hay hombres con una historia o dos
pero cab calloway tenía otra historia
a nadie la podía mostrar y le pesaba
más que el Día de la Santa Consolación

¡ah cab calloway hijo!
toda sabiduría es poca eso se sabe
con los brazos hundidos hasta el codo en la espesa marea
se le volvían dulces las mujeres

y terribles como un cuento de hadas
la Bella Durmiente se la pasaba despertando
cómo salir del bosque oscuro
cómo salir preguntaba cab calloway

"por áhi anda el cansancio haciendo ruidos" decía pero no
cab calloway arregló su corazón como una casa
puso la mesa y bebió
a la salud de todos los vivientes

ninguno conocía a cab calloway
pero una especie de huno o vos o calor o luz
se les caía en la cabeza según
cuando cab calloway brindaba

de modo que está bien
el pajarito está contento
salta y salta en la jaula y canta
¡ah cab calloway padre!

un día de estos se murió y lo enterraron con sus pies
que asistieron respetuosos a toda la ceremonia
y después se fueron por el campo
y en la pieza de cab calloway lloraban las mujeres

cuando las lágrimas se secaron
el pajarito se las comió
el pajarito está contento
salta y salta en la jaula y canta

una mujer a lo mejor le abrazaba los pies a cab calloway
antes de que se fueran por el campo
hundiéndose hasta el codo en la espesa marea
ya vueltos dulces dulces

Dearest reader,


My name is Margot Dylan and I am no longer a ******.

I stared at Dianne staring at Frieda Bentley, as she dragged on a Camel Blue and as I dragged my pen across my notepad. I sketched her figure as she walked closer to Frieda, dropping her cigarette on the ground. Frieda smiled at Dianne, as she stepped and twisted her shoe on the smoldering carcass.

And they looked at each other. Not like how normal people look at each other. And Dianne smiled. A smile that was not like any smile Dylan ever gave me.

I felt a hand on my shoulder, with ******* slipping to my collarbone. The ******* tapping belonged to a girl. The girl's name was Thora, a brunette that smelled like bubblegum and 'don't go'. Thora had something in common with Dianne: They both recently came out as gay. Unlike me, both family reactions were fairly positive. In fact, so positive that-What are you drawing?

"Margot?"

I paused, looked at Thora, and looked back at Dianne or Dylan Dunham. "That girl," I pointed in their general direction, as Dianne kissed Frieda on the forehead. Thora followed my finger in time for the kiss on the lips, "the ironic one."

Thora Nelson, daughter of Cameron Nelson and the deceased Geraldine Nelson, looked at my chin and asked, "Who is she?"

Thora's cotton-candy-blues met my puddles of mud, as I looked away, putting my notepad in my backpack. Before I zipped, I grabbed the lime green marker sleeping next to my pack of index cards. My teeth squeezed the leaf colored cap off, as I pulled out the fetus, smelling the aroma of non-toxic afterbirth.

I asked if she wanted a tattoo and she shrugged, "Oh no, you mean I get to choose whether you touch me or not?"

Lightly pressing the fiber tip to her arm, I glanced up at her and shrugged a bony shoulder, "Her name is Dylan Dunham. Well, it's actually Dianne. It's complicated. I used to call her Dylan. She used to call me Margot."

"But your name still is Margot," Thora informed as her eyes followed the acid-green ink trail.

"Some people change, some people don't," I said, with the cap held between my teeth.

I painted her arm in lime hope, by the soda machines. My eyes focused on her pores that I imagined swallowed dirt and bacteria from the side of my palm. I could feel Thora disarm me with her eyes, after I had disarmed her with my words. Her heartbeat echoed inside my grasp.

"I didn't know I was dating Leonardo DaVinci," the words flowing from her mouth.

"I am gay and Italian, so it's not like I was doing a terrific job of hiding it from you," I muttered as I finished and held her pale forearm and bracelet cuffed hand a foot from her face, "Look: it's us underneath a tree."

