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Morrie W S Apr 2019
keep me in the
pocket of your jacket

love me in the
corner of your heart

dream of me in mantis shrimp
colouration.
think of me when doth
shatter thine heart.

if i could be
what i would need
myself I lose;
myself I dream
Edward Coles Oct 2013
it’s windy i think,
at least the windows are rattling.

the men in hard hats,
yellow motes off in the distance
and their jackets the colour
of poison,

they scale the façade
of the contralateral building.

they’re speaking, yelling,
probably catcalling, singing
their ugly songs on cherry pickers
like some crowned nest
of wagtails.

it’s early i think,
though the lights are always on.

they’re fluorescent, staining,
unflattering colouration, rinse
your skin to poverty,
to jaundice.

i’m here because of pills
i’m here because school is out,
i’m here because i’m tired
and i’m here because of you.

flowers sit at the side,
already dry upon purchase.

gifted awkwardly;
do we give flowers to a man?
a boy in sheets, foolish drunkard,
balloons with helium
to lift my spirits.

its lonely i think,
though it’s filled with people.

wristcutter, lupus, chemo
all thrown into one.
we’re what’s left post-production,
left to sit in an outlet store;

buy me for half-price
or else half an hour of company.

i’m the young one,
nurses scan me with motherly eyes,
the radiator warmth,
their rounded bosoms,
‘you remind me of someone’.

at twelve to three, she washes me,
asks me to lift my *****
so she can get at the two-day grime
of indolence.

it’s sad here i think,
at least the television is boring.

daytime ghosts and broken families
make my bedsheets gain weight;
even the balloon sags
in heavy misery,
nothing is mine.

sleep comes in fits
and starts in blankness.

it ends with my questioning
of where the dream began
and where hope had perished.

you haven’t come,
i knew that you wouldn't.

it’s hard to blame you,
what with my post-use pinings
long after you’d given up
and the way i act familiar
after treating you like a stranger.

i long to leave here,
so much the windows are rattling.

i’m here because i am
i’m here because of my job,
i’m here because i’m tired
i’m tired because of you.
Joe Bradley Jul 2014
Time Volume: 1
I’m eating up the hours
one by one.
Blink.
Click.
Blink.
another screen,
more non-words
Blink.
Click.
Just letters.
Click
9000 more words
blink
and more time.
Click.
To be forgotten.


Learning to forget
The melting *** cast a boy and I ran outside,
A slime soaked goblin, a monster from the pit
Lobbing clods of mud at a harmonic sky
Whirring with dragonflies and lolloping bees.

Sun and rain prepared a day on a different earth
Where there was life in the monkey puzzles,
And scuttling battle grounds that
hid hundred-handers beneath concrete slabs.  
Gravel churned up tiny black dragons,
rotten logs, fortresses of tiny fiends.

I had a sword in my hand, I was noble.
Defender of the realm, scourge until tea,
The hero of worlds
everyone else couldn’t see.


Time volume 2**
Excalibur was stuck fast
When the new branches fell
Click.
the tips of my fingers are beginning to rot.
Blink.
Click.
If only I could
blink
stop the second
click
See the world behind glass.
blink
and dance out of time.
Click.
This snow globe,
Is not the Antarctic.


Artificiality in Imagination
Turning my back on time and space with
Bottled brains, ***** mist, powdered thought
I chiselled into old pathways.
I carved a silk road through synapse and nerve
to return to my monsters.

I saw a sickness of colouration
A lynx effect for the sky
tearing punkish streaks into the atmosphere
that were quickly blinked away.
Sunspots, cloudbursts, tussocks, grass,
Paper squares, green, red, purple, pink, blue,
pungent smoke, bugs, ripples, shivers,
polka dots and blank spots.
A storm-cloudy stomach.

The perspective of a head plastered to the soil again
saw thing for what they were,
a tiny amazon thought lost to rationality.
My heart thumped for a fear and joy
in a way forgotten by time.


Time Volume 3
Why is it called wasted when it is time well spent?
Click.
my god, my eyes hurt.
Click.
Just 9000 more words.
Click.
What would I give for a pretty girl sat under a tree.  
Click.
search * (pretty girl sat under tree)
Click.
She’s hot.
Click.
So is she.
Click.
… could always.
Click.
don’t be stupid.
Click.
Just 9000 more words.


Fantasy for a Counterpoint
I questioned what’s real when she blinked at me
and stopped existing  when she closed her eyes.
No one taught us to write in blood,
Tattoo our names into each other’s skin,
Leaving claw marks for the world not to see.

Whatever you drew was Van Gough
Whatever you said was Keats,
Whatever bruise you left was Tyson’s.

The outer layers of or skin are dead,
It’s funny whatever you touch on a person,
Is already dead.

Just before our love got lost
I noticed a thread break away from the braid
Around your head,
a small incongruity,
That made your hair a mess.

Love became what it was when you said you were
‘as constant as the northern star’,
And I replied, ‘yes - always in the dark’.


Time Volume 4
This is progress for my sake,
Just in time.
Blink.
Time is money.
Click
Time flies.
Blink
A stich in time
Click
This is a paradigm of nothing time.
Click
I’ve got so much time.
Click
And so little time to waste.
Blink
I’m a long time dead.


Hope for a handful of dust
Eventually I will while away these lonely hours.

What black rocks stir while we sleep?
What prayers rumble still, among old stones?
Do they speak the eternal city and glow civilised blue -
Or burn timeless black?

Does the probing ivy find us out
And the blunt head of a worm investigate
our most intimate parts?

Or does a spectre rise from the soil
To live under children’s beds?

