... the old parle with dread-lock Sam...
             i squeeze in a bit of Norse
and hey presto... Ahmed's your uncle...
                     'cos we all like a bit of
way-hey banter, the: back in the day
   when the 1966 squad was best known
for West 'am...
                               am i sensing the idea that
i'm licking off the prop'ah beef burger 'ere?
                    what the **** rhymes
with Kilimanjaro?
                                wait! got this one:
apples & pears - stairs...
                          you gyro?
                        no! wait... the two Cockneys
weren't from south London,
this ain't Peck'am talk... this is proper grub...
         jar squared: verb, meaning?
     i know my neighbour, heard him
lecturing his wife over the wall about
the diminishing concept of family in the "west",
           to me that's
the Cockneys meant by guv'nah:
                           aw right der geezer,
   stop that fidgety: don't be late tomorrow,
let a man eat his plums and wear his trousers...
       i swear: the only good cinema these days
is English cinema...
                                 i said! the only good cinema
these days is English cinema...
               if i didn't watch
       we **** the old way during the night,
after spending my day as i did (i'll get onto it,
hold your submarines)
                               i would have pricked my ears
on the two Cockneys next door
   at 4p.m.                  finishing some job...
but given the "guv'nah's" attitude: 'aving
a laugh at coming early tomorrow, if at all.
     my day?
                 i wished i could say i woke up
early...
                            the entire spectrum
of sunrise...
                            epileptic shock from the sun
after smoking a cigarette at 5a.m. when
all the constellations where out...
                          not enough sleep,
as the Russians say: no good to live but to
not have seen snow.
                               it shivers with enough
hours under your belt...
                                      i'd love those
Soviet torture chambers of sleep malnutrition...
gents? when the ***** and the cards and cigarettes?
    i'm currently the most loathed
  person in America... which technically makes me
more than simply unemployed...
        anyway...
cut my hair... two millimetres off the helmet...
off the cranium... not crew cut, not skin on side
and some ***-fluff on top...
in the night, when the moon is bright,
   my two millimetres of hair look like skin...
oi! Skinners! the shame would have really been
to have protruding ears...
                                    come to think of it,
i love the contorts of my shadow more than
the body my shadow disdains...
                  i decided to visit my old school
after that...
                     ...............................
do you know the feeling of getting onto a bus
when you having been on any other form
of transportation (other than your legs)
for a few months?             surreal...
                   and even that's a bad way to describe it...
this is where words simply fizzle out...
                            they just did the white rabbit
trick and you're felt with nothing else to
do but squeeze into the top-hat and hope
that some other magician will pull you out
rather than another: white rabbit.
                          so the 499 from my house
up to Romford (sunny! glorious day!
   shirt, sleeves rolled up,
           denim trousers, navy suede shoes,
azure shirt, headphones, bus ticket,
wallet, packet of smokes, and the ride -
smile all you want - when you smash a sports
car you don't have the view of a dozen
horrified passengers there with you
to practice your ultimate Buddha gimmick -
Ching-Chong Eyed and smiling)
                oh yeah, the insurance... huh?
   off at Romford central, and onto the 86
courier from Bangladesh to Ilford...
                    what did i miss in the list above?
ah... three copies of poetic optometry...
written by? moi, n'est pas? oh come on,
let's not get the ruler out: mangetout and manage trois...
                           (only fuel is horses)
           the 86 is a double decker, the 499 isn't...
sun in my eyes behind the glass the enhanced star
gleamed: what privilege -
               by day the star
                                           by night the star in
   a mirror that's the moon -
                                         selfish helium
giggling into a hydrogen Hindenburg fury!
                 or that's what the scientists say...
how they worked it out, i'll never know...
                            but apparently the sun
is a H-He           something or other...
            H because of atom bombs,
   and He because we giggle like idiots when we see
it: never the thirsty horse in cowboy movies.
   got off at Seven Kings...
in between school girls eyeing everyone and everything...
just my luck... schoolchildren...
                               everywhere on the bus...
just there...
                                    and also just nowhere...
         so i got off at Seven Kings and went into my
old catholic school...
                                  waited at the reception for a good