Turning and wrinkling her nose, she adjusted, moving her head back and forth. " Oh wow. Wow, wow, wow. Meta. So meta. So abstract. Brilliant in its simplicity, deconstructing the concept of natural complexity-"

"Shut up-"

"The tree looks like an umbrella. And we look like we have canes-"

"Those are our fishing poles. In that world, we are fishermen. Fisherwomen. Fishergals-"

"And my **** is too big and your ***** are too small and our smiles aren't big enough-well, at least mine isn't, I can't speak on your behalf," she finished.

Grabbing her arm, I looked at my masterpiece, looked at her, looked at it again, and looked at her again as her smile grew with every glance. "Well, I can see how it'd be up to debate, and you're right: very, very meta. But you do have a big ****, and I'm not one to sacrifice accuracy. Speaking of accuracy: as I look at this green ****, I realized I hit the mark by dating you. Honestly, your **** may have its own zip code..And...I'd like to be in its area? Please stop me."

Her chin touched her knee, as she doubled over, laughing. I played with her hair, wrapping her bangs around my fingers. As my hands were enveloped by her dark hair, I found a scar on her crown. I imagined Thora's milky-white fingers scrubbing through shampooed locks, trembling across the zig and zag of removed glass.

I imagined Thora Nelson, of Cameron Nelson and the deceased Geraldine Nelson, hearing sirens instead of water hitting the tiles. Her slumping to the floor, as lather and water runs down her face, each tear a memory of being dragged out of a steel ribcage, onto broken glass jungle pavement. It was too easy yet too difficult to imagine her staring at the steaming showerhead. It was too easy yet too difficult to imagine her reaching towards a metallic carcass growing in flames.

Her hand grabbed my leg and I saw her for what might have been the first time.

"Hey you. Listen. Are you listening?"

I nodded.

"I'm in love with you, Margot Dylan. Like, really in love. To the point to where I feel like I'm in a Jennifer Aniston rom-com. It's disgusting."

I didn't know what happened between my exploration of her hair and her pale face studying mine, but, before I knew it, my blood shook and barbed wire nerves orbited around pieces of my body.

The ricochet of a soda can smacking the mouth of the machine sounded. Time was either too fast or too slow, as I looked at Thora's cheap mascara eyes and chapped, soft pink lips. She was the type of girl that could make someone happy not to believe in god.

"And I love you. To the point to where I'd refuse Hogwarts because of not being able see you during the school year."

"How sweet, I know how badly you wanted to get into Ravenclaw," she smiled.

"Sacrifices must be made in the name of love, you know. And it ***** because you're not even my type," I admitted.

"Oh, how tragic. And what is your type, if I may ask?"

"You may, thank you. And the falling in love type," I'm an idiot.

"Could you be anymore cheesy?"

"Mozzarella."

She stopped and looked at me, "Hey, but really, I'm in love with you. It's real."

"I love you, too."

Her eyes were speckled,"You really love me, Margot Dylan? Because I'll believe you."

I leaned in, softly placed my hands on her cheeks, breathing the word, "Yes." I alternated between staring at her mouth and her eyes, as her lids began to drop.  My lips started to dab hers and soon grab, as if soft hooks grew out of and connected our flesh. I found the corner of her mouth, the summit of her cheek, and each crease in her lips. Nine or ninety seconds past before I stopped, pulled away, and looked into her eyes. "Hogwarts is overrated anyway," I lied. She laughed.

Her face was red, as she looked down while covering her face, "Don't look at me, I'm a dork. I'm being a loser. I'm infected."

"It's okay. You can be my infected dork and we can be losers together," my voice was a rasp.

"It really isn't. You see, my face always becomes extraordinarily red after I kiss or am kissed by someone, especially by someone beautiful. And it doesn't help that I've never been kissed by someone I love. And I've never kissed a girl before and I'm really glad you were the first, so there. Gah," her hands fenced her face,"I'm just going to hide behind these hands, don't mind me."

