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CH Gorrie Nov 2012
Reclining in their rocking chairs, the brothers Beau and Cletus gazed despondently out
Past the final farm toward the convergence of the worn highway
And the fritz horizon. Cows paused their chewing; an ashy sun
Obscured in incongruous fluffs of cloud; it grew
Greyishly chilly. "Shame the kids're movin'," Beau squeezed out before a deep belch. Cletus only
Mumbled, his voice lost in the light drizzle rapping on the milky sheet-plastic roof. The
          porch

Was unfurnished, save the chairs, one ashtray, and a novelty sign reading: "Get off my porch."
Cletus took a long, pensive drag off a cigarette before stubbing it out.
He coughed a raspy croak wetted with sixty-six years. Besides Cletus' sporadic coughs, the only
Distinguishable sound to be heard in Moody Creek wafted in from the highway:
Rattles of the day's final Spokane- or Boise-bound semi-trucks grew
Inaudible as Beau transiently  murmured, "Purtier than a string of fried trout, that there
          sun-

set." "Whaaa?" Cletus wheezed. "It's settin'," answered Beau, loosely gesturing at the sun.
Fractaled-orange-shafts webbing manifold shades of yellow – amber, belge, stil-de-grain – grew
Plumply stout upon the farmland, edged between properties and crumpled on the porch.
"I'll tell you what Beau – I'm glad they got out,"
Cletus uttered with assurance, his eyes scanning the reaches of light upon the highway.
Beau fixed his cap, musing over Cletus' words. He cleared his throat before beginning, "If
          only..."

Then stopped and itched his belly-button. Cletus turned to his brother. "I know one thang only
Beau: they'll do good in California. They'll be livin' high on the hog. Yer son n' my son
'll 'ave secure futures." Jack nodded somberly. He hated the highway.
He hated its ability to isolate everything. It had been his original revamp, the now-rickety porch,
His first project on his fixer-upper after marrying Dorothy West. They'd wed out
In his father's corn field; bought a house a mile or so down the road. Kids were born. Love
          grew,

And in its growing all things tangible and gorgeous – like tangrams piece together – grew:
The farm, the house, savings account and family. They ate hearty; drank canned beer only –
Living was smooth – but it changed when Dorothy took Little Dale and got out.
She wanted what the farm couldn't give or grow, leaving tiny Moody Creek with their son
As the last moon of May, 1955 went up. "*****!" Beau had yelled from the porch.
He'd woken to his Buick's rev and watched its taillights wane upon the
          highway.

And though he remarried, this was, in truth, mostly why Beau never squarely looked upon highway.
The light drizzle grew
Heavy, intensifying. "Gosh **** rain might near knock the coverin' off the porch!"
Hollered Beau. Cletus looked up and blew a cloud of thick grey smoke. "It's only
Rain Beau. No need gettin' ornery." That morning they'd seen off their youngest sons as the sun
Was just rising. One left to work for a dairy ******* in The Valley, the other went to figure
          out

Himself and his career. The porch shuddered. Beau absent-mindedly repeated "If only..."
Daylight died; black inked upon the highway. Cletus lit a new cigarette. Moody Creek grew
Dense, compacted by the darkness. The sun inched away. Cletus hacked and put his cigarette
          out.
This is a sestina. The six end words of the the six lines of the first stanza are repeated in different orders within the following five stanzas. It is all followed by a three line envoy containing all six words.
Cate Dec 2014
We left on the excuse of
Wanting to listen
To
"Just one song".

But when we arrived at the place
That kept us from the outside
We decided to go ahead and drive

And I've never had a smile so big
I was actually scared
My face might rip

And I could die
Or we could drive off a cliff
Or smoke a laced spliff
It makes no difference to me

As long as you're around
Even if that means muddling through
The week
In our seperate towns
Until one of us can come down
For the weekend.  

And we're too loud
But it's only because we're used
To trying to bridge the distance
With a vocalized insistence

That we'll find a way back
Even if it's back roads and red eyes and runny noses

I know how it goes
And I've chosen to stay
When I would usually take the easy way
I'd be out and gone
But we're leaving together
And with you
I try to do less wrong.

Last night
one more song
Turned into a vulnerable
Sob
And awkward consolation
Turned to snot on my shoulder
And the comfort of
Human warmth.

I would address how we should go forward
But I know it doesn't matter

I'll see you again
And you'll catch my spinning head
And I'll hug you
And hug you
And never get enough

Sweet thing,  
You're the good stuff.


12.20.14 cem
Because you can't have a best friend and not write an awful poem for them. For my sweet sweet girl. You know who you are! (For everyone else this was stream of consciousness you can judge me idc I know it ain't great)
Tex Dermott Aug 2015
Cletus told Gertrude
Gertrude told Hilda
Soon everyone knew
*A story that was not true
TJ Struska May 2020
Its all tickety boo
Mnemosyne,
All the squirrels go swingeling along.
Here, have another.
How did you hear about yourself?
Perhaps from the flatware,
They all had lunch one us.
Voluptuous potato pancakes
In pickling brine.
Who would draw up such schematics?
Prudent farming engineers, that's who.
My lesions are legend,
I know them all by name.
They came up all Humpty Dumpty.
It configured a conflagration,
It was like a coming out party
We took up a collection,
It was a formal gratuity-
Like graduating from Radio school.
Who said "ALL ****"?
Sounds uppity at the cocktail convention,
With the swaggering lounge music.
Its really quite benign,
Like sipping soup through a straw.
Its been factory sealed for your protection.
It's safer than a school of sleepy piranhas.
Have I blown the 9 hour interview?
I wore my best Captain Crunch uniform,
It's standard issue.
I checked the latest at Phlegm Central,
They said I best check my shirt.
Then we had light refreshments.

Later that Century,
I was feeding the current machine.
Greedy Son Of A. B!#ch,
It was such a de-happening.
It became much to empirical.
Like a month of Tuesdays every other weekend,
That's the price to be paid
When you haul it up. Snaggletooth Mountain.
It was bemusing, if not hunderstruck.
We crossed into the International Sinus Zone,
From there it got a bit hazy-
All the trains were late.
It went well with the weather.
Cletus wore his camisole nightie,
While I was in my haberdasher hair shirt.
It effulgent, in mocking undertones.
It's peanut pastime of reinforced paint peels.
How does that make me an irregular object.
Let's all get up and March
To the swinging sounds of Sherezade,
Forgetting your conscience as we sidle along.
Hold up the Opera while I make up the lyrics.
How do you turn this **** thing down?
Many poets try to sound like other poets. Me included. I am trying go go back to natural voice.. I'm not putting a star out there. I would like to see if my natural voice sells

— The End —