5 minutes (good to know they're still teaching
people manners with regards to the uttermost
productive necessity of bureaucrats)
               -              i asked about my old English
teacher: does Dr... er... does Mr. Thomas,
        er, does Mr. Bunce (Thomas) still work here?
   yes, he does.
             you see, i'm a former pupil of this school
and i wondered if i could have a meeting with him.
oh, that's impossible, he's currently teaching.
                     Kafka... note this in your afterlife...
         well... in that case, could i leave him a message?
oh sure, just write your name and your contact details
and he'll get in touch with you.
   well... i need a bit more than a scrap of paper,
can i have a notepad?
                 sure.
                                    so i took  the pen
and the notepad and sat in this grand refurbished hall
of the school that used to remind me
of chemistry labs stinking of old wood and sulphur,
of the old ways... of being beaten and Pink Floyd
escapism and all the hippy crap...
                               what a grand place this has become...
it's no longer known as C. P. Catholic School...
but the plus version: C. P. Academy...
  but you still walk into the plus surroundings and there
are still pamphlets written by Father Ted
about *our Lord and Saviour christ Jesus...
          or Hey! Zeus! in Spanish... same ****...
different cover...
                               but i was well dressed in my
Indian summer wear that's Indian summer:
English September and October...
              i'd move the calendar up a bit...
get the kids off anti-depressants...
                           anyway, i had my three copies
of the "first edition", try tell that with the internet
breathing down your neck... it doesn't, matter...
             but i did write him a lovely note:
unchaining me from the straitjacket of grammar!
                  i wrote from what year i graduated
2002 (g.c.s.e.) or 2004 (a-level),
                        and blah blah and one more blah
later                    walked back to the reception
  and asked for a rubber-band...
                   then i bundled the whole thing together
and asked if she could give it to him...
                    of course, she replied.
                            p.s. if you don't mind,
Mr. Thomas, you can always shove one of those
copies into the school library...
                         p.p.s., someone stashed
the book about the Gnostics by some German in
there once... maybe i'm thinking along the same lines.
      the journey back?
i walked.
                                 i walked from Seven Kings
to Romford...
                               taking a stroll
with one hand in my pocket (left)
because holding a cigarette in the other is never
exactly great when it's not doing something...
that's what the pockets are for...
not exactly suited for your wallet... but your hand...
when you're strolling in the green-belt fields
segregating the outer-most London (wannabe
Londoners / Eastenders) and the Essex inheritors
of Cockney... Kilimanjaro?
                                  Kilimanjaro?
                 ­                          me, i don't Essex
either...           most of the bankers chose this
district for the scenery, i.e. standing in a field
that isn't a hill or any sort of elevation
and beyond, yonder, the glass shards of their
former institutions...
                                        4.7 miles... not bad...
  a stroll... and that's without any food and solely
on coffee and a sleepless night...
           a butterfly fluttering along the way (only one)
and a fresh ripe auburn conker lying beneath
an oak tree (also, only one)...
            but what hit me was walking back...
it was truly like reading the book of revelation...
13:7... all the way from Seven Kings through to
the Romford: the street vendors, the bookies,
the Muhammedian car dealers...
                  the bewildered ones walking into
mosques, Sikh temples...
                                       one man cleaning the patio
entrance to a church from weeds...
                           cheap Kentucky chicken from America
         (if you think, that they don't synthesise
the meat in cat food and call it tuna or beef
but rather use actual meat... you're grossly mistaken,
    it was on the news...
                                         they are already
capable to synthesise meat...
                                     they do it in the perfume industry,
they're doing it in the food industry -
    a childhood memory of asking why they were
smearing lipstick on the frogs they caught...
they replied: they burn easier...
                  and they did... paint a frog lipstick
pink and boy... that's a French marshmallow, right there)...
           but if you ever walk that stretch of road...
               revelation 13:7...
          i'd like to see the Evangelists wriggle out
of that one...                       oh sure...
i treat religious television like some meathead
might watch football... it's game on after 5 minutes...
but anyway... that was my day...
           all 36 or so hours of it... how was yours?
                                                          ­                        g'day!