I was in love, "For how long?"

"Probably forever, I don't know. Or until the next installment of American Horror Story, I haven't made up my mind yet."

We heard Ms. Calloway scold Dianne about smoking on school grounds. I looked at Thora and the bell rang. Her hands slowly dropped, as everyone started to move in blurs. Bodies gaining more and more distance. Inches became miles. Feet grew into light-years, and, before I knew it, Thora kissed my cheek and said, "I hope I see you later, okay?"

My hand had something in it. My fingers unfurled and revealed high school origami. My name was on it, with a heart or a ****-I'm the artist in the relationship. I began pulling on *****, the tips of my fingers breaking the paper safe. So delicate must have been her mysterious movements.

I opened it.




A pebble flew from my hand and blipped off her bedroom window. Funny thing about bedroom windows, they look the same at 12:03 am. Or maybe they look a little different when the person you love is behind the glass, as you do an eighties-film-esque pebble throw. Before my next pebble hit the pane, her bedroom light came on.

Navy blue curtains disappeared to the sides as Thora came to the window and rubbed her eyes. A second later, she was gone as I imagined her sneaking past her father's bedroom, quietly down the stairs, and through the foyer. As I imagined this, I could hear the front door being unlocked and creaking open. I walked towards the porch and a yellow glow escaped with a silhouette living in it.

Thora's left hand is burnt, but I don't mind and I don't think I ever will. She held my hand as we walked through the threshold. At first I was nervous when I saw her father in the living room, but I instantly realized that he was passed out, as my eyes found empty beer cans sleeping beside him and around him.

"It's not like this every night," she whispered, "he just has trouble with certain months."

Thora tucks her toes when standing in place. When we were walking up stairs, I knew she would be embarrassed if I looked at her toes, so I kept my eyes on the second floor. I don't understand why she feels this way, though. She has very nice feet, and that's coming from someone who thinks feet are gross.

We walked past punched in doors adjacent to perfect picture frames. Her mother was a beautiful woman.

As we approached Thora's sticker-clad door, she turned to me and whispered, "You're about to enter the only place in the world I feel safe. So, please don't break my heart in it and please use a coaster."

My thumb kissed her smooth burn, as I took my first steps into her bedroom. The light-switch flicked and her room illuminated. There were movie posters hugging the walls, pinned to a bulletin board were pictures of lost people and found memories. She looked at me and whispered, "I don't know how to keep people."

We stood before the side of her bed and I looked at her smile, "You sure you want to do this?" Thora nodded and I reached towards her thighs to lift the bottom of her shirt. Lifting it over her head, I looked at her porcelain figure clad in black *******. I tossed the grey shirt onto her bed.

My eyes swam from her belly button to her *******. My fingers approached and stopped until she said it was okay. Tracing her curves, scars, and stretch marks, she pet my fingers. Thora glanced at my hands on her ******* and then at me, cooing, "I'm sorry."

My hands slid to her sides, "Sorry for what?"

She shrugged, "I don't know," her eyes spilling, "Sorry for this," she motioned at her torso as she stared at her bulletin board and then at me before looking away again, "I want to be perfect. I want to be perfect for you."

"Oh no, no, no," I asked for her hand and then placed it over my left breast, "Can't you feel how beautiful you are?"




Her arm was under my ******* and her hand was on my rib, occasionally running her fingertips across the bumps. She slept with her leg wrapped around mine, staying as close as she could to me. I looked at her, in her slumber, and left a faint, burgundy stain on her forehead. I reached towards our shins and pulled the black cover over our fused bodies.

I feel like I have been in a coma for seventeen years and I've just woken up. If I could, I'd stretch this moment over centuries and use it to smother wars. This relationship probably won't last past my senior year, but that's okay. It truly is.

In this moment, Thora Nelson is the love of my life, and, in ways I don't understand yet, that is the most beautiful thing in the world.