When is the point that death
Becomes something breath-taking -
And the brook, my brown blood,
The dead leaves my skin,

Is it fantasy
to put something
where nothing should be?

The soft earth will **** me in
And give my brittle bones
To worms and crows
What stirs beneath the stones,
may always be worms and crows
I know its long, i don't expect anyone to read all this, i certainly wouldn't but if you have, thanks.
Enigma GD Dec 2016
Kaleidoscopic intoxication
Planetarial mental immigration
Observation of the general population
The "civilization" hallucination
Control of all the corporations
Propaganda propagation
Colouration discrimination..
Humanitarian emancipation

The sky is falling...
martin challis Aug 2011
A little empty that morning
she sat on the top step
of the verandah
sipping tea, sipping thought.
Three steps down to the pavement
squares of sandstone
lay in even handed rhythms;
flatly refusing to contour.

He’d moved away last week; big bloke, big smile
could clasp four pavers in one hand,
laid the lot inside ten days,
maybe a record, who could say.

Completed, the pavement was now empty of him,
no more scraping back, no more chipping out,
no more broad smiling hands
reaching for her cups of tea.

She missed this; as she missed the slightly flat renditions of
‘midnight oil’ and ‘fleetwood mac’, the **** of his straw hat
and the farewell call of... "see you sometime in the morning suze..."
(always at exactly 6.30 a.m.)

He was big on tea,
said he was glad
to meet someone who knew it
wasn’t merely the dis-colouration of milk.
She’d smile at that, he was right,
things like tea were best, given time to infuse.
She sipped her tea, sipped her thoughts
and the deeper taste that came with a little time.
Martin Challis © 2011
www.martinchallis.com
Àŧùl Jul 2013
Got its colouration from the sins;
The sins I do and the atrocities you do;
Mysteriously upon me - just me...

My red heart scarring CRIMSON still;
There's no torch shining to search for you;
I now drop you as you've stopped struggling;
In the dark night I find myself laughing.....

I went away after I'd finished my job-task;
There's no heart beating for you any more;
You called this upon thyself & now sleep...

There's no gun issuer alive now anywhere;
I'm not a mad guy so I don't live a nomad's life;
You did succeed in rending my sinner's life;
Into a meaningless transporter's life.....
My HP Poem #341
©Atul Kaushal
Edward Coles Mar 2018
it’s windy I think
at least the windows are rattling

the men in hard hats
yellow motes in the distance
and their jackets the colour
of poison

they scale the façade
of the contralateral building

they’re speaking, yelling,
probably catcalling, singing
their ugly songs on cherry pickers
like some crowned nest
of wagtails

it’s early I think
though the lights are always on

they’re fluorescent, staining
unflattering colouration – rinse
your skin to poverty
to jaundice

I’m here because of pills
I’m here because school is out
I’m here because I’m tired
and I’m tired because of you

flowers sit at the side
already dry upon purchase

gifted awkwardly:
“can we give flowers to a man?”
“a foolish drunk”
“a boy in sheets”
“here’s a helium balloon
to lift your spirits”
“don’t look when it sags to the floor”
“you know that he will”

it’s lonely I think
though it’s filled with people

wristcutter, lupus, chemo,
we’re what’s left post-production
“buy me for half price
or at least half an hour of company”

nurses scan with motherly eyes
radiator warmth - at twelve to three
she washes me, asks me to lift my *****
to get at the two-day grime
of indolence

it’s sad here I think
at least the television is boring

daytime ghosts and broken families
make my bed-sheets gain weight
until nothing is mine

sleep comes in fits
and starts in blindness

it ends with my questioning
of where the dream began
and where reality failed

you haven’t come
I knew that you wouldn’t

it’s hard to blame you
what with my post-use pining
long after you’d given up
the way I act familiar
after treating you like a stranger

I long to leave here
so much that the windows are rattling

I’m here because I am
I’m here because of my job
I’m here because I’m tired
and I’m tired because of you
A poem about an abusive relationship and the fallout from it, written in early 2014
Patrick Kennon Jul 2017
Males of Dynastes bear two long horns, one on the head, and the other on the pronotum, forming a "plier"; the pronotal horn has reddish setae on its underside. This pronotal horn is absent in females.[3] Some species have an iridescent colouration to their elytra.[4] Certain species of the genus Dynastes also have the ability to change colour.[5] Specific species have been noted to occur with either black or yellowish to khaki green elytra.[5] This variation in colour is due to a spongy layer below the transparent cuticle;[5] this spongy layer is a network of filamentous strands made up of three-dimensional photonic crystals lying parallel to the cuticle surface.[6] When the cuticle is filled with gas this layer can show through, presenting the yellow to khaki green colour, but when filled with fluid the cuticle appears black.[5] This is due to the change in refraction index allowing us to see the difference in colours.[6] This system is known as a hygrochromic effect.[4] Female beetles can change colour but not as completely as males, which is not yet explained as the mechanisms for the colour change is still not completely understood.[5] What is known is that changes in humidity affect the levels of moisture in the cuticle which leads to a change in colour in most cases.[5] Since the change is due to humidity it is a reversible process, however, it has been observed that after multiple colour changes or high stress the beetles will maintain some dark spots on their cuticle.[4] Some hypotheses for why this colour change occurs at all are the ability to blend with surroundings depending on the time of day (black for nighttime and yellow for daytime) to best avoid their main predator, the tropical screech owl (Megascops choliba).[5] Another theory has to do with thermoregulation in the sense that a black beetle heats up faster than yellow and then once they have warmed up theoretically there will be less moisture in the cuticle which leads to changing to a colour which does not heat as quickly so they won't overheat.[5]

— The End —