we said we wanted to be painters, and we wanted to paint the world as we see it,but we can’t paint worth **** and then we wanted to write because we needed someone to understand but no one under stood the words we uttered so in printed words it  dissipated because they didnt seem legit, and we said we wanted to live as artist, and we wanted to the world to be  our canvas and that we didn’t want anyone to tell us a thing. We wanted to be in bands who wrote soundless music with bare hands and posted them on sites that only the “great new age.” would download onto their iPads. We were inspired by artist and freelancers and wanted to live there and be there but we ended up nowhere because wherever that world is, doesn’t exist. Our religious parents spoke to live in a certain stance, but we felt awkward between the priers with people with folded hands and closed eyes. So we felt like nothing, and then we were between nothing.

We thought we’ve better abandoned a religion who told us that we could not hold hands under the name of a Man who would in exchanged for our love we had for each othre he would burn our skin over and over in a pit because who were we to fall in love?

We thought we’ll find ourselves in otherworldly gods and goddesses, statues of morphed species, and none of this took us off our feet.  We were floating space cadets and lost souls and people who were messed up in some way or another.

In other words we refused to live for each other, our individual belonged to printed posters, artistic words and longing.

What do we have to give back?

Who are we? Why are we?
Are we heavenly or do we come from the sea?
Dig the questions, as to unearth the answers.
Believe or rely on necromancers.
For we are such tiny dancers,
it is difficult for us to see the cancers.
Jumping place to place like freelancers.
Are we given the the gift of love only to unlove?
I don't know...ask the white dove.
Immaculately touched.
He knows the directions to the one above,
He wants for us so much.


Never mind me ...I'm just vibing here...ha...yeah.

James Sebastian Middlemarch was a prodigy.
No other way to say it in truth,
And those who knew him and his gift
Were in agreement that he was destined to reach
The apogee of the musical world,
Though he, even at a very young age, discouraged such talk,
Sometimes offhandedly, but at other times
Quite insistently indeed, for, even then,
He had the constant, gnawing suspicion
That there was a disconnect between the harmonies
(Mad, excruciating, yet unspeakably lovely)
Which scampered unfettered around his head
And those he could bring forth on the piano or viola.  
Nonetheless, his aptitude pulled him along
Through longitude and latitude,
To Julliard, then Paris and Vienn, maixing with others
Marked by their provincial peers as The Next One.  

Through all this time,
The sonatas, concertos, and full-blown symphonies
Danced on in his mind without restraint or retreat
Yet, when he tried to corral them onto paper,
They kicked and bucked and spit out the bit
In spurious sixteenths and turgid quarters
Which cantered along in pedestrian time signatures.  
These pieces (the “sad imitations”, as he called them)
Were performed on more than the odd occasion,
But on smaller stages by undistinguished orchestras,
And those freelancers dispatched by features editors
In the Rochesters and Pensacolas of the world
(Small-timers themselves, yet wholly without sympathy)
Would cluck and sigh dismissively in their reviews
That the works were derivative,
With easily discernible bits of Strauss and Schumann
(Clara Schumann, according to one acerbic small-town wit)
Scattered here and there,
And they were unanimous in their belief and opinion
As to the minor nature of his presence on the musical landscape.

After some years, he stopped publishing his works
Which made him even less of an afterthought
Than he had been at his low-slung zenith.  
He continued to play with some regional symphonies,
Where he was deeply loved by his colleagues,
As he was modest in the face of praise,
But never sparing in dispensing kindness in return,
And to all appearances the frenzied siren airs
Which had ridden roughshod over his psyche for so many decades
Had ceased at last, but after his death, one of his sons discovered,
Squatting surreptitiously under a mound of ancient antimacassars,
Several trunks containing untold scores of sheet music,
(Updated versions of earlier work,
New pieces abandoned in exasperation)
Which sat in mute testament to the difficult labor
Of unfastening onself from the yoke of being ordinary.

Today
I met some freelancers
everyone has the same goal
if they grow
they will open office
I said, "it's always other way around"

What's your objective she asked?

I rolled back my eyes, certainly amazed,
questions like these can set anyone ablaze.
With certainties panning around our way,
the answers to such questions were always away.

Serving humanity is my ultimate objective?
Or rather serving myself a better alternative.
People will know me with great adjective?
Or rather call it a foolish motive.
Is answers to such questions subjective?
Or rather it's truly sedative.

Life certainly has no meaning?
Or rather it's embedded in little things.
Everybody appears to control their life's steering?
Or rather it's illusion of absolute strings.
Is is about earning more and building?
Or rather a dream about such feelings.

Are there more questions than answers?
Or rather answers are the questions.
People in the world are some kind of dancers?
Or rather everyone's waiting for such introductions.
Is the humanity about some freelancers?
Or rather some little interruptions.