May the sun set in our eyes forever,


Margot Dylan

Etta James, oh the lady could sing.
Sarah Vaughn,when I hear Anita Baker in away it's Sarah.
If you never knew one of the two.
You would swear they was one.

Billy Eckstein, during his time.
Mister B, was smoother then Billy Dee Williams.
And he had away of mastering a song.

Which we saw when David Ruffin came along.
Who was a rival to Sam Cooke?
A master of the coolest romantic hooks.

He might have been a little different.
Except Chuck Berry can't be deny his dues.
Johnny B Goode, is nationally known.

The color country boy in his song could play.
Yes, he had to change the word to suit the segregation days.
But Johnny B was African American in everyway.

Who doesn't believe that when you see Morris Day?
That he owe his style to Cab Calloway.

The role of an African American diva could be trace to Lena Horne.
Or maybe actress Freddi Washington.
Or opera star Marion Anderson.
Who sometimes don't get recognition like they should.
Almost like Dorothy Dandridge doesn't.

Still they played on like Josephine Baker.
Who like George Washington Carver faces hostility and problems?

We still trying to educate people about Charles Drew.
Who fame is traced to the blood floating within you?

Against the greatest of odds.
They adapted and blazed a trail.
Through the roughest of times.
They was determine to be.

Who doesn't know Little Richard?
Who borrowed heavily off of gospel singer Billy Wright?
And soon was creating truth within his lyrics.
Until others came along and water them down.

We know truth still is avoided by them.
Except for the man that sung about a hound.
Which wasn't at all about a dog.
But about a cheating man.
Sung beautifully by Big Mama Thorton.

But then no man plays the guitar better.
Then Marva Collins or Rosetta Throphe.
Yes, these women could play.

Some people will never understand Malcolm X contribution.
Except, he left many that's seen today.
Just notice the way he never revisted the prison in any negative way.

We marched.
We protested.
And some of the best controversial stars comes from the musical side.

For no other side of music can touch the blues with truth.
Well, I guess country do.
But the blues takes many forms.

Could be about leaving.
Could be about loving.
Or that stuff you do in the dark with your love.

It could be the howlin'.
It might be the scoffin'.
It could be the chasin'.
But like many styles of music.
Some knows they was creating babies.

Which leads us to Marvin Gaye and Teddy Pendergrass.
Where the Love TKO and Let's Get It On still is the songs.

It's an African American tradition of the past.
That affects the future too.
For stars of yesterdays.
Are seen in stars of today.

A Legacy.
And we know legacies doesn't fade.

Some say, we don't need black history month.
When in truth we do.
Would the contribution of African American be taught truthfully.
If we had to depend on you know who?

Obviously, they very unaware of several successful black that contributed to America's greatness.
We, very well aware they edited down facts to be turn into fiction.
Like that president that chopped down that cherry tree.

Many doesn't know the plight of Washington, Dubois, Carver.
Let alone know their first name.
It's hardly taught, if it's about us.

George Franklin, Grant-dentist
Ernest Everett, Just.-Scientist
Josh Gibson, one of the greatest baseball player.

We know very well about George, Thomas and James and John Q.

Some say, we all Americans
And in truth, they completely right.
But for reasons very well known.
We are not all equal in sights of others.

When needed, they call upon us to join in.

Some still, say-why do Black history month exist?
But all cultures knows none was eliminated through times.
Than those captured to come here and renamed after their masters.

And facts be told, this cultures lives to embrace into their children's if nothing is ever mention by certain teachers about their cultures.
Than they will keep it before them.

Matthew Alexander, Henson-Explorer
Billie Holiday-singer
Duke Ellington and Count Basie and Cab Calloway.

Greatness, we can't let fade.

Vernon Jordan
Shirley Chilsom
And hosts of present days teachers that push the issues to educate.

Those that say, we don't need Black History months.
Be crying , if we try to eliminate theirs.
Cause that's all they ever known.

