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dorian green Apr 2022
not florescent but covered by a translucent screen,
my tense and aching frame washed in a  
dull desaturating blue glow.
streetlights speed past neurotic eyes,
like worries of friends i haven't spoken to,
and every awful thing i've ever
said to my mother.
i think of you, of course,
the way i catch my reflection
in the bus window:
a glimpse—terrified and fascinated.
i wring my hands,
a nervous habit when they're
feeling empty.
everything i want is
always at my door,
and everything i fear
is never far behind.
why won't anyone let me hold them
from halfway across the room?
stay sitting across the aisle,
as mysterious to me
as any other tired stranger.
i see you clearly
but can never tell what you're thinking.
dye Aug 2014
sipping* black & red,
i sit idly alone.

watching whilst the grayscale bled,
desaturating the colors' tones.

the hues soon gasped for their final breaths
and the beauty decided to grind into an end

but i'm still sipping black & red,
sitting idly alone.
04/09/14
Much like a sestina repeats it's hook
Our lovers and idols, ever prophetic,
Sew meaning into quivering arcs.

Desaturating the still, all becomes clear
Unscramble the motion in the film
The cover image foregrounds.

Remove the chaos of every day
Plot points pinned to a story-line
We spin ourselves back in time.

As one song may last a lifetime
Churning the same harmony,
Of the few who never leave.

Worry changes no forking paths
So worry not and sonder still
Time clarifies, distilling all.

A viewpoint in the stratosphere
Changes the night sky forever
Yet, the seasons remain the same.

One prolonged glance into the sky
Listening to this primordial beat;
Here, true lovers, idols and myself
Glide through space eternally.
its bitter Mar 2018
Walk The In-between where
it rains, lukewarm,
from overcast heavens –
omnipresent silver gaze desaturating,
nullifying,
mattifying,
smooth like velvet.

How those endless skies weep endlessly for you,
lost traveller,
fine mist descending upon you
sense of absolution, fog of forgetfulness
and you can’t feel the rain puddling
in the ditches of your collarbones
for how faintly it caresses your body
Finally – let it wash away those jagged clusters
of salt crystals from your lashes

Follow your feet
you know where they lead you:
away from glaring light and midnight sky, to somewhere softer:
The In-between.

Amble towards it and believe your own fiction:
You yourself chose this – willingly.
You weren’t drawn by the same ripcurrent,
having towed you here countless times,
each journey into the fog
more lingering than last.
You will be here just a minute-
not an instant more.

But truthfully, you are following your own footsteps,
tracing lines already worn thin.
You’ve dwelt here before
You fear you’ll not escape this time:
The In-between,
Purgatory is not novelty
to you, traveller.

You follow:
your conscience,
your habits,
this well-traveled path
to tender oblivion
Your return
– inevitable –
to The In-between.

And on your pilgrimage
you conveniently forget,
perhaps on purpose,
how the dim lights seep –
like seawater does
into fibrous hulls of sunken ships –
inevitably, steadily, invisibly –
into your own eyes, how they too grow dim
cataracts of algae
you feel ancient as the seafloor, silty
cold, untouched, untouchable, stagnant;
half-hope to stagnate here awhile

See, you frequent this hell because
when you finally break free,
you remember only the comfort
of nothingness,
dismissing how desperately you crave
the absolutes and colours and emotions
black white blue and red
The state of existence – how you miss it
when all is suddenly grey

Yet here you are, again
meandering, lost, again
you are exhausted, again
rest your weary eyes, dear
But – by God, child – do not fall asleep here
Sometimes, difficult realities felt deeply can become overwhelming, the most comforting solution being sinking into a fog of numbness. Existing, but not really. A greyed-out version of life, not sad but certainly not happy either. And this state of being can become addicting, a sort of self-comfort, but it is not reality; it is depriving oneself of real joy. Accepting the disastrous consequences of existing this way can be difficult, but escape is even more taxing – once liberated from this nothingness, colours and lights seem harsh. After too little, it is too much all at once: joy, sadness, sunbeams, love, hate, inspiration…  Here is where the cycle of feeling and numbness begins: feel too much and crave peace, feel too little and crave something real. To cope with the relatively magnified realities, each dangerous journey to the “In-between” lasts a little longer than the one before. Perspective becomes skewed when dancing between these extremes, a balanced middle-ground becoming nearly impossible to inhabit. And this is why the nothingness becomes so enticing; it is a reprieve from its only exhausting alternative. This is why I continue returning to it knowing well I may not be able to leave.
lX0st Apr 2020
I’ve sobbed for hours,
Then for days,
Ache blurring lifeless gaze
Stolen breaths come incomplete
And, too quickly, are replaced.
I’ve sobbed from twilight until noon
Filling this entire room
Watching skin succumb to prune
Hair, molasses, ‘round my neck
Pirouettes to desperate croon.
I’ve sobbed through sunrise and sunset
Muddled orange and violet
Lighting crests of waves deflect
Fading as they intersect.
I sob for eras and for lives
Until none of them survive,
So what light exists beyond the depth
Can magnetize and resurrect,
And eyes can greet horizon new
Reflecting glowing golden hue
Desaturating retrospect
As currents sway to sovereign tune.

— The End —