Howard University.
Tennessee State and Fisk and various others came to be because of discrimination.
And has turned out some brilliant African Americans.

So our history is needed.
Cause it's about us.
Like Latin History and various others is about other cultures.

It's spandex
It's flannel
It's all the same
Grunge took over metal
Get back to jazz
Viper baby
Not on display
Not a novelty
No sneaking
Sneak out...
Louis Jordan
Cab Calloway
Robert Johnson
Howlin’ Wolf
30’s speak nasty
Melody Room
Parker
Coltrane
History
Dolls and The Doors
Intimacy
Feel it
Underground
Cabaret
Something wild
Mystery
Evil
Johnny Cash
Whiskey Sam
Drive on
Rainbow baby
Sunset
Snap

pride
falling from a
suspension
bridge

easy
death leap
sparks
a final
thrill ride

splashing
down with
conclusive
thudness

an epic
detritus
skimming
along the
heave of long
regretfull
rivers

buoyantly
bobbing
atop eddies
of hubris
cresting
aimlessly into
nothingness

one way ticket
expiration dates
are strictly
enforced on
leapers

but the final
gulps of
briney pride
swallowed
by loved ones
chokes them
in welling
floods of
unresolved
incomprehension

forcing the
bereaved
to forever swim
in a churning
flotsam during
unexpired
lifetimes

Cab Calloway: Jumpin Jive

Paterson
10/24/13
jbm

I (fabrication)

Arthur Quincy folds his arms together
Sensing that interfering desire again!

Cant shake this fugue
Or forget the bad stuff he used to take/
Its a lingering presence/

The residual ash in his eyes blinking coffins & dazzling premonitions to the other smalltown poets writing in
Their kitchens to the sound of
Wheatgrass dancing outside in June and
A vacuum's warm considerate hum
From upstairs.

Post office on strike and
Cars being made with straw MAN he thinks
What happened here???
The day crossed out with faulty watches
And parkbench *** fantasies
& the crude laughing regular here
Sipping his tea
Wondering if he'll ever be as much a hit with the ladies as he was in the 1970s

Former beggarman Quincy lays himself out in an empty parking lot feeling invulnerable to the snow

As it collects over his shirt he whistles a happy tune from a date he went on before

The great sourness shelled him out of
Social fulfillment.

Now he keeps to himself
Making stories out of his bedroom and
Crying
crying for
His first love &
The laundry place shut down now wheres he gonna go/

Old Quincy used to smoke expensive tobacco but has since decided to save it for whenever he remarries. Or a brilliant morning where the neighbor sleeps in so he can sleep in too.

The view from his window is a continous rotation of wet crows who peer in and for a brief moment see the man's hands to his head making sure his hair hasn't fallen off yet..
House walls heavy with age
expose themselves occasionally
With an after image of past inhabitors,
The essence of their dry lips
Or olive cotton sweaters hanging from a rocking chair,
The enthusiasm of a corner lamp
Unappreciated by all
Past and present.

II (veteran romantic)

Arthur Quincy shelters his mind from strange ideas
Or conspiracy he hasn't "lost it" yet at least!

He has a hobby of painting the active society and
Expresses mood as colorful clouds
Floating out the skull of us to
Blend in an energy pollinating the
Deli and antique shop and yoga studio
V A P O R
to be swallowed by accident and catch the empathic disease of the
Depressed and jubilant simultaneous,
Makes easy living confusing and
Impossible to achieve in an absolute way!
He carries this belief
When interacting with others
Arthur Quincy understands
That balance is key to fulfillment
(so far as his life is concerned)

However, hardly anyone has seem him laugh and so assumes he doesn't have the ability to.
In reality he saves his joy and holds it to lift his lungs from despairing all day long to be released
Late afternoon in the comfort of home
As a display of feral bellows and supernatural ecstasy. This seems somewhat overromantic and exaggerated but someone has claimed to have had the rare pleasure of witnessing it!

Arthur calls the same address once a week, an anonymous voice speaks from the line opposite and while mysterious
It is clear he adores this voice. He adores the unacted subtlety and passion in this voice.
He smiles when he hears this voice which is simply enough.

Nearby those naive poets use Arthur as a muse sometimes too directly
Often referencing rumors of his hermetic life
Or retreating into his headspace
Unrealistically blowing his experiences into fable
And turning even his stirless sleep into a fabulous fruitbasket of language.

On the surface he appears forlorn and
Bitter with the winter gradually molding to his skin. Like anyone can tell you he has felt this before! Haven't you? But through all the stories and impossibilities of Arthur he is reserved in his
Knowing of important things. He is reserved in revealing that he not only knows how music sounds but where music comes from. He never reads the newspaper out of habit to feel in-the-know. He never lies about his feelings or his intentions.
Arthur exists in the
Glow of himself
And persists on breathing the glow of the street,
He is a wordless poet and veteran romantic.

III (funeral)

One day Arthur passed away a few weeks from Thanksgiving.
His name put on the paper he never read
And examined by a young girl
Who was only hearing of him now.

"Arthur C. Quincy/ 73/ passed away this Saturday. To be remembered as a quiet and misunderstood man envigored with the lightness only percieved by a rare and special few"

This description came as a surprise to those who knew Quincy as the claustrophic and uninteresting grump
Who's sidewalk idlings were unexplained and strangely hostile.

He saw the sky and its shifting canvas,
He saw the distant cats leaned on balconies impressed with the daytime ambiguity in firestations and libraries.
He would conjur a grin
From the passive conversation between a mother and her son.
He once saw two strangers fall for each other on the bus! A conjoined sun had bloomed between them.

Just a few attended the funeral. Upon inspection of his house following Arthur's death, someone found a will left for Helen Ashbury. A 55 year old woman who lived a three day drive away in Michigan..An identity to his weekly telephone fantasy!
It assumed all of his belongings to her, among them a military grade flashlight with his carved initials, a photograph of his time as a lumberer signed to "Peter! All the best in Costa Rica" and a copy of W.C Williams collected poems. Where folded on page 206 as part of the poem "Orchestra" was highlighted

"I love you. My heart is
innocent.
         And this is the first day of the world!"

Eventually Helen Ashbury received the news of Arthurs passing, as well as these things.
At the sight of the poem she wept,
the man she only knew through a voice after years of correspondence.
Upon being questioned she refused to explain their meeting in the first place. That was a special time, a time which the public would misinterpret or slander with rumor.
While Arthur wasn't widely loved in the town during his life, he was a popular topic from death on. As more information came out! Serving in world war II and his companionship with a parisian ***,
Who shared the wonder of the rooftop and spoke on the value of tea as a food replacement.
He once met a girl there at a dance and in a show electrified with lust they moved to Lucienne Boyer without the knowledge of who would win the war.
He had a son with her, Who resided in France most of his life as Quincy regrettably
Abandoned their situation to
Pursue other things, in his journal he admits his wish to have connected with him more, referring to his leaving as the worst mistake in his life.
All of this masked behind his firm neutrality. His walk lacking suggestion and his wrist without the delicacy of a painter (not that people knew he painted and so didn't pay attention to anything like that)

He was buried by noon. Some say his son was at the funeral. People gave their partings, and Helen wanted so badly to say goodbye to him. Instead left with his curios and his infinite voice.

IV (i'll be around)

The following year at a yard sale Helen came across a series of musty and used records. In the stack of them was a Cab Calloway compilation. Nestled in his desperate wailings and hi-de-** was the track "I'll Be Around" a slow and patient song that Arthur sang to her once. She recalled that night with ease, and felt her shoulders sink at the thought.
The album was $4, on the drive home she watched the trees shake with the wind, their leaves transluscently pale at the angle she was going. She could feel a weight there in her chest. The weight of him, of his heart supposing itself onto hers magnetically. She rolled down the windows and let the wind surround her, blowing her blonde hair back and forcing her to squint a little.

"I love you. My heart is innocent"

she recalled the poem he left for her. Of course not written by him but it felt as deeply personal as if he had.

"-and this is the first day of the world!"

Helen lifted a cigarette out from her purse. The drag extinguishing immediately as it's trail left the car. A bewilderment slowly consumed her.

Orange colored skies
Tales of burned empires
Days when party bosses were kings
In the era that Boss Tweed pulled the strings
I walk these city streets and each corner speaks volumes of history to me
But your street remains a mystery
Untouched and ivy grown
I hear the distant sounds of a trombone
Harlem calls to me to listen
Having never been there, i dont know what im missing
But i long for the days where jazz was the popular music
Back in the days of grand old acoustic
Bass, drums, piano, and trumpet
Cab Calloway, Count Basie and the beating of a drumstick
Im not certain i was born in the right age
But pondering ifs and or buts is the work of a sage
There is however one thing i know for sure
That in all of time and history, id like to be your cure

i watch you in the livingroom

how beautiful your feet in boots
your thighs in those faded jeans
your biceps in that blue shirt
& as you reach and bend
i’m passion struck

if you knew
your body is a dinner bell
that invites me
to want to taste you
& your kiss
makes music play
deep in the bass
of my hips
would you
kiss me
till Calloway's band
brought the house down
dance with me
till i couldn't catch my breath
strum your fingers
on my strings
till my legs trembled
to open up
and let you in

would you come to me then?

a lifetime
it will take a lifetime
of welts and pain and things I didn't necessarily had to forgo
because
I don't know
it's clear I struggle
obscured and muddled
my mind is
drugged and over-doubled
and if it all gets to me
know it isn't you

It’s the summer of 1937  
Gertrude is only fourteen  
She and her older sister sneak out of the house  
And Gertrude’s eyes have that certain gleam  
  
She’s mesmerized by the big city lights  
It’s something they’ve never seen  
They go into a club to see Benny Goodman  
As the big jazz band plays Sing, Sing, Sing  
  
-      -      -  
  
Henry has just turned twenty-five  
He and his friends go to see Cab Calloway  
They dance having the time of their lives  
Jumping and jiving celebrating his birthday  
  
Drinks and libations, it’s a celebration  
Henry and his friends are enjoying the show  
Cab on stage sings “hidee, hidee, hidee, hi”  
And everyone replies “hidee, hidee, hidee **”  
  
It’s the fall of ‘51  
  
-      -      -  
  
Sylvia lowers the needle on to the record  
Seeing Duke’s name go around and around  
And the piano starts with a pretty rhythm  
Then the band joins with a big wall of sound  
  
The records starts with it don’t mean a thing  
Sylvia is dancing by herself in the living room  
The eighteen-year-old gives it a good swing  
Sylvia is dancing by herself with a broom  
  
Spring 1946  
  
-      -      -  
  
Roger and his friends have a free weekend  
They hear Glenn Miller is in the neighborhood  
So they take a cab to a jazz club downtown  
And you guessed it, they were in the mood  
  
Inside the club Roger sees a beautiful brunette  
He knew he’d remember this for the rest of his life  
Summoning some courage he asks her to dance  
That was the night Roger met his wife  
  
May 1st, 1944  
A week later he went off to fight in the war  
  
-      -      -  
  
Oh to dance  
To romance  
To take a chance and be young forever  
To have those moments frozen in time  
To have them resurface from the darkness  
To have them move and groove again,
it’s divine…  
  
Henry cries remembering that night  
Sylvia recalls dancing all alone  
Gertrude’s eyes gleam, lucid once again  
And Roger knew he’d make it back home  
  
The nurse smiles as she plays another song  
The iPods are filled with a big jazz catalog
Memories seems to come flooding back  
Temporarily lifting dementia’s fog  
.  
.  
.  
That’s